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Hitchhiker Jane
Songs like
Hitchhiker Jane
by
The Model Rockets
Based on a tempo of (+/- 10%) and a similar genre
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American Gun
Moving On Down The Line
124 bpm • A Maj • 04:42 • -7.2db
14% Popularity • 57% Danceability • 78% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
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Artie Norton
Catch You When You Fall
124 bpm • D Maj • 04:04 • -6db
9% Popularity • 31% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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The Model Rockets
Hitchhiker Jane
124 bpm • C Maj • 04:00 • -5.13db
5% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Boston Spaceships
Let It Rest for a Little While
124 bpm • F Maj • 02:23 • -5.6db
9% Popularity • 38% Danceability • 95% Energy • 67% Liveness
0% Instrumentalness • 88% Positiveness
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The Real People
Message of Love
124 bpm • C Maj • 02:45 • -5.17db
9% Popularity • 59% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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The Riptons
With the Swans
124 bpm • C Maj • 03:43 • -10.02db
10% Popularity • 39% Danceability • 67% Energy • 5% Liveness
87% Instrumentalness • 78% Positiveness
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Paul Westerberg
Gun Shy
124 bpm • B min • 03:12 • -5.12db
12% Popularity • 52% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
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Bill Lloyd
Picture Book
124 bpm • C Maj • 02:48 • -6.44db
7% Popularity • 58% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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The Spindles
Almost the Same
124 bpm • C Maj • 03:37 • -6.56db
17% Popularity • 53% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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The Model Rockets
The Dress Up Girls
124 bpm • A Maj • 02:27 • -5.29db
4% Popularity • 47% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Clare Macarthur
The Tijuana Hell
123 bpm • F# min • 04:02 • -7.06db
8% Popularity • 44% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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The Tripwires
Piano Annie on Sunday
125 bpm • D Maj • 03:19 • -4.79db
8% Popularity • 56% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Myracle Brah
Whisper Softly
125 bpm • E Maj • 02:04 • -3.77db
15% Popularity • 49% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Alvin Lancelot
Go Too Long
123 bpm • D Maj • 05:33 • -11.94db
27% Popularity • 82% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 71% Positiveness
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Potential Commotion
The Darkest Hour
123 bpm • D Maj • 03:05 • -11.18db
18% Popularity • 65% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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The Model Rockets
Candy Carving
125 bpm • D Maj • 02:51 • -6.36db
2% Popularity • 55% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Gigolo Aunts
Everything Is Wrong
125 bpm • D Maj • 03:28 • -6.62db
15% Popularity • 50% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Paul Collins
I Don't Fit In
123 bpm • E Maj • 02:47 • -8.91db
14% Popularity • 71% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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The Primitives
Wednesday World
125 bpm • D Maj • 02:07 • -8.63db
12% Popularity • 49% Danceability • 64% Energy • 9% Liveness
26% Instrumentalness • 87% Positiveness
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Tommy Trull
The Last 3 Days
125 bpm • D Maj • 03:32 • -5.25db
8% Popularity • 69% Danceability • 89% Energy • 44% Liveness
12% Instrumentalness • 72% Positiveness
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Emerson B. Ocampo
Hypocrite
125 bpm • A min • 03:22 • -4.54db
15% Popularity • 59% Danceability • 83% Energy • 30% Liveness
1% Instrumentalness • 46% Positiveness
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The Model Rockets
The No Girl Rock
125 bpm • G Maj • 03:30 • -5.77db
0% Popularity • 54% Danceability • 81% Energy • 49% Liveness
0% Instrumentalness • 68% Positiveness
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The Jellybricks
Can't Get over You
123 bpm • A Maj • 02:44 • -3db
9% Popularity • 53% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Benedict Attlee
High
125 bpm • B Maj • 03:52 • -11.02db
27% Popularity • 54% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Myracle Brah
I'm in Love
125 bpm • E Maj • 01:48 • -3.83db
12% Popularity • 45% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Swell
Dan, a Son of God
123 bpm • B min • 03:43 • -6.9db
8% Popularity • 76% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Grandpaboy
Silent Film Star
123 bpm • A Maj • 03:27 • -4.53db
13% Popularity • 49% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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The Model Rockets
Rusty Rollercoaster
125 bpm • C Maj • 05:17 • -5.71db
0% Popularity • 47% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Collins Beat
Dreaming
125 bpm • A# Maj • 03:56 • -5.97db
8% Popularity • 57% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Velvet Crush
Window To The World
123 bpm • C Maj • 03:12 • -9.26db
9% Popularity • 47% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Eyelids
The Minutes
123 bpm • A Maj • 01:56 • -5.85db
7% Popularity • 51% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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Game Theory
I've Tried Subtlety
126 bpm • G Maj • 04:30 • -7.41db
8% Popularity • 47% Danceability • 93% Energy • 16% Liveness
1% Instrumentalness • 80% Positiveness
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Grandpaboy
Footsteps
122 bpm • D Maj • 03:24 • -5.14db
9% Popularity • 54% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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The Model Rockets
Hung Around to See
125 bpm • A Maj • 03:29 • -6.41db
0% Popularity • 52% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Allen Smith
Me Disappear
122 bpm • E Maj • 02:43 • -9.48db
25% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Paul Collins
Many Roads To Follow
126 bpm • D# Maj • 02:24 • -9db
8% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Spindles
I Want My Baby Back
126 bpm • A min • 03:35 • -6.23db
17% Popularity • 61% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Boston Spaceships
You Satisfy Me
126 bpm • G# Maj • 03:04 • -6.94db
15% Popularity • 60% Danceability • 89% Energy • 17% Liveness
26% Instrumentalness • 93% Positiveness
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The Posies
Definite Door
122 bpm • G Maj • 04:04 • -7db
23% Popularity • 34% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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The Model Rockets
Daredevil Girl
125 bpm • A Maj • 03:16 • -3.57db
2% Popularity • 43% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Zilch
Sparkle
122 bpm • E Maj • 03:36 • -13.39db
24% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Samantha Defoe
Heart Of Destruction
126 bpm • G Maj • 03:03 • -12.53db
29% Popularity • 47% Danceability • 56% Energy • 16% Liveness
2% Instrumentalness • 63% Positiveness
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Fiddler On The Rock
Trouble With The Broken Hearted
122 bpm • B Maj • 02:32 • -4.71db
9% Popularity • 55% Danceability • 72% Energy • 73% Liveness
0% Instrumentalness • 71% Positiveness
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Spring
Someone Real
126 bpm • C# Maj • 03:14 • -6.07db
7% Popularity • 55% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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The Posies
Dream All Day
126 bpm • B min • 03:04 • -5.81db
39% Popularity • 48% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Pugwash
Take Me Away
126 bpm • E min • 03:34 • -4.99db
12% Popularity • 47% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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The Model Rockets
Behind The Door
126 bpm • A Maj • 03:10 • -4.11db
1% Popularity • 42% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Tom Scully
Good Day
126 bpm • E Maj • 03:32 • -4.17db
26% Popularity • 61% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Caesar Browne
Roman Love
122 bpm • D# min • 04:23 • -12.39db
26% Popularity • 34% Danceability • 70% Energy • 12% Liveness
17% Instrumentalness • 36% Positiveness
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Stonecake
Never Gonna Make It
126 bpm • D# Maj • 03:36 • -3.39db
11% Popularity • 64% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Red Button
Cruel Girl
126 bpm • A Maj • 02:42 • -5db
12% Popularity • 55% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Jasmine Jituboh
Story
126 bpm • F Maj • 04:31 • -6.31db
26% Popularity • 46% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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The Model Rockets
Year Of The Sofa
126 bpm • G Maj • 04:17 • -3.78db
1% Popularity • 52% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Cherry Twister
I'm Gonna Be The Lonely Boy Tonite
126 bpm • C Maj • 02:27 • -6.17db
9% Popularity • 50% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Superdrag
Baby's Waiting
126 bpm • D Maj • 03:08 • -5.02db
20% Popularity • 35% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Matthew Sweet
What Matters
127 bpm • A Maj • 04:12 • -5.04db
9% Popularity • 46% Danceability • 90% Energy • 58% Liveness
0% Instrumentalness • 52% Positiveness
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The Flashing Lights
Been Waiting
121 bpm • G# Maj • 04:04 • -4db
17% Popularity • 63% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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The Jellybricks
Wasted Hours
127 bpm • D Maj • 04:19 • -7.13db
8% Popularity • 47% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Bash & Pop
Friday Night (Is Killing Me)
127 bpm • B Maj • 04:39 • -5.63db
18% Popularity • 53% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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food bed gospel
cat jumpers
121 bpm • C Maj • 02:25 • -6.31db
9% Popularity • 44% Danceability • 62% Energy • 4% Liveness
94% Instrumentalness • 46% Positiveness
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Material Issue
Funny Feeling
127 bpm • C Maj • 03:25 • -6.4db
12% Popularity • 32% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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The Fuzztones
53rd & 3rd
127 bpm • D Maj • 01:59 • -7.32db
12% Popularity • 50% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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You Am I
Ribbons and Bows
127 bpm • A# Maj • 03:30 • -4.87db
8% Popularity • 34% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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The Woggles
Paisley in Paradise
127 bpm • B min • 03:00 • -4.5db
10% Popularity • 52% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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The Model Rockets
International Airplane
127 bpm • D Maj • 03:28 • -6.3db
0% Popularity • 43% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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The Nines
I Would Never
127 bpm • A Maj • 02:51 • -8db
9% Popularity • 57% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 66% Positiveness
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The Speedways
A Drop In The Ocean
127 bpm • E Maj • 03:02 • -6.05db
8% Popularity • 56% Danceability • 90% Energy • 45% Liveness
1% Instrumentalness • 89% Positiveness
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food bed gospel
passive aggressive klepto
121 bpm • C Maj • 01:07 • -7.16db
13% Popularity • 48% Danceability • 84% Energy • 7% Liveness
78% Instrumentalness • 62% Positiveness
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The Shazam
Some Other Time
127 bpm • E Maj • 02:48 • -6.57db
24% Popularity • 44% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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The Lemonheads
Confetti - Remastered
121 bpm • D Maj • 02:44 • -7.02db
35% Popularity • 57% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Velvet Crush
Hold Me Up
127 bpm • C# Maj • 02:58 • -7.41db
25% Popularity • 37% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Bobby Dawson
Minor - Acoustic
127 bpm • C# Maj • 02:48 • -10.47db
22% Popularity • 65% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Bash & Pop
Tiny Pieces
128 bpm • C Maj • 04:36 • -6.59db
13% Popularity • 70% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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The Del Fuegos
I Should Be the One
121 bpm • B min • 02:40 • -10.84db
6% Popularity • 57% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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The Shazam
Super Tuesday
121 bpm • D Maj • 03:18 • -5.55db
12% Popularity • 32% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Adam Schmitt
Can't Get You on My Mind
128 bpm • G Maj • 03:27 • -9.02db
20% Popularity • 60% Danceability • 75% Energy • 42% Liveness
5% Instrumentalness • 87% Positiveness
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Myracle Brah
Getting Over Delusion
120 bpm • D Maj • 01:30 • -3.28db
13% Popularity • 57% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Johnny Thunders
What's Going On
128 bpm • F# Maj • 01:38 • -7.4db
16% Popularity • 56% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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The Model Rockets
He Didn't Think It Was Real
120 bpm • C Maj • 03:30 • -5.25db
1% Popularity • 44% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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Invasion Argentina
Medley Stone
128 bpm • F Maj • 03:53 • -3.21db
11% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Barnett Finn
Diagonal
128 bpm • C Maj • 03:17 • -4.78db
36% Popularity • 40% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Marshall Crenshaw
Run Back to You
120 bpm • B Maj • 02:32 • -6.74db
9% Popularity • 35% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Joe Shane
20 Years (Have Gone By)
128 bpm • A# Maj • 03:36 • -8.41db
11% Popularity • 70% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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The Misery Science
Take It
120 bpm • D Maj • 03:25 • -3db
21% Popularity • 50% Danceability • 96% Energy • 9% Liveness
3% Instrumentalness • 30% Positiveness
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Greg Kelso
Little Black Cloud
128 bpm • A Maj • 04:08 • -11db
7% Popularity • 52% Danceability • 52% Energy • 25% Liveness
44% Instrumentalness • 56% Positiveness
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Artie Norton
She's My Girl
120 bpm • E Maj • 04:22 • -5.66db
9% Popularity • 48% Danceability • 87% Energy • 8% Liveness
10% Instrumentalness • 72% Positiveness
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Steve Scala
In Your Face
128 bpm • G Maj • 03:11 • -3db
16% Popularity • 58% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Gigolo Aunts
Cope
128 bpm • E min • 03:49 • -7.85db
9% Popularity • 43% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Willie Nile
You Gotta Be A Buddha (In A Place Like T...
128 bpm • D Maj • 04:13 • -6.15db
7% Popularity • 54% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Guided By Voices
Serene King
120 bpm • G Maj • 03:14 • -5.98db
6% Popularity • 48% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Model Rockets
Cheerleader
120 bpm • A Maj • 03:37 • -5.86db
1% Popularity • 67% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Scott O'Hara
Zeroes and Ones
120 bpm • C Maj • 03:55 • -7.08db
18% Popularity • 68% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Al Watkins
I Woke Up This Morning With My Mind Set ...
120 bpm • G Maj • 03:33 • -8.57db
24% Popularity • 67% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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The Tories
Gladys Kravitz
128 bpm • A# Maj • 04:41 • -6.27db
9% Popularity • 51% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Matthew Sweet
Devil With The Green Eyes
128 bpm • B min • 04:42 • -6.89db
23% Popularity • 40% Danceability • 80% Energy • 13% Liveness
1% Instrumentalness • 50% Positiveness
► Preview
Glen D. Giles
It's Your Birthday
120 bpm • A Maj • 01:03 • -10.92db
9% Popularity • 58% Danceability • 58% Energy • 43% Liveness
0% Instrumentalness • 87% Positiveness
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The Model Rockets
Ditched At The Grand Illusion
128 bpm • A Maj • 02:29 • -3.65db
2% Popularity • 46% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Velvet Crush
My Blank Pages
128 bpm • B Maj • 03:29 • -6.22db
11% Popularity • 37% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Paul Westerberg
Ain't Got Me
129 bpm • C Maj • 03:25 • -5db
16% Popularity • 66% Danceability • 88% Energy • 87% Liveness
0% Instrumentalness • 81% Positiveness
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Material Issue
Kim The Waitress
129 bpm • D Maj • 04:57 • -7.75db
21% Popularity • 23% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Hitchhiker Jane