Songs like His Daughter by Molly Kate Kestner
Based on a tempo of (+/- 10%) and a similar genre
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Daphne Willis
Somebody's Someone
169 bpm • D Maj • 03:44 • -6.68db
21% Popularity • 33% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 33% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Molly Kate Kestner
His Daughter
169 bpm • F# Maj • 05:57 • -8.85db
41% Popularity • 46% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 46% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Alfie Arcuri
If They Only Knew - Stripped Back
168 bpm • E Maj • 03:36 • -8.53db
20% Popularity • 25% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 25% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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Camila Cabello
I Have Questions
168 bpm • A# min • 03:41 • -6.1db
56% Popularity • 39% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
56% Popularity • 39% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lauren Aquilina
Fools
170 bpm • B min • 03:33 • -10db
43% Popularity • 48% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 48% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Demi Lovato
Sober
170 bpm • C# Maj • 03:17 • -10.41db
63% Popularity • 40% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
63% Popularity • 40% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Betsy Phillips
Be Yours
171 bpm • C Maj • 03:16 • -10db
18% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Amber Run
I Found - Acoustic
171 bpm • G min • 04:19 • -11.17db
51% Popularity • 39% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 39% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Audrey Callahan
Better Me for Me
167 bpm • G# Maj • 03:33 • -4db
9% Popularity • 45% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 45% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Anson Seabra
I Can't Carry This Anymore
167 bpm • D# Maj • 03:20 • -16.82db
58% Popularity • 45% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 45% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Birdy
Skinny Love
166 bpm • E Maj • 03:21 • -8.49db
73% Popularity • 38% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
73% Popularity • 38% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Sody
Maybe It Was Me
166 bpm • F Maj • 02:59 • -9.76db
46% Popularity • 46% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 46% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Katelyn Tarver
Never Fade
172 bpm • C Maj • 03:55 • -8.62db
23% Popularity • 38% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 38% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Codi Kaye
You're Not Innocent
172 bpm • D# Maj • 03:29 • -8.03db
26% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Nichole Nordeman
Sound Of Surviving
166 bpm • G# Maj • 04:06 • -5.08db
33% Popularity • 32% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 32% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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He Is We
All About Us
172 bpm • E Maj • 03:26 • -5.26db
53% Popularity • 44% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 44% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Birdy
Deep End
172 bpm • D Maj • 03:28 • -8.51db
60% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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The Sweeplings
Drop by Drop
172 bpm • C Maj • 04:07 • -10.37db
20% Popularity • 34% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 34% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Ben Hazlewood
Paint Me Black
164 bpm • C# min • 04:06 • -7.61db
32% Popularity • 34% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 34% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Madilyn
Scars
164 bpm • F Maj • 02:54 • -11.64db
29% Popularity • 38% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 38% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Script
Flares
164 bpm • C min • 03:49 • -9.88db
54% Popularity • 35% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
54% Popularity • 35% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Parson James
Waiting Game
164 bpm • A Maj • 03:52 • -8db
45% Popularity • 39% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 39% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Little Mix
These Four Walls
175 bpm • A# Maj • 03:28 • -9.87db
40% Popularity • 27% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 27% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Marina Lin
this is what self-destruction feels like
175 bpm • F Maj • 03:36 • -14db
36% Popularity • 26% Danceability • 19% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
36% Popularity • 26% Danceability • 19% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
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Lauren Aquilina
Ugly Truth
176 bpm • D# Maj • 03:12 • -6.79db
21% Popularity • 46% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 46% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Olivia O'Brien
hate u love u
177 bpm • F# min • 02:55 • -8.92db
67% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
67% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Demi Lovato
In Case
177 bpm • G# Maj • 03:34 • -9db
43% Popularity • 38% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 38% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Luke Friend
Hole in My Heart
176 bpm • F# Maj • 03:08 • -4.98db
36% Popularity • 40% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 40% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Matthew West
Broken Girl
178 bpm • E min • 04:36 • -6.18db
30% Popularity • 23% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 23% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Johnny Manuel
Blind Faith
160 bpm • F# min • 03:28 • -7.48db
27% Popularity • 35% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 35% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ruth B.
If This is Love
179 bpm • F# min • 03:49 • -4.39db
51% Popularity • 28% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 28% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Madison Lane
Dark Enough Cover
160 bpm • C Maj • 04:30 • -19.76db
26% Popularity • 40% Danceability • 6% Energy • 10% Liveness
18% Instrumentalness • 23% Positiveness
26% Popularity • 40% Danceability • 6% Energy • 10% Liveness
18% Instrumentalness • 23% Positiveness
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Demi Lovato
Fix a Heart
160 bpm • C Maj • 03:13 • -8db
47% Popularity • 49% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 49% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Chloe Adams
Bonfire Night
160 bpm • C# Maj • 03:56 • -9.86db
24% Popularity • 51% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 51% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Christian Burrows
Two Again
159 bpm • G Maj • 03:04 • -5.85db
41% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Maddie Wilson
All You Had To Do Was Stay
180 bpm • F Maj • 03:16 • -10db
23% Popularity • 42% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 42% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Maddy Newton
Before I Knew Ya
180 bpm • G Maj • 03:46 • -7.95db
14% Popularity • 38% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 38% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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JJ Heller
Suitcase
180 bpm • C Maj • 03:49 • -10.5db
30% Popularity • 40% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 40% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Matthew John Kurz
Moving On
182 bpm • E Maj • 04:26 • -8.84db
29% Popularity • 32% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 32% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Mann
To the Moon and Back (Unplugged)
157 bpm • E Maj • 03:33 • -8.05db
29% Popularity • 34% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 34% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Cast of Legacies
Always and Tomorrow
157 bpm • C Maj • 02:04 • -12db
34% Popularity • 38% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 38% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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One Direction
Half a Heart
156 bpm • C Maj • 03:08 • -4.52db
63% Popularity • 52% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
63% Popularity • 52% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Colbie Caillat
When The Darkness Comes
156 bpm • D Maj • 04:16 • -10.82db
42% Popularity • 34% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 34% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Britt Nicole
When She Cries
184 bpm • F# min • 03:13 • -4.39db
42% Popularity • 44% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 44% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Natalie Taylor
Wildfire
155 bpm • C min • 03:11 • -5.07db
31% Popularity • 35% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
31% Popularity • 35% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Chord Overstreet
Homeland
155 bpm • G# Maj • 03:42 • -10db
32% Popularity • 49% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 49% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Jacob Lee
Breadcrumbs
154 bpm • B Maj • 04:32 • -7.02db
36% Popularity • 38% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 38% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Francois Mulder
Break the Silence
154 bpm • F# min • 03:46 • -7.23db
19% Popularity • 45% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 45% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Forest Blakk
If You Love Her - Acoustic
154 bpm • C# Maj • 03:41 • -11db
46% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Lauren Aquilina
Sinners
152 bpm • B Maj • 03:39 • -8db
42% Popularity • 34% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 34% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Lisa Cimorelli
Italy
188 bpm • E Maj • 04:25 • -6db
18% Popularity • 41% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 41% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Sabrina Carpenter
Too Young
151 bpm • D Maj • 04:14 • -6.9db
46% Popularity • 32% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 32% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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David Archuleta
Aiming for Hope
151 bpm • E Maj • 03:42 • -9.47db
27% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Sophie Pecora
7th Grade
150 bpm • G# Maj • 03:58 • -10db
28% Popularity • 67% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 67% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Faith Marie
Toxic Thoughts
150 bpm • D# Maj • 04:17 • -9.53db
45% Popularity • 65% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 65% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Madilyn
Wiser
150 bpm • C Maj • 03:28 • -7.65db
35% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Rachel Platten
You Don't Know My Heart
150 bpm • F# Maj • 03:34 • -5.7db
32% Popularity • 64% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 64% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Jason Walker
Shouldn't Be a Good In Goodbye
150 bpm • G# Maj • 03:23 • -5.81db
32% Popularity • 42% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 42% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Gaustad
Walk
150 bpm • G Maj • 03:30 • -7.09db
21% Popularity • 53% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 53% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Joel Adams
Please Don't Go (A Cappella)
150 bpm • B min • 03:26 • -5.65db
30% Popularity • 39% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 39% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Schulte
Heard You Crying
150 bpm • B Maj • 03:50 • -6db
34% Popularity • 27% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 27% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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RyanDan
Tears Of An Angel
148 bpm • A# min • 03:30 • -8db
38% Popularity • 22% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 22% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Leanna Crawford
Mean Girls
148 bpm • B min • 03:14 • -7.1db
37% Popularity • 55% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 55% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Jonathan Tilkin
Something To Hold On To
148 bpm • C# Maj • 03:21 • -7.34db
27% Popularity • 59% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 59% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Hot Chelle Rae
Why Don't You Love Me
148 bpm • D Maj • 03:31 • -6.49db
49% Popularity • 53% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 53% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Maddie Wilson
They Don't Know About Us
148 bpm • D Maj • 03:26 • -8.42db
32% Popularity • 65% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 65% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Jacquie
Broken Ones
148 bpm • B min • 03:49 • -4.02db
40% Popularity • 44% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 44% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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The Sweeplings
Across the Sea
148 bpm • C Maj • 03:23 • -12db
37% Popularity • 40% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 40% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Leroy Sanchez
Little Dancer
148 bpm • A# Maj • 03:55 • -10.3db
34% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Jason Walker
Echo
148 bpm • G# Maj • 03:32 • -6.31db
51% Popularity • 40% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
51% Popularity • 40% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Joy Williams
I'm in Love With You
147 bpm • A Maj • 04:06 • -11.33db
7% Popularity • 36% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 36% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Demi Lovato
Warrior
146 bpm • A min • 03:51 • -6.17db
55% Popularity • 42% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 42% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Molly Kate Kestner
Good Die Young
147 bpm • G# min • 03:28 • -5db
26% Popularity • 57% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 57% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Alex & Sierra
Little Do You Know
146 bpm • C Maj • 03:05 • -8.55db
73% Popularity • 50% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
73% Popularity • 50% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Lisa Cimorelli
I Don't Deserve It
146 bpm • G Maj • 04:50 • -6.48db
29% Popularity • 64% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 64% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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JJ Heller
What Love Really Means
146 bpm • F Maj • 03:56 • -9.51db
37% Popularity • 40% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 40% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Faith Marie
Devil on My Shoulder
145 bpm • B min • 04:38 • -6.99db
45% Popularity • 40% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 40% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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He Is We
Kiss It Better
145 bpm • F# Maj • 04:05 • -7.34db
38% Popularity • 66% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 66% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lizzy Cameron
Even Then
145 bpm • E Maj • 03:28 • -8db
12% Popularity • 44% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 44% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Alex & Sierra
Bumper Cars
145 bpm • D# Maj • 04:00 • -7.36db
43% Popularity • 43% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 43% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Lisa Cimorelli
Unloved
146 bpm • C Maj • 03:13 • -6.8db
26% Popularity • 48% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 48% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Taylor Swift
Safe & Sound - from The Hunger Games Sou...
144 bpm • G Maj • 04:00 • -10.81db
63% Popularity • 47% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 47% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Katy McAllister
Another Empty Bottle
144 bpm • G min • 03:48 • -9.45db
41% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Nothing But Treble
Blank Space/Style
205 bpm • C# Maj • 02:55 • -6.35db
24% Popularity • 22% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 22% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Blake McGrath
Harder Than the First Time
208 bpm • A# Maj • 04:28 • -9db
29% Popularity • 37% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 37% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
