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Hold Each Other
Songs like
Hold Each Other
by
A Great Big World
Based on a tempo of (+/- 10%) and a similar genre
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Jayme Dee
Tip Toes
160 bpm • A# Maj • 02:49 • -3.06db
35% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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A Great Big World
Hold Each Other
160 bpm • A# Maj • 03:36 • -5db
42% Popularity • 61% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Beth Parks
We Hold Each Other (Acoustic Version)
159 bpm • C Maj • 02:48 • -9.73db
12% Popularity • 37% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Five For Fighting
World
158 bpm • F Maj • 03:52 • -6db
34% Popularity • 48% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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The Fray
Syndicate
158 bpm • C Maj • 03:29 • -5.3db
49% Popularity • 35% Danceability • 82% Energy • 16% Liveness
5% Instrumentalness • 47% Positiveness
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FRANKIE
Chaos
158 bpm • D Maj • 03:03 • -10.95db
13% Popularity • 69% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Dinner and a Suit
Where We Started
158 bpm • C# Maj • 03:12 • -6db
13% Popularity • 25% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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A Great Big World
Hold Each Other
160 bpm • A# Maj • 03:14 • -5.49db
32% Popularity • 54% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Golden
You're Always Loved
158 bpm • F Maj • 04:09 • -7db
25% Popularity • 58% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Andrew McMahon in the Wilderness
High Dive
163 bpm • C min • 03:47 • -7db
40% Popularity • 56% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Daphne Willis
Done With Bein' Done
157 bpm • E Maj • 03:12 • -6db
13% Popularity • 63% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Shane Harte
Let You Know
164 bpm • F Maj • 03:28 • -1.95db
20% Popularity • 48% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Ferras
Hollywood's Not America - Matrix Version
156 bpm • F Maj • 03:15 • -6db
30% Popularity • 48% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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A Great Big World
Darling It's Over
162 bpm • F# Maj • 03:45 • -10.37db
11% Popularity • 49% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Clark Beckham
Champion
156 bpm • D Maj • 03:40 • -6db
11% Popularity • 45% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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The Fray
Hold My Hand
156 bpm • F Maj • 03:41 • -3.43db
46% Popularity • 47% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Michael McEachern
Easier As Us
156 bpm • F# Maj • 03:09 • -4db
16% Popularity • 66% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Teddy Geiger
Happier?
156 bpm • B Maj • 03:31 • -6.24db
12% Popularity • 49% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Us The Duo
Shake It Off
155 bpm • G Maj • 03:09 • -6db
40% Popularity • 48% Danceability • 38% Energy • 48% Liveness
0% Instrumentalness • 27% Positiveness
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A Great Big World
Where Does the Time Go
158 bpm • F# Maj • 03:48 • -12.07db
35% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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The Rocketboys
Viva Voce
165 bpm • F Maj • 04:31 • -6.22db
33% Popularity • 38% Danceability • 66% Energy • 9% Liveness
5% Instrumentalness • 28% Positiveness
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The New Velvet
Let It Ride
156 bpm • F Maj • 03:20 • -8db
8% Popularity • 66% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Owl City
Vanilla Twilight
166 bpm • B Maj • 03:51 • -7.64db
62% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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North of Nine
Loving You
166 bpm • F Maj • 02:49 • -6.4db
13% Popularity • 40% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Rozzi
Painkiller
154 bpm • A Maj • 03:32 • -5.1db
23% Popularity • 59% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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A Great Big World
i will always be there
164 bpm • E Maj • 03:26 • -5.86db
22% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Nate Ruess
What This World Is Coming To
154 bpm • D Maj • 04:02 • -4.16db
27% Popularity • 60% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Us The Duo
Dear Mom & Dad
154 bpm • A Maj • 02:35 • -5.1db
24% Popularity • 59% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Fray
Say When
153 bpm • F# min • 05:01 • -6db
48% Popularity • 47% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Copperlily
A Lot to Learn
167 bpm • A Maj • 03:01 • -9db
22% Popularity • 54% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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The Good Mad
Falling Asleep (Shine Don't Shadow)
168 bpm • D Maj • 03:12 • -5.9db
13% Popularity • 32% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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O.A.R.
Two Hands Up
153 bpm • B Maj • 03:09 • -3.54db
35% Popularity • 51% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 56% Positiveness
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Nick Fradiani
All On You
168 bpm • F# Maj • 03:06 • -7.17db
22% Popularity • 42% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Skylar Grey
Tower (Don't Look Down)
169 bpm • C Maj • 04:00 • -7db
25% Popularity • 29% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Karina V
Shouldve Been Us
169 bpm • F min • 03:40 • -4.22db
12% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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WALK THE MOON
Portugal
170 bpm • D Maj • 04:01 • -4db
44% Popularity • 45% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Louisa Wendorff
Every Little Thing
170 bpm • E Maj • 04:01 • -9.21db
22% Popularity • 23% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Handsome Ghost
Blood Stutter
170 bpm • C# Maj • 03:31 • -7.82db
16% Popularity • 40% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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A Great Big World
Can We Go Back Home
170 bpm • C# Maj • 04:59 • -11.3db
15% Popularity • 33% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 5% Positiveness
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Travie McCoy
Rough Water
170 bpm • C# min • 03:39 • -3.99db
39% Popularity • 52% Danceability • 91% Energy • 55% Liveness
0% Instrumentalness • 47% Positiveness
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Christina Grimmie
With Love
150 bpm • D Maj • 03:57 • -5.67db
41% Popularity • 43% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Echosmith
Ran Off in the Night
150 bpm • C Maj • 04:24 • -5.7db
26% Popularity • 44% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Dylan Gardner
Too Afraid to Love You
150 bpm • G Maj • 03:19 • -5db
14% Popularity • 43% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Five For Fighting
What If
150 bpm • C Maj • 03:27 • -5.35db
45% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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A Great Big World
Fall On Me
170 bpm • E Maj • 03:48 • -10.49db
16% Popularity • 33% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 10% Positiveness
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Cody Fry
Find My Way Back
149 bpm • D Maj • 03:18 • -8.56db
28% Popularity • 41% Danceability • 46% Energy • 21% Liveness
7% Instrumentalness • 16% Positiveness
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Tryon
Somebody to Love Me
171 bpm • B min • 03:39 • -4db
18% Popularity • 50% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Neon Trees
Feel Good
149 bpm • A Maj • 03:28 • -4db
37% Popularity • 62% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Transviolet
New Bohemia
172 bpm • F# min • 03:39 • -5.28db
30% Popularity • 50% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Volunteer
The World Will Begin Again
149 bpm • C Maj • 03:48 • -5.68db
15% Popularity • 50% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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A Great Big World
When I Was a Boy
150 bpm • C Maj • 03:15 • -4.37db
19% Popularity • 38% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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New Politics
Stuck On You
172 bpm • E Maj • 03:42 • -6db
30% Popularity • 39% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Lou Ruiz
My Turn
172 bpm • F# Maj • 03:57 • -6db
2% Popularity • 50% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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The Script
It's Not Right for You
172 bpm • B Maj • 04:24 • -5.49db
40% Popularity • 39% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Echosmith
Let's Love
148 bpm • C Maj • 03:02 • -4.15db
32% Popularity • 51% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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The Fray
Happiness
148 bpm • C# Maj • 05:22 • -11.61db
45% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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A Great Big World
Everyone Is Gay
149 bpm • A Maj • 02:10 • -6.13db
30% Popularity • 53% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Nate Ruess
You Light My Fire
173 bpm • D Maj • 03:11 • -4.67db
28% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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A Minor Swoon
Worn
174 bpm • D Maj • 03:34 • -15.46db
14% Popularity • 33% Danceability • 38% Energy • 18% Liveness
20% Instrumentalness • 15% Positiveness
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Leroy Sanchez
Little Dancer
148 bpm • A# Maj • 03:55 • -10.3db
35% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Moxie Raia
I Love It When You Cry
147 bpm • D Maj • 03:01 • -6.81db
25% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Gavin DeGraw
Who's Gonna Save Us
147 bpm • G# Maj • 03:14 • -7.4db
31% Popularity • 54% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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A Great Big World
This Is the New Year - Live from Spotify...
148 bpm • B Maj • 03:01 • -9.15db
13% Popularity • 46% Danceability • 67% Energy • 69% Liveness
0% Instrumentalness • 18% Positiveness
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Nate Ruess
Great Big Storm
147 bpm • F# Maj • 04:00 • -4.43db
38% Popularity • 54% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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[SEBELL]
Till the Sun Burns Out
146 bpm • C# Maj • 03:25 • -4.66db
34% Popularity • 59% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Scott Helman
21 Days
146 bpm • A Maj • 03:35 • -8.31db
29% Popularity • 64% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Rixton
Let The Road
176 bpm • F Maj • 03:00 • -6db
27% Popularity • 33% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Gavin DeGraw
Finest Hour - New Version
176 bpm • C Maj • 03:41 • -7db
31% Popularity • 38% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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A Great Big World
Won't Stop Running
146 bpm • A# Maj • 03:46 • -6.97db
30% Popularity • 64% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Emile Haynie
Fool Me Too
176 bpm • A# Maj • 04:05 • -4.16db
21% Popularity • 50% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Christina Grimmie
My Anthem (Bonus Track)
145 bpm • D Maj • 03:14 • -7db
24% Popularity • 87% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Alex & Sierra
Bumper Cars
145 bpm • D# Maj • 04:00 • -7.36db
44% Popularity • 43% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Echosmith
March into the Sun
145 bpm • A Maj • 03:22 • -5.07db
32% Popularity • 59% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Gavin DeGraw
Finest Hour
176 bpm • C Maj • 03:32 • -5db
27% Popularity • 37% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Marianas Trench
Beside You
145 bpm • E Maj • 03:38 • -8db
35% Popularity • 26% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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The Fray
Heartbeat
144 bpm • A Maj • 03:40 • -5.08db
53% Popularity • 46% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Adam Barnes
Old Shoes
177 bpm • G Maj • 03:32 • -5db
24% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Alex & Sierra
It's About Us - Interlude
144 bpm • G Maj • 01:01 • -11db
29% Popularity • 44% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Five For Fighting
She's My Girl
144 bpm • G# Maj • 03:26 • -6db
34% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Tessanne Chin
Tumbling Down
144 bpm • A Maj • 03:34 • -7.98db
17% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Marianas Trench
One Love
144 bpm • D Maj • 04:01 • -4.77db
43% Popularity • 56% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Rixton
Whole
144 bpm • D Maj • 03:38 • -7db
28% Popularity • 46% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Oh Honey
It Can't Rain Forever
178 bpm • C Maj • 03:14 • -8db
27% Popularity • 47% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Alex & Sierra
You Will Find Me
144 bpm • C Maj • 03:26 • -7.58db
40% Popularity • 58% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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The Goo Goo Dolls
Rebel Beat
178 bpm • F# Maj • 03:34 • -4db
43% Popularity • 49% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Dave Barnes
Look So Easy
178 bpm • D Maj • 03:43 • -7.36db
16% Popularity • 51% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
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A Great Big World
You'll Be Okay
178 bpm • F# Maj • 03:58 • -7db
21% Popularity • 48% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Five For Fighting
Above The Timberline
178 bpm • A Maj • 03:24 • -5.4db
32% Popularity • 46% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Kenzie Nimmo
Hold My Breath
143 bpm • A Maj • 03:59 • -11.09db
13% Popularity • 70% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Us The Duo
Make You Mine
143 bpm • F Maj • 03:36 • -6db
35% Popularity • 60% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Nate Ruess
Take It Back
179 bpm • A Maj • 04:23 • -5.11db
28% Popularity • 34% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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The Heist
All I Want
180 bpm • A Maj • 03:01 • -5.39db
15% Popularity • 58% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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A Great Big World
The One
144 bpm • G Maj • 03:39 • -9.71db
18% Popularity • 43% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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DEVIN K
Stunning
180 bpm • A Maj • 03:37 • -4db
18% Popularity • 61% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Brandyn Burnette
Made of Dreams
180 bpm • A Maj • 03:26 • -4db
9% Popularity • 55% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Five For Fighting
Born to Win
142 bpm • D Maj • 04:13 • -6db
35% Popularity • 56% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Lauren Aquilina
Kicks
180 bpm • F Maj • 03:36 • -5db
24% Popularity • 56% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Gavin DeGraw
Not Over You
142 bpm • A# Maj • 03:38 • -4.59db
65% Popularity • 63% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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A Great Big World
End of the World
180 bpm • G Maj • 03:33 • -5db
24% Popularity • 54% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Brandon & Leah
Sunday Girl
142 bpm • D Maj • 03:49 • -7.57db
10% Popularity • 50% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 37% Positiveness
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Hold Each Other