Songs like Hitchin' a Ride - Live at Milton Keynes National Bowl, Milton Keynes, England, 6/18/05 by Green Day
Based on a tempo of (+/- 10%) and a similar genre
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Foxboro Hottubs
Pieces of Truth
165 bpm • G Maj • 03:04 • -2.61db
23% Popularity • 31% Danceability • 99% Energy • 35% Liveness
2% Instrumentalness • 44% Positiveness
23% Popularity • 31% Danceability • 99% Energy • 35% Liveness
2% Instrumentalness • 44% Positiveness
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Billie Joe Armstrong
A New England
165 bpm • F Maj • 02:09 • -7db
35% Popularity • 52% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 52% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Green Day
Hitchin' a Ride - Live at Milton Keynes ...
165 bpm • A# min • 04:03 • -4db
33% Popularity • 24% Danceability • 98% Energy • 96% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 24% Danceability • 98% Energy • 96% Liveness
0% Instrumentalness • 28% Positiveness
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Rancid
Red Hot Moon
165 bpm • C Maj • 03:36 • -2.49db
49% Popularity • 56% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 56% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Millencolin
Penguins & Polarbears
166 bpm • B min • 02:53 • -2.76db
51% Popularity • 37% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 37% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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The Network
Spastic Society
166 bpm • B min • 02:26 • -4.8db
17% Popularity • 53% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 53% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
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Flying Blind
Smokescreen - Radio Edit
166 bpm • D# Maj • 03:34 • -3.95db
30% Popularity • 34% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 34% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Iggy Pop
Private Hell
166 bpm • E min • 02:50 • -3.42db
30% Popularity • 50% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 50% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Green Day
Holiday - Live at Dublin, Ireland
165 bpm • C# Maj • 04:16 • -3.26db
33% Popularity • 25% Danceability • 100% Energy • 93% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 25% Danceability • 100% Energy • 93% Liveness
0% Instrumentalness • 24% Positiveness
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Social Distortion
Nickels And Dimes
164 bpm • G# Maj • 03:05 • -4.15db
48% Popularity • 33% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 33% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Bad Religion
Los Angeles Is Burning
163 bpm • C Maj • 03:23 • -3.3db
51% Popularity • 42% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 42% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Rancid
Where I'm Going
167 bpm • G Maj • 02:23 • -2.48db
44% Popularity • 61% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
44% Popularity • 61% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Millencolin
Fox
167 bpm • D Maj • 02:02 • -2.39db
50% Popularity • 34% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
50% Popularity • 34% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Sugarcult
What You Say
167 bpm • C# Maj • 02:39 • -3.17db
36% Popularity • 42% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 42% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Green Day
Church on Sunday
164 bpm • A Maj • 03:18 • -3.26db
45% Popularity • 49% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 49% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Puddle Of Mudd
Thinking About You
167 bpm • F# Maj • 03:41 • -4db
36% Popularity • 27% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 27% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Billie Joe Armstrong
War Stories
168 bpm • E Maj • 02:41 • -4.41db
31% Popularity • 33% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 33% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Yellowcard
Lights And Sounds
168 bpm • B min • 03:28 • -3.68db
63% Popularity • 34% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
63% Popularity • 34% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Jimmy Eat World
The Middle
162 bpm • D Maj • 02:45 • -5.43db
84% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
84% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Linkin Park
Somewhere I Belong - Live in Koln, 2008
162 bpm • A# min • 04:09 • -3.72db
33% Popularity • 30% Danceability • 97% Energy • 97% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 30% Danceability • 97% Energy • 97% Liveness
0% Instrumentalness • 38% Positiveness
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Green Day
Boulevard of Broken Dreams - Live at Mil...
167 bpm • G# Maj • 04:44 • -3.52db
42% Popularity • 26% Danceability • 98% Energy • 97% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 26% Danceability • 98% Energy • 97% Liveness
0% Instrumentalness • 38% Positiveness
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+44
Lycanthrope - AOL Music Sessions
168 bpm • A min • 04:00 • -4.78db
18% Popularity • 31% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 31% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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The Interrupters
Haven't Seen The Last Of Me
168 bpm • C# min • 02:15 • -0.38db
39% Popularity • 56% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 56% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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Social Distortion
Gimme The Sweet And Lowdown
168 bpm • D# Maj • 03:22 • -4.41db
43% Popularity • 28% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 28% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Jimmy Eat World
Futures
168 bpm • D# Maj • 03:58 • -4db
47% Popularity • 40% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 40% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Nirvana
Breed - 1992/Live at Reading
162 bpm • G# Maj • 03:12 • -7.41db
40% Popularity • 10% Danceability • 99% Energy • 99% Liveness
26% Instrumentalness • 4% Positiveness
40% Popularity • 10% Danceability • 99% Energy • 99% Liveness
26% Instrumentalness • 4% Positiveness
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Bad Religion
Pride and the Pallor
162 bpm • A Maj • 02:59 • -2.95db
30% Popularity • 48% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 48% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Rancid
Ruby Soho
162 bpm • G Maj • 02:37 • -6.02db
61% Popularity • 50% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
61% Popularity • 50% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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The Mighty Mighty Bosstones
Wonderful Day for the Race
168 bpm • F Maj • 03:16 • -5db
32% Popularity • 41% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 41% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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The All-American Rejects
One More Sad Song
169 bpm • A Maj • 03:03 • -5db
43% Popularity • 42% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 42% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
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My Chemical Romance
The Sharpest Lives - Live in Mexico City
161 bpm • C# min • 03:17 • -7.48db
33% Popularity • 31% Danceability • 98% Energy • 89% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 31% Danceability • 98% Energy • 89% Liveness
0% Instrumentalness • 16% Positiveness
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Hoobastank
Remember Me
169 bpm • G Maj • 03:33 • -6db
36% Popularity • 46% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 46% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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Billie Joe Armstrong
Kids in America
161 bpm • F# min • 03:08 • -5.43db
45% Popularity • 49% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 49% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Rancid
Indestructible
161 bpm • A Maj • 01:36 • -0.7db
45% Popularity • 39% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 39% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
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The Presidents Of The United States Of America
Feather Pluckn
169 bpm • F# Maj • 02:57 • -5db
43% Popularity • 45% Danceability • 84% Energy • 10% Liveness
45% Instrumentalness • 58% Positiveness
43% Popularity • 45% Danceability • 84% Energy • 10% Liveness
45% Instrumentalness • 58% Positiveness
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Nirvana
Tourette's - Live At Reading Festival, U...
170 bpm • C# Maj • 01:55 • -6.01db
30% Popularity • 27% Danceability • 97% Energy • 90% Liveness
94% Instrumentalness • 25% Positiveness
30% Popularity • 27% Danceability • 97% Energy • 90% Liveness
94% Instrumentalness • 25% Positiveness
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The Network
Reto
170 bpm • D Maj • 02:02 • -5.6db
19% Popularity • 48% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 48% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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Sugarcult
You're The One
161 bpm • F# min • 01:49 • -4db
33% Popularity • 44% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 44% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 52% Positiveness
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Hoobastank
Just One
170 bpm • C# min • 03:19 • -4.29db
41% Popularity • 42% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 42% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 25% Positiveness
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Rancid
Bloodclot
161 bpm • F Maj • 02:45 • -2.77db
42% Popularity • 50% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 50% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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The Struts
Royals
170 bpm • G Maj • 03:36 • -3.8db
41% Popularity • 24% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 24% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Tenacious D
Low Hangin' Fruit
170 bpm • F# Maj • 02:31 • -4db
49% Popularity • 57% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
49% Popularity • 57% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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The Network
Money Money 2020
170 bpm • B min • 02:12 • -4.42db
23% Popularity • 52% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 52% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Alter Bridge
Before Tomorrow Comes
160 bpm • D# Maj • 04:06 • -3.24db
43% Popularity • 35% Danceability • 98% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 35% Danceability • 98% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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The Interrupters
Babylon
170 bpm • C Maj • 03:16 • -4.25db
41% Popularity • 57% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 57% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Rancid
The 11th Hour
170 bpm • F Maj • 02:27 • -5.15db
44% Popularity • 43% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 43% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Wheatus
Punk Ass Bitch
160 bpm • E Maj • 03:09 • -5db
37% Popularity • 56% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 56% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Poison
What I Like About You
160 bpm • G# Maj • 02:59 • -2.3db
42% Popularity • 49% Danceability • 99% Energy • 33% Liveness
1% Instrumentalness • 91% Positiveness
42% Popularity • 49% Danceability • 99% Energy • 33% Liveness
1% Instrumentalness • 91% Positiveness
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Green Day
Amanda
160 bpm • B Maj • 02:28 • -4.15db
38% Popularity • 46% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 46% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Less Than Jake
Bless the Cracks
160 bpm • B Maj • 03:17 • -4.28db
27% Popularity • 36% Danceability • 93% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
27% Popularity • 36% Danceability • 93% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
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My Chemical Romance
This Is How I Disappear - Live in Mexico...
171 bpm • C Maj • 03:51 • -7.22db
33% Popularity • 19% Danceability • 97% Energy • 47% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 19% Danceability • 97% Energy • 47% Liveness
0% Instrumentalness • 14% Positiveness
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Foxboro Hottubs
Ruby Room
159 bpm • B min • 02:01 • -4db
30% Popularity • 29% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 29% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 75% Positiveness
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Wheatus
Wannabe Gangstar
160 bpm • B Maj • 03:45 • -10.25db
27% Popularity • 54% Danceability • 60% Energy • 56% Liveness
3% Instrumentalness • 45% Positiveness
27% Popularity • 54% Danceability • 60% Energy • 56% Liveness
3% Instrumentalness • 45% Positiveness
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+44
When Your Heart Stops Beating - AOL Musi...
171 bpm • A min • 03:18 • -5.66db
19% Popularity • 36% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 36% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Green Day
Sex, Drugs & Violence
171 bpm • E Maj • 03:31 • -3.5db
36% Popularity • 48% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 48% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Biffy Clyro
Who's Got a Match?
159 bpm • D Maj • 02:23 • -5.2db
38% Popularity • 75% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 75% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Billie Joe Armstrong
Gimme Some Truth
159 bpm • E Maj • 02:48 • -7db
27% Popularity • 44% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 44% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Silverchair
The Greatest View
158 bpm • A Maj • 04:05 • -7db
42% Popularity • 27% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 27% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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AFI
Beautiful Thieves
172 bpm • E Maj • 03:46 • -5db
43% Popularity • 26% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 26% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
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Counting Crows
Angels Of The Silences
158 bpm • E Maj • 03:37 • -3.95db
44% Popularity • 30% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 30% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Green Day
Too Much Too Soon
171 bpm • B Maj • 03:30 • -3.07db
45% Popularity • 40% Danceability • 100% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 40% Danceability • 100% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Interrupters
So Wrong
172 bpm • E Maj • 02:32 • -2.93db
39% Popularity • 37% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 37% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Sugarcult
Majoring in Minors
158 bpm • G# Maj • 02:55 • -3.99db
38% Popularity • 41% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 41% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Biffy Clyro
Mountains - Live at Wembley
158 bpm • C# Maj • 03:52 • -4.71db
22% Popularity • 29% Danceability • 98% Energy • 92% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 29% Danceability • 98% Energy • 92% Liveness
0% Instrumentalness • 30% Positiveness
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Lustra
Scrambled
158 bpm • E Maj • 05:57 • -5.1db
8% Popularity • 38% Danceability • 67% Energy • 18% Liveness
15% Instrumentalness • 14% Positiveness
8% Popularity • 38% Danceability • 67% Energy • 18% Liveness
15% Instrumentalness • 14% Positiveness
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Social Distortion
Live Before You Die
173 bpm • G# Maj • 02:47 • -3.77db
41% Popularity • 32% Danceability • 97% Energy • 26% Liveness
3% Instrumentalness • 43% Positiveness
41% Popularity • 32% Danceability • 97% Energy • 26% Liveness
3% Instrumentalness • 43% Positiveness
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Green Day
East Jesus Nowhere - Live at Scottish Ex...
159 bpm • A Maj • 05:08 • -3.81db
24% Popularity • 28% Danceability • 99% Energy • 97% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 28% Danceability • 99% Energy • 97% Liveness
0% Instrumentalness • 19% Positiveness
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Bad Religion
Social Suicide
173 bpm • A min • 01:35 • -3db
51% Popularity • 44% Danceability • 99% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 44% Danceability • 99% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Sugarcult
Riot
157 bpm • D# min • 03:28 • -4.55db
34% Popularity • 38% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 38% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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+44
Cliff Diving - AOL Music Sessions
157 bpm • C Maj • 03:23 • -6.08db
17% Popularity • 46% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 46% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Powderfinger
Don't Wanna Be Left Out
174 bpm • F min • 02:12 • -5db
36% Popularity • 30% Danceability • 99% Energy • 81% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 30% Danceability • 99% Energy • 81% Liveness
0% Instrumentalness • 21% Positiveness
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Social Distortion
Cold Feelings
173 bpm • A# min • 03:29 • -7db
43% Popularity • 36% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 36% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Green Day
21st Century Breakdown - Live at Wembley...
174 bpm • C# Maj • 05:51 • -3.11db
26% Popularity • 13% Danceability • 100% Energy • 98% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 13% Danceability • 100% Energy • 98% Liveness
0% Instrumentalness • 15% Positiveness
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Bad Religion
I Won't Say Anything
157 bpm • G Maj • 03:22 • -3.45db
24% Popularity • 49% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 49% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Millencolin
A-Ten
157 bpm • D min • 03:00 • -3db
33% Popularity • 40% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 40% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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The Network
Hammer of the Gods
174 bpm • A Maj • 02:34 • -3.6db
16% Popularity • 37% Danceability • 98% Energy • 6% Liveness
1% Instrumentalness • 33% Positiveness
16% Popularity • 37% Danceability • 98% Energy • 6% Liveness
1% Instrumentalness • 33% Positiveness
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Yellowcard
Rough Landing, Holly
175 bpm • E Maj • 03:33 • -3.32db
49% Popularity • 34% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 34% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Social Distortion
Far Behind
175 bpm • G# Maj • 04:03 • -2.4db
50% Popularity • 23% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 23% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Green Day
Holiday - Live at Milton Keynes National...
159 bpm • C# Maj • 04:12 • -2.75db
39% Popularity • 28% Danceability • 99% Energy • 43% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 28% Danceability • 99% Energy • 43% Liveness
0% Instrumentalness • 21% Positiveness
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My Chemical Romance
I Don't Love You - Live in Mexico City
175 bpm • C Maj • 03:47 • -7.57db
34% Popularity • 20% Danceability • 90% Energy • 95% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 20% Danceability • 90% Energy • 95% Liveness
0% Instrumentalness • 24% Positiveness
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Pennywise
All Or Nothing
175 bpm • F# min • 02:29 • -3.85db
40% Popularity • 43% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 43% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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The Network
Spike
174 bpm • B min • 02:59 • -3.57db
22% Popularity • 58% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 58% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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The Bouncing Souls
Gasoline
176 bpm • C Maj • 04:03 • -3.62db
38% Popularity • 28% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 28% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
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The Interrupters
Title Holder
176 bpm • B Maj • 02:41 • -4db
48% Popularity • 43% Danceability • 99% Energy • 37% Liveness
10% Instrumentalness • 64% Positiveness
48% Popularity • 43% Danceability • 99% Energy • 37% Liveness
10% Instrumentalness • 64% Positiveness
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Green Day
Basket Case - Live at Milton Keynes Nati...
175 bpm • D# Maj • 02:58 • -3.6db
43% Popularity • 16% Danceability • 99% Energy • 72% Liveness
9% Instrumentalness • 16% Positiveness
43% Popularity • 16% Danceability • 99% Energy • 72% Liveness
9% Instrumentalness • 16% Positiveness
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Box Car Racer
Elevator
154 bpm • G Maj • 02:45 • -2db
46% Popularity • 55% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 55% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Less Than Jake
Surrender
178 bpm • B Maj • 03:41 • -3.3db
40% Popularity • 26% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 26% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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The Network
Joe Robot
177 bpm • B min • 02:03 • -3.94db
19% Popularity • 78% Danceability • 84% Energy • 8% Liveness
15% Instrumentalness • 88% Positiveness
19% Popularity • 78% Danceability • 84% Energy • 8% Liveness
15% Instrumentalness • 88% Positiveness
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Our Lady Peace
Automatic Flowers
178 bpm • A Maj • 04:02 • -8.4db
36% Popularity • 38% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 38% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Smash Mouth
Let's Rock
153 bpm • F# Maj • 02:48 • -6.37db
29% Popularity • 38% Danceability • 86% Energy • 63% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 38% Danceability • 86% Energy • 63% Liveness
0% Instrumentalness • 85% Positiveness
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Green Day
All the Time
155 bpm • D Maj • 02:10 • -4.09db
44% Popularity • 53% Danceability • 97% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
44% Popularity • 53% Danceability • 97% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Taylor Hawkins & The Coattail Riders
Your Shoes
153 bpm • A Maj • 02:51 • -4.36db
20% Popularity • 43% Danceability • 93% Energy • 78% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 43% Danceability • 93% Energy • 78% Liveness
0% Instrumentalness • 51% Positiveness
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Box Car Racer
The End With You
153 bpm • A Maj • 03:11 • -4.06db
42% Popularity • 50% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 50% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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Less Than Jake
Plastic Cup Politics
178 bpm • E Maj • 02:17 • -3db
42% Popularity • 39% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 39% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Billie Joe Armstrong
Not That Way Anymore
153 bpm • A Maj • 02:52 • -4.06db
27% Popularity • 23% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 23% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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My Chemical Romance
The End. - Live in Mexico City
178 bpm • B min • 02:34 • -9.93db
32% Popularity • 20% Danceability • 91% Energy • 52% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 20% Danceability • 91% Energy • 52% Liveness
0% Instrumentalness • 19% Positiveness
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Green Day
American Eulogy: Mass Hysteria / Modern ...
177 bpm • D Maj • 04:26 • -3.61db
44% Popularity • 26% Danceability • 96% Energy • 56% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 26% Danceability • 96% Energy • 56% Liveness
0% Instrumentalness • 66% Positiveness
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Beatsteaks
Let Me In
178 bpm • G# Maj • 03:28 • -6db
33% Popularity • 41% Danceability • 94% Energy • 47% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 41% Danceability • 94% Energy • 47% Liveness
0% Instrumentalness • 26% Positiveness
