Songs like Hey Stupid, I Love You by JP Saxe
Based on a tempo of (+/- 10%) and a similar genre
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Pink Sweat$
At My Worst
92 bpm • C Maj • 02:49 • -5.58db
59% Popularity • 73% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 73% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Chelsea Cutler
Lucky
92 bpm • D Maj • 02:28 • -9.61db
49% Popularity • 77% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 77% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Christian French
i think too much
92 bpm • G min • 03:22 • -7.86db
50% Popularity • 68% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 68% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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JP Saxe
Hey Stupid, I Love You
92 bpm • F min • 03:01 • -9.63db
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Ben Kessler
False Art
91 bpm • D Maj • 03:03 • -11.55db
50% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Sara Kays
Picture of You
93 bpm • A Maj • 03:21 • -11.82db
44% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Pink Sweat$
At My Worst
92 bpm • C Maj • 02:50 • -5.93db
71% Popularity • 81% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
71% Popularity • 81% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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James Smith
Say You'll Stay
91 bpm • D min • 03:30 • -8.14db
37% Popularity • 51% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 51% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Chelsea Cutler
Crazier Things
93 bpm • D Maj • 04:24 • -13.53db
64% Popularity • 64% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
64% Popularity • 64% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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JP Saxe
Old Times Sake - Epigraph by Yesika Salg...
92 bpm • E Maj • 01:08 • -20.44db
43% Popularity • 66% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 66% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Quinn XCII
Coffee
93 bpm • F min • 03:00 • -5.11db
53% Popularity • 83% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 83% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Rubber Band
If I Wrote You a Song
93 bpm • A Maj • 02:37 • -12.44db
22% Popularity • 81% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 81% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Christian French
good things take time
93 bpm • C Maj • 02:36 • -7.86db
43% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Avery Lynch
To Love Someone Else
93 bpm • C# Maj • 03:44 • -11db
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Chelsea Cutler
Crazier Things
93 bpm • D Maj • 05:04 • -13.08db
48% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Justin Bieber
Off My Face
91 bpm • E Maj • 02:36 • -8.68db
74% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
74% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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![Floating (feat. Khalid) [filous Remix] cover art](https://i.scdn.co/image/ab67616d00001e02077773fbfa6b107a317c5fc1)
Alina Baraz
Floating [filous Remix]
90 bpm • C# min • 03:20 • -6.83db
52% Popularity • 76% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
52% Popularity • 76% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Clinton Kane
GO TO HELL
90 bpm • D Maj • 03:03 • -3db
48% Popularity • 61% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 61% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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LANY
sad
94 bpm • A Maj • 03:19 • -7.77db
48% Popularity • 54% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
48% Popularity • 54% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Anthony Watts
simple
90 bpm • G# Maj • 02:42 • -10.27db
41% Popularity • 76% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 76% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Lennon Stella
Kissing Other People
94 bpm • D Maj • 02:41 • -5.94db
52% Popularity • 71% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 71% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Jonas Brothers
Five More Minutes
94 bpm • E Maj • 02:30 • -7.95db
50% Popularity • 84% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 84% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Clara Mae
Not Sad Anymore
94 bpm • C# Maj • 03:15 • -7.6db
54% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Clinton Kane
AVO TOAST
90 bpm • B Maj • 02:41 • -3.67db
48% Popularity • 63% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 63% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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LANY
dancing in the kitchen
94 bpm • B Maj • 03:28 • -8db
59% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Josie Dunne
Stay The Way I Left You
90 bpm • G Maj • 02:12 • -6.95db
37% Popularity • 69% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 69% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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JP Saxe
Everything Ends
94 bpm • E Maj • 02:13 • -13.66db
48% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Blake Rose
Lost
95 bpm • E Maj • 03:54 • -6.54db
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Fiji Blue
Outside
95 bpm • F# min • 02:54 • -6.88db
56% Popularity • 59% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
56% Popularity • 59% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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NIKI
urs
95 bpm • C Maj • 02:36 • -9.53db
66% Popularity • 74% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
66% Popularity • 74% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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LANY
you!
94 bpm • A# Maj • 04:34 • -7.53db
61% Popularity • 50% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
61% Popularity • 50% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
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New Hope Club
Worse
95 bpm • B min • 03:14 • -6.66db
36% Popularity • 60% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 60% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Rachel Bochner
Purple
95 bpm • B Maj • 02:53 • -6.84db
29% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Kelsea Ballerini
I Quit Drinking
95 bpm • C# Maj • 02:51 • -7db
70% Popularity • 61% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
70% Popularity • 61% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Munn
i pick loneliness
95 bpm • G Maj • 02:37 • -7.17db
47% Popularity • 60% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 60% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Valley
Oh shit…are we in love?
95 bpm • F# Maj • 02:35 • -6.34db
56% Popularity • 70% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
56% Popularity • 70% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Suriel Hess
Sick of You
96 bpm • G Maj • 02:32 • -8.95db
55% Popularity • 57% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 57% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Daniel Schulz
Turn Back Time
96 bpm • G Maj • 03:43 • -6.53db
57% Popularity • 68% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 68% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Ali Gatie
It's You
96 bpm • B min • 03:32 • -6.97db
77% Popularity • 73% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
77% Popularity • 73% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Niall Horan
Put A Little Love On Me
96 bpm • A# Maj • 03:44 • -4.91db
69% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
69% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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New Rules
Pasta
89 bpm • C# Maj • 02:57 • -4db
50% Popularity • 63% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 63% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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LANY
ex i never had
96 bpm • A# Maj • 03:21 • -7.07db
62% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
62% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Etham
Somebody Else To Love
96 bpm • E Maj • 02:45 • -7db
34% Popularity • 70% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 70% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Virginia To Vegas
what are we
96 bpm • F# Maj • 03:20 • -6db
44% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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MAX
Butterflies
88 bpm • B Maj • 03:11 • -4db
52% Popularity • 69% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 69% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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New Hope Club
Love Again
88 bpm • B min • 03:23 • -3.98db
42% Popularity • 57% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 57% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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CaRter
Jasper Avenue
88 bpm • A Maj • 04:34 • -10.66db
42% Popularity • 44% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 44% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Suriel Hess
late nights and lonely
96 bpm • D Maj • 02:32 • -7db
55% Popularity • 44% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 44% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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vaultboy
feel anything
88 bpm • A# Maj • 02:11 • -9.41db
55% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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JP Saxe
More of You
87 bpm • C Maj • 02:34 • -11db
40% Popularity • 36% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 36% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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MAX
BUTTERFLIES
88 bpm • B Maj • 03:11 • -5.79db
65% Popularity • 70% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
65% Popularity • 70% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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WOOF! IT'S BILLY
LIGHT RAIN
97 bpm • C min • 03:39 • -6.41db
33% Popularity • 35% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 35% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Rosie Darling
Heavy
97 bpm • A# Maj • 02:46 • -8db
52% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Avery Lynch
all i need (the distance song)
97 bpm • G# Maj • 04:04 • -16.58db
47% Popularity • 65% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 65% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Alexander 23
Dirty AF1s
87 bpm • G# Maj • 02:17 • -6db
45% Popularity • 69% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 69% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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JP Saxe
Women Who Look Like You
87 bpm • G min • 03:06 • -7db
29% Popularity • 66% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 66% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Anson Seabra
Welcome to Wonderland
97 bpm • E Maj • 03:19 • -10.91db
68% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
68% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Suriel Hess
Overthinking
98 bpm • F Maj • 02:30 • -6.94db
42% Popularity • 73% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 73% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
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Heather Sommer
We Used To
98 bpm • C# min • 02:38 • -12.01db
42% Popularity • 71% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 71% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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WRENN
Hailey
98 bpm • D Maj • 02:47 • -10.38db
45% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
45% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Alexander 23
Caught in the Middle
98 bpm • G Maj • 02:42 • -8db
37% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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shy martin
Still the Same
98 bpm • E Maj • 02:58 • -7.63db
44% Popularity • 66% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 66% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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JP Saxe
A Little Bit Yours
87 bpm • C# Maj • 03:48 • -8.53db
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Valley
Like 1999
98 bpm • G Maj • 02:24 • -7.96db
62% Popularity • 73% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
62% Popularity • 73% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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James TW
Suitcase
86 bpm • C Maj • 03:35 • -9db
46% Popularity • 69% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 69% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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AJ Mitchell
Like Strangers Do
98 bpm • D# min • 02:40 • -8.52db
62% Popularity • 63% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 63% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Bazzi
Young & Alive
86 bpm • D# Maj • 02:40 • -5db
59% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Sam MacPherson
Routine
86 bpm • E Maj • 03:15 • -13.67db
39% Popularity • 64% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 64% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Maximillian
On My Mind
98 bpm • F min • 02:54 • -6.76db
51% Popularity • 76% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 76% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 56% Positiveness
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Suriel Hess
Little Bit More
86 bpm • G Maj • 03:00 • -11.61db
69% Popularity • 56% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
69% Popularity • 56% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Dahl
Can I Kiss You?
99 bpm • D# Maj • 03:27 • -6db
49% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Anson Seabra
Broken
99 bpm • F# Maj • 05:05 • -14.2db
55% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Hailee Steinfeld
Your Name Hurts
99 bpm • F Maj • 03:42 • -6.8db
44% Popularity • 72% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 72% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Evan Blum
Hurt The Ones We Love The Most
99 bpm • E Maj • 03:23 • -12db
30% Popularity • 80% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 80% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Neptune
Shut Up I Love U
99 bpm • C# min • 02:38 • -10db
42% Popularity • 62% Danceability • 47% Energy • 40% Liveness
6% Instrumentalness • 6% Positiveness
42% Popularity • 62% Danceability • 47% Energy • 40% Liveness
6% Instrumentalness • 6% Positiveness
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Sara Kays
Chosen Last
99 bpm • B Maj • 03:46 • -6.5db
49% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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ROSIE
Never the 1
85 bpm • C# Maj • 02:51 • -12.13db
48% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Anson Seabra
Keep Your Head Up Princess
85 bpm • F# Maj • 03:18 • -17.37db
57% Popularity • 69% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 69% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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blackbear
smile again
85 bpm • F# Maj • 02:29 • -6db
50% Popularity • 68% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 68% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Rhys Lewis
Things You Can't Change
85 bpm • C# Maj • 03:19 • -7.56db
48% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Conor Matthews
Older
85 bpm • E Maj • 03:20 • -4.6db
52% Popularity • 55% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 55% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Gavin Haley
The Way I Am
100 bpm • G Maj • 02:58 • -8.27db
47% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Zach Hood
Flashbacks
100 bpm • B Maj • 03:03 • -7.38db
59% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Anson Seabra
Hindenburg Lover
100 bpm • G# Maj • 05:02 • -13db
47% Popularity • 52% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 52% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Alexander 23
Girl
100 bpm • F min • 02:01 • -5.34db
52% Popularity • 93% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 93% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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James TW
Butterflies
100 bpm • C min • 03:17 • -7.3db
48% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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ZAYN
Better
85 bpm • D Maj • 02:54 • -7.14db
56% Popularity • 70% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
56% Popularity • 70% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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PRETTYMUCH
Summer on You
100 bpm • E Maj • 03:25 • -6.55db
54% Popularity • 81% Danceability • 45% Energy • 46% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 81% Danceability • 45% Energy • 46% Liveness
0% Instrumentalness • 69% Positiveness
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Virginia To Vegas
Just Friends
100 bpm • G Maj • 02:48 • -7.56db
54% Popularity • 79% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
54% Popularity • 79% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Suriel Hess
Good Thing
100 bpm • D Maj • 02:39 • -6.75db
52% Popularity • 77% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
52% Popularity • 77% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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LANY
dna
100 bpm • B Maj • 02:57 • -8.49db
69% Popularity • 69% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 69% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Phil Good
Living With No One
100 bpm • F# Maj • 02:53 • -6db
31% Popularity • 94% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 94% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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VOILÀ
Stand Tall
84 bpm • C# Maj • 03:36 • -7.8db
37% Popularity • 61% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 61% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Anson Seabra
Peter Pan Was Right
84 bpm • F Maj • 03:12 • -7.74db
67% Popularity • 66% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
67% Popularity • 66% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Troye Sivan
Strawberries & Cigarettes
84 bpm • A Maj • 03:21 • -8.68db
77% Popularity • 58% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
77% Popularity • 58% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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X Lovers
Haunt You
101 bpm • D# Maj • 02:47 • -7.66db
39% Popularity • 58% Danceability • 53% Energy • 50% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 58% Danceability • 53% Energy • 50% Liveness
0% Instrumentalness • 45% Positiveness
