Songs like Hey, Käpt’n – Rolling Home (Don’t Hurry Worry Me) by Leo Leandros
Based on a tempo of (+/- 10%) and a similar genre
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Trude Herr
Mama er ist schon wieder hier
82 bpm • C# Maj • 02:12 • -6.89db
8% Popularity • 62% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 62% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Lys Assia
O mein Papa
82 bpm • E Maj • 03:08 • -10.31db
13% Popularity • 37% Danceability • 23% Energy • 44% Liveness
6% Instrumentalness • 36% Positiveness
13% Popularity • 37% Danceability • 23% Energy • 44% Liveness
6% Instrumentalness • 36% Positiveness
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Heidi Brühl
Chico Chico Charlie
83 bpm • B Maj • 02:41 • -6db
9% Popularity • 75% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 75% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Gerhard Wendland
Bei uns in Laramie
81 bpm • C Maj • 02:25 • -8.17db
12% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Udo Jürgens
Rhodos im Regen
81 bpm • D Maj • 03:05 • -13.18db
21% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Ricky Shayne
Das hat die Welt noch nicht geseh'n (Gir...
83 bpm • A Maj • 02:44 • -10.11db
11% Popularity • 54% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 54% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Fred Bertelmann
Arrivederci Roma
83 bpm • A# Maj • 02:40 • -5db
17% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Conny Froboess
Lippenstift am Jackett
83 bpm • G Maj • 02:22 • -14db
16% Popularity • 57% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 57% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Heidi Brühl
Chico-Chico-Charly
83 bpm • C# min • 02:38 • -2db
10% Popularity • 70% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 70% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Doerk
Männer, die noch keine sind
81 bpm • F min • 02:38 • -4.51db
10% Popularity • 53% Danceability • 78% Energy • 78% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 53% Danceability • 78% Energy • 78% Liveness
0% Instrumentalness • 86% Positiveness
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Ivo Robic
Ein ganzes Leben lang (I Can't Stop Lovi...
84 bpm • D# Maj • 02:30 • -12db
12% Popularity • 34% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 34% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Heinz Rühmann
O Bello
84 bpm • C Maj • 02:25 • -8db
19% Popularity • 71% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 71% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Rudi Schuricke
Abends in der Taverne
80 bpm • F Maj • 02:59 • -12db
12% Popularity • 47% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 47% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Lena Valaitis
Ob es so oder so oder anders kommt
80 bpm • G# Maj • 02:54 • -11db
32% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Camillo Felgen
Ich hab' Ehrfurcht vor schneeweißen Haa...
79 bpm • C Maj • 03:27 • -13db
14% Popularity • 32% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 32% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Michael Holm
Happy Birthday, Josefin
79 bpm • A# min • 02:38 • -8.32db
4% Popularity • 64% Danceability • 50% Energy • 93% Liveness
0% Instrumentalness • 60% Positiveness
4% Popularity • 64% Danceability • 50% Energy • 93% Liveness
0% Instrumentalness • 60% Positiveness
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Leo Leandros
Kleine Violetta
79 bpm • C Maj • 03:01 • -7.58db
0% Popularity • 55% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 55% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Willy Schneider
Man müsste nochmal zwanzig sein
79 bpm • C# Maj • 04:21 • -11db
13% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Connie Francis
Die Liebe ist ein seltsames Spiel
85 bpm • C# Maj • 02:15 • -6.33db
42% Popularity • 58% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 58% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Sacha Distel
Adios amigo - Remastered
85 bpm • A# Maj • 02:21 • -11.52db
23% Popularity • 41% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 41% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Jost Wohrmann
Sehnsucht
79 bpm • C# Maj • 03:13 • -10.72db
0% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Lys Assia
Mamatschi (Schenk mir ein Pferdchen)
79 bpm • F Maj • 03:29 • -8.76db
13% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Leo Leandros
Viva l'amore
79 bpm • G# Maj • 02:46 • -5.94db
0% Popularity • 59% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 59% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Paul Kuhn
Cara-Caramel Chocolat
85 bpm • F min • 02:42 • -8db
10% Popularity • 61% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 61% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Bärbel Wachholz
Sole, Sole
86 bpm • D# Maj • 02:54 • -7db
9% Popularity • 61% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 61% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Heidi Brühl
Wir wollen niemals auseinandergehn
86 bpm • A# Maj • 03:00 • -8db
27% Popularity • 36% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 36% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Lolita
Der weiße Mond von Maratonga
86 bpm • G Maj • 02:34 • -15db
23% Popularity • 50% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 50% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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Gerhard Wendland
Du fehlst mir so sehr
86 bpm • G# Maj • 02:36 • -12db
14% Popularity • 32% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 32% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Rita Paul
Spiel mir eine alte Melodie (Play A Simp...
77 bpm • F Maj • 02:35 • -11db
18% Popularity • 64% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 64% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Rudi Schuricke
Schau mich bitte nicht so an (La vie en ...
86 bpm • C Maj • 03:12 • -12db
13% Popularity • 21% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 21% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Leo Leandros
Titloi Hristina
87 bpm • G# Maj • 02:57 • -10.04db
0% Popularity • 27% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 27% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Lys Assia
Wenn die Glocken hell erklingen
87 bpm • F Maj • 03:28 • -6.48db
12% Popularity • 34% Danceability • 40% Energy • 42% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 34% Danceability • 40% Energy • 42% Liveness
0% Instrumentalness • 39% Positiveness
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Ralf Bendix
100 bunte Bänder (Tie A Yellow Ribbon R...
87 bpm • C Maj • 03:00 • -8.11db
16% Popularity • 60% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 60% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Trude Herr
Französisch sprechen kann ich fast gar ...
77 bpm • A# Maj • 02:19 • -11db
13% Popularity • 42% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 42% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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René Carol
Bella, Bella, Donna
87 bpm • D Maj • 03:33 • -6db
14% Popularity • 59% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 59% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Rex Gildo
Wenn es sein muss, kann ich treu sein (I...
88 bpm • G# Maj • 02:07 • -15.05db
30% Popularity • 65% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 65% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Leo Leandros
Marie, der Stern von Napoli
87 bpm • D Maj • 02:42 • -6.37db
0% Popularity • 55% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 55% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Ralf Paulsen
Tränen in deinen Augen (Chi Chi)
88 bpm • A Maj • 02:02 • -9.46db
11% Popularity • 31% Danceability • 76% Energy • 33% Liveness
6% Instrumentalness • 79% Positiveness
11% Popularity • 31% Danceability • 76% Energy • 33% Liveness
6% Instrumentalness • 79% Positiveness
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Caterina Valente
Popocatepetl-Twist
88 bpm • G min • 01:56 • -11.57db
22% Popularity • 66% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 66% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Bill Ramsey
Ohne Krimi geht die Mimi nie ins
76 bpm • D Maj • 03:01 • -5.92db
18% Popularity • 59% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 59% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Lys Assia
Deine Liebe (True Love)
89 bpm • D Maj • 03:04 • -10.56db
9% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Andreas Holm
Bin schon vergeben
89 bpm • A# Maj • 02:12 • -6db
11% Popularity • 51% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 51% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Leo Leandros
Adis Abeba
76 bpm • B min • 02:04 • -8.76db
0% Popularity • 48% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 48% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Paul Hörbiger
Stell Dir Vor, Es Geht Das Licht Aus
75 bpm • A# Maj • 02:42 • -10db
17% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Makulis
Sieben Berge - sieben Täler
90 bpm • A# Maj • 02:35 • -8.07db
9% Popularity • 52% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 52% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Paul Kuhn
Der Mann am Klavier
90 bpm • G Maj • 02:06 • -10db
29% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Bärbel Wachholz
Damals...
90 bpm • G min • 02:32 • -4.74db
12% Popularity • 43% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 43% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Gitte Hænning
Süß wie Schokolade - Remastered 2005
75 bpm • A# Maj • 02:28 • -9.37db
9% Popularity • 57% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 57% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Illo Schieder
Sieben einsame Tage
90 bpm • C# Maj • 02:07 • -10.3db
16% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Wencke Myhre
Beiß nicht gleich in jeden Apfel
91 bpm • D Maj • 02:12 • -4.5db
33% Popularity • 55% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 55% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Renate und Werner Leismann
Im kleinen Dorf am Rio Grande
91 bpm • C Maj • 02:25 • -6.87db
14% Popularity • 57% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 57% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Caterina Valente
Ganz Paris träumt von der Liebe
73 bpm • A Maj • 02:53 • -9.97db
25% Popularity • 32% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 32% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Bibi Johns
Papa Tanzt Mambo
92 bpm • A Maj • 03:02 • -8.51db
10% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Gerd Böttcher
Oh, Billy Billy Black
73 bpm • G Maj • 02:10 • -14db
8% Popularity • 62% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 62% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Lys Assia
Wenn die Glocken erklingen
92 bpm • D Maj • 02:51 • -5.9db
16% Popularity • 41% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 41% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Wencke Myhre
Ein Sonntag im Bett
91 bpm • F Maj • 03:17 • -10.66db
28% Popularity • 69% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 69% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Gerhard Wendland
Zwei Matrosen aus Shanghai
73 bpm • C Maj • 03:02 • -8db
11% Popularity • 61% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 61% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Bully Buhlan
Ich hab Mich So An Dich Gewohnt
92 bpm • G Maj • 03:07 • -13.36db
11% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Ralf Bendix
Sie hiess Mary Ann
73 bpm • A Maj • 02:38 • -9db
17% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Nana Gualdi
Junge Leute brauchen Liebe (Everybody Lo...
92 bpm • D# Maj • 02:45 • -10db
16% Popularity • 73% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 73% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Leo Leandros
Anita (Wunderbar wie du)
93 bpm • E min • 02:37 • -5.95db
0% Popularity • 59% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 59% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Dorthe
Wärst du doch in Düsseldorf geblieben
93 bpm • E Maj • 02:34 • -9db
36% Popularity • 67% Danceability • 63% Energy • 57% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 67% Danceability • 63% Energy • 57% Liveness
0% Instrumentalness • 97% Positiveness
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Lys Assia
Sucu Sucu
93 bpm • E Maj • 02:10 • -7db
11% Popularity • 63% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 63% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Lonny Kellner
Bum-Budi-Bum, das kann gefährlich sein
93 bpm • G Maj • 03:01 • -11db
13% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Manuela
Schwimmen lernt man im See
71 bpm • F Maj • 02:13 • -4.57db
13% Popularity • 50% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 50% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Mireille Mathieu
An einem Sonntag in Avignon
94 bpm • A Maj • 03:19 • -8db
26% Popularity • 49% Danceability • 70% Energy • 41% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 49% Danceability • 70% Energy • 41% Liveness
0% Instrumentalness • 83% Positiveness
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Lolita
Weisser Holunder
95 bpm • F Maj • 02:49 • -11.19db
19% Popularity • 45% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 45% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Dorthe
Sind Sie der Graf von Luxemburg?
94 bpm • F min • 02:51 • -11db
36% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Lys Assia
Tammy
94 bpm • G# Maj • 02:25 • -6db
17% Popularity • 33% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 33% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Caterina Valente
The Peppermint Twist
95 bpm • F Maj • 02:14 • -11.33db
8% Popularity • 64% Danceability • 79% Energy • 92% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 64% Danceability • 79% Energy • 92% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Conny Froboess
Lady Sunshine und Mr. Moon
95 bpm • D# Maj • 02:20 • -11db
38% Popularity • 62% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 62% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Die James Brothers
Wenn
96 bpm • D# Maj • 02:22 • -12.09db
18% Popularity • 68% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 68% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Freddy
Weit ist der Weg
96 bpm • F Maj • 03:14 • -14.38db
10% Popularity • 38% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 38% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Melitta Berg
Nur Du, Du, Du Allein
96 bpm • A Maj • 02:28 • -7.37db
17% Popularity • 54% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 54% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Lys Assia
Gelbe Rose dort in Texas
94 bpm • G# Maj • 02:11 • -6.8db
14% Popularity • 73% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 73% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Caterina Valente
I Love You (Vergiss nicht, ich lieb dich...
95 bpm • G Maj • 02:43 • -11.2db
10% Popularity • 80% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 80% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Peter Beil
Hello Mary-Lou
96 bpm • A Maj • 02:24 • -12.35db
24% Popularity • 65% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 65% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Lou Van Burg
Freunde fürs Leben (Down by the Riversi...
96 bpm • F Maj • 02:43 • -13db
8% Popularity • 73% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 73% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Mireille Mathieu
Tarata-Ting, Tarata-Tong
97 bpm • A# Maj • 03:03 • -8.37db
17% Popularity • 50% Danceability • 57% Energy • 78% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 50% Danceability • 57% Energy • 78% Liveness
0% Instrumentalness • 79% Positiveness
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Ralf Bendix
Buona sera
97 bpm • G# Maj • 03:00 • -7.67db
12% Popularity • 51% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 51% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Will Brandes
Marina - Remastered 2004
98 bpm • E Maj • 02:47 • -7.84db
16% Popularity • 60% Danceability • 47% Energy • 56% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 60% Danceability • 47% Energy • 56% Liveness
0% Instrumentalness • 51% Positiveness
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Caterina Valente
Steig in das Traumboot der Liebe
96 bpm • A# Maj • 03:17 • -11.12db
24% Popularity • 47% Danceability • 12% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 47% Danceability • 12% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Willy Hagara
Eine Kutsche voller Mädels
98 bpm • F Maj • 02:27 • -10db
11% Popularity • 79% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 79% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Manuela
Wenn es Nacht wird in Harlem
98 bpm • D Maj • 02:55 • -7.14db
11% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Lolita
Addio Amigo
98 bpm • D Maj • 02:52 • -10db
12% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Jan & Kjeld
Ginny oh Ginny
98 bpm • A Maj • 02:48 • -8db
10% Popularity • 49% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 49% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Will Brandes
Marina
98 bpm • E Maj • 02:47 • -7.68db
18% Popularity • 70% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 70% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Rudi Schuricke
Mit Musik geht alles besser
99 bpm • C Maj • 02:44 • -11db
14% Popularity • 79% Danceability • 32% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
14% Popularity • 79% Danceability • 32% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
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Trude Herr
Ich bin eine Frau von Format
99 bpm • D# Maj • 02:37 • -9db
21% Popularity • 59% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 59% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Peter Beil
Hello, Mary-Lou - Re-Recording
99 bpm • A Maj • 02:20 • -19db
14% Popularity • 57% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 57% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Lolita
Fahr mich in die Ferne, mein blonder Mat...
98 bpm • G Maj • 02:12 • -10db
18% Popularity • 69% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 69% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Jost Wohrmann
Schwarzbraune Augen
99 bpm • F Maj • 02:37 • -11db
0% Popularity • 46% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 46% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Jimmy Makulis
Nachts in Rom
99 bpm • E Maj • 03:04 • -9db
9% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Gerd Böttcher
Geld wie Heu
99 bpm • G min • 02:12 • -10.56db
15% Popularity • 34% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 34% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Paul Kuhn
Milch macht müde Männer munter
100 bpm • G# Maj • 02:37 • -7.93db
11% Popularity • 69% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 69% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Bruce Low
Gestern wollt' ich beten geh'n
100 bpm • G# Maj • 02:47 • -9db
8% Popularity • 65% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 65% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Lolita
El Paso
99 bpm • G Maj • 03:02 • -9db
17% Popularity • 71% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 71% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Siw Malmkvist
Leibeskummer lohnt sich nicht
100 bpm • C# Maj • 02:28 • -8db
37% Popularity • 58% Danceability • 65% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 58% Danceability • 65% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
