Songs like Hit Parade by Tim Booth
Based on a tempo of (+/- 10%) and a similar genre
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Peter Murphy
The Prince & Old Lady Shade
129 bpm • A# Maj • 04:44 • -8db
43% Popularity • 63% Danceability • 81% Energy • 26% Liveness
7% Instrumentalness • 36% Positiveness
43% Popularity • 63% Danceability • 81% Energy • 26% Liveness
7% Instrumentalness • 36% Positiveness
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Edwyn Collins
The Campaign For Real Rock
129 bpm • G# min • 06:34 • -9db
26% Popularity • 37% Danceability • 56% Energy • 30% Liveness
7% Instrumentalness • 45% Positiveness
26% Popularity • 37% Danceability • 56% Energy • 30% Liveness
7% Instrumentalness • 45% Positiveness
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Talk Talk
Tomorrow Started - 1997 Remaster
129 bpm • C min • 05:58 • -7.87db
38% Popularity • 64% Danceability • 59% Energy • 14% Liveness
37% Instrumentalness • 51% Positiveness
38% Popularity • 64% Danceability • 59% Energy • 14% Liveness
37% Instrumentalness • 51% Positiveness
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Tim Booth
Hit Parade
129 bpm • G# min • 03:17 • -11db
28% Popularity • 52% Danceability • 78% Energy • 56% Liveness
1% Instrumentalness • 80% Positiveness
28% Popularity • 52% Danceability • 78% Energy • 56% Liveness
1% Instrumentalness • 80% Positiveness
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Lloyd Cole
Downtown
130 bpm • F min • 05:18 • -13db
23% Popularity • 49% Danceability • 72% Energy • 9% Liveness
14% Instrumentalness • 44% Positiveness
23% Popularity • 49% Danceability • 72% Energy • 9% Liveness
14% Instrumentalness • 44% Positiveness
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The Boxer Rebellion
Murder Ballad (2007)
130 bpm • C min • 04:16 • -6.58db
28% Popularity • 42% Danceability • 76% Energy • 10% Liveness
15% Instrumentalness • 25% Positiveness
28% Popularity • 42% Danceability • 76% Energy • 10% Liveness
15% Instrumentalness • 25% Positiveness
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Vassilikos
No Milk Today
130 bpm • A Maj • 04:00 • -12.63db
17% Popularity • 62% Danceability • 64% Energy • 91% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 62% Danceability • 64% Energy • 91% Liveness
0% Instrumentalness • 79% Positiveness
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Tindersticks
(Tonight) Are You Trying To Fall In Love...
130 bpm • B min • 03:07 • -14db
35% Popularity • 63% Danceability • 39% Energy • 13% Liveness
9% Instrumentalness • 75% Positiveness
35% Popularity • 63% Danceability • 39% Energy • 13% Liveness
9% Instrumentalness • 75% Positiveness
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Manic Street Preachers
The Love of Richard Nixon
130 bpm • F# min • 03:38 • -3db
34% Popularity • 58% Danceability • 94% Energy • 9% Liveness
9% Instrumentalness • 88% Positiveness
34% Popularity • 58% Danceability • 94% Energy • 9% Liveness
9% Instrumentalness • 88% Positiveness
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Wretched Pinhead Puppets
Promise Me Blue
128 bpm • E Maj • 02:37 • -7.02db
17% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Tanita Tikaram
Amore Si
130 bpm • F min • 04:00 • -13.03db
36% Popularity • 57% Danceability • 47% Energy • 14% Liveness
7% Instrumentalness • 37% Positiveness
36% Popularity • 57% Danceability • 47% Energy • 14% Liveness
7% Instrumentalness • 37% Positiveness
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Peter Murphy
A Strange Kind of Love - Remix Edit Vers...
128 bpm • A min • 03:50 • -12.27db
14% Popularity • 54% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 54% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Pulp
Countdown
128 bpm • C# Maj • 04:41 • -12db
29% Popularity • 72% Danceability • 72% Energy • 7% Liveness
2% Instrumentalness • 90% Positiveness
29% Popularity • 72% Danceability • 72% Energy • 7% Liveness
2% Instrumentalness • 90% Positiveness
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Edwyn Collins
I Guess We Were Young
128 bpm • G# Maj • 03:24 • -8.09db
14% Popularity • 59% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 59% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Tindersticks
The Flicker of a Little Girl
130 bpm • G Maj • 03:28 • -6.96db
10% Popularity • 52% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 52% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Ultra Orange
Rosemary's Lullaby
130 bpm • G min • 04:57 • -4.95db
12% Popularity • 48% Danceability • 86% Energy • 45% Liveness
68% Instrumentalness • 38% Positiveness
12% Popularity • 48% Danceability • 86% Energy • 45% Liveness
68% Instrumentalness • 38% Positiveness
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Manic Street Preachers
Ocean Spray - Remastered
130 bpm • A min • 04:13 • -7.71db
20% Popularity • 58% Danceability • 75% Energy • 8% Liveness
1% Instrumentalness • 89% Positiveness
20% Popularity • 58% Danceability • 75% Energy • 8% Liveness
1% Instrumentalness • 89% Positiveness
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Nick Cave & The Bad Seeds
Shoot Me Down
128 bpm • D# Maj • 03:33 • -10.37db
28% Popularity • 41% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 41% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Puressence
I Suppose
127 bpm • C# Maj • 04:12 • -8db
27% Popularity • 47% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 47% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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CousteauX
She Don't Hear Your Prayer
131 bpm • F Maj • 04:25 • -7.9db
14% Popularity • 29% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 29% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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New Model Army
Purity
131 bpm • C# min • 04:47 • -12db
30% Popularity • 55% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 55% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Angelo Badalamenti
A Stranger Has Come
131 bpm • E Maj • 01:02 • -18.23db
5% Popularity • 28% Danceability • 27% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
5% Popularity • 28% Danceability • 27% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
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Manic Street Preachers
Ocean Spray
131 bpm • G Maj • 04:11 • -7.74db
37% Popularity • 62% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 62% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Yello
Starlight Scene
127 bpm • B min • 03:16 • -13.57db
38% Popularity • 93% Danceability • 44% Energy • 29% Liveness
19% Instrumentalness • 58% Positiveness
38% Popularity • 93% Danceability • 44% Energy • 29% Liveness
19% Instrumentalness • 58% Positiveness
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Tim Booth
As Far As I Can See
131 bpm • F Maj • 03:42 • -11.23db
17% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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The Heart Throbs
Hooligan
127 bpm • A min • 03:59 • -11.78db
7% Popularity • 46% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 46% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Puressence
It Doesn't Matter Anymore
127 bpm • A# Maj • 04:29 • -6.27db
21% Popularity • 25% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 25% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Waterboys
Don't Bang the Drum - 2004 Remaster
132 bpm • E min • 06:46 • -8db
41% Popularity • 48% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 48% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Tracey Thorn
Why Does the Wind?
126 bpm • B min • 05:00 • -7.87db
29% Popularity • 72% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 72% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Grant Lee Buffalo
Wish You Well
132 bpm • F# Maj • 03:30 • -11.27db
35% Popularity • 45% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 45% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Tim Booth
All About Time
132 bpm • A Maj • 04:12 • -9.19db
12% Popularity • 63% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 63% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Stereophonics
What's All the Fuss About?
132 bpm • F min • 05:44 • -5db
28% Popularity • 46% Danceability • 67% Energy • 10% Liveness
4% Instrumentalness • 30% Positiveness
28% Popularity • 46% Danceability • 67% Energy • 10% Liveness
4% Instrumentalness • 30% Positiveness
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The Opposition
Very Little Glory - Remastered
126 bpm • A Maj • 08:02 • -10.7db
9% Popularity • 35% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 35% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Brett Anderson
Back to You
126 bpm • G# min • 03:12 • -8.04db
30% Popularity • 41% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 41% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Heather Nova
Gloomy Sunday
132 bpm • G min • 04:09 • -6.99db
28% Popularity • 56% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
28% Popularity • 56% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
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3-11 Porter
Electric Velvet
126 bpm • F min • 03:22 • -14.8db
16% Popularity • 69% Danceability • 48% Energy • 12% Liveness
68% Instrumentalness • 61% Positiveness
16% Popularity • 69% Danceability • 48% Energy • 12% Liveness
68% Instrumentalness • 61% Positiveness
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Raining Pleasure
Capricorn
126 bpm • D min • 04:11 • -6.34db
21% Popularity • 46% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 46% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Manic Street Preachers
Emily
132 bpm • G min • 03:33 • -4.67db
21% Popularity • 58% Danceability • 71% Energy • 6% Liveness
4% Instrumentalness • 47% Positiveness
21% Popularity • 58% Danceability • 71% Energy • 6% Liveness
4% Instrumentalness • 47% Positiveness
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Michelle Gurevich
Good Times Don't Carry Over
126 bpm • B min • 04:46 • -10db
26% Popularity • 62% Danceability • 46% Energy • 10% Liveness
13% Instrumentalness • 14% Positiveness
26% Popularity • 62% Danceability • 46% Energy • 10% Liveness
13% Instrumentalness • 14% Positiveness
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Brett Anderson
To the Winter
126 bpm • G min • 03:57 • -7.52db
11% Popularity • 57% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 57% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Grant Lee Buffalo
Demon Called Deception
126 bpm • A# min • 02:51 • -13.24db
36% Popularity • 54% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 54% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Gavin Friday
Caruso
125 bpm • G# Maj • 05:42 • -10.68db
10% Popularity • 73% Danceability • 61% Energy • 32% Liveness
1% Instrumentalness • 71% Positiveness
10% Popularity • 73% Danceability • 61% Energy • 32% Liveness
1% Instrumentalness • 71% Positiveness
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Johan Carøe
Genesis
133 bpm • F Maj • 04:04 • -24.79db
6% Popularity • 16% Danceability • 9% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
6% Popularity • 16% Danceability • 9% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Nick Cave & The Bad Seeds
Do You Love Me?
125 bpm • F min • 05:57 • -8.45db
48% Popularity • 47% Danceability • 65% Energy • 14% Liveness
47% Instrumentalness • 70% Positiveness
48% Popularity • 47% Danceability • 65% Energy • 14% Liveness
47% Instrumentalness • 70% Positiveness
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The Slow Readers Club
I Saw A Ghost
133 bpm • G Maj • 03:32 • -5.41db
31% Popularity • 56% Danceability • 80% Energy • 43% Liveness
42% Instrumentalness • 30% Positiveness
31% Popularity • 56% Danceability • 80% Energy • 43% Liveness
42% Instrumentalness • 30% Positiveness
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Hail the Ghost
Sweet Samurai
133 bpm • C min • 03:23 • -8.64db
15% Popularity • 56% Danceability • 67% Energy • 14% Liveness
30% Instrumentalness • 27% Positiveness
15% Popularity • 56% Danceability • 67% Energy • 14% Liveness
30% Instrumentalness • 27% Positiveness
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UNKLE
In A State
133 bpm • A min • 06:57 • -9.07db
39% Popularity • 54% Danceability • 82% Energy • 11% Liveness
72% Instrumentalness • 22% Positiveness
39% Popularity • 54% Danceability • 82% Energy • 11% Liveness
72% Instrumentalness • 22% Positiveness
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Gavin Friday
You, Me And World War Three
125 bpm • B min • 04:39 • -10.13db
13% Popularity • 64% Danceability • 62% Energy • 28% Liveness
1% Instrumentalness • 56% Positiveness
13% Popularity • 64% Danceability • 62% Energy • 28% Liveness
1% Instrumentalness • 56% Positiveness
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The Silencers
Number One Friend
125 bpm • A min • 05:20 • -8.18db
13% Popularity • 60% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 60% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Michelle Gurevich
Temptation
125 bpm • E min • 03:46 • -14.11db
35% Popularity • 74% Danceability • 38% Energy • 16% Liveness
83% Instrumentalness • 55% Positiveness
35% Popularity • 74% Danceability • 38% Energy • 16% Liveness
83% Instrumentalness • 55% Positiveness
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CousteauX
Your Day Will Come
125 bpm • G# Maj • 03:25 • -9.74db
18% Popularity • 50% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 15% Positiveness
18% Popularity • 50% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 15% Positiveness
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Richard Hawley
Alone
125 bpm • F# min • 02:47 • -7.88db
29% Popularity • 55% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 43% Positiveness
29% Popularity • 55% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 43% Positiveness
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Saint Etienne
Heart Failed
125 bpm • F# min • 03:41 • -7db
26% Popularity • 61% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
26% Popularity • 61% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Angelo Badalamenti
Careless Love
125 bpm • G# Maj • 02:51 • -9.6db
5% Popularity • 51% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
5% Popularity • 51% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Pulp
Death II
124 bpm • D min • 05:36 • -14.33db
32% Popularity • 72% Danceability • 55% Energy • 11% Liveness
9% Instrumentalness • 96% Positiveness
32% Popularity • 72% Danceability • 55% Energy • 11% Liveness
9% Instrumentalness • 96% Positiveness
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Manic Street Preachers
To Repel Ghosts
134 bpm • C min • 03:57 • -3.72db
30% Popularity • 42% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 42% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
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Brett Anderson
The Infinite Kiss
134 bpm • G min • 04:07 • -6.27db
17% Popularity • 48% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 48% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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The House of Love
Shine On - Single Version
134 bpm • D Maj • 03:20 • -9.05db
28% Popularity • 31% Danceability • 75% Energy • 17% Liveness
72% Instrumentalness • 37% Positiveness
28% Popularity • 31% Danceability • 75% Energy • 17% Liveness
72% Instrumentalness • 37% Positiveness
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Fyodor
Partner
124 bpm • E min • 03:34 • -8.53db
15% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Angelo Badalamenti
The Bomb
124 bpm • B Maj • 02:04 • -11.75db
0% Popularity • 40% Danceability • 83% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
0% Popularity • 40% Danceability • 83% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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Tindersticks
Bathtime
134 bpm • F# min • 04:03 • -9.94db
24% Popularity • 49% Danceability • 56% Energy • 13% Liveness
71% Instrumentalness • 52% Positiveness
24% Popularity • 49% Danceability • 56% Energy • 13% Liveness
71% Instrumentalness • 52% Positiveness
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Grand Avenue
She
134 bpm • A# Maj • 05:15 • -9db
27% Popularity • 53% Danceability • 71% Energy • 8% Liveness
3% Instrumentalness • 14% Positiveness
27% Popularity • 53% Danceability • 71% Energy • 8% Liveness
3% Instrumentalness • 14% Positiveness
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Tim Booth
Butterfly's Dream
124 bpm • E Maj • 07:25 • -11.19db
10% Popularity • 64% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 64% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Jack
3 O'clock in the Morning
124 bpm • D min • 06:01 • -10.81db
10% Popularity • 57% Danceability • 52% Energy • 26% Liveness
22% Instrumentalness • 32% Positiveness
10% Popularity • 57% Danceability • 52% Energy • 26% Liveness
22% Instrumentalness • 32% Positiveness
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The Waterboys
The Pan Within - 2004 Remaster
124 bpm • A min • 06:12 • -7.29db
43% Popularity • 62% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
43% Popularity • 62% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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The Walkabouts
Rebecca Wild
124 bpm • E min • 04:48 • -7.8db
15% Popularity • 43% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 43% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Nick Cave & The Bad Seeds
Fifteen Feet of Pure White Snow
124 bpm • A min • 05:36 • -10.56db
41% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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The Veils
Talk Down the Girl
135 bpm • C min • 04:10 • -10.41db
28% Popularity • 52% Danceability • 46% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
28% Popularity • 52% Danceability • 46% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
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The The
Bluer Than Midnight
135 bpm • E Maj • 03:43 • -9.53db
28% Popularity • 43% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 43% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Brett Anderson
Love Is Dead
135 bpm • C Maj • 03:30 • -7.63db
21% Popularity • 55% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 55% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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The Waterboys
Good News
123 bpm • E min • 03:38 • -9.48db
15% Popularity • 70% Danceability • 54% Energy • 21% Liveness
8% Instrumentalness • 56% Positiveness
15% Popularity • 70% Danceability • 54% Energy • 21% Liveness
8% Instrumentalness • 56% Positiveness
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Tim Booth
Buried Alive
135 bpm • C Maj • 04:12 • -8.6db
10% Popularity • 56% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 56% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Githead
Take Off
135 bpm • C Maj • 05:20 • -9.52db
14% Popularity • 61% Danceability • 56% Energy • 14% Liveness
69% Instrumentalness • 64% Positiveness
14% Popularity • 61% Danceability • 56% Energy • 14% Liveness
69% Instrumentalness • 64% Positiveness
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Phillip Boa And The Voodooclub
Punch & Judy Club
135 bpm • A min • 03:55 • -8.06db
12% Popularity • 50% Danceability • 86% Energy • 30% Liveness
21% Instrumentalness • 50% Positiveness
12% Popularity • 50% Danceability • 86% Energy • 30% Liveness
21% Instrumentalness • 50% Positiveness
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Ian Brown
In The Year 2525
123 bpm • F min • 02:52 • -3.15db
35% Popularity • 50% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 50% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Tanita Tikaram
Play Me Again
123 bpm • D min • 03:52 • -19.79db
39% Popularity • 51% Danceability • 33% Energy • 11% Liveness
20% Instrumentalness • 53% Positiveness
39% Popularity • 51% Danceability • 33% Energy • 11% Liveness
20% Instrumentalness • 53% Positiveness
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The Church
Another Century
135 bpm • G Maj • 04:42 • -7.02db
34% Popularity • 44% Danceability • 76% Energy • 51% Liveness
47% Instrumentalness • 28% Positiveness
34% Popularity • 44% Danceability • 76% Energy • 51% Liveness
47% Instrumentalness • 28% Positiveness
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Manic Street Preachers
A Song for Departure
123 bpm • A Maj • 04:18 • -4.31db
27% Popularity • 61% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 61% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Tim Booth
Old Ways
135 bpm • A Maj • 04:11 • -11.16db
13% Popularity • 38% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 38% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Marc Almond
Black Sunrise
136 bpm • G min • 05:44 • -5.84db
8% Popularity • 51% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 51% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Puressence
India
136 bpm • E Maj • 06:04 • -8.21db
14% Popularity • 39% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 39% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Hipsway
Ask The Lord
122 bpm • D min • 04:06 • -11.33db
29% Popularity • 68% Danceability • 60% Energy • 37% Liveness
1% Instrumentalness • 58% Positiveness
29% Popularity • 68% Danceability • 60% Energy • 37% Liveness
1% Instrumentalness • 58% Positiveness
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Babybird
Back Together
136 bpm • E min • 04:26 • -6.31db
13% Popularity • 49% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 49% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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The House of Love
Shine On
136 bpm • A min • 04:00 • -9.65db
45% Popularity • 46% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 46% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
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Tindersticks
Rented Rooms
122 bpm • B min • 05:12 • -15db
33% Popularity • 55% Danceability • 33% Energy • 9% Liveness
44% Instrumentalness • 45% Positiveness
33% Popularity • 55% Danceability • 33% Energy • 9% Liveness
44% Instrumentalness • 45% Positiveness
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Nick Cave & The Bad Seeds
Wonderful Life
136 bpm • D# Maj • 06:49 • -11.83db
28% Popularity • 36% Danceability • 40% Energy • 14% Liveness
5% Instrumentalness • 54% Positiveness
28% Popularity • 36% Danceability • 40% Energy • 14% Liveness
5% Instrumentalness • 54% Positiveness
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I Got You On Tape
Spinning for the Cause
122 bpm • B min • 04:33 • -12.14db
30% Popularity • 60% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 60% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
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Space
Begin Again
122 bpm • A Maj • 03:11 • -8db
24% Popularity • 60% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 60% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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The Charlatans
Plastic Machinery
122 bpm • A min • 03:43 • -3.04db
35% Popularity • 44% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 44% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Electric Party
Auguries of Innocence
122 bpm • C# Maj • 04:45 • -3.88db
13% Popularity • 65% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 65% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Puressence
Moonbeam
122 bpm • E min • 03:53 • -4.35db
9% Popularity • 50% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 50% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Babybird
Take Me Back
122 bpm • A# Maj • 06:05 • -8.78db
14% Popularity • 64% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
14% Popularity • 64% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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The Stranglers
The European Female (In Celebration Of)
137 bpm • A min • 04:00 • -17.53db
14% Popularity • 66% Danceability • 40% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
14% Popularity • 66% Danceability • 40% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
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Life's Addiction
Inner Shade
137 bpm • E min • 04:32 • -8.64db
8% Popularity • 36% Danceability • 52% Energy • 53% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 36% Danceability • 52% Energy • 53% Liveness
0% Instrumentalness • 7% Positiveness
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Marc Almond
Melancholy Rose
137 bpm • G Maj • 03:10 • -5.29db
21% Popularity • 32% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 32% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The The
Pillar Box Red
122 bpm • C Maj • 04:00 • -5.42db
20% Popularity • 62% Danceability • 79% Energy • 33% Liveness
42% Instrumentalness • 50% Positiveness
20% Popularity • 62% Danceability • 79% Energy • 33% Liveness
42% Instrumentalness • 50% Positiveness
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Claw Boys Claw
I Am Sea
121 bpm • F Maj • 03:18 • -7.04db
27% Popularity • 82% Danceability • 83% Energy • 4% Liveness
56% Instrumentalness • 65% Positiveness
27% Popularity • 82% Danceability • 83% Energy • 4% Liveness
56% Instrumentalness • 65% Positiveness
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Nick Cave & The Bad Seeds
Mermaids
137 bpm • D min • 03:49 • -16.87db
41% Popularity • 29% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 29% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
