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Hold On
Songs like
Hold On
by
Yola
Based on a tempo of (+/- 10%) and a similar genre
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Yola
Stand For Myself
173 bpm • C# Maj • 04:13 • -5db
43% Popularity • 42% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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The Ballroom Thieves
Anybody Else
172 bpm • C Maj • 04:03 • -8db
48% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Charley Crockett
I Need Your Love
174 bpm • G Maj • 03:21 • -8db
51% Popularity • 49% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Brandi Carlile
You and Me On The Rock
172 bpm • C# Maj • 03:50 • -7db
58% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Rose Cousins
The Benefits of Being Alone
174 bpm • G Maj • 03:14 • -7.2db
32% Popularity • 58% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Natalie Hemby
Pins And Needles
172 bpm • F# Maj • 02:50 • -6.43db
14% Popularity • 59% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Yola
Hold On
173 bpm • D Maj • 03:29 • -5.89db
44% Popularity • 42% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Miley Cyrus
Thousand Miles
172 bpm • A Maj • 03:51 • -7.6db
64% Popularity • 50% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Grace Potter
Reposession [Feat Lucius]
175 bpm • A Maj • 03:44 • -9.81db
20% Popularity • 32% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Logan Ledger
(I’m Gonna Get Over This) Some Day
171 bpm • F Maj • 02:52 • -7db
43% Popularity • 46% Danceability • 76% Energy • 9% Liveness
28% Instrumentalness • 79% Positiveness
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The Teskey Brothers
Forever You and Me
175 bpm • G# Maj • 02:55 • -4.94db
71% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Lone Bellow
For What It's Worth
175 bpm • E Maj • 03:18 • -11.79db
41% Popularity • 43% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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S.G. Goodman
Space And Time
175 bpm • D Maj • 04:32 • -8db
52% Popularity • 34% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Miley Cyrus
Wildflowers - Recorded at Spotify Studio...
174 bpm • F Maj • 03:05 • -9.92db
52% Popularity • 36% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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The Meltdown
Side By Side
170 bpm • E Maj • 04:16 • -7.68db
55% Popularity • 70% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
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Dierks Bentley
Travelin' Light
176 bpm • E Maj • 03:14 • -6db
30% Popularity • 49% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Kat Wright
By My Side
170 bpm • C# Maj • 03:51 • -5.97db
39% Popularity • 60% Danceability • 59% Energy • 17% Liveness
1% Instrumentalness • 80% Positiveness
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Natalie Hemby
Lovers on Display
176 bpm • C# Maj • 03:35 • -9.86db
28% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Los Coast
A Change Is Gonna Come
177 bpm • A# Maj • 03:23 • -5.94db
52% Popularity • 35% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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La Marisoul
Big Yellow Taxi - Live
169 bpm • E Maj • 02:50 • -7.61db
16% Popularity • 42% Danceability • 85% Energy • 94% Liveness
0% Instrumentalness • 66% Positiveness
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Noah Kahan
You’re Gonna Go Far
170 bpm • G Maj • 04:46 • -9.86db
66% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Bonnie Raitt
Made Up Mind
177 bpm • D Maj • 03:40 • -6db
38% Popularity • 49% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Marcus King
Love Song
169 bpm • E Maj • 02:30 • -5.87db
48% Popularity • 42% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Natalie Hemby
Radio Silence
176 bpm • G# min • 03:42 • -8.72db
24% Popularity • 44% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Marc Broussard
These Arms Of Mine
177 bpm • A# Maj • 02:32 • -8.04db
47% Popularity • 48% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Kris Kristofferson
A Case Of You - Live
169 bpm • D Maj • 04:46 • -12.17db
21% Popularity • 36% Danceability • 40% Energy • 98% Liveness
0% Instrumentalness • 29% Positiveness
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TobyMac
Promised Land (Collab OG)
168 bpm • G Maj • 03:30 • -7.34db
43% Popularity • 58% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Joy Williams
Canary
178 bpm • G Maj • 03:29 • -7.92db
36% Popularity • 29% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
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Margo Cilker
Tehachapi
168 bpm • A Maj • 03:07 • -8db
12% Popularity • 51% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Brandi Carlile
Most of All
168 bpm • B Maj • 03:51 • -5.95db
41% Popularity • 42% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Ruston Kelly
To June This Morning
178 bpm • E Maj • 02:04 • -11db
47% Popularity • 40% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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The Secret Sisters
Water Witch
179 bpm • F min • 03:27 • -7.07db
49% Popularity • 36% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Avi Kaplan
All Is Well [Joy Williams]
168 bpm • C# min • 02:57 • -14db
47% Popularity • 38% Danceability • 23% Energy • 15% Liveness
2% Instrumentalness • 24% Positiveness
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Natalie Hemby
Last Resort
166 bpm • A# Maj • 03:56 • -7.85db
8% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The Highwomen
My Only Child
181 bpm • A Maj • 03:53 • -6.02db
33% Popularity • 36% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Leon Bridges
That Was Yesterday
181 bpm • A Maj • 03:50 • -6.18db
54% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Katie Pruitt
Jealous Of The Boys
166 bpm • C Maj • 04:21 • -9.65db
24% Popularity • 36% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Carsie Blanton
Buck Up
164 bpm • B Maj • 03:05 • -8.95db
28% Popularity • 61% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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EmiSunshine
Crimson Moon
164 bpm • F Maj • 03:18 • -9.44db
9% Popularity • 57% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Tanya Tucker
Breakfast In Birmingham [Brandi Carlile]
163 bpm • F Maj • 03:30 • -8.65db
26% Popularity • 46% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Allison Russell
You're Not Alone [Brandi Carlile]
184 bpm • C Maj • 05:09 • -7.55db
42% Popularity • 32% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Miko Marks
Hold It Together
162 bpm • D Maj • 03:52 • -7.14db
9% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Amythyst Kiah
Soapbox
162 bpm • C Maj • 01:37 • -14.3db
20% Popularity • 43% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Yola
If I Had To Do It All Again
186 bpm • A min • 03:46 • -6.68db
26% Popularity • 57% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Amos Lee
Worry No More (Acoustic)
160 bpm • C Maj • 03:17 • -9.35db
19% Popularity • 56% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Chicks
Texas Man
160 bpm • A Maj • 03:44 • -7.32db
44% Popularity • 78% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Celeigh Cardinal
The Devil Is a Blue-Eyed Man
189 bpm • G Maj • 03:33 • -7.92db
16% Popularity • 27% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Amanda Anne Platt & the Honeycutters
New York
159 bpm • E Maj • 04:17 • -10.59db
12% Popularity • 59% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Marcus King
Wildflowers & Wine
157 bpm • C Maj • 04:48 • -8.64db
61% Popularity • 45% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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May Erlewine
Whole Again
156 bpm • G# Maj • 04:50 • -11.19db
11% Popularity • 50% Danceability • 45% Energy • 11% Liveness
4% Instrumentalness • 45% Positiveness
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Lori McKenna
You Won't Even Know I'm Gone
157 bpm • C min • 02:17 • -14.58db
28% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Katie Pruitt
Standstill
156 bpm • F# Maj • 04:10 • -11.03db
22% Popularity • 36% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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I'm With Her
Call My Name
156 bpm • F# Maj • 03:12 • -11.37db
44% Popularity • 60% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 43% Positiveness
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Amythyst Kiah
Grinnin' in Your Face
155 bpm • C min • 02:48 • -13db
19% Popularity • 60% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Lula Wiles
Love Gone Wrong
155 bpm • B Maj • 03:56 • -10.39db
22% Popularity • 39% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Miko Marks
Feel Like Going Home
155 bpm • D# Maj • 04:35 • -4db
27% Popularity • 51% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Sheryl Crow
Strong Enough
155 bpm • D Maj • 03:09 • -15.27db
59% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Yola
Great Divide
155 bpm • B min • 03:36 • -7.94db
26% Popularity • 42% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Bermuda Triangle
Rosey
153 bpm • G Maj • 03:45 • -11db
30% Popularity • 54% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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The Highwomen
The Chain
153 bpm • A Maj • 04:51 • -7.18db
46% Popularity • 42% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Amythyst Kiah
Black Myself
153 bpm • A Maj • 03:21 • -4db
40% Popularity • 56% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Grace Potter
Love Is Love
153 bpm • G# Maj • 03:06 • -7.12db
36% Popularity • 55% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Barry Gibb
Run To Me
152 bpm • A Maj • 03:22 • -5.68db
41% Popularity • 28% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Rissi Palmer
Still Here
152 bpm • F min • 03:41 • -8.12db
29% Popularity • 53% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Miko Marks
One More Night
152 bpm • A Maj • 03:47 • -5db
20% Popularity • 56% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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The Lone Bellow
Count On Me
152 bpm • D Maj • 02:40 • -5db
46% Popularity • 37% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
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Sarah Jarosz
I’ll Be Gone
152 bpm • F# min • 03:35 • -6.71db
30% Popularity • 60% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Sheryl Crow
Everything Is Broken
151 bpm • E Maj • 04:32 • -3.19db
27% Popularity • 42% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Wild Rivers
Speak Too Soon
152 bpm • G Maj • 02:53 • -10.77db
69% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Yola
Diamond Studded Shoes
151 bpm • C Maj • 03:24 • -6.17db
41% Popularity • 52% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Pierce
Young Black and Beautiful
150 bpm • C Maj • 02:31 • -6.83db
1% Popularity • 62% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Indigo Girls
World Falls - Live at the Roxy
150 bpm • F Maj • 03:33 • -7.53db
5% Popularity • 26% Danceability • 53% Energy • 88% Liveness
0% Instrumentalness • 51% Positiveness
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Jessi Alexander
See You Again
150 bpm • B Maj • 03:25 • -11.05db
18% Popularity • 48% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sheryl Crow
Border Lord
151 bpm • E min • 04:42 • -6.69db
17% Popularity • 49% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Sarah Jarosz
Hometown
150 bpm • A Maj • 03:00 • -13db
41% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Brandy Clark
Pawn Shop
150 bpm • B Maj • 03:50 • -7.79db
23% Popularity • 59% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Kid Rock
Collide
200 bpm • A Maj • 04:48 • -4.2db
37% Popularity • 43% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Anderson East
This Too Shall Last
149 bpm • E Maj • 03:42 • -9db
55% Popularity • 50% Danceability • 49% Energy • 9% Liveness
80% Instrumentalness • 68% Positiveness
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Cat Clyde
Been Worryin'
201 bpm • F Maj • 03:02 • -8.19db
43% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Katie Pruitt
Searching For The Truth
148 bpm • F Maj • 04:31 • -9.02db
28% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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The Hello Darlins
Still Waters
148 bpm • B Maj • 04:02 • -12db
32% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Sarah Jarosz
Eve
148 bpm • G Maj • 03:26 • -9.29db
23% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Brandy Clark
Who You Thought I Was
148 bpm • B Maj • 03:09 • -8db
36% Popularity • 62% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Carsie Blanton
Party At The End Of The World
148 bpm • G Maj • 03:43 • -6.37db
20% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Bonnie Bishop
Keep on Moving
148 bpm • F# Maj • 05:06 • -9.5db
9% Popularity • 74% Danceability • 44% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
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Kacey Musgraves
Slow Burn
148 bpm • D Maj • 04:06 • -9.11db
69% Popularity • 56% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Rhiannon Giddens
Wayfaring Stranger
148 bpm • C min • 04:47 • -9.93db
35% Popularity • 38% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Aoife O'Donovan
Nebraska - Acoustic
148 bpm • D Maj • 03:48 • -13db
37% Popularity • 52% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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The Highwomen
My Name Can't Be Mama
203 bpm • G Maj • 02:30 • -4.34db
35% Popularity • 49% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Yola
Now You're Here
147 bpm • G# Maj • 04:08 • -7.09db
30% Popularity • 58% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
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Hold On