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Hills of Old Juarez
Songs like
Hills of Old Juarez
by
Tom Russell
Based on a tempo of (+/- 10%) and a similar genre
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Lonesome River Band
Mayhayley's House
89 bpm • C Maj • 04:06 • -6.06db
24% Popularity • 60% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Pat Green
Snowing On Raton
89 bpm • D Maj • 03:21 • -8.16db
18% Popularity • 52% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Shooter Jennings
Rhinestone Eyes
89 bpm • D Maj • 03:36 • -8.8db
17% Popularity • 58% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Sunny Sweeney
But You Like Country Music
89 bpm • G Maj • 03:49 • -6.82db
27% Popularity • 72% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Jim Lauderdale
I Met Jesus in a Bar
90 bpm • G Maj • 03:15 • -6.08db
19% Popularity • 59% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Kinky Friedman
Resurrection
90 bpm • D Maj • 04:11 • -6.42db
12% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Joshua Hedley
Let Them Talk
88 bpm • E Maj • 01:58 • -5.45db
13% Popularity • 76% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Wylie & The Wild West
Hooves of the Horses
90 bpm • E Maj • 03:19 • -15.69db
15% Popularity • 57% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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JP Harris
I Only Drink Alone
90 bpm • G Maj • 02:30 • -11.31db
12% Popularity • 62% Danceability • 38% Energy • 18% Liveness
36% Instrumentalness • 37% Positiveness
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Luke Bell
The Great Pretender
90 bpm • E Maj • 04:08 • -6db
26% Popularity • 50% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Tom Russell
El Llano Estacado
88 bpm • C Maj • 04:38 • -12db
9% Popularity • 65% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jimmie Dale Gilmore
I'm So Lonesome I Could Cry
91 bpm • G Maj • 03:40 • -9.68db
13% Popularity • 35% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Eilen Jewell
Half-Broke Horse
91 bpm • B Maj • 03:26 • -10.02db
38% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Hoyt Axton
Jealous Man
91 bpm • G Maj • 01:20 • -13.84db
27% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Eleven Hundred Springs
Hank Williams Wouldn't Make It Now in Na...
91 bpm • D Maj • 02:43 • -7.82db
31% Popularity • 56% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Tylor & the Train Robbers
The Ballad of Black Jack Ketchum
91 bpm • A Maj • 06:02 • -6.3db
19% Popularity • 42% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Otis Gibbs
Where Only the Graves Are Real
91 bpm • E Maj • 03:13 • -8.39db
18% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Buddy Miller
Down South in New Orleans
92 bpm • F Maj • 02:58 • -6.49db
25% Popularity • 62% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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R.W. Hampton
My Rifle, My Pony And Me - from Rio Brav...
91 bpm • D Maj • 02:46 • -15.32db
23% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Scott Miller & The Commonwealth
Sin in Indiana
92 bpm • C Maj • 02:12 • -7.2db
22% Popularity • 65% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Tom Russell
Seven Curses
92 bpm • D min • 05:00 • -13.91db
11% Popularity • 50% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Justin Townes Earle
Mama's Eyes
92 bpm • F Maj • 02:18 • -10.09db
46% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Adam Carroll
Blondie And Dagwood
92 bpm • D Maj • 03:28 • -8.07db
17% Popularity • 63% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Brenn Hill
With A Whisper
86 bpm • B min • 03:46 • -10.62db
21% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Wade Montgomery
Wild Roses
92 bpm • G Maj • 02:13 • -12.69db
28% Popularity • 47% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Don Edwards
The Cowboy Life
92 bpm • C Maj • 04:19 • -9.14db
23% Popularity • 60% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Tom Russell
The Sky Above, The Mud Below
92 bpm • D min • 05:50 • -14.27db
8% Popularity • 65% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Dwight Yoakam Duet with Maria McKee
Bury Me - Acoustic
92 bpm • A Maj • 03:13 • -4.3db
19% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Owen Temple
Tennessee Highway
86 bpm • E Maj • 03:58 • -8.6db
23% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Dan Tyminski
Heads You Win Tails I Lose
93 bpm • A Maj • 03:41 • -8.05db
32% Popularity • 55% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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The Bottle Rockets
Smile
85 bpm • F# Maj • 02:25 • -4.06db
32% Popularity • 47% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Wylie & The Wild West
Equus Caballus
85 bpm • C Maj • 04:35 • -15.3db
13% Popularity • 62% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Bill Kirchen
Down to Seeds and Stems Again
93 bpm • C Maj • 04:02 • -11db
21% Popularity • 47% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Terry Allen
Gimme a Ride to Heaven Boy
93 bpm • A Maj • 04:59 • -9.99db
35% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Flatlanders
Homeland Refugee
93 bpm • C Maj • 03:58 • -8.7db
28% Popularity • 65% Danceability • 56% Energy • 19% Liveness
3% Instrumentalness • 47% Positiveness
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Don Edwards
Coyotes
93 bpm • D Maj • 04:28 • -14.63db
44% Popularity • 56% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Gurf Morlix
Big Cheeseburgers and Good French Fries
93 bpm • G Maj • 02:51 • -12.01db
20% Popularity • 85% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Wylie & The Wild West
16 Hands
93 bpm • C Maj • 02:51 • -11.9db
19% Popularity • 58% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
► Preview
Tom Russell
All This Way For The Short Ride
85 bpm • A Maj • 03:36 • -12.26db
12% Popularity • 54% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Eleven Hundred Springs
Thunderbird Will Do Just Fine
93 bpm • E Maj • 02:35 • -6.59db
48% Popularity • 69% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Brennen Leigh
The North Dakota Cowboy
85 bpm • C Maj • 02:42 • -9.42db
21% Popularity • 50% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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The Black Lillies
Whiskey Angel
94 bpm • C Maj • 04:52 • -10.52db
24% Popularity • 46% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
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Jim Lauderdale
No Later than Soon
95 bpm • B Maj • 02:56 • -9.6db
30% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Zephaniah OHora
This Highway
95 bpm • E Maj • 03:59 • -7.98db
14% Popularity • 55% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 27% Positiveness
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Tom Russell
Throwin' Horseshoes At The Moon
84 bpm • G min • 03:17 • -11.5db
14% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Eleven Hundred Springs
Long Haired Tattooed Hippie Freaks
94 bpm • D Maj • 03:28 • -8.3db
29% Popularity • 72% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Bruce Robison
See You Around
83 bpm • G Maj • 02:55 • -8.92db
18% Popularity • 57% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Don Edwards
Cattle Call
83 bpm • D Maj • 02:47 • -14.94db
22% Popularity • 55% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Buddy Miller
Love’s Gonna Live Here
95 bpm • G Maj • 02:14 • -6.91db
51% Popularity • 65% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Kieran Kane
Hillbilly Blue
96 bpm • A Maj • 03:11 • -10.05db
11% Popularity • 50% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Flatlanders
One Road More
95 bpm • D Maj • 02:38 • -8.69db
27% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Eleven Hundred Springs
This Crazy Life
83 bpm • G Maj • 03:14 • -9.37db
27% Popularity • 73% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Malcolm Holcombe
To Get By
96 bpm • C# Maj • 04:03 • -10.31db
23% Popularity • 68% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Kimmie Rhodes
Love Me Like A Song
96 bpm • A Maj • 03:40 • -14db
28% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Carroll
Karaoke Cowboy
82 bpm • D Maj • 03:08 • -12.36db
9% Popularity • 61% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Brent Cobb
Country Bound
83 bpm • G Maj • 03:45 • -9.65db
29% Popularity • 62% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Keith Sykes
Country Morning Music
96 bpm • C Maj • 02:27 • -7.34db
13% Popularity • 72% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Don Edwards
Goin' Back to Texas
96 bpm • G Maj • 04:09 • -9.34db
16% Popularity • 80% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Eleven Hundred Springs
Long Haired Tattooed Hippie Freak
97 bpm • D Maj • 03:03 • -7db
24% Popularity • 42% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
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Tom Russell
Hallie Lonnigan
97 bpm • C Maj • 03:49 • -10.7db
13% Popularity • 62% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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James McMurtry
We Can't Make It Here
82 bpm • C Maj • 07:06 • -8db
36% Popularity • 42% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Elizabeth Cook
Methadone Blues
97 bpm • G Maj • 03:43 • -3.99db
28% Popularity • 68% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Stryker Brothers
Charlie Duke Took Country Music to the M...
97 bpm • E Maj • 04:00 • -6.35db
11% Popularity • 69% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Joe Ely
Treat Me Like A Saturday Night - 2022 Re...
81 bpm • B Maj • 03:03 • -12.36db
28% Popularity • 52% Danceability • 46% Energy • 8% Liveness
47% Instrumentalness • 40% Positiveness
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Terry Allen
Amarillo Highway (for Dave Hickey)
82 bpm • A Maj • 04:00 • -7.76db
40% Popularity • 53% Danceability • 60% Energy • 4% Liveness
2% Instrumentalness • 75% Positiveness
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Kinky Friedman
Pickin' Time
81 bpm • E Maj • 01:41 • -18db
14% Popularity • 74% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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James McMurtry
Memorial Day
81 bpm • A Maj • 04:14 • -8db
22% Popularity • 51% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Kieran Kane
Till I'm Too Old to Die Young
81 bpm • D Maj • 03:29 • -8.96db
21% Popularity • 47% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Buddy Miller
I Want to Be with You Always
98 bpm • F Maj • 03:11 • -10.56db
29% Popularity • 55% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Tom Russell
The Man From God Knows Where, Pt. 1
98 bpm • G Maj • 02:47 • -12.58db
23% Popularity • 64% Danceability • 43% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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Dan Tyminski
Carry Me Across the Mountain
98 bpm • C Maj • 02:34 • -9db
35% Popularity • 65% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Kinky Friedman
We Reserve The Right To Refuse Service T...
98 bpm • G Maj • 04:06 • -13.04db
21% Popularity • 52% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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The Flatlanders
After the Storm
81 bpm • D# Maj • 03:52 • -9.65db
28% Popularity • 65% Danceability • 41% Energy • 10% Liveness
5% Instrumentalness • 21% Positiveness
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Kieran Kane
Just Like That
98 bpm • C Maj • 03:30 • -12.02db
28% Popularity • 72% Danceability • 43% Energy • 9% Liveness
50% Instrumentalness • 75% Positiveness
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Eleven Hundred Springs
Hard Working Just Ain't Working Anymore
98 bpm • A Maj • 03:51 • -5db
32% Popularity • 76% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Joe Ely
You Can Bet I'm Gone
98 bpm • D Maj • 02:52 • -9.42db
12% Popularity • 62% Danceability • 50% Energy • 57% Liveness
0% Instrumentalness • 58% Positiveness
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Jimmie Dale Gilmore
Hello Stranger
98 bpm • G Maj • 03:11 • -15.42db
9% Popularity • 57% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Jason Eady
Man on a Mountain
98 bpm • D Maj • 03:38 • -12.1db
13% Popularity • 66% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Justin Townes Earle
Lonesome and You
98 bpm • B Maj • 03:29 • -9.2db
25% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Don Edwards
Diamond Joe
98 bpm • D Maj • 02:54 • -10.21db
22% Popularity • 64% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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The Highwaymen
Death And Hell
99 bpm • A Maj • 02:48 • -11.68db
30% Popularity • 51% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Tom Russell
Down the Rio Grande
80 bpm • G# Maj • 05:37 • -11.67db
10% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Hoyt Axton
An Old Greyhound
80 bpm • C Maj • 02:54 • -5.12db
16% Popularity • 62% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Jason Eady
Calaveras County
98 bpm • B Maj • 03:29 • -10.23db
21% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Zephaniah OHora
All American Singer
99 bpm • C Maj • 03:57 • -10.22db
16% Popularity • 66% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Don Edwards
The Old Cow Man
80 bpm • A# Maj • 03:50 • -14.32db
22% Popularity • 63% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Red Steagall
Lone Star Beer and Bob Wills
99 bpm • E Maj • 02:09 • -7db
34% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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The Band Of Heathens
Maple Tears
99 bpm • D Maj • 04:42 • -8.8db
16% Popularity • 62% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Adam Carroll
Oklahoma Gypsy Shuffler
79 bpm • A Maj • 04:45 • -10db
30% Popularity • 64% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Robbie Fulks
I Just Lived a Country Song
100 bpm • C Maj • 04:10 • -6.89db
28% Popularity • 57% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Tom Russell
Touch of Evil
100 bpm • A Maj • 05:42 • -8.71db
12% Popularity • 71% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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JP Harris
Early Morning Rain
100 bpm • E Maj • 04:25 • -11.81db
16% Popularity • 59% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
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Steve Young
It's Not Supposed to Be That Way
79 bpm • F Maj • 03:41 • -10.23db
29% Popularity • 44% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Elizabeth Cook
Rest Your Weary Mind
101 bpm • A Maj • 03:18 • -10.69db
9% Popularity • 56% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Kinky Friedman
A Dog Named Freedom
79 bpm • G Maj • 02:37 • -12db
10% Popularity • 48% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Brennen Leigh
Jeremiah Johnson
79 bpm • G Maj • 02:55 • -10db
22% Popularity • 57% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Roger Alan Wade
The First Time I Saw Waylon
78 bpm • A# Maj • 03:01 • -4.25db
21% Popularity • 54% Danceability • 56% Energy • 7% Liveness
5% Instrumentalness • 39% Positiveness
► Preview
Jeremy Pinnell
Loose Women
101 bpm • E Maj • 04:20 • -7.98db
10% Popularity • 68% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Pat Reedy
Nashville Tennessee At 3 A.M.
101 bpm • A Maj • 03:28 • -12.32db
27% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Jason Isbell
God Is A Working Man
78 bpm • D# Maj • 03:20 • -10.67db
31% Popularity • 60% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Hills of Old Juarez