Songs like Higher Medley by Queen Latifah
Based on a tempo of (+/- 10%) and a similar genre
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Queen Latifah
Higher Medley
117 bpm • C Maj • 05:32 • -6db
36% Popularity • 71% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 71% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Michelle Pfeiffer
When You Believe
117 bpm • G# Maj • 04:55 • -18.36db
50% Popularity • 25% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 25% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Marisha Wallace
Miles and Miles
117 bpm • F Maj • 02:33 • -3.85db
24% Popularity • 74% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 74% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Zac Efron
Ladies' Choice
117 bpm • D Maj • 02:28 • -4.88db
52% Popularity • 68% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 68% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Acapop! KIDS
Bohemian Rhapsody/Somebody to Love
117 bpm • F Maj • 04:24 • -4.52db
22% Popularity • 46% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 46% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Jeremy Jordan
This World Will Remember Me
117 bpm • F# min • 02:10 • -11.37db
40% Popularity • 77% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
40% Popularity • 77% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Bobby Conte
More
117 bpm • F min • 04:32 • -7.65db
14% Popularity • 40% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 40% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Hilary Weeks
Beautiful Heartbreak
117 bpm • B Maj • 03:40 • -8.52db
26% Popularity • 56% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 56% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Callie Day
Hear My Prayer (Acoustic Version)
118 bpm • D# Maj • 05:22 • -14.05db
25% Popularity • 32% Danceability • 14% Energy • 37% Liveness
2% Instrumentalness • 16% Positiveness
25% Popularity • 32% Danceability • 14% Energy • 37% Liveness
2% Instrumentalness • 16% Positiveness
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Patti LaBelle, Yolanda Adams and Fantasia Barrino
I Wish
118 bpm • C# Maj • 03:31 • -5.18db
31% Popularity • 63% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 63% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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AJ Michalka
Desert Song
118 bpm • D Maj • 03:14 • -4.36db
25% Popularity • 66% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 66% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Karen Peck
Mighty High
116 bpm • C# Maj • 03:06 • -5.67db
23% Popularity • 67% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 67% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Tamar Braxton & One Nation Crew
Try Me
118 bpm • C Maj • 04:32 • -9.37db
26% Popularity • 56% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 56% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Mark Schultz
He's My Son
116 bpm • F# Maj • 05:39 • -10.45db
34% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Disney Channel Stars
A Dream Is a Wish Your Heart Makes
118 bpm • B Maj • 03:46 • -4.94db
39% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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The Passion Cast
Love Can Move Mountains
116 bpm • F min • 02:44 • -7.77db
18% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Isaac Carree
Clean This House
116 bpm • C Maj • 05:18 • -5.53db
37% Popularity • 68% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 68% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Dolly Parton
Romeo
116 bpm • G Maj • 03:34 • -11.74db
39% Popularity • 68% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 68% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Raven-Symoné
Double Dutch Bus
116 bpm • G# Maj • 03:02 • -4.42db
29% Popularity • 78% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 78% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Carner & Gregor
Hipster Youth II
118 bpm • D Maj • 01:10 • -16.12db
7% Popularity • 79% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 79% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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The Georgia Mass Choir
I Sing Because I'm Happy
116 bpm • A# Maj • 05:29 • -14.28db
19% Popularity • 41% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 41% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Jeremy Jordan
When I Drive
115 bpm • B Maj • 02:14 • -8db
38% Popularity • 70% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 70% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Cameron Diaz
Easy Street (2014 Film Version)
115 bpm • E Maj • 02:16 • -6db
41% Popularity • 46% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 46% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Oil Factory
Total Praise
119 bpm • F# Maj • 01:36 • -11.97db
26% Popularity • 29% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 29% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
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Age of Madness
Red Lines, White Lies
119 bpm • G Maj • 04:25 • -4.98db
22% Popularity • 51% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 51% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Carner & Gregor
Hipster Youth I
118 bpm • G Maj • 02:09 • -15.14db
7% Popularity • 68% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 68% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Dolly Parton
Go to Hell
114 bpm • C# Maj • 06:58 • -7.99db
30% Popularity • 54% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 54% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Jeremy Jordan
This World Will Remember Us
119 bpm • E min • 03:34 • -10db
42% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Ben Fankhauser
Seize The Day
120 bpm • D# Maj • 05:22 • -9.49db
52% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Quvenzhané Wallis
Opportunity
120 bpm • G min • 03:06 • -7.08db
51% Popularity • 32% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 32% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Marvin Winans
Just Don't Wanna Know
120 bpm • F# Maj • 04:22 • -8.77db
49% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
49% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Whitney Houston, Cissy Houston & Dionne Warwick and Family
Family First
120 bpm • A# Maj • 04:05 • -6db
25% Popularity • 55% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 55% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Ramiyah
Waiting
120 bpm • G# Maj • 04:24 • -8db
27% Popularity • 63% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 63% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Jeremy Jordan
Oh Happy Day
115 bpm • G# Maj • 02:46 • -8.64db
8% Popularity • 62% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
8% Popularity • 62% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
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Ben Fankhauser
Seize The Day (Full Song With Dance Brea...
120 bpm • A# Maj • 06:39 • -9.51db
37% Popularity • 50% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 50% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Age of Madness
Preaching to the Fire
120 bpm • G Maj • 03:41 • -6.07db
21% Popularity • 61% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 61% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Maranatha! Praise Band
You Are My All In All - Top 25 Praise So...
120 bpm • C Maj • 03:49 • -9.72db
8% Popularity • 63% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 63% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Resound
Keep on Lovin'
120 bpm • B min • 05:32 • -8.99db
11% Popularity • 58% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 58% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Dr. Barbara Thomas- Reddick
If God Don't Do It
114 bpm • C Maj • 03:09 • -8.04db
8% Popularity • 83% Danceability • 53% Energy • 45% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 83% Danceability • 53% Energy • 45% Liveness
0% Instrumentalness • 94% Positiveness
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Jeremy Jordan
No Turning Back Now
119 bpm • D# Maj • 04:14 • -8db
20% Popularity • 46% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 46% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Mabel King
Don't Nobody Bring Me No Bad News
120 bpm • A# Maj • 03:03 • -4.65db
30% Popularity • 75% Danceability • 98% Energy • 30% Liveness
5% Instrumentalness • 54% Positiveness
30% Popularity • 75% Danceability • 98% Energy • 30% Liveness
5% Instrumentalness • 54% Positiveness
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1 Girl Nation
Count Your Rainbows
114 bpm • E Maj • 03:14 • -3.56db
25% Popularity • 69% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 69% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Charice
Note to God
120 bpm • A Maj • 03:58 • -5db
28% Popularity • 52% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 52% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Dolly Parton
From Here To The Moon and Back
114 bpm • D Maj • 04:24 • -13.54db
39% Popularity • 49% Danceability • 22% Energy • 10% Liveness
8% Instrumentalness • 14% Positiveness
39% Popularity • 49% Danceability • 22% Energy • 10% Liveness
8% Instrumentalness • 14% Positiveness
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Kirk Franklin & The Family
Smile Again
121 bpm • D Maj • 06:52 • -6.49db
28% Popularity • 48% Danceability • 86% Energy • 88% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 48% Danceability • 86% Energy • 88% Liveness
0% Instrumentalness • 68% Positiveness
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Jeremy Jordan
Get Up and Go
120 bpm • C Maj • 04:46 • -5.4db
22% Popularity • 44% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 44% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Cheri Keaggy
Little Boy On His Knees AKA Cameron's So...
114 bpm • E Maj • 03:36 • -12.11db
27% Popularity • 60% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 60% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Amy Grant
Father's Eyes
113 bpm • D Maj • 04:06 • -7.13db
32% Popularity • 55% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 55% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Will Reynolds
Rosamund
113 bpm • D Maj • 03:31 • -14.25db
18% Popularity • 49% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 49% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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Brad Alexander & Adam Mathias
Bonus Track-Rock City
113 bpm • G Maj • 02:54 • -8.12db
16% Popularity • 45% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 45% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Corbin Bleu
Get'cha Head in the Game
113 bpm • C# Maj • 03:23 • -6.89db
25% Popularity • 80% Danceability • 95% Energy • 93% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 80% Danceability • 95% Energy • 93% Liveness
0% Instrumentalness • 29% Positiveness
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Jeremy Jordan
Oh, What A Beautiful Mornin’
120 bpm • D# Maj • 04:51 • -8.11db
30% Popularity • 31% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 31% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Hezekiah Walker
Let's Dance - Remix
113 bpm • D# min • 03:18 • -10.27db
22% Popularity • 86% Danceability • 71% Energy • 55% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 86% Danceability • 71% Energy • 55% Liveness
0% Instrumentalness • 83% Positiveness
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Amy Grant
River Lullaby
113 bpm • G# min • 03:56 • -16.47db
40% Popularity • 45% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 45% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Laura Osnes
Dare to Dream
113 bpm • A Maj • 03:27 • -10.98db
23% Popularity • 39% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 39% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Will Reynolds
Rosamund (Reprise)
121 bpm • G Maj • 02:49 • -13.22db
16% Popularity • 50% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 50% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Martina McBride
God's Will
122 bpm • C# Maj • 05:49 • -9.11db
34% Popularity • 40% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 40% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Jeremy Jordan
What Was Good Enough for You
113 bpm • E min • 03:54 • -10.73db
33% Popularity • 39% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 39% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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James Marsden
Heaven Came To The Rescue
113 bpm • B Maj • 04:29 • -14.82db
9% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Dolly Parton
Don’t Make Me Have To Come Down There
112 bpm • F Maj • 03:42 • -10.85db
30% Popularity • 69% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 69% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Antonio Cipriano
Tomorrow Begins Today
122 bpm • D# Maj • 04:21 • -8.84db
15% Popularity • 33% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 33% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Bring It On: The Musical - Original Broadway Cast
One Perfect Moment
112 bpm • C Maj • 03:54 • -5.96db
44% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Newsong
Arise My Love
122 bpm • F Maj • 05:25 • -11.96db
35% Popularity • 47% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 47% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Olivia Newton-John
Jolene
112 bpm • A# Maj • 03:14 • -6.58db
30% Popularity • 55% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 55% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Brian D'Arcy James
Overture/Big Bright Beautiful World
122 bpm • D Maj • 05:43 • -6.97db
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
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Pitbull
Powerful Women
112 bpm • F# Maj • 02:45 • -4.12db
60% Popularity • 81% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 81% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Jeremy Jordan
Prologue
122 bpm • D min • 03:48 • -9.15db
13% Popularity • 38% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 38% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Keke Palmer
I'm Yours
112 bpm • D Maj • 03:18 • -7.24db
27% Popularity • 82% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 82% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Will Reynolds
Soar or Plummet (Reprise)
112 bpm • D# Maj • 01:57 • -10.88db
21% Popularity • 60% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 60% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Nikki Blonsky
I Can Hear The Bells
112 bpm • C Maj • 04:14 • -6.56db
53% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Francesca Battistelli
Blue Sky
112 bpm • G Maj • 03:55 • -5.37db
27% Popularity • 65% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 65% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Willie Nelson
From Here to the Moon and Back
112 bpm • D Maj • 04:01 • -11.45db
39% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Martina McBride
In My Daughter's Eyes
123 bpm • G# Maj • 03:13 • -7.19db
47% Popularity • 36% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 36% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Mark Schultz
Letters from War
112 bpm • C# Maj • 04:15 • -4.84db
35% Popularity • 39% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 39% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Keke Palmer
It's My Turn Now - Soundtrack
123 bpm • C Maj • 03:16 • -5.58db
38% Popularity • 80% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 80% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Darren Criss
Put a Little Love in Your Heart
123 bpm • F# Maj • 01:54 • -6.01db
41% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Dolly Parton
Not Enough
123 bpm • F min • 04:30 • -5.65db
27% Popularity • 44% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 44% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Jeremy Jordan
Greatest Time (Spinning Gold)
111 bpm • D# Maj • 03:42 • -6.73db
22% Popularity • 68% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 68% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Le'Andria Johnson
Bigger Than Me
111 bpm • F Maj • 04:19 • -2.7db
33% Popularity • 81% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 81% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Omar Crook
Erik's Opera
123 bpm • F# min • 02:26 • -9.43db
26% Popularity • 25% Danceability • 22% Energy • 14% Liveness
3% Instrumentalness • 6% Positiveness
26% Popularity • 25% Danceability • 22% Energy • 14% Liveness
3% Instrumentalness • 6% Positiveness
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Nigel Lewis
When Jesus Say Yes
124 bpm • C# Maj • 03:31 • -6.31db
24% Popularity • 83% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 83% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Raven-Symoné
Everyone's a Star
111 bpm • F min • 03:51 • -3.42db
24% Popularity • 77% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 77% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Anna Kendrick
A Miracle Would Happen / When You Come H...
124 bpm • D Maj • 05:19 • -7.43db
35% Popularity • 52% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 52% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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JJ Hairston
No Reason To Fear
124 bpm • C# min • 05:12 • -4.79db
31% Popularity • 61% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 61% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Shuree
One Girl Can Change the World
124 bpm • G# Maj • 03:56 • -2.56db
18% Popularity • 58% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 58% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Kerrie Roberts
What Are You Afraid Of
124 bpm • G Maj • 03:09 • -3.41db
20% Popularity • 61% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 61% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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George Salazar
Light of the World
110 bpm • F# min • 02:43 • -8db
30% Popularity • 55% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 55% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Francesca Battistelli
I'm Letting Go
124 bpm • D Maj • 02:53 • -3.58db
38% Popularity • 58% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 58% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Carner & Gregor
Island Song Opening
110 bpm • G Maj • 05:28 • -11.03db
11% Popularity • 52% Danceability • 33% Energy • 50% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 52% Danceability • 33% Energy • 50% Liveness
0% Instrumentalness • 21% Positiveness
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Shalyah Fearing
Up To The Mountain - The Voice Performan...
110 bpm • B Maj • 03:11 • -4.05db
9% Popularity • 31% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 31% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Spensha Baker
Strong Tower
110 bpm • F Maj • 03:29 • -5.59db
10% Popularity • 50% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 50% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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George Huff
A Brighter Day
110 bpm • A# min • 03:22 • -4.44db
35% Popularity • 77% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 77% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Julie Andrews
Your Crowning Glory
110 bpm • D Maj • 02:42 • -7.41db
42% Popularity • 68% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 68% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Star Cast
Be Blessed
110 bpm • C# Maj • 02:31 • -5.56db
16% Popularity • 64% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 64% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Laura Osnes
Dyin' Ain't so Bad (Reprise)
110 bpm • B Maj • 01:52 • -20.43db
29% Popularity • 40% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 40% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Barden Bellas
Pool Mashup: Just The Way You Are/Just A...
110 bpm • F# Maj • 01:38 • -7.27db
57% Popularity • 55% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
57% Popularity • 55% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Plus One
When Your Spirit Gets Weak
125 bpm • G Maj • 04:07 • -6db
21% Popularity • 70% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 70% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Liz Callaway
Love Will Find A Way
125 bpm • A Maj • 03:00 • -13db
47% Popularity • 34% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
47% Popularity • 34% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
