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Hero
Songs like
Hero
by
Michael Kiwanuka
Based on a tempo of (+/- 10%) and a similar genre
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Villagers
Did You Know?
95 bpm • D Maj • 03:30 • -11.94db
33% Popularity • 59% Danceability • 49% Energy • 9% Liveness
14% Instrumentalness • 23% Positiveness
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The Raconteurs
Help Me Stranger
95 bpm • E min • 03:36 • -7.73db
31% Popularity • 51% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Kurt Vile
Bassackwards
95 bpm • G Maj • 09:46 • -9.26db
41% Popularity • 63% Danceability • 57% Energy • 24% Liveness
72% Instrumentalness • 39% Positiveness
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Arlo Parks
Hurt
95 bpm • E min • 03:36 • -9.49db
56% Popularity • 68% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Michael Kiwanuka
Hero
95 bpm • E min • 03:19 • -3.4db
51% Popularity • 53% Danceability • 94% Energy • 10% Liveness
85% Instrumentalness • 53% Positiveness
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UNKLE
On My Knees (Rōnin Def Mix)
95 bpm • A Maj • 05:00 • -6.4db
24% Popularity • 27% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
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Marlena Shaw
California Soul
95 bpm • G# min • 02:57 • -8.41db
66% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Bibio
Old Graffiti
95 bpm • A# min • 03:28 • -7.19db
48% Popularity • 64% Danceability • 91% Energy • 4% Liveness
80% Instrumentalness • 97% Positiveness
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Kurt Vile
One Trick Ponies
95 bpm • A min • 05:21 • -5.32db
44% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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DOPE LEMON
Home Soon
94 bpm • D Maj • 02:57 • -7.5db
61% Popularity • 70% Danceability • 74% Energy • 29% Liveness
38% Instrumentalness • 96% Positiveness
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Sam Fender
Play God
94 bpm • A# min • 03:45 • -6.29db
60% Popularity • 71% Danceability • 71% Energy • 12% Liveness
5% Instrumentalness • 60% Positiveness
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Otis Redding
Hard to Handle
96 bpm • A# Maj • 02:21 • -8.67db
68% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Primal Scream
Movin' on Up
94 bpm • F Maj • 03:48 • -12.44db
61% Popularity • 52% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Celeste
Love Is Back
96 bpm • E min • 04:16 • -4.97db
53% Popularity • 52% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Kiwanuka
I'll Get Along
94 bpm • A Maj • 03:26 • -9.88db
54% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Nick Cave & The Bad Seeds
Into My Arms
94 bpm • C Maj • 04:16 • -17.8db
65% Popularity • 48% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
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Cassandra Violet
Beyond the Fray
94 bpm • C Maj • 02:55 • -11.1db
40% Popularity • 68% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Khruangbin
C-Side
94 bpm • B min • 04:43 • -10.13db
58% Popularity • 68% Danceability • 78% Energy • 34% Liveness
13% Instrumentalness • 95% Positiveness
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Absynthe Minded
Cherry Picking
96 bpm • F# Maj • 03:15 • -6.5db
28% Popularity • 78% Danceability • 61% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
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J.J. Cale
After Midnight
96 bpm • D Maj • 02:23 • -19.32db
65% Popularity • 69% Danceability • 31% Energy • 9% Liveness
7% Instrumentalness • 52% Positiveness
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Son Little
mahalia
96 bpm • E min • 03:54 • -10.14db
31% Popularity • 76% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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The Milk
Wanderlust
94 bpm • F min • 04:54 • -6.84db
23% Popularity • 60% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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LEISURE
Got It Bad
96 bpm • B Maj • 03:25 • -10.05db
50% Popularity • 79% Danceability • 47% Energy • 7% Liveness
8% Instrumentalness • 53% Positiveness
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Charles Bradley
Lucifer
94 bpm • G Maj • 03:32 • -5.25db
28% Popularity • 59% Danceability • 94% Energy • 19% Liveness
5% Instrumentalness • 54% Positiveness
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The Black Keys
Eagle Birds
94 bpm • B min • 02:40 • -4.95db
51% Popularity • 51% Danceability • 78% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
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Lianne La Havas
Green & Gold
94 bpm • G Maj • 04:38 • -8.46db
58% Popularity • 70% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 28% Positiveness
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Absynthe Minded
Easy
96 bpm • D Maj • 05:20 • -10.82db
29% Popularity • 74% Danceability • 40% Energy • 9% Liveness
20% Instrumentalness • 81% Positiveness
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Nadine Shah
Kitchen Sink
96 bpm • A min • 03:36 • -8.61db
22% Popularity • 86% Danceability • 50% Energy • 8% Liveness
4% Instrumentalness • 56% Positiveness
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Air
All I Need
94 bpm • G min • 04:28 • -11.58db
65% Popularity • 33% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Tom Misch
What Kinda Music
96 bpm • F min • 03:50 • -9db
52% Popularity • 52% Danceability • 56% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
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Tom Jones
Talking Reality Television Blues
94 bpm • C Maj • 06:29 • -11db
25% Popularity • 39% Danceability • 59% Energy • 8% Liveness
7% Instrumentalness • 70% Positiveness
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Michael Kiwanuka
It Always Comes Back Around
96 bpm • A# min • 03:19 • -12.94db
45% Popularity • 70% Danceability • 40% Energy • 10% Liveness
46% Instrumentalness • 46% Positiveness
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Love
Everybody's Gotta Live
96 bpm • E min • 04:03 • -7.32db
40% Popularity • 48% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Curtis Harding
Where We Are - Edit
96 bpm • A min • 03:58 • -5.36db
34% Popularity • 48% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Nick Mulvey
Meet Me There
97 bpm • E Maj • 03:26 • -7.49db
57% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Eagles Of Death Metal
Family Affair
93 bpm • G# min • 03:44 • -5.82db
44% Popularity • 74% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Mattiel
Count Your Blessings
97 bpm • D# min • 03:16 • -3.21db
48% Popularity • 38% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Kiwanuka
You've Got Nothing to Lose
98 bpm • B Maj • 03:20 • -13.07db
41% Popularity • 47% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Paul Weller
On Sunset
98 bpm • D min • 06:34 • -7.85db
29% Popularity • 57% Danceability • 67% Energy • 90% Liveness
2% Instrumentalness • 68% Positiveness
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Curtis Harding
Where We Are
97 bpm • A min • 07:40 • -5.59db
31% Popularity • 52% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Nick Mulvey
Unconditional
97 bpm • F# min • 03:44 • -7.04db
49% Popularity • 59% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Rodríguez
Sugar Man
98 bpm • F Maj • 03:49 • -6.54db
63% Popularity • 46% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
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Bill Withers
Lovely Day
98 bpm • A Maj • 04:14 • -8.27db
79% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Michael Kiwanuka
Always Waiting
92 bpm • A# min • 04:30 • -10.6db
42% Popularity • 43% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Warhaus
Mad World
98 bpm • F# min • 03:39 • -8.14db
41% Popularity • 68% Danceability • 54% Energy • 43% Liveness
20% Instrumentalness • 77% Positiveness
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Vampire Weekend
Harmony Hall
98 bpm • B Maj • 05:08 • -6.09db
62% Popularity • 65% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Nick Mulvey
Cucurucu
97 bpm • F# min • 04:27 • -7.93db
56% Popularity • 56% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Ian Brown
First World Problems
98 bpm • C Maj • 05:57 • -9.11db
35% Popularity • 63% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Al Green
Tired of Being Alone
98 bpm • G Maj • 02:52 • -8.59db
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Michael Kiwanuka
Tell Me A Tale
98 bpm • G Maj • 04:09 • -8.78db
45% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Curtis Harding
It's Not Over
98 bpm • C Maj • 03:53 • -5.1db
30% Popularity • 64% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Sharon Jones & The Dap-Kings
This Land Is Your Land
98 bpm • F# Maj • 04:30 • -5.3db
47% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Ann Peebles
I'm Gonna Tear Your Playhouse Down
98 bpm • G min • 02:45 • -12.52db
50% Popularity • 73% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Queens of the Stone Age
Make It Wit Chu
92 bpm • A Maj • 04:50 • -5.29db
68% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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This Is The Kit
Moonshine Freeze
98 bpm • F# min • 03:41 • -9db
39% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Dan Auerbach
King of a One Horse Town
92 bpm • A min • 03:46 • -5.06db
49% Popularity • 57% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Khruangbin
White Gloves
91 bpm • D min • 03:38 • -13.96db
67% Popularity • 64% Danceability • 30% Energy • 57% Liveness
83% Instrumentalness • 77% Positiveness
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Supergrass
Tales of Endurance, Pt. 4, 5 & 6
91 bpm • A min • 05:31 • -7.6db
41% Popularity • 28% Danceability • 65% Energy • 22% Liveness
39% Instrumentalness • 12% Positiveness
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Charles Bradley
Heart of Gold
91 bpm • E min • 03:03 • -7.62db
63% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Queens of the Stone Age
Make It Wit Chu
92 bpm • A Maj • 03:50 • -5db
35% Popularity • 71% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Thomas Dybdahl
45
99 bpm • E min • 03:03 • -6.88db
30% Popularity • 75% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Baby Huey
Hard Times
91 bpm • A min • 03:23 • -5.82db
52% Popularity • 66% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Primal Scream
Loaded - Andy Weatherall Mix
91 bpm • G# Maj • 07:01 • -14.75db
52% Popularity • 62% Danceability • 54% Energy • 89% Liveness
58% Instrumentalness • 88% Positiveness
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Kurt Vile
Pretty Pimpin
91 bpm • G# Maj • 04:58 • -9.07db
59% Popularity • 57% Danceability • 66% Energy • 9% Liveness
29% Instrumentalness • 76% Positiveness
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Terry Callier
You Goin' Miss Your Candyman
99 bpm • A min • 07:19 • -12.8db
45% Popularity • 45% Danceability • 65% Energy • 28% Liveness
10% Instrumentalness • 61% Positiveness
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Arlo Parks
Hope
99 bpm • C# min • 04:30 • -9db
52% Popularity • 58% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Labi Siffre
I Got The...
91 bpm • C Maj • 06:24 • -7.59db
49% Popularity • 52% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Bill Withers
Who Is He (And What Is He to You)?
99 bpm • C# min • 03:14 • -12.54db
60% Popularity • 92% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Desert Sessions
I Wanna Make It Wit Chu
91 bpm • A Maj • 03:41 • -5.43db
44% Popularity • 77% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Sharon Van Etten
Every Time the Sun Comes Up
100 bpm • C# Maj • 04:22 • -8.74db
63% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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HAIM
Summer Girl - Bonus Track
100 bpm • C# min • 03:25 • -8db
52% Popularity • 51% Danceability • 55% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
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Baxter Dury
Slumlord
100 bpm • A min • 03:24 • -5db
32% Popularity • 70% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Kevin Morby
Beautiful Strangers
100 bpm • E Maj • 06:15 • -11.13db
57% Popularity • 83% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 89% Positiveness
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Fun Lovin' Criminals
Couldn't Get It Right
100 bpm • D Maj • 03:45 • -7.11db
44% Popularity • 76% Danceability • 79% Energy • 15% Liveness
5% Instrumentalness • 83% Positiveness
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Nathaniel Rateliff & The Night Sweats
You Worry Me
100 bpm • D Maj • 03:34 • -7.72db
64% Popularity • 67% Danceability • 65% Energy • 10% Liveness
29% Instrumentalness • 66% Positiveness
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Andrew Bird
Manifest
100 bpm • C min • 05:17 • -6.4db
53% Popularity • 63% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Balthazar
Wrong Faces
90 bpm • G Maj • 03:57 • -7.08db
39% Popularity • 80% Danceability • 68% Energy • 11% Liveness
26% Instrumentalness • 76% Positiveness
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St. Paul & The Broken Bones
Flow with It (You Got Me Feeling Like)
90 bpm • A# min • 03:16 • -5db
56% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
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Durand Jones & The Indications
Morning In America
90 bpm • A min • 03:51 • -6db
49% Popularity • 81% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Fink
Warm Shadow - Radio Edit
100 bpm • E min • 03:28 • -11.1db
44% Popularity • 69% Danceability • 55% Energy • 11% Liveness
14% Instrumentalness • 32% Positiveness
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Black Pumas
Colors
90 bpm • E Maj • 04:06 • -6.54db
73% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Finley Quaye
Sunday Shining
101 bpm • D Maj • 03:42 • -5.5db
48% Popularity • 60% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Matt Corby
Talk It Out
89 bpm • B Maj • 03:10 • -4.09db
48% Popularity • 38% Danceability • 90% Energy • 16% Liveness
3% Instrumentalness • 53% Positiveness
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Khruangbin
So We Won't Forget
101 bpm • D Maj • 04:58 • -13.21db
65% Popularity • 64% Danceability • 41% Energy • 18% Liveness
84% Instrumentalness • 97% Positiveness
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Odetta
Hit Or Miss
89 bpm • D Maj • 03:54 • -13.34db
53% Popularity • 80% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Charles Bradley
Stay Away
89 bpm • A min • 03:11 • -5db
49% Popularity • 77% Danceability • 71% Energy • 7% Liveness
6% Instrumentalness • 64% Positiveness
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Paul Simon
50 Ways to Leave Your Lover
102 bpm • G Maj • 03:37 • -12.81db
71% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Baby Charles
I Bet You Look Good On The Dancefloor
102 bpm • C# min • 04:28 • -4.94db
42% Popularity • 59% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Nick Mulvey
Begin Again
102 bpm • G Maj • 04:35 • -9db
49% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Maribou State
Feel Good
102 bpm • E min • 04:27 • -8.37db
58% Popularity • 57% Danceability • 76% Energy • 40% Liveness
84% Instrumentalness • 40% Positiveness
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The National
Fake Empire
102 bpm • C Maj • 03:25 • -6.79db
59% Popularity • 32% Danceability • 77% Energy • 7% Liveness
91% Instrumentalness • 31% Positiveness
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Charles Bradley
Lonely as You Are
102 bpm • F# Maj • 04:09 • -8.91db
21% Popularity • 74% Danceability • 44% Energy • 13% Liveness
6% Instrumentalness • 14% Positiveness
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DOPE LEMON
Hey You
103 bpm • A Maj • 04:38 • -12.04db
58% Popularity • 77% Danceability • 42% Energy • 11% Liveness
46% Instrumentalness • 84% Positiveness
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SAULT
Up All Night
103 bpm • G# Maj • 04:15 • -6.57db
51% Popularity • 77% Danceability • 63% Energy • 9% Liveness
48% Instrumentalness • 47% Positiveness
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Phosphorescent
New Birth in New England
103 bpm • F# Maj • 04:59 • -5db
43% Popularity • 56% Danceability • 96% Energy • 53% Liveness
63% Instrumentalness • 60% Positiveness
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Ondara
Saying Goodbye
103 bpm • A Maj • 03:49 • -8db
44% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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The Milk
Deliver Me
103 bpm • C# min • 04:28 • -6.46db
33% Popularity • 63% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The War On Drugs
Thinking of a Place
103 bpm • B Maj • 11:10 • -7.12db
59% Popularity • 48% Danceability • 63% Energy • 12% Liveness
8% Instrumentalness • 16% Positiveness
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Michael Kiwanuka
Black Man In A White World
103 bpm • G Maj • 04:18 • -7.86db
50% Popularity • 62% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Otis Redding
(Sittin' On) the Dock of the Bay
104 bpm • D Maj • 02:43 • -11.23db
82% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Hero