Songs like Hey America by James Brown
Based on a tempo of (+/- 10%) and a similar genre
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Martha Reeves & The Vandellas
Dancing In The Street
126 bpm • D Maj • 02:45 • -9.47db
65% Popularity • 56% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
65% Popularity • 56% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Sam & Dave
Soothe Me
126 bpm • F# Maj • 02:32 • -13.42db
51% Popularity • 75% Danceability • 33% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
51% Popularity • 75% Danceability • 33% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
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The Supremes
Come See About Me
126 bpm • G Maj • 02:43 • -11.74db
62% Popularity • 73% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
62% Popularity • 73% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Ike & Tina Turner
Funkier Than A Mosquita's Tweeter
126 bpm • G min • 02:35 • -9.39db
30% Popularity • 91% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 91% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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The Gap Band
You Dropped A Bomb On Me
126 bpm • A Maj • 05:12 • -11.18db
61% Popularity • 79% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
61% Popularity • 79% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Stevie Wonder
Higher Ground
125 bpm • G# Maj • 03:42 • -9.95db
66% Popularity • 72% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
66% Popularity • 72% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Dyke & The Blazers
We Got More Soul
125 bpm • C# Maj • 03:19 • -11db
38% Popularity • 82% Danceability • 66% Energy • 8% Liveness
32% Instrumentalness • 85% Positiveness
38% Popularity • 82% Danceability • 66% Energy • 8% Liveness
32% Instrumentalness • 85% Positiveness
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Sam & Dave
Soul Sister, Brown Sugar
126 bpm • A# Maj • 02:29 • -7.94db
21% Popularity • 64% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 64% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Curtis Mayfield
Pusherman
127 bpm • A# Maj • 05:00 • -9.56db
61% Popularity • 85% Danceability • 67% Energy • 11% Liveness
9% Instrumentalness • 91% Positiveness
61% Popularity • 85% Danceability • 67% Energy • 11% Liveness
9% Instrumentalness • 91% Positiveness
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Jr. Walker & The All Stars
(I'm A) Road Runner
125 bpm • F Maj • 02:45 • -6.56db
44% Popularity • 75% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 75% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Archie Bell & The Drells
Tighten Up, Pt. 1
125 bpm • B Maj • 03:16 • -13db
46% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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James Brown
I Can't Stand Myself (When You Touch Me)
127 bpm • A# min • 03:22 • -11.02db
24% Popularity • 84% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 84% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Martha Reeves & The Vandellas
Jimmy Mack
127 bpm • D Maj • 02:43 • -8db
53% Popularity • 70% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
53% Popularity • 70% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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The O'Jays
I Love Music
128 bpm • C min • 06:53 • -8db
52% Popularity • 64% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
52% Popularity • 64% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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The Supremes
You Keep Me Hangin' On
128 bpm • G# min • 02:43 • -7db
57% Popularity • 68% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
57% Popularity • 68% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Alfred "Pee Wee" Ellis
Funk Bomb - Instrumental
128 bpm • A# Maj • 04:13 • -3db
20% Popularity • 79% Danceability • 64% Energy • 13% Liveness
16% Instrumentalness • 96% Positiveness
20% Popularity • 79% Danceability • 64% Energy • 13% Liveness
16% Instrumentalness • 96% Positiveness
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Four Tops
I Can't Help Myself (Sugar Pie, Honey Bu...
128 bpm • C Maj • 02:40 • -9db
79% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
79% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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James Brown
Super Bad - Pts.1 & 2
125 bpm • B min • 05:00 • -6.57db
43% Popularity • 88% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
43% Popularity • 88% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The Trammps
Disco Inferno
128 bpm • F Maj • 03:38 • -6.34db
62% Popularity • 80% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
62% Popularity • 80% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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The O'Jays
Back Stabbers
124 bpm • A# Maj • 03:06 • -11.61db
60% Popularity • 75% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 94% Positiveness
60% Popularity • 75% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 94% Positiveness
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Sly & The Family Stone
Que Sera, Sera (Whatever Will Be, Will B...
124 bpm • E Maj • 05:22 • -15.47db
43% Popularity • 60% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 60% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Bobby Hebb
Sunny
128 bpm • E min • 02:45 • -10.99db
72% Popularity • 71% Danceability • 34% Energy • 39% Liveness
1% Instrumentalness • 67% Positiveness
72% Popularity • 71% Danceability • 34% Energy • 39% Liveness
1% Instrumentalness • 67% Positiveness
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A Taste Of Honey
Boogie Oogie Oogie - Remastered 2004
124 bpm • D min • 05:38 • -10.37db
52% Popularity • 79% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
52% Popularity • 79% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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James Brown
Super Bad - Pt. 1
125 bpm • A min • 03:00 • -9.25db
31% Popularity • 94% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
31% Popularity • 94% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Sam Cooke
(What A) Wonderful World - Mono
129 bpm • B Maj • 02:08 • -5.52db
76% Popularity • 69% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
76% Popularity • 69% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Harold Melvin & The Blue Notes
The Love I Lost
123 bpm • D Maj • 06:24 • -4.53db
56% Popularity • 66% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
56% Popularity • 66% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Sly & The Family Stone
Dance to the Music
128 bpm • G Maj • 02:59 • -11.11db
59% Popularity • 70% Danceability • 53% Energy • 91% Liveness
0% Instrumentalness • 77% Positiveness
59% Popularity • 70% Danceability • 53% Energy • 91% Liveness
0% Instrumentalness • 77% Positiveness
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James Brown & The Famous Flames
Papa's Got A Brand New Bag - Pt. 1
129 bpm • A Maj • 02:05 • -11.02db
44% Popularity • 70% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 70% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Tower Of Power
Only so Much Oil in the Ground
123 bpm • F min • 03:48 • -8.68db
36% Popularity • 68% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
36% Popularity • 68% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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James Brown
There Was A Time - Single Version
128 bpm • C min • 03:34 • -8.32db
17% Popularity • 88% Danceability • 67% Energy • 18% Liveness
4% Instrumentalness • 63% Positiveness
17% Popularity • 88% Danceability • 67% Energy • 18% Liveness
4% Instrumentalness • 63% Positiveness
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Martha Reeves & The Vandellas
Nowhere To Run
129 bpm • D min • 03:01 • -9.38db
64% Popularity • 61% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
64% Popularity • 61% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
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Fontella Bass
Rescue Me
123 bpm • E min • 02:51 • -9.47db
67% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
67% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The O'Jays
Love Train
123 bpm • C Maj • 02:58 • -9.63db
69% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
69% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Marvin Gaye
Got To Give It Up - Pt. 1
123 bpm • D Maj • 04:15 • -9.02db
68% Popularity • 86% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
68% Popularity • 86% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Quincy Jones
Money Is
122 bpm • A# min • 04:28 • -9db
35% Popularity • 62% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 62% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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James Brown
Out Of Sight - Single Version
128 bpm • D# Maj • 02:22 • -11db
47% Popularity • 63% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
47% Popularity • 63% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Frankie Valli & The Four Seasons
Beggin'
130 bpm • D min • 02:50 • -14.66db
59% Popularity • 59% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 59% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Roy Ayers
Aragon
122 bpm • G# Maj • 02:55 • -8db
32% Popularity • 76% Danceability • 74% Energy • 13% Liveness
62% Instrumentalness • 96% Positiveness
32% Popularity • 76% Danceability • 74% Energy • 13% Liveness
62% Instrumentalness • 96% Positiveness
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CHIC
Everybody Dance - 2018 Remaster
130 bpm • F min • 06:42 • -13.44db
54% Popularity • 72% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
54% Popularity • 72% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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The Kingsmen
Louie Louie
122 bpm • C# min • 02:45 • -9.82db
64% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
64% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Cameo
It's Serious
122 bpm • G Maj • 08:09 • -10.28db
35% Popularity • 87% Danceability • 67% Energy • 4% Liveness
34% Instrumentalness • 96% Positiveness
35% Popularity • 87% Danceability • 67% Energy • 4% Liveness
34% Instrumentalness • 96% Positiveness
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James Brown
I Got The Feelin'
129 bpm • F Maj • 02:32 • -11.57db
47% Popularity • 90% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
47% Popularity • 90% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Funkadelic
One Nation Under a Groove
122 bpm • E min • 07:29 • -8.16db
40% Popularity • 79% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 79% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
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Michael Jackson
Workin' Day and Night
130 bpm • G Maj • 05:13 • -11db
60% Popularity • 91% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
60% Popularity • 91% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Jr. Walker & The All Stars
Shake And Fingerpop
122 bpm • F min • 02:43 • -6.71db
35% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The Beginning Of The End
Funky Nassau, Pt. 2
122 bpm • F# min • 02:34 • -8db
45% Popularity • 65% Danceability • 79% Energy • 10% Liveness
69% Instrumentalness • 97% Positiveness
45% Popularity • 65% Danceability • 79% Energy • 10% Liveness
69% Instrumentalness • 97% Positiveness
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Dyke & The Blazers
Funky Broadway Part 1
122 bpm • C# Maj • 02:40 • -9.46db
37% Popularity • 71% Danceability • 54% Energy • 14% Liveness
47% Instrumentalness • 95% Positiveness
37% Popularity • 71% Danceability • 54% Energy • 14% Liveness
47% Instrumentalness • 95% Positiveness
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Rick James
Love Gun
122 bpm • A Maj • 05:46 • -3.86db
34% Popularity • 76% Danceability • 94% Energy • 10% Liveness
10% Instrumentalness • 75% Positiveness
34% Popularity • 76% Danceability • 94% Energy • 10% Liveness
10% Instrumentalness • 75% Positiveness
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Sly & The Family Stone
Who in the Funk Do You Think You Are
122 bpm • F# Maj • 04:35 • -12.02db
20% Popularity • 87% Danceability • 64% Energy • 8% Liveness
3% Instrumentalness • 86% Positiveness
20% Popularity • 87% Danceability • 64% Energy • 8% Liveness
3% Instrumentalness • 86% Positiveness
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Incredible Bongo Band
Bongolia
122 bpm • D min • 02:15 • -8.75db
45% Popularity • 59% Danceability • 95% Energy • 17% Liveness
94% Instrumentalness • 85% Positiveness
45% Popularity • 59% Danceability • 95% Energy • 17% Liveness
94% Instrumentalness • 85% Positiveness
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The Marvelettes
Please Mr. Postman - Single Version / Mo...
122 bpm • D Maj • 02:28 • -5.26db
66% Popularity • 78% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
66% Popularity • 78% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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The Temptations
Papa Was A Rollin' Stone - Single Versio...
121 bpm • A# min • 06:59 • -13.51db
66% Popularity • 82% Danceability • 40% Energy • 5% Liveness
5% Instrumentalness • 90% Positiveness
66% Popularity • 82% Danceability • 40% Energy • 5% Liveness
5% Instrumentalness • 90% Positiveness
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Four Tops
Are You Man Enough?
121 bpm • F min • 03:27 • -5.28db
43% Popularity • 64% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
43% Popularity • 64% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Beginning Of The End
Funky Nassau, Pt. 1
121 bpm • F# min • 03:06 • -8db
52% Popularity • 70% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 70% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Jr. Walker & The All Stars
Shotgun - Extended Stereo Mix 2005
121 bpm • C# Maj • 03:18 • -4.73db
33% Popularity • 75% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 75% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Isaac Hayes
Theme From Shaft - Remastered 2009
121 bpm • A min • 04:39 • -17.69db
59% Popularity • 49% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
59% Popularity • 49% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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People's Choice
Party Is a Groovy Thing
120 bpm • G min • 02:57 • -8db
27% Popularity • 70% Danceability • 69% Energy • 64% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 70% Danceability • 69% Energy • 64% Liveness
0% Instrumentalness • 95% Positiveness
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Curtis Mayfield
Superfly
120 bpm • D Maj • 03:53 • -9.14db
59% Popularity • 78% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
59% Popularity • 78% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Harold Melvin & The Blue Notes
Don't Leave Me This Way
120 bpm • C Maj • 06:03 • -8.85db
56% Popularity • 47% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
56% Popularity • 47% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Beginning Of The End
Funky Nassau - Full Length Edit
121 bpm • F# min • 05:02 • -7.07db
30% Popularity • 66% Danceability • 86% Energy • 43% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 66% Danceability • 86% Energy • 43% Liveness
0% Instrumentalness • 96% Positiveness
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Jr. Walker & The All Stars
Shotgun
121 bpm • C# Maj • 02:56 • -5.77db
55% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Barrett Strong
Money (That's What I Want) - Single Vers...
132 bpm • F Maj • 02:38 • -7.32db
61% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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James Brown
The Popcorn
120 bpm • G# Maj • 03:01 • -4.72db
34% Popularity • 77% Danceability • 92% Energy • 6% Liveness
68% Instrumentalness • 83% Positiveness
34% Popularity • 77% Danceability • 92% Energy • 6% Liveness
68% Instrumentalness • 83% Positiveness
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Four Tops
Reach Out I'll Be There
120 bpm • D# min • 02:58 • -8.91db
63% Popularity • 61% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
63% Popularity • 61% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Rick James
Super Freak
132 bpm • A min • 03:25 • -8.25db
73% Popularity • 84% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
73% Popularity • 84% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Simon
Drowning in the Sea of Love
120 bpm • A min • 03:23 • -10.55db
44% Popularity • 60% Danceability • 45% Energy • 10% Liveness
2% Instrumentalness • 51% Positiveness
44% Popularity • 60% Danceability • 45% Energy • 10% Liveness
2% Instrumentalness • 51% Positiveness
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The Brothers Johnson
Stomp!
120 bpm • G min • 06:20 • -12.67db
53% Popularity • 87% Danceability • 73% Energy • 9% Liveness
27% Instrumentalness • 92% Positiveness
53% Popularity • 87% Danceability • 73% Energy • 9% Liveness
27% Instrumentalness • 92% Positiveness
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Heatwave
The Groove Line
120 bpm • B min • 04:24 • -9.84db
52% Popularity • 74% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 74% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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James Brown
Cold Sweat
120 bpm • G min • 02:56 • -11.07db
47% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
47% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Tower Of Power
Soul With A Capital 'S'
119 bpm • G Maj • 04:58 • -7.9db
39% Popularity • 73% Danceability • 97% Energy • 7% Liveness
8% Instrumentalness • 82% Positiveness
39% Popularity • 73% Danceability • 97% Energy • 7% Liveness
8% Instrumentalness • 82% Positiveness
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Rick James
You And I
119 bpm • G# min • 08:06 • -6.65db
43% Popularity • 78% Danceability • 87% Energy • 57% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 78% Danceability • 87% Energy • 57% Liveness
0% Instrumentalness • 83% Positiveness
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Johnny "Guitar" Watson
Gangster Of Love
119 bpm • B Maj • 03:02 • -8.57db
37% Popularity • 80% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 80% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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The Brothers Johnson
Stomp! - Single Version
120 bpm • A# Maj • 04:07 • -8.34db
60% Popularity • 86% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
60% Popularity • 86% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
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Al Green
Take Me to the River
119 bpm • A Maj • 03:45 • -11.12db
62% Popularity • 79% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
62% Popularity • 79% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Michael Jackson
Don't Stop 'Til You Get Enough
119 bpm • B Maj • 06:05 • -9.88db
76% Popularity • 88% Danceability • 82% Energy • 18% Liveness
5% Instrumentalness • 95% Positiveness
76% Popularity • 88% Danceability • 82% Energy • 18% Liveness
5% Instrumentalness • 95% Positiveness
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The Impressions
Keep On Pushing
134 bpm • F# min • 02:35 • -6.64db
39% Popularity • 68% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 68% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Rick James
Give It To Me Baby
120 bpm • B Maj • 04:08 • -8.71db
65% Popularity • 71% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
65% Popularity • 71% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Ann Peebles
Slipped, Tripped and Fell in Love
119 bpm • A min • 02:28 • -7.12db
46% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Heatwave
Boogie Nights
119 bpm • B min • 05:03 • -10.97db
59% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Sister Sledge
We Are Family - 1995 Remaster
119 bpm • G min • 03:36 • -5.15db
70% Popularity • 78% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
70% Popularity • 78% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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CHIC
Le Freak - 2018 Remaster
119 bpm • G Maj • 05:31 • -11.32db
67% Popularity • 91% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
67% Popularity • 91% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Incredible Bongo Band
Apache
118 bpm • G Maj • 04:53 • -7.64db
50% Popularity • 66% Danceability • 76% Energy • 8% Liveness
87% Instrumentalness • 55% Positiveness
50% Popularity • 66% Danceability • 76% Energy • 8% Liveness
87% Instrumentalness • 55% Positiveness
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Lou Rawls
Dead End Street
118 bpm • G Maj • 04:00 • -11db
30% Popularity • 69% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 69% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Evelyn "Champagne" King
Shame - 12" Disco Version
135 bpm • B min • 06:31 • -15.61db
46% Popularity • 78% Danceability • 51% Energy • 7% Liveness
27% Instrumentalness • 90% Positiveness
46% Popularity • 78% Danceability • 51% Energy • 7% Liveness
27% Instrumentalness • 90% Positiveness
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James Brown
Get Up Offa That Thing
118 bpm • D Maj • 03:59 • -6.91db
63% Popularity • 86% Danceability • 81% Energy • 87% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 86% Danceability • 81% Energy • 87% Liveness
0% Instrumentalness • 72% Positiveness
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Jr. Walker & The All Stars
Monkey Jump
118 bpm • C Maj • 02:06 • -7.29db
48% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
48% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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LaBelle
Lady Marmalade
118 bpm • D min • 03:57 • -12.14db
58% Popularity • 63% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
58% Popularity • 63% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Sam & Dave
I Thank You - LP / Single Version
118 bpm • A# min • 02:54 • -14db
37% Popularity • 82% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 82% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Jimmy Castor Bunch
It's Just Begun
118 bpm • G Maj • 03:30 • -9.5db
39% Popularity • 64% Danceability • 89% Energy • 59% Liveness
47% Instrumentalness • 89% Positiveness
39% Popularity • 64% Danceability • 89% Energy • 59% Liveness
47% Instrumentalness • 89% Positiveness
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The Supremes
Where Did Our Love Go
135 bpm • C Maj • 02:33 • -10.87db
66% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
66% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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The Jacksons
Shake Your Body (Down to the Ground)
118 bpm • C Maj • 07:59 • -9.15db
48% Popularity • 82% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 82% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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Santana
Evil Ways
117 bpm • F Maj • 03:58 • -13.38db
63% Popularity • 70% Danceability • 53% Energy • 14% Liveness
35% Instrumentalness • 73% Positiveness
63% Popularity • 70% Danceability • 53% Energy • 14% Liveness
35% Instrumentalness • 73% Positiveness
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The Doobie Brothers
Long Train Runnin'
117 bpm • G min • 03:27 • -7.28db
72% Popularity • 57% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
72% Popularity • 57% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Marvin Gaye
I Heard It Through The Grapevine
117 bpm • D# min • 03:14 • -10.85db
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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The Jimmy Castor Bunch
It's Just Begun
118 bpm • G Maj • 03:42 • -10.96db
34% Popularity • 64% Danceability • 84% Energy • 17% Liveness
55% Instrumentalness • 86% Positiveness
34% Popularity • 64% Danceability • 84% Energy • 17% Liveness
55% Instrumentalness • 86% Positiveness
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George Benson
On Broadway
117 bpm • A# min • 05:16 • -17.1db
54% Popularity • 77% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 77% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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The Jacksons
Shake Your Body (Down to the Ground) - 7...
117 bpm • C Maj • 03:47 • -7.2db
51% Popularity • 80% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 80% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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The Supremes
Baby Love
136 bpm • F Maj • 02:38 • -9.28db
70% Popularity • 60% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 73% Positiveness
70% Popularity • 60% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 73% Positiveness
