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Hold On
Songs like
Hold On
by
Good Charlotte
Based on a tempo of (+/- 10%) and a similar genre
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Good Charlotte
Hold On
138 bpm • C# Maj • 04:05 • -5.35db
47% Popularity • 42% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Riddlin' Kids
I Feel Fine
137 bpm • C# Maj • 02:37 • -3db
31% Popularity • 52% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Cobra Starship
Bring It (Snakes on a Plane)
139 bpm • F# min • 03:14 • -5db
41% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Simple Plan
Addicted
140 bpm • C# Maj • 03:52 • -5.46db
61% Popularity • 52% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Motion City Soundtrack
L.G. FUAD
140 bpm • C# Maj • 03:06 • -4.62db
48% Popularity • 59% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Jack's Mannequin
Bruised - 2015 Remaster
136 bpm • D# Maj • 04:02 • -5db
42% Popularity • 48% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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blink-182
Adam's Song
136 bpm • C Maj • 04:09 • -5.8db
72% Popularity • 52% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Cartel
The Minstrel's Prayer
136 bpm • C# Maj • 04:38 • -8db
29% Popularity • 51% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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The Used
Empty With You
140 bpm • F# min • 03:23 • -4.13db
38% Popularity • 54% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Jimmy Eat World
Big Casino
136 bpm • D Maj • 03:40 • -3.65db
49% Popularity • 49% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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All Time Low
Backseat Serenade
140 bpm • F# Maj • 03:21 • -3.69db
55% Popularity • 51% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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The Ataris
The Saddest Song
136 bpm • A# Maj • 04:15 • -5db
35% Popularity • 43% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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The Academy Is...
Summer Hair = Forever Young
136 bpm • D Maj • 03:38 • -3db
32% Popularity • 50% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Alien Ant Farm
Good (For A Woman)
140 bpm • A Maj • 02:28 • -3.79db
33% Popularity • 54% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Taking Back Sunday
MakeDamnSure
140 bpm • F# Maj • 03:28 • -5.61db
70% Popularity • 55% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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Jimmy Eat World
If You Don't, Don't
140 bpm • C# Maj • 04:33 • -6db
43% Popularity • 49% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Fall Out Boy
Grand Theft Autumn / Where Is Your Boy
135 bpm • D Maj • 03:11 • -3.81db
64% Popularity • 63% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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The Ataris
The Saddest Song - Acoustic
136 bpm • A# Maj • 04:09 • -7.74db
27% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Good Charlotte
Girls & Boys
135 bpm • D# Maj • 03:03 • -5.5db
61% Popularity • 66% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Silverstein
Apologize
135 bpm • C# Maj • 02:55 • -7db
49% Popularity • 48% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Thirty Seconds To Mars
From Yesterday
135 bpm • A# Maj • 04:07 • -4.84db
60% Popularity • 47% Danceability • 88% Energy • 4% Liveness
1% Instrumentalness • 13% Positiveness
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Jimmy Eat World
Sweetness
135 bpm • F Maj • 03:40 • -4.44db
70% Popularity • 49% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Cute Is What We Aim For
The Fourth Drink Instinct
141 bpm • E Maj • 04:09 • -6.15db
31% Popularity • 52% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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The Ataris
My Reply
136 bpm • G Maj • 04:13 • -4.79db
31% Popularity • 44% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Sparks The Rescue
Need You Now
135 bpm • C# Maj • 03:33 • -4.73db
37% Popularity • 52% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Hey Monday
How You Love Me Now
135 bpm • F Maj • 03:17 • -2.08db
49% Popularity • 39% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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Good Charlotte
Walk By
135 bpm • C Maj • 02:42 • -3.18db
29% Popularity • 52% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Jimmy Eat World
23
141 bpm • D Maj • 07:13 • -4.92db
44% Popularity • 35% Danceability • 79% Energy • 17% Liveness
1% Instrumentalness • 15% Positiveness
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Dashboard Confessional
Again I Go Unnoticed
135 bpm • C# Maj • 02:17 • -6db
13% Popularity • 46% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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The Starting Line
Bedroom Talk
135 bpm • A# Maj • 04:04 • -5db
40% Popularity • 55% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Sugar Ray
Answer The Phone
142 bpm • G# Maj • 03:58 • -7db
37% Popularity • 48% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Student Rick
Heaven Is A Place On Earth
142 bpm • A Maj • 03:26 • -4.78db
26% Popularity • 62% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Good Charlotte
The Day That I Die
134 bpm • G# Maj • 02:58 • -5.01db
41% Popularity • 48% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Matchbook Romance
Tiger Lily
133 bpm • G Maj • 03:03 • -5.85db
32% Popularity • 56% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Dashboard Confessional
Screaming Infidelities
142 bpm • C# Maj • 03:46 • -8db
22% Popularity • 46% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Rise Against
From Heads Unworthy
133 bpm • F# Maj • 03:42 • -3db
53% Popularity • 28% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Box Car Racer
I Feel So
143 bpm • D Maj • 04:30 • -3.78db
56% Popularity • 33% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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Fall Out Boy
A Little Less Sixteen Candles, A Little ...
133 bpm • G Maj • 02:49 • -3.59db
64% Popularity • 54% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Our Lady Peace
All You Did Was Save My Life
144 bpm • B Maj • 03:49 • -4db
30% Popularity • 43% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Taking Back Sunday
Number Five With A Bullet
143 bpm • A Maj • 03:49 • -4.51db
47% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Cute Is What We Aim For
Risque
132 bpm • E Maj • 03:42 • -5.09db
37% Popularity • 57% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Every Avenue
Where Were You
132 bpm • C Maj • 02:41 • -4.38db
39% Popularity • 54% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Cartel
Honestly
145 bpm • C# Maj • 03:27 • -4.95db
47% Popularity • 45% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Ataris
Your Boyfriend Sucks
131 bpm • A Maj • 02:48 • -5.69db
32% Popularity • 42% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Senses Fail
Bloody Romance
131 bpm • D min • 03:50 • -4.35db
40% Popularity • 40% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Taking Back Sunday
Twenty-Twenty Surgery
145 bpm • C# Maj • 03:55 • -3.7db
37% Popularity • 47% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Relient K
Who I Am Hates Who I've Been - Acoustic
145 bpm • D# Maj • 03:25 • -8.35db
38% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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blink-182
Stay Together For The Kids
145 bpm • D Maj • 03:59 • -4.94db
66% Popularity • 52% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Bowling For Soup
Girl All the Bad Guys Want
131 bpm • D Maj • 03:17 • -6db
63% Popularity • 58% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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The Ataris
San Dimas High School Football Rules
131 bpm • C Maj • 02:47 • -4.09db
42% Popularity • 37% Danceability • 98% Energy • 67% Liveness
0% Instrumentalness • 53% Positiveness
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Funeral For A Friend
Into Oblivion (Reunion)
131 bpm • E Maj • 04:22 • -3.6db
37% Popularity • 45% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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All Time Low
Six Feet Under The Stars
131 bpm • D# Maj • 03:36 • -2.7db
51% Popularity • 49% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Box Car Racer
Cat Like Thief
145 bpm • A Maj • 04:20 • -4.07db
44% Popularity • 51% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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My Chemical Romance
The Ghost of You
146 bpm • B min • 03:14 • -3.81db
70% Popularity • 20% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 19% Positiveness
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Cute Is What We Aim For
The Curse of Curves
146 bpm • F Maj • 03:23 • -4.51db
58% Popularity • 53% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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The Ataris
The Hero Dies in This One
146 bpm • D Maj • 04:06 • -4.5db
28% Popularity • 45% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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FM Static
Three Days Later
146 bpm • G# Maj • 02:23 • -5.66db
30% Popularity • 58% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Foo Fighters
Best of You
130 bpm • C# min • 04:15 • -5.12db
77% Popularity • 37% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Goldfinger
Counting The Days
146 bpm • A Maj • 03:28 • -5db
37% Popularity • 51% Danceability • 94% Energy • 56% Liveness
0% Instrumentalness • 52% Positiveness
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Taking Back Sunday
Capital M-E
130 bpm • C# Maj • 02:48 • -4.62db
28% Popularity • 51% Danceability • 96% Energy • 9% Liveness
4% Instrumentalness • 64% Positiveness
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AFI
Silver And Cold
130 bpm • D# min • 04:10 • -4.54db
52% Popularity • 41% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Something Corporate
Punk Rock Princess
130 bpm • G Maj • 03:52 • -5.23db
53% Popularity • 52% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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A Day To Remember
Over My Head (Cable Car)
130 bpm • C Maj • 03:31 • -5db
58% Popularity • 55% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Alkaline Trio
Calling All Skeletons
130 bpm • G Maj • 03:20 • -3.39db
39% Popularity • 57% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Green Day
Know Your Enemy
130 bpm • B Maj • 03:10 • -3.25db
64% Popularity • 56% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Relient K
Which to Bury; Us or the Hatchet?
147 bpm • E Maj • 04:11 • -4db
41% Popularity • 34% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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AFI
The Leaving Song
147 bpm • E min • 02:44 • -9db
39% Popularity • 46% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Something Corporate
Cavanaugh Park
147 bpm • B Maj • 04:18 • -7.71db
21% Popularity • 39% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Every Avenue
Take Me Home Tonight
129 bpm • C# Maj • 03:35 • -5db
38% Popularity • 55% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Rise Against
Re-Education (Through Labor)
148 bpm • B Maj • 03:42 • -3.39db
64% Popularity • 24% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Green Day
Jesus of Suburbia
147 bpm • C# Maj • 09:08 • -3.21db
66% Popularity • 30% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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The Academy Is...
His Girl Friday
148 bpm • D Maj • 03:40 • -4db
28% Popularity • 42% Danceability • 90% Energy • 71% Liveness
0% Instrumentalness • 60% Positiveness
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All Time Low
Break Your Little Heart
148 bpm • C# Maj • 02:51 • -3.01db
56% Popularity • 42% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Something Corporate
I Want To Save You
148 bpm • D# Maj • 04:22 • -6db
36% Popularity • 45% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Every Avenue
For Always, Forever
148 bpm • F Maj • 03:30 • -2.3db
35% Popularity • 53% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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A Change of Pace
Take Care
148 bpm • C Maj • 03:50 • -4.49db
32% Popularity • 41% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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From First To Last
Emily
148 bpm • G Maj • 02:39 • -7.58db
52% Popularity • 48% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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blink-182
Every Time I Look For You
128 bpm • B Maj • 03:05 • -3db
65% Popularity • 50% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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SK8
Outside
128 bpm • A Maj • 03:31 • -5.96db
27% Popularity • 54% Danceability • 96% Energy • 49% Liveness
0% Instrumentalness • 43% Positiveness
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Something Corporate
Break Myself
129 bpm • C Maj • 03:16 • -3.11db
27% Popularity • 52% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Junior Sanchez
Elevator - Alexandre Technique & Larry T...
128 bpm • B min • 06:19 • -7.77db
0% Popularity • 86% Danceability • 78% Energy • 9% Liveness
60% Instrumentalness • 12% Positiveness
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A Day To Remember
Since U Been Gone
128 bpm • D# Maj • 03:18 • -5.21db
63% Popularity • 62% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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The All-American Rejects
Swing, Swing
128 bpm • G Maj • 03:53 • -5.86db
67% Popularity • 55% Danceability • 72% Energy • 4% Liveness
13% Instrumentalness • 32% Positiveness
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blink-182
All The Small Things
149 bpm • C Maj • 02:47 • -4.92db
83% Popularity • 43% Danceability • 90% Energy • 61% Liveness
0% Instrumentalness • 68% Positiveness
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Every Avenue
Tell Me I'm A Wreck
128 bpm • F Maj • 03:39 • -2.31db
59% Popularity • 58% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Box Car Racer
Sorrow
149 bpm • A Maj • 03:26 • -5.49db
41% Popularity • 52% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Motion City Soundtrack
The Future Freaks Me Out
128 bpm • F min • 03:36 • -5.9db
49% Popularity • 66% Danceability • 87% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
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Junior Sanchez
Elevator - Laidback Luke Remix
127 bpm • C# Maj • 07:51 • -4.97db
0% Popularity • 55% Danceability • 95% Energy • 9% Liveness
98% Instrumentalness • 32% Positiveness
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Jimmy Eat World
Kill
127 bpm • G min • 03:48 • -4.97db
42% Popularity • 52% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Head Automatica
Beating Heart Baby
150 bpm • G# Maj • 03:23 • -4.55db
52% Popularity • 46% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Fall Out Boy
"The Take Over, The Breaks Over"
150 bpm • A Maj • 03:33 • -2.56db
61% Popularity • 61% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Box Car Racer
All Systems Go
150 bpm • B min • 03:15 • -3db
47% Popularity • 42% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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A Day To Remember
All Signs Point To Lauderdale
150 bpm • A# Maj • 03:17 • -3.44db
67% Popularity • 42% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Finch
What It Is To Burn
150 bpm • C# Maj • 04:52 • -6db
33% Popularity • 45% Danceability • 68% Energy • 9% Liveness
10% Instrumentalness • 17% Positiveness
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Good Charlotte
Festival Song
150 bpm • D Maj • 03:00 • -3.89db
36% Popularity • 50% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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Mae
Suspension
150 bpm • D# Maj • 04:00 • -5.99db
36% Popularity • 46% Danceability • 91% Energy • 17% Liveness
1% Instrumentalness • 54% Positiveness
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We The Kings
Heaven Can Wait
150 bpm • G Maj • 03:30 • -5.01db
35% Popularity • 47% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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All Time Low
Lost In Stereo
150 bpm • A# Maj • 03:47 • -3.8db
54% Popularity • 47% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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A Day To Remember
If It Means A Lot To You
127 bpm • A# Maj • 04:03 • -8.16db
69% Popularity • 58% Danceability • 54% Energy • 46% Liveness
0% Instrumentalness • 44% Positiveness
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Hey Monday
Homecoming
150 bpm • D Maj • 03:58 • -2.1db
43% Popularity • 39% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Hold On