Songs like Hired Gun (The Original Song from the Motion Picture) [feat. Jason Hook & Jeremy Spencer] by Jonny Hetherington
Based on a tempo of (+/- 10%) and a similar genre
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Sully Erna
7 Years
110 bpm • A min • 08:40 • -7.06db
33% Popularity • 54% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 54% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Matthew Good
Load Me Up
110 bpm • C# Maj • 06:18 • -6.57db
17% Popularity • 55% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
17% Popularity • 55% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
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Buckcherry
Carousel - Acoustic
110 bpm • D# Maj • 04:37 • -6.87db
12% Popularity • 68% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 68% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Philosopher Kings
Castles In The Sand
110 bpm • G Maj • 04:23 • -4.76db
22% Popularity • 58% Danceability • 77% Energy • 15% Liveness
28% Instrumentalness • 33% Positiveness
22% Popularity • 58% Danceability • 77% Energy • 15% Liveness
28% Instrumentalness • 33% Positiveness
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Mike Tramp
Darkness
110 bpm • F# Maj • 05:57 • -6.16db
8% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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![Hired Gun (The Original Song from the Motion Picture) [feat. Jason Hook & Jeremy Spencer] cover art](https://i.scdn.co/image/ab67616d00001e02acb4d63ca6739359249fa99d)
Jonny Hetherington
Hired Gun (The Original Song from the Mo...
110 bpm • G Maj • 03:35 • -3.98db
5% Popularity • 58% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 58% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Ivan Sylvester
On Monday Night
110 bpm • D Maj • 04:00 • -9.79db
28% Popularity • 58% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 58% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Krajcik
Goodbye
109 bpm • F# Maj • 05:16 • -12.32db
13% Popularity • 43% Danceability • 27% Energy • 11% Liveness
4% Instrumentalness • 44% Positiveness
13% Popularity • 43% Danceability • 27% Energy • 11% Liveness
4% Instrumentalness • 44% Positiveness
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Brian Vander Ark
And Then You Went Away
109 bpm • E Maj • 04:14 • -10.66db
9% Popularity • 63% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 63% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
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Kevin M. Thomas
I Ran So Far Away (Acoustic)
109 bpm • A min • 02:45 • -7.55db
17% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Marc Cohn
True Companion
112 bpm • A Maj • 03:50 • -10.91db
16% Popularity • 52% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 52% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Sully Erna
Blue Skies
108 bpm • D# min • 04:47 • -9.84db
23% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Tabitha's Secret
10 3am (acoustic) (3:45)
108 bpm • G Maj • 03:46 • -11db
31% Popularity • 65% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 65% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Jonny Hetherington
Get Thru This (Piano)
112 bpm • D Maj • 04:36 • -8.73db
1% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
1% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Crumbland
Feel You
112 bpm • D min • 04:00 • -3.96db
14% Popularity • 48% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 48% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Allen, Mack, Myers, & Moore
Forever and Seventeen
112 bpm • G Maj • 03:05 • -10.96db
13% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Default
Deny
108 bpm • G Maj • 04:14 • -6.05db
14% Popularity • 52% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 52% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Sully Erna
Your Own Drum
112 bpm • A# min • 03:02 • -7.4db
24% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Acoustic Smoke
I Will Rise
112 bpm • D Maj • 03:24 • -8.73db
10% Popularity • 56% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 56% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Tom Cochrane
Boy Inside The Man
113 bpm • G Maj • 03:41 • -12.66db
12% Popularity • 49% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 49% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Finlay Dobing
Running back to you
107 bpm • C# Maj • 04:04 • -12db
15% Popularity • 62% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 62% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Anthony Morris
Too Late
113 bpm • G Maj • 03:31 • -13.22db
9% Popularity • 46% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 46% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Ramiro Saavedra
Call Me Tonight
108 bpm • G Maj • 04:17 • -5.96db
7% Popularity • 25% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 25% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Default
Sick and Tired
107 bpm • G Maj • 03:00 • -5.18db
16% Popularity • 59% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 59% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Zakk Wylde
Way Beyond Empty
107 bpm • D Maj • 05:25 • -6.87db
13% Popularity • 44% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 44% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Stone Broken
Wait For You - Acoustic
113 bpm • C# Maj • 04:34 • -5.19db
9% Popularity • 47% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 47% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Blue October
King - Acoustic
107 bpm • C Maj • 03:40 • -8.38db
19% Popularity • 35% Danceability • 24% Energy • 67% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 35% Danceability • 24% Energy • 67% Liveness
0% Instrumentalness • 34% Positiveness
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Francoise Bartezak
Hope Song
113 bpm • G Maj • 03:23 • -12.44db
30% Popularity • 48% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 48% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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John Waite
Isn’t It Time
106 bpm • F Maj • 03:48 • -8.09db
12% Popularity • 69% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 69% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Edwin McCain
Sign on the Door
114 bpm • A Maj • 06:01 • -6.73db
22% Popularity • 54% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 54% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
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Corey Taylor
Black Eyes Blue - Acoustic
114 bpm • G# min • 03:22 • -7.09db
29% Popularity • 74% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 74% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Stone Broken
Wait For You - 2019 Recording
107 bpm • C# Maj • 04:11 • -7.39db
19% Popularity • 36% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 36% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Theresa Clara
Lovely And Kind Lady
114 bpm • G Maj • 04:21 • -7.05db
28% Popularity • 53% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 53% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
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Joshua James
Mother Mary
106 bpm • C# Maj • 04:31 • -7db
29% Popularity • 36% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 36% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Deepfield
Blow It Away
114 bpm • D# Maj • 03:33 • -6.15db
9% Popularity • 34% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 34% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Hinder
Intoxicated - Acoustic
106 bpm • C Maj • 03:14 • -6.83db
9% Popularity • 62% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 62% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Staind
Comfortably Numb - Acoustic Live
115 bpm • F# Maj • 06:03 • -7.7db
43% Popularity • 40% Danceability • 48% Energy • 91% Liveness
40% Instrumentalness • 10% Positiveness
43% Popularity • 40% Danceability • 48% Energy • 91% Liveness
40% Instrumentalness • 10% Positiveness
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Scott Stapp
Dying To Live
115 bpm • A Maj • 04:06 • -4.89db
36% Popularity • 59% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 59% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Tom Cochrane
Pink Time
115 bpm • G Maj • 05:46 • -5.42db
9% Popularity • 47% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 47% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Austin John Winkler
Carry On
115 bpm • G min • 03:33 • -4.36db
17% Popularity • 55% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 55% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jude Cole
Heaven's Last Attempt
115 bpm • C Maj • 04:21 • -14.02db
9% Popularity • 40% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 40% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Dag Vagle
Johnny´s Song
115 bpm • B min • 04:32 • -10.94db
19% Popularity • 62% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
19% Popularity • 62% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Font 48
Wild Yam / The Look In Your Eyes
115 bpm • B min • 04:19 • -11.13db
12% Popularity • 65% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 65% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Rocket Club
Otherwise
105 bpm • G Maj • 04:04 • -3.25db
17% Popularity • 61% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 61% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Tom Cochrane
Diamonds
115 bpm • C Maj • 03:53 • -4.93db
9% Popularity • 58% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 58% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Harvard of the South
Running
105 bpm • F min • 03:24 • -6.21db
26% Popularity • 64% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 64% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Red Sun Rising
She Drives Me Crazy - Live From SiriusXM
105 bpm • C# Maj • 04:18 • -8db
15% Popularity • 72% Danceability • 59% Energy • 4% Liveness
3% Instrumentalness • 42% Positiveness
15% Popularity • 72% Danceability • 59% Energy • 4% Liveness
3% Instrumentalness • 42% Positiveness
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Theory of a Deadman
Wicked Game
115 bpm • A Maj • 03:40 • -9.01db
48% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Saving Abel
After All
105 bpm • A Maj • 03:16 • -6.11db
22% Popularity • 57% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 57% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Monroe Felton
A Ball
116 bpm • D Maj • 02:47 • -9.84db
20% Popularity • 57% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 57% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
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Tom Cochrane
I Wish You Well
115 bpm • D Maj • 04:45 • -8.82db
9% Popularity • 58% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 58% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Thornley
Might Be the End
116 bpm • D min • 06:38 • -6.02db
15% Popularity • 43% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 43% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Josh Krajcik
All That's Left of Me
116 bpm • D Maj • 06:42 • -8.84db
13% Popularity • 45% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 45% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Blue Moon Ghetto
Shine All the Time
104 bpm • D Maj • 04:25 • -5db
14% Popularity • 32% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 32% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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The Black Moods
Paralyzed
104 bpm • G# min • 03:00 • -5.15db
13% Popularity • 66% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 66% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Matt Nathanson
Hysteria
104 bpm • C Maj • 04:04 • -8.66db
21% Popularity • 62% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 62% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Corey Taylor
Home Again
104 bpm • G Maj • 03:03 • -8.78db
11% Popularity • 43% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 43% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Created Son
Perfect for Each Other
104 bpm • F# Maj • 03:22 • -6.91db
10% Popularity • 68% Danceability • 67% Energy • 8% Liveness
3% Instrumentalness • 62% Positiveness
10% Popularity • 68% Danceability • 67% Energy • 8% Liveness
3% Instrumentalness • 62% Positiveness
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Head of the Herd
Ain't My Day
104 bpm • C min • 03:44 • -8.7db
9% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Bush
Lost In You (2017 - Remaster)
117 bpm • F Maj • 04:19 • -5.24db
38% Popularity • 52% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 52% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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The Black Moods
Bad News (Acoustic)
104 bpm • D# min • 03:42 • -4.53db
13% Popularity • 56% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 56% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Steven Tyler
Janie's Got A Gun
104 bpm • E min • 03:29 • -8.59db
28% Popularity • 51% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 51% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Josh Krajcik
The Power of Love
103 bpm • D# Maj • 04:28 • -7db
18% Popularity • 49% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 49% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Must
Freechild
117 bpm • G Maj • 04:01 • -6.43db
10% Popularity • 59% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 59% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Staind
Something Like Me
103 bpm • G Maj • 04:52 • -6.92db
14% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Blacktop Mojo
My Girl - Live Acoustic
103 bpm • G# min • 03:02 • -4.94db
20% Popularity • 40% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 40% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Crush
Live (I Just Wanna)
118 bpm • A Maj • 04:05 • -4.49db
13% Popularity • 60% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 60% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Ingram Hill
Solsbury Hill
102 bpm • B Maj • 04:16 • -6.16db
13% Popularity • 53% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 53% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Whole Damn Mess
We Don't Need a Reason
118 bpm • C Maj • 03:22 • -5.76db
9% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Tom Cochrane
Big League (For Humboldt)
102 bpm • F# Maj • 04:59 • -7.13db
15% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Edwin
Alive
118 bpm • D# Maj • 06:10 • -6.65db
33% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Blacktop Mojo
My Girl
102 bpm • G# min • 03:07 • -6.93db
31% Popularity • 36% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 36% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
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Sons Of Silver
Deep Division
102 bpm • C Maj • 03:23 • -6.31db
12% Popularity • 61% Danceability • 76% Energy • 4% Liveness
2% Instrumentalness • 47% Positiveness
12% Popularity • 61% Danceability • 76% Energy • 4% Liveness
2% Instrumentalness • 47% Positiveness
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The Black Moods
How Long
102 bpm • C# Maj • 03:02 • -4.11db
12% Popularity • 48% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 48% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Sully Erna
Until Then...
102 bpm • G min • 05:09 • -9.93db
41% Popularity • 28% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
41% Popularity • 28% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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One Bad Son
It Ain't Right
119 bpm • F# Maj • 03:48 • -4db
27% Popularity • 53% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 53% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Geoff Lenox
Say a Prayer
101 bpm • D# min • 05:22 • -6.92db
7% Popularity • 56% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
7% Popularity • 56% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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Ellis Paul
The World Ain't Slowin' Down
119 bpm • B Maj • 04:49 • -9.36db
36% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Stereoside
I'll Wait
120 bpm • F Maj • 03:57 • -6.95db
18% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Shane Terry
Man in the Reflection
120 bpm • A Maj • 03:21 • -10.13db
7% Popularity • 71% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 71% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Clint Boge
Bone Yard
120 bpm • F min • 04:15 • -5.24db
16% Popularity • 68% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 68% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Blacktop Mojo
Underneath
120 bpm • C# Maj • 03:26 • -12.01db
43% Popularity • 62% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
43% Popularity • 62% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Soul Asylum
If I Told You
120 bpm • A# Maj • 03:51 • -5db
16% Popularity • 56% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 56% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Mavor
Demons in Me - Acoustic Version
120 bpm • C# min • 04:18 • -14.9db
8% Popularity • 60% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 60% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Josh Kelley
Died in Your Arms Tonight
120 bpm • A min • 04:39 • -9.29db
11% Popularity • 62% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 62% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Jane's Addiction
Sympathy for the Devil - from Sons of An...
120 bpm • G Maj • 05:26 • -6db
34% Popularity • 49% Danceability • 81% Energy • 17% Liveness
26% Instrumentalness • 26% Positiveness
34% Popularity • 49% Danceability • 81% Energy • 17% Liveness
26% Instrumentalness • 26% Positiveness
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Geoff Carne
Go Solo
120 bpm • F# Maj • 03:06 • -10.04db
14% Popularity • 54% Danceability • 35% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 54% Danceability • 35% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
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Those Damn Crows
Blink of an Eye - Piano Version
120 bpm • C Maj • 03:31 • -9.56db
19% Popularity • 69% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 69% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Linda Perry
Wildling
120 bpm • G# Maj • 04:27 • -7.88db
13% Popularity • 64% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 64% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Josh Krajcik
Creature
120 bpm • A# Maj • 03:31 • -6.75db
9% Popularity • 66% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 66% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Julian Thome
Room With A View
120 bpm • E min • 03:14 • -10.67db
12% Popularity • 56% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 56% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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the feelers
I'm Alive
120 bpm • C Maj • 03:47 • -5.89db
12% Popularity • 59% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 59% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Hugh Dillon
Don't Be Fooled
120 bpm • A# min • 02:44 • -11db
9% Popularity • 83% Danceability • 56% Energy • 16% Liveness
60% Instrumentalness • 66% Positiveness
9% Popularity • 83% Danceability • 56% Energy • 16% Liveness
60% Instrumentalness • 66% Positiveness
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W3APONS
Off the Top of My Heart
120 bpm • D Maj • 03:48 • -4.07db
14% Popularity • 61% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 61% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Empyre
Only Way Out - Piano Acoustic
120 bpm • A# min • 06:25 • -10.41db
16% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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The Goo Goo Dolls
Boxes - Acoustic
101 bpm • E Maj • 04:22 • -9db
49% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Vertical Horizon
Heart in Hand
100 bpm • F Maj • 04:39 • -10.45db
23% Popularity • 65% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 65% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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The Jenerators
If I Give You All I Got
120 bpm • D Maj • 03:29 • -11.13db
8% Popularity • 69% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 69% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
