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He's On The Beach - Extended Version
Songs like
He's On The Beach - Extended Version
by
Kirsty MacColl
Based on a tempo of (+/- 10%) and a similar genre
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Kirsty MacColl
He's On The Beach
168 bpm • B Maj • 05:26 • -10.64db
20% Popularity • 34% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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The Proclaimers
Throw the 'R' Away
168 bpm • G# Maj • 02:45 • -12.51db
33% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The Bluebells
The Patriot Game
169 bpm • C Maj • 04:05 • -10.72db
13% Popularity • 47% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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The Pogues
The Sunnyside of the Street
169 bpm • C# min • 02:44 • -10.64db
49% Popularity • 46% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Elvis Costello & The Attractions
(I Don't Want To Go To) Chelsea - 2021 R...
167 bpm • B min • 03:10 • -6db
46% Popularity • 52% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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The Waterboys
Glastonbury Song
169 bpm • F# min • 03:43 • -9.19db
41% Popularity • 44% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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The The
The Beat(en) Generation
170 bpm • C Maj • 03:02 • -17db
36% Popularity • 58% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 77% Positiveness
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Voice Of The Beehive
There's a Barbarian in the Back of My Ca...
167 bpm • E min • 02:38 • -7.02db
13% Popularity • 56% Danceability • 95% Energy • 61% Liveness
0% Instrumentalness • 72% Positiveness
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Kirsty MacColl
A New England
165 bpm • G Maj • 03:52 • -10.92db
44% Popularity • 45% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Ian Dury
What a Waste
165 bpm • C Maj • 03:29 • -14.85db
35% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Julian Cope
Trampolene
170 bpm • A Maj • 03:38 • -7db
30% Popularity • 44% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Deacon Blue
Wages Day
165 bpm • C Maj • 03:09 • -8.73db
19% Popularity • 48% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Tenpole Tudor
Swords Of A Thousand Men
164 bpm • B Maj • 02:56 • -8db
40% Popularity • 29% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Martha and the Muffins
Echo Beach
164 bpm • G Maj • 03:39 • -9.41db
57% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Kirsty MacColl
A New England (12" Mix)
164 bpm • G Maj • 07:57 • -10.83db
10% Popularity • 44% Danceability • 69% Energy • 23% Liveness
1% Instrumentalness • 79% Positiveness
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Red Box
Lean on Me (Ah-li-ayo)
173 bpm • F Maj • 04:25 • -5.86db
37% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Lotus Eaters
The First Picture of You
163 bpm • A# Maj • 03:38 • -16db
41% Popularity • 44% Danceability • 53% Energy • 21% Liveness
1% Instrumentalness • 43% Positiveness
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Voice Of The Beehive
Oh Love
174 bpm • D Maj • 02:56 • -9.78db
8% Popularity • 48% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Divine Comedy
Becoming More Like Alfie
161 bpm • E min • 02:59 • -5.46db
32% Popularity • 56% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Tourists
Blind Among the Flowers
175 bpm • A Maj • 03:31 • -12.35db
15% Popularity • 37% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Kirsty MacColl
There's A Guy Works Down The Chip Shop S...
173 bpm • A Maj • 03:09 • -8.86db
38% Popularity • 37% Danceability • 95% Energy • 29% Liveness
1% Instrumentalness • 39% Positiveness
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Blondie
Dreaming
160 bpm • D Maj • 03:08 • -3.38db
56% Popularity • 30% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Echobelly
Great Things
160 bpm • A Maj • 03:30 • -8.15db
36% Popularity • 32% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Voice Of The Beehive
Man in the Moon
160 bpm • D Maj • 03:13 • -11.12db
14% Popularity • 52% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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The Teardrop Explodes
Reward
160 bpm • C Maj • 02:42 • -4db
47% Popularity • 39% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Paul Heaton
7" Singles
160 bpm • A# Maj • 03:39 • -5.42db
28% Popularity • 46% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Kirsty MacColl
Quietly Alone
163 bpm • F Maj • 02:39 • -11.57db
8% Popularity • 56% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 98% Positiveness
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Fun Boy Three
The More I See (The Less I Believe)
159 bpm • E min • 03:40 • -11db
31% Popularity • 72% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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The Undertones
My Perfect Cousin
159 bpm • A Maj • 02:36 • -10.26db
43% Popularity • 51% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Voice Of The Beehive
I Walk the Earth
160 bpm • D Maj • 03:42 • -5db
21% Popularity • 44% Danceability • 92% Energy • 65% Liveness
0% Instrumentalness • 75% Positiveness
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Hazel O'Connor
(Cover Plus) We're All Grown Up
158 bpm • C Maj • 04:02 • -8.27db
13% Popularity • 39% Danceability • 91% Energy • 28% Liveness
85% Instrumentalness • 86% Positiveness
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The Farmer's Boys
In the Country
158 bpm • D Maj • 03:20 • -10db
12% Popularity • 52% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Kirsty MacColl
Celestine
160 bpm • B Maj • 03:34 • -7.24db
17% Popularity • 64% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Fun Boy Three
It Ain't What You Do It's the Way That Y...
180 bpm • F min • 02:52 • -11.37db
45% Popularity • 68% Danceability • 56% Energy • 64% Liveness
5% Instrumentalness • 89% Positiveness
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Frankie Goes To Hollywood
Born To Run
157 bpm • A Maj • 03:59 • -15db
41% Popularity • 27% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Lindisfarne
All Fall Down - 2004 Remaster
157 bpm • G Maj • 03:47 • -11.33db
13% Popularity • 48% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Heaton
A Little Time - 2018 Version
180 bpm • E Maj • 03:44 • -6.91db
26% Popularity • 38% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Altered Images
Happy Birthday
156 bpm • A Maj • 02:59 • -10.4db
41% Popularity • 57% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Kirsty MacColl
Innocence
179 bpm • C Maj • 04:09 • -4.38db
19% Popularity • 42% Danceability • 93% Energy • 90% Liveness
0% Instrumentalness • 72% Positiveness
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Ian Dury
Sweet Gene Vincent
156 bpm • C Maj • 03:35 • -9.37db
37% Popularity • 45% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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The Waterboys
And a Bang on the Ear
181 bpm • G Maj • 07:25 • -11.93db
42% Popularity • 43% Danceability • 67% Energy • 7% Liveness
2% Instrumentalness • 86% Positiveness
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Squeeze
Goodbye Girl
156 bpm • D Maj • 02:58 • -14db
42% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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The Specials
Enjoy Yourself (It's Later Than You Thin...
155 bpm • G Maj • 03:41 • -7db
40% Popularity • 44% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 87% Positiveness
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The Boomtown Rats
When The Night Comes
154 bpm • E Maj • 04:45 • -4.43db
21% Popularity • 48% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Kirsty MacColl
Innocence (Single Remix)
180 bpm • C Maj • 04:02 • -3.84db
9% Popularity • 36% Danceability • 98% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
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The Divine Comedy
Generation Sex
154 bpm • A min • 03:31 • -6.54db
28% Popularity • 49% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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The Proclaimers
Oh Jean
183 bpm • A Maj • 05:55 • -12db
31% Popularity • 25% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Elvis Costello
Veronica
154 bpm • C Maj • 03:09 • -7db
48% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Fun Boy Three
Well Fancy That
184 bpm • C# Maj • 03:05 • -14db
24% Popularity • 56% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Eddi Reader
Glasgow Star
184 bpm • C Maj • 04:52 • -9.16db
20% Popularity • 32% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Voice Of The Beehive
Just a City
184 bpm • D Maj • 04:27 • -8.91db
8% Popularity • 29% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Kirsty MacColl
Wrong Again
153 bpm • G# Maj • 04:15 • -8.78db
12% Popularity • 50% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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The Men They Couldn't Hang
A Night To Remember
152 bpm • G Maj • 03:14 • -13.14db
14% Popularity • 47% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Toyah
Thunder In The Mountains
153 bpm • D min • 03:35 • -7.78db
27% Popularity • 44% Danceability • 82% Energy • 82% Liveness
0% Instrumentalness • 70% Positiveness
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Haircut 100
Fantastic Day
152 bpm • G Maj • 03:13 • -14.38db
40% Popularity • 45% Danceability • 61% Energy • 4% Liveness
4% Instrumentalness • 85% Positiveness
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Paul Heaton
A Good Day Is Hard To Find
152 bpm • A# Maj • 04:12 • -4.82db
22% Popularity • 52% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Lloyd Cole and the Commotions
Rattlesnakes
152 bpm • A Maj • 03:27 • -9.95db
46% Popularity • 46% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Kirsty MacColl
Turn My Motor
151 bpm • A Maj • 02:27 • -10.99db
9% Popularity • 56% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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The Style Council
Walls Come Tumbling Down
151 bpm • E min • 03:24 • -6.16db
52% Popularity • 43% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Toyah
I Want To Be Free
151 bpm • D Maj • 03:10 • -4.29db
32% Popularity • 48% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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The Undertones
Wednesday Week
150 bpm • F Maj • 02:17 • -10.68db
33% Popularity • 34% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Adam & The Ants
Prince Charming
150 bpm • A Maj • 03:18 • -9.53db
45% Popularity • 54% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Aztec Camera
Pillar to Post
150 bpm • E Maj • 04:01 • -8.27db
26% Popularity • 59% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Squeeze
Another Nail In My Heart
150 bpm • E Maj • 02:56 • -14db
47% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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T. Rex
Ride A White Swan
149 bpm • G# Maj • 02:14 • -6.6db
48% Popularity • 33% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Blades
Ghost of a Chance
149 bpm • A Maj • 03:26 • -9.09db
28% Popularity • 51% Danceability • 71% Energy • 5% Liveness
3% Instrumentalness • 97% Positiveness
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Kirsty MacColl
Mambo De La Luna
149 bpm • D Maj • 04:38 • -6.61db
20% Popularity • 66% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Deacon Blue
Raintown
149 bpm • E min • 03:50 • -10.5db
14% Popularity • 54% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Toyah
It's A Mystery
148 bpm • F min • 04:08 • -4.71db
37% Popularity • 48% Danceability • 91% Energy • 30% Liveness
1% Instrumentalness • 40% Positiveness
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The Bluebells
Cath
148 bpm • G Maj • 03:49 • -8db
21% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The Proclaimers
Cap in Hand
148 bpm • D Maj • 03:24 • -11db
37% Popularity • 57% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Lloyd Cole and the Commotions
Rich - Remastered
147 bpm • F# Maj • 04:24 • -11db
30% Popularity • 57% Danceability • 72% Energy • 17% Liveness
33% Instrumentalness • 84% Positiveness
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Kirsty MacColl
Perfect Day
147 bpm • A Maj • 03:51 • -9.96db
27% Popularity • 45% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Julian Cope
The Greatness And Perfection Of Love
147 bpm • G Maj • 03:15 • -11.03db
27% Popularity • 51% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 58% Positiveness
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Blondie
Sunday Girl - Remastered 2001
146 bpm • A Maj • 03:05 • -7db
49% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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The Bluebells
Cath - Remix
147 bpm • G Maj • 03:09 • -10.71db
8% Popularity • 46% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Chas & Dave
Ain't No Pleasing You
146 bpm • A# Maj • 04:12 • -9.13db
40% Popularity • 47% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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The Boomtown Rats
Like Clockwork
145 bpm • A min • 03:43 • -4.53db
30% Popularity • 61% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Kirsty MacColl
Patrick
146 bpm • D Maj • 03:09 • -13.17db
11% Popularity • 53% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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The Boo Radleys
Wake up Boo!
145 bpm • F# Maj • 03:37 • -7db
46% Popularity • 47% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Squeeze
Cool For Cats - Live at The Fillmore
145 bpm • C Maj • 03:10 • -8.26db
32% Popularity • 69% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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The Bluebells
Cath
146 bpm • G Maj • 03:40 • -8.37db
9% Popularity • 50% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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The Christians
... And That's Why
195 bpm • G Maj • 05:19 • -13.65db
20% Popularity • 43% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Elvis Costello & The Attractions
High Fidelity
144 bpm • G Maj • 02:27 • -8.32db
36% Popularity • 57% Danceability • 80% Energy • 32% Liveness
2% Instrumentalness • 89% Positiveness
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Kirsty MacColl
Tread Lightly
195 bpm • F# min • 03:19 • -6.04db
13% Popularity • 34% Danceability • 94% Energy • 78% Liveness
0% Instrumentalness • 60% Positiveness
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Carter The Unstoppable Sex Machine
The Only Living Boy in New Cross - 2012 ...
144 bpm • C Maj • 03:57 • -7db
38% Popularity • 53% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Squeeze
Cool For Cats
144 bpm • C Maj • 03:14 • -10db
43% Popularity • 78% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Boomtown Rats
Joey's On The Streets Again
143 bpm • A Maj • 05:30 • -2.26db
19% Popularity • 28% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 74% Positiveness
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Jane Wiedlin
Rush Hour
143 bpm • E Maj • 04:04 • -11.52db
45% Popularity • 54% Danceability • 80% Energy • 29% Liveness
9% Instrumentalness • 86% Positiveness
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Elvis Costello & The Attractions
Oliver's Army
143 bpm • E Maj • 03:00 • -9.41db
47% Popularity • 53% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Kirsty MacColl
Free World
143 bpm • B min • 02:36 • -5db
26% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Half Man Half Biscuit
Dickie Davies Eyes
200 bpm • D Maj • 04:28 • -10.19db
23% Popularity • 17% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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Squeeze
Cool For Cats
144 bpm • C Maj • 03:39 • -15.37db
52% Popularity • 79% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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The Boomtown Rats
I Don't Like Mondays
144 bpm • B Maj • 04:19 • -6.87db
62% Popularity • 46% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Roddy Frame
Small World
203 bpm • A# Maj • 03:51 • -8db
26% Popularity • 36% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Soft Cell
Say Hello, Wave Goodbye - 7" Single Vers...
205 bpm • C Maj • 05:23 • -9.78db
51% Popularity • 19% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Kirsty MacColl
Last Day Of Summer
144 bpm • D Maj • 04:22 • -11db
11% Popularity • 63% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Lloyd Cole and the Commotions
Four Flights Up
219 bpm • C Maj • 02:36 • -10.2db
30% Popularity • 39% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Squeeze
This Summer
203 bpm • F Maj • 03:39 • -7db
30% Popularity • 31% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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The Boomtown Rats
She's So Modern
201 bpm • A Maj • 02:56 • -3.32db
29% Popularity • 20% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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He's On The Beach - Extended Version