Songs like Hey Hey, My My by Ida Sand
Based on a tempo of (+/- 10%) and a similar genre
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Georg Wadenius
Brothers In Arms
125 bpm • G min • 05:01 • -11.55db
30% Popularity • 66% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
30% Popularity • 66% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
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Ida Sand
I Have Nothing Left for You
125 bpm • C Maj • 04:34 • -16db
34% Popularity • 45% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 45% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Anne Bisson
I Live in a Treehouse
124 bpm • C min • 03:48 • -16.86db
18% Popularity • 63% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 63% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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David McAlmont
Never, Never, Never
124 bpm • B min • 04:06 • -21.69db
13% Popularity • 53% Danceability • 5% Energy • 70% Liveness
16% Instrumentalness • 33% Positiveness
13% Popularity • 53% Danceability • 5% Energy • 70% Liveness
16% Instrumentalness • 33% Positiveness
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Kari Bremnes
My Heart is Pounding Like a Hammer
124 bpm • A# min • 03:23 • -9.56db
10% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Ben Sidran
In the Beginning
124 bpm • A min • 02:32 • -11.23db
17% Popularity • 75% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 24% Positiveness
17% Popularity • 75% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 24% Positiveness
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Kira Skov
Under My Thumb
126 bpm • A# Maj • 03:39 • -8db
8% Popularity • 71% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 71% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Ida Sand
Hey Hey, My My
125 bpm • A min • 03:13 • -11.24db
20% Popularity • 51% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
20% Popularity • 51% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
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Lisa Bassenge
It´s Raining
124 bpm • G Maj • 04:30 • -8db
27% Popularity • 63% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
27% Popularity • 63% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Lara Louise
Alone Together
124 bpm • F min • 03:35 • -14.42db
46% Popularity • 80% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 80% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Indra Rios-Moore
Solitude
126 bpm • C Maj • 02:53 • -15.38db
17% Popularity • 39% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 39% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Hilde Louise Asbjørnsen
The Fall
126 bpm • F# min • 04:33 • -15.96db
9% Popularity • 74% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 43% Positiveness
9% Popularity • 74% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 43% Positiveness
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Tanita Tikaram
The Dream of Her
127 bpm • A min • 02:56 • -12.28db
14% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Tok Tok Tok
Monkey-see And Monkey-do*
127 bpm • A# min • 05:04 • -16.51db
13% Popularity • 72% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 72% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Janiva Magness
Let Me Breathe
123 bpm • G# Maj • 03:27 • -8db
32% Popularity • 73% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 73% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Nils Landgren
You Are a Friend of Mine
123 bpm • F min • 04:33 • -13.84db
17% Popularity • 71% Danceability • 38% Energy • 14% Liveness
53% Instrumentalness • 52% Positiveness
17% Popularity • 71% Danceability • 38% Energy • 14% Liveness
53% Instrumentalness • 52% Positiveness
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Sinne Eeg
My Treasure
127 bpm • D Maj • 04:24 • -14.56db
15% Popularity • 50% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 50% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Josefine Cronholm & Ibis
In Your Wild Garden
123 bpm • G# min • 06:13 • -13.08db
16% Popularity • 50% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
16% Popularity • 50% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
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Viktoria Tolstoy
Shining on You
127 bpm • C# Maj • 04:05 • -12.63db
13% Popularity • 33% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 33% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Jennifer Warnes
I Can't Hide
127 bpm • G Maj • 04:49 • -12.98db
17% Popularity • 65% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
17% Popularity • 65% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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Jacqui Naylor
Ain't No Sunshine
123 bpm • A min • 05:27 • -10db
29% Popularity • 65% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 65% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Indra Rios-Moore
What Becomes Of The Broken Hearted
128 bpm • G min • 05:08 • -15.87db
7% Popularity • 40% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 40% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ida Sand
Woodstock
122 bpm • A# Maj • 03:23 • -7.83db
7% Popularity • 57% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 92% Positiveness
7% Popularity • 57% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 92% Positiveness
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Sinne Eeg
What It Means To Me
122 bpm • G# Maj • 03:40 • -11.91db
11% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jessica Pilnäs
Bitter And Sweet
122 bpm • D Maj • 04:16 • -7.62db
8% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Nils Landgren
Angels Of Fortune
128 bpm • G min • 04:52 • -13.22db
9% Popularity • 69% Danceability • 26% Energy • 7% Liveness
1% Instrumentalness • 23% Positiveness
9% Popularity • 69% Danceability • 26% Energy • 7% Liveness
1% Instrumentalness • 23% Positiveness
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Allan Taylor
A Road Too Long
128 bpm • B min • 04:08 • -11.46db
25% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Sara Gazarek
Ev'ry Time We Say Goodbye
128 bpm • A Maj • 03:40 • -13.33db
19% Popularity • 55% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 55% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Helen Schneider
Slippery Slope of Life
128 bpm • G Maj • 04:27 • -10.57db
10% Popularity • 67% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 67% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Robert Haglund
Ain't No Love In The Heart Of The City
122 bpm • F Maj • 04:30 • -9.56db
15% Popularity • 61% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 61% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Kristin Asbjørnsen
If this is the ending
128 bpm • F Maj • 03:51 • -14.07db
15% Popularity • 50% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 50% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Lady Blackbird
Did Somebody Make a Fool Out of You
128 bpm • E min • 04:51 • -13.48db
27% Popularity • 42% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
27% Popularity • 42% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Nils Landgren
Dear Diary
128 bpm • D Maj • 04:33 • -12.51db
12% Popularity • 48% Danceability • 29% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
12% Popularity • 48% Danceability • 29% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
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Sara Gazarek
You Are My Sunshine
122 bpm • C Maj • 03:34 • -10db
43% Popularity • 63% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 63% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Malene Mortensen
Morning Sun & Velvet Moon
128 bpm • F# Maj • 03:45 • -8.92db
23% Popularity • 66% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 66% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Gordon Haskell
All the Time in the World
122 bpm • A Maj • 04:58 • -13.98db
29% Popularity • 77% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 59% Positiveness
29% Popularity • 77% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 59% Positiveness
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Sophie Milman
I Can't Make You Love Me
129 bpm • A# Maj • 04:30 • -10.57db
25% Popularity • 46% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 46% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Christian McBride
Consider Me Gone
129 bpm • G Maj • 04:19 • -17.64db
21% Popularity • 60% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
21% Popularity • 60% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Hattler
Fine Days
121 bpm • A Maj • 02:33 • -14.47db
27% Popularity • 59% Danceability • 26% Energy • 14% Liveness
4% Instrumentalness • 15% Positiveness
27% Popularity • 59% Danceability • 26% Energy • 14% Liveness
4% Instrumentalness • 15% Positiveness
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Sara Gazarek
And So It Goes
129 bpm • G Maj • 05:12 • -20.35db
38% Popularity • 45% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 45% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Julian & Roman Wasserfuhr
Behind Blue Eyes
121 bpm • F min • 06:50 • -19.36db
7% Popularity • 63% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 41% Positiveness
7% Popularity • 63% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 41% Positiveness
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Natalie Merchant
The Peppery Man
121 bpm • E min • 05:05 • -10.79db
17% Popularity • 63% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 63% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Anne Bisson
Hoping Love Will Last
129 bpm • G Maj • 04:34 • -19.06db
18% Popularity • 56% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 56% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Siri Gjære
Winter's Broken
129 bpm • G Maj • 03:35 • -20.46db
12% Popularity • 37% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 37% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Here It Is
Here It Is
130 bpm • D# min • 05:12 • -17.66db
30% Popularity • 59% Danceability • 25% Energy • 10% Liveness
28% Instrumentalness • 29% Positiveness
30% Popularity • 59% Danceability • 25% Energy • 10% Liveness
28% Instrumentalness • 29% Positiveness
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Gretchen Peters
Pretty Things
130 bpm • C Maj • 05:03 • -12db
31% Popularity • 47% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
31% Popularity • 47% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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Shelby Lynne
You Don't Have To Say You Love Me
130 bpm • A Maj • 04:11 • -16db
44% Popularity • 67% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 67% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Heather Rigdon
Slow Fuse
130 bpm • G Maj • 03:45 • -13.31db
49% Popularity • 68% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 68% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Vanessa Fernandez
Simple Beautiful
120 bpm • D Maj • 04:19 • -19.86db
9% Popularity • 80% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 43% Positiveness
9% Popularity • 80% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 43% Positiveness
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The Gaddabouts
Devil's Story
130 bpm • A min • 05:47 • -13.03db
19% Popularity • 85% Danceability • 38% Energy • 11% Liveness
66% Instrumentalness • 82% Positiveness
19% Popularity • 85% Danceability • 38% Energy • 11% Liveness
66% Instrumentalness • 82% Positiveness
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Ian Shaw
My Brother
120 bpm • F Maj • 04:34 • -15db
21% Popularity • 76% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 38% Positiveness
21% Popularity • 76% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 38% Positiveness
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Emilie-Claire Barlow
Feelin' Groovy
120 bpm • A Maj • 04:30 • -11.2db
14% Popularity • 77% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 77% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Malene Mortensen
Sea of Lies
120 bpm • G# Maj • 04:58 • -11.82db
7% Popularity • 67% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 67% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Anette Askvik
You Shoot Me
120 bpm • C# Maj • 04:16 • -13.92db
8% Popularity • 44% Danceability • 27% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
8% Popularity • 44% Danceability • 27% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
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Rigmor Gustafsson
Fire and Rain
120 bpm • D Maj • 04:02 • -10.99db
42% Popularity • 60% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 60% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Tok Tok Tok
Eleonor Rigby
120 bpm • G Maj • 03:15 • -17.24db
17% Popularity • 75% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 75% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Ida Sand
Until The End
120 bpm • G# Maj • 03:15 • -12.01db
19% Popularity • 50% Danceability • 27% Energy • 16% Liveness
1% Instrumentalness • 17% Positiveness
19% Popularity • 50% Danceability • 27% Energy • 16% Liveness
1% Instrumentalness • 17% Positiveness
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Karrin Allyson
Moanin'
119 bpm • F min • 06:00 • -14.14db
28% Popularity • 60% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
28% Popularity • 60% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
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Paul Brown
Moondance
119 bpm • D min • 03:22 • -11.01db
42% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Here It Is
Seems So Long Ago, Nancy
131 bpm • F min • 05:08 • -12.38db
19% Popularity • 47% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 47% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Emilie Schiøtt
King or Clown
131 bpm • A# Maj • 03:03 • -5.97db
48% Popularity • 68% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 68% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Tok Tok Tok
Satisfaction
131 bpm • F# Maj • 03:40 • -15.76db
27% Popularity • 80% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 80% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Ida Sand
Here Comes the Rain Again
131 bpm • C Maj • 04:03 • -11.92db
48% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Anne Bisson
September in Montreal
131 bpm • G min • 05:06 • -20.17db
28% Popularity • 68% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 68% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Nils Landgren
The Moon's a Harsh Mistress
131 bpm • D Maj • 04:45 • -12.34db
41% Popularity • 39% Danceability • 30% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
41% Popularity • 39% Danceability • 30% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
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Lisa Bassenge
Don't Think Twice, It's All Right
131 bpm • B Maj • 04:39 • -13.33db
36% Popularity • 54% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 54% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Christel Alsos
If You Knew Me Now
131 bpm • E min • 04:14 • -11db
22% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Katja Maria Werker
The Streets Of Africa
132 bpm • G Maj • 04:15 • -10db
13% Popularity • 79% Danceability • 53% Energy • 13% Liveness
4% Instrumentalness • 73% Positiveness
13% Popularity • 79% Danceability • 53% Energy • 13% Liveness
4% Instrumentalness • 73% Positiveness
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Heather Rigdon
Spring
132 bpm • C# Maj • 03:25 • -11.62db
48% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Nils Wülker
Reading Kafka on the Shore
132 bpm • G min • 03:51 • -13.16db
10% Popularity • 59% Danceability • 31% Energy • 11% Liveness
24% Instrumentalness • 12% Positiveness
10% Popularity • 59% Danceability • 31% Energy • 11% Liveness
24% Instrumentalness • 12% Positiveness
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Anne Bisson
Soothing Your Soul
132 bpm • C Maj • 03:37 • -21.79db
28% Popularity • 74% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 74% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Van Morrison
Sometimes I Feel Like a Motherless Child
118 bpm • F# min • 04:28 • -10.45db
33% Popularity • 56% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 42% Positiveness
33% Popularity • 56% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 42% Positiveness
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Melanie De Biasio
Never Gonna Make It
133 bpm • A Maj • 03:49 • -14.99db
31% Popularity • 55% Danceability • 23% Energy • 36% Liveness
2% Instrumentalness • 23% Positiveness
31% Popularity • 55% Danceability • 23% Energy • 36% Liveness
2% Instrumentalness • 23% Positiveness
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Blues Company
Dark Day
133 bpm • C min • 05:54 • -11.7db
18% Popularity • 72% Danceability • 25% Energy • 37% Liveness
1% Instrumentalness • 40% Positiveness
18% Popularity • 72% Danceability • 25% Energy • 37% Liveness
1% Instrumentalness • 40% Positiveness
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Heather Rigdon
Bad For Business
118 bpm • B min • 03:36 • -13.55db
51% Popularity • 83% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 83% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Magnus Lindgren
Chain of Fools
117 bpm • G min • 03:53 • -9.6db
25% Popularity • 77% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 77% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The Gaddabouts
House on Fire
133 bpm • A# min • 04:31 • -12.14db
11% Popularity • 72% Danceability • 42% Energy • 16% Liveness
39% Instrumentalness • 62% Positiveness
11% Popularity • 72% Danceability • 42% Energy • 16% Liveness
39% Instrumentalness • 62% Positiveness
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Here It Is
If It Be Your Will
117 bpm • E Maj • 05:26 • -10.87db
16% Popularity • 51% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 51% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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Anne Bisson
Little Black Lake
117 bpm • A# Maj • 04:16 • -19.98db
18% Popularity • 53% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 53% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Ida Sand
Helpless
117 bpm • D Maj • 04:32 • -10.96db
6% Popularity • 65% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
6% Popularity • 65% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Ted Song
october rain
117 bpm • C Maj • 03:41 • -11.33db
22% Popularity • 53% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 53% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Ginne Marker
Starry Night
133 bpm • A# min • 02:57 • -13.15db
21% Popularity • 47% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 47% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Nils Landgren
Nature Boy
134 bpm • C Maj • 05:07 • -18.71db
15% Popularity • 57% Danceability • 17% Energy • 10% Liveness
4% Instrumentalness • 19% Positiveness
15% Popularity • 57% Danceability • 17% Energy • 10% Liveness
4% Instrumentalness • 19% Positiveness
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Here It Is
Famous Blue Raincoat
134 bpm • D min • 05:58 • -13db
24% Popularity • 47% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 47% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Vanessa Fernandez
Whole Lot of Love - Acoustic
134 bpm • G Maj • 04:55 • -17.17db
12% Popularity • 64% Danceability • 17% Energy • 5% Liveness
1% Instrumentalness • 38% Positiveness
12% Popularity • 64% Danceability • 17% Energy • 5% Liveness
1% Instrumentalness • 38% Positiveness
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Ida Sand
Like a Prayer
117 bpm • F min • 04:00 • -9db
28% Popularity • 72% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 72% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Kari Bremnes
A Lover in Berlin
134 bpm • F# min • 05:11 • -16db
30% Popularity • 72% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 72% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Viktoria Tolstoy
Love Song for a Vampire
134 bpm • C Maj • 04:33 • -12.41db
9% Popularity • 49% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 49% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Sara Gazarek
Yours
117 bpm • G Maj • 04:02 • -12.35db
28% Popularity • 48% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 48% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Dave's True Story
Like a Rock
117 bpm • D Maj • 04:45 • -12.79db
11% Popularity • 80% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 80% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Nils Landgren
Ghost in This House
134 bpm • D Maj • 04:46 • -15.18db
19% Popularity • 47% Danceability • 10% Energy • 30% Liveness
1% Instrumentalness • 28% Positiveness
19% Popularity • 47% Danceability • 10% Energy • 30% Liveness
1% Instrumentalness • 28% Positiveness
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Ida Sand
Every Little Bit Hurts
117 bpm • C Maj • 04:03 • -9.66db
38% Popularity • 76% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 76% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Ellen Andersson
I'll Be Seeing You
116 bpm • C# Maj • 06:07 • -11db
40% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Indra Rios-Moore
What You Won’t Do For Love
135 bpm • F min • 03:47 • -13.71db
14% Popularity • 42% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 42% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lina Nyberg
Here, There and Everywhere
135 bpm • A Maj • 04:29 • -25.86db
13% Popularity • 36% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 36% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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The Gaddabouts
Gonna Hold On
116 bpm • C min • 03:24 • -11.53db
10% Popularity • 86% Danceability • 38% Energy • 15% Liveness
2% Instrumentalness • 59% Positiveness
10% Popularity • 86% Danceability • 38% Energy • 15% Liveness
2% Instrumentalness • 59% Positiveness
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Nils Landgren
Another Kind of Blue
116 bpm • F# min • 03:21 • -14.19db
37% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Lauren Henderson
Protocol
116 bpm • E min • 02:00 • -12.83db
40% Popularity • 63% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
40% Popularity • 63% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
