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Higher
Songs like
Higher (feat. David Rawlings)
by
Sunny War
Based on a tempo of (+/- 10%) and a similar genre
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M. Ward
too young to die
172 bpm • C# min • 04:34 • -11.84db
47% Popularity • 40% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Brother Brothers
These Days
172 bpm • D Maj • 03:03 • -15.56db
23% Popularity • 40% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Sunny War
Shelter And Storm
171 bpm • E min • 02:40 • -4.83db
18% Popularity • 45% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Erin Durant
Rising Sun
173 bpm • D Maj • 05:51 • -19.84db
28% Popularity • 33% Danceability • 10% Energy • 8% Liveness
20% Instrumentalness • 12% Positiveness
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Emily Barker
Machine
174 bpm • F# min • 03:17 • -9.02db
18% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Anna Ash
Let Me Love You
174 bpm • D Maj • 02:48 • -10.07db
40% Popularity • 70% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Particle Kid
Someone Else’s Dream
170 bpm • C# Maj • 04:32 • -6.22db
14% Popularity • 38% Danceability • 79% Energy • 76% Liveness
0% Instrumentalness • 56% Positiveness
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Jake Blount
Just as Well Get Ready, You Got to Die
170 bpm • C# min • 03:08 • -9.49db
9% Popularity • 69% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Sunny War
Higher
172 bpm • C min • 03:23 • -7.88db
14% Popularity • 52% Danceability • 63% Energy • 14% Liveness
33% Instrumentalness • 57% Positiveness
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S.G. Goodman
If You Were Someone I Loved
170 bpm • C Maj • 04:13 • -7.96db
21% Popularity • 39% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Hurray For The Riff Raff
LIFE ON EARTH
169 bpm • G Maj • 05:46 • -12.75db
29% Popularity • 23% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Parker Millsap
Running on Time
176 bpm • C Maj • 03:09 • -8.54db
16% Popularity • 50% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Margo Cilker
Tehachapi
168 bpm • A Maj • 03:07 • -8db
13% Popularity • 51% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Watchhouse
Wondrous Love - Duo Version
167 bpm • F Maj • 02:16 • -14.74db
34% Popularity • 38% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
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Anna Ash
I Wonder
177 bpm • B Maj • 02:41 • -8.22db
18% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Joan Shelley
Haven
167 bpm • C Maj • 01:44 • -18.37db
43% Popularity • 34% Danceability • 8% Energy • 11% Liveness
60% Instrumentalness • 40% Positiveness
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Jake Xerxes Fussell
Jubilee
167 bpm • A Maj • 03:58 • -15.13db
36% Popularity • 35% Danceability • 35% Energy • 11% Liveness
40% Instrumentalness • 34% Positiveness
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Dori Freeman
Do You Recall
166 bpm • F# min • 03:10 • -8.59db
21% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Amelia Curran
Blackbird on Fire
165 bpm • E Maj • 02:46 • -9.73db
28% Popularity • 59% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Nora Brown
The Very Day I’m Gone
165 bpm • B Maj • 02:56 • -17.84db
37% Popularity • 43% Danceability • 11% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
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Carlos Dizon
Across The Vast Reality
180 bpm • C# Maj • 03:13 • -15.72db
18% Popularity • 71% Danceability • 40% Energy • 12% Liveness
24% Instrumentalness • 70% Positiveness
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Margo Cilker
Keep It on A Burner
179 bpm • C Maj • 04:27 • -8.84db
30% Popularity • 35% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Jake Xerxes Fussell
Breast of Glass
166 bpm • G Maj • 04:01 • -12.49db
31% Popularity • 45% Danceability • 20% Energy • 10% Liveness
77% Instrumentalness • 38% Positiveness
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S.G. Goodman
The Way I Talk
164 bpm • F Maj • 03:37 • -9.13db
29% Popularity • 60% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Adia Victoria
Carolina Bound
164 bpm • A min • 03:05 • -12.55db
15% Popularity • 40% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Allison Russell
You're Not Alone [Brandi Carlile]
184 bpm • C Maj • 05:09 • -7.55db
43% Popularity • 32% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Sunny War
Mama's Milk
185 bpm • F# Maj • 02:29 • -8.88db
22% Popularity • 46% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Margo Cilker
Barbed Wire (Belly Crawl)
164 bpm • F# min • 02:44 • -8.09db
4% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Mikayla McVey
On Naming
160 bpm • B min • 03:50 • -16db
21% Popularity • 69% Danceability • 29% Energy • 13% Liveness
3% Instrumentalness • 47% Positiveness
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Jake Xerxes Fussell
Rolling Mills Are Burning Down
156 bpm • F Maj • 05:18 • -15.38db
27% Popularity • 42% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
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The Secret Sisters
Late Bloomer
190 bpm • C Maj • 04:20 • -9.03db
32% Popularity • 30% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Allison Russell
Many Mansions
160 bpm • A Maj • 03:31 • -8.77db
24% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Sunny War
Baby Bitch
157 bpm • C Maj • 02:57 • -5.54db
14% Popularity • 41% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Luther Dickinson
Beulah Land
155 bpm • D Maj • 04:25 • -15.86db
13% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Margo Cilker
Broken Arm In Oregon
162 bpm • G Maj • 03:47 • -9.01db
2% Popularity • 53% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Grant-Lee Phillips
Red River
192 bpm • F# Maj • 03:20 • -12.65db
25% Popularity • 39% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Joan Shelley
The Spur
155 bpm • A# Maj • 03:52 • -11db
24% Popularity • 42% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Ondara
A Drowning In Mexico City
193 bpm • A Maj • 03:05 • -16.48db
23% Popularity • 33% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
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Sunny War
Johnny Baby
158 bpm • F Maj • 03:47 • -19.07db
3% Popularity • 40% Danceability • 22% Energy • 14% Liveness
41% Instrumentalness • 42% Positiveness
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Courtney Marie Andrews
America
152 bpm • G# Maj • 04:11 • -14db
35% Popularity • 39% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Margo Cilker
I Remember Carolina
153 bpm • E Maj • 04:54 • -8.28db
34% Popularity • 56% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Aoife O'Donovan
I Love You But I'm Lost
152 bpm • B Maj • 04:00 • -15db
16% Popularity • 49% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Dan Reeder
The Moon Tonight
151 bpm • E Maj • 02:24 • -16.91db
21% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Erin Rae
Lighten Up & Try
151 bpm • C Maj • 03:06 • -8.44db
14% Popularity • 52% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Sunny War
Immortal
155 bpm • B min • 03:29 • -12.78db
5% Popularity • 29% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Dead Horses
Brady Street
150 bpm • F Maj • 03:08 • -9.55db
26% Popularity • 54% Danceability • 54% Energy • 10% Liveness
36% Instrumentalness • 33% Positiveness
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Bonny Light Horseman
Lowlands
149 bpm • F Maj • 03:29 • -7.95db
30% Popularity • 49% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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Aoife O'Donovan
Age of Apathy - Acoustic
197 bpm • E Maj • 04:04 • -16.1db
17% Popularity • 38% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Luther Dickinson
Superlover
149 bpm • E Maj • 03:53 • -13.43db
21% Popularity • 48% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Birds of Chicago
Superlover
149 bpm • E Maj • 03:52 • -12.76db
31% Popularity • 47% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sunny War
Like Nina
150 bpm • F# Maj • 04:41 • -15db
13% Popularity • 47% Danceability • 20% Energy • 12% Liveness
6% Instrumentalness • 19% Positiveness
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S.G. Goodman
All My Love Is Coming Back To Me
148 bpm • B Maj • 03:29 • -7db
29% Popularity • 55% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Anna Tivel
Ruins
148 bpm • A# Maj • 05:11 • -14.2db
13% Popularity • 42% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Fruit Bats
We Used to Live Here
148 bpm • D# Maj • 02:44 • -12.82db
45% Popularity • 58% Danceability • 33% Energy • 11% Liveness
6% Instrumentalness • 52% Positiveness
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Bonny Light Horseman
Jane Jane
201 bpm • E min • 03:06 • -8db
33% Popularity • 38% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Birds of Chicago
Try
147 bpm • D# Maj • 05:11 • -10.06db
15% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sunny War
Its Name Is Fear
151 bpm • D min • 03:21 • -12.59db
10% Popularity • 58% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Cat Clyde
Been Worryin'
201 bpm • F Maj • 03:02 • -8.19db
45% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Allison Russell
All Of The Women
146 bpm • A min • 05:24 • -10.26db
28% Popularity • 50% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Sunny War
Red, White and Blue
150 bpm • C min • 02:33 • -18.57db
9% Popularity • 65% Danceability • 31% Energy • 10% Liveness
5% Instrumentalness • 65% Positiveness
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Sunny War
Sweet Nothing
147 bpm • C# Maj • 07:07 • -9.87db
9% Popularity • 35% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Higher