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hole in the bottle - ballerini album version
Songs like
hole in the bottle - ballerini album version
by
Kelsea Ballerini
Based on a tempo of (+/- 10%) and a similar genre
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Kylie Morgan
Break Things
105 bpm • G# Maj • 02:52 • -5db
41% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
54% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Tenille Arts
Somebody Like That (Acoustic)
105 bpm • F# Maj • 03:14 • -5.14db
34% Popularity • 73% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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The Washboard Union
Dock Rock
105 bpm • A Maj • 03:09 • -4db
37% Popularity • 71% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Kelsea Ballerini
hole in the bottle - ballerini album ver...
105 bpm • E Maj • 02:32 • -6.38db
33% Popularity • 67% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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The Wolfe Brothers
No Brakes
105 bpm • G# min • 02:37 • -5.04db
28% Popularity • 61% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Kylie Morgan
Shoulda
105 bpm • C# Maj • 02:46 • -1.94db
39% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Stephanie Quayle
Whatcha Drinkin 'Bout
105 bpm • G# Maj • 02:46 • -1.57db
22% Popularity • 72% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Alee
No One Like You
105 bpm • F Maj • 03:01 • -5.77db
21% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Thomas Rhett
Growing Up
105 bpm • D Maj • 03:01 • -6.47db
46% Popularity • 63% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Kelsea Ballerini
hole in the bottle
105 bpm • E Maj • 02:36 • -4.61db
55% Popularity • 56% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Sam Hunt
Let It Down
105 bpm • G Maj • 02:50 • -3.7db
39% Popularity • 62% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jana Kramer
Good Enough
104 bpm • F Maj • 02:48 • -6.78db
33% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Clare Dunn
We Are
106 bpm • A# min • 03:21 • -7.9db
14% Popularity • 60% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Craig Morgan
Sippin' On The Simple Life
106 bpm • D Maj • 02:56 • -4.63db
25% Popularity • 65% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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Thomas Rhett
Where We Grew Up
106 bpm • A Maj • 02:45 • -5.45db
36% Popularity • 62% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Kelsea Ballerini
needy
106 bpm • D# Maj • 03:11 • -3.91db
43% Popularity • 67% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Devin Dawson
I Got a Truck
104 bpm • E Maj • 03:43 • -5.28db
23% Popularity • 61% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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MacKenzie Porter
Drive Thru
104 bpm • C# Maj • 02:38 • -3.42db
21% Popularity • 68% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Jordan Davis
Ruin My Weekend
104 bpm • E Maj • 02:41 • -4.25db
54% Popularity • 66% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Runaway June
We Were Rich (New Version)
107 bpm • B Maj • 03:37 • -6.16db
30% Popularity • 54% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Jana Kramer
Beautiful Lies
103 bpm • D Maj • 03:09 • -5.74db
34% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Kelsea Ballerini
Roses
105 bpm • D Maj • 02:57 • -5.52db
16% Popularity • 60% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
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Jojo Mason
Chemical
103 bpm • D Maj • 02:51 • -3.51db
25% Popularity • 64% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Brett Eldredge
Fall For Me
103 bpm • F Maj • 03:35 • -7.81db
28% Popularity • 62% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Lauren Alaina
Georgia Peaches
107 bpm • F# min • 03:07 • -2.43db
39% Popularity • 59% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Runaway June
We Were Rich
107 bpm • B Maj • 03:38 • -6.66db
31% Popularity • 57% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Ingrid Andress
Waste of Lime
108 bpm • A Maj • 03:08 • -5.35db
41% Popularity • 64% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Kelsea Ballerini
hole in the bottle
104 bpm • E Maj • 02:35 • -3.64db
59% Popularity • 48% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Luke Bryan
Where Are We Goin'
108 bpm • G Maj • 03:13 • -6.82db
33% Popularity • 54% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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John K
if we never met
108 bpm • G# Maj • 02:24 • -7.61db
51% Popularity • 96% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Lauren Alaina
In My Veins
108 bpm • E Maj • 02:46 • -6.19db
33% Popularity • 65% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Brandon Lay
Still Rock & Roll
108 bpm • G# Maj • 03:47 • -5.09db
27% Popularity • 69% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Chris Young
Famous Friends
102 bpm • F# Maj • 02:46 • -2.92db
66% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Kelsea Ballerini
needy - ballerini album version
106 bpm • D# Maj • 03:16 • -7.31db
26% Popularity • 68% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Payton Smith
Like I Knew You Would
102 bpm • D Maj • 03:02 • -5db
30% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Seaforth
Love That
102 bpm • C min • 03:10 • -6db
33% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Alexandra Kay
We Wouldn't Be Us
102 bpm • F# Maj • 03:16 • -5.85db
41% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Cole Swindell
Right Where I Left It
102 bpm • C Maj • 02:48 • -3.95db
20% Popularity • 58% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Kenny Chesney
Happy Does
109 bpm • F# Maj • 02:48 • -5.49db
53% Popularity • 72% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Kelsea Ballerini
love me like a girl - ballerini album ve...
102 bpm • F# Maj • 03:52 • -8.59db
25% Popularity • 66% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Alyssa Micaela
Heartbreak Vacay
109 bpm • C Maj • 03:07 • -2.97db
16% Popularity • 76% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Payton Smith
What It Meant To Lose You
101 bpm • G# min • 03:00 • -5.12db
18% Popularity • 65% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Carrie Underwood
Southbound
101 bpm • C Maj • 03:22 • -4.02db
54% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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High Valley
Grew up on That
110 bpm • A Maj • 02:52 • -6db
48% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Alex Hall
Half Past You
110 bpm • G# Maj • 02:51 • -4db
26% Popularity • 66% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Renee Blair
Here I Am
110 bpm • D Maj • 03:42 • -4.1db
9% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Josh Turner
I Can Tell By The Way You Dance
110 bpm • D# Maj • 03:24 • -5.61db
35% Popularity • 55% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Eli Young Band
Where Were You
110 bpm • D Maj • 03:10 • -5db
36% Popularity • 60% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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MacKenzie Porter
Drinkin' Songs
110 bpm • C Maj • 03:27 • -3.53db
28% Popularity • 57% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 54% Positiveness
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Brett Young
Reason To Stay
110 bpm • G# Maj • 03:10 • -5.65db
49% Popularity • 70% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Austin Burke
Desert Child
110 bpm • C Maj • 02:49 • -7.08db
22% Popularity • 62% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Ryan Griffin
Right Here Right Now
100 bpm • D Maj • 03:15 • -4.76db
28% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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RaeLynn
Neon Cowgirl
110 bpm • E Maj • 02:36 • -4db
23% Popularity • 66% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Lauren Alaina
Seen You In Your Hometown
100 bpm • G# Maj • 03:18 • -5.29db
26% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Kelsea Ballerini
We Were Like
100 bpm • E Maj • 03:00 • -4.59db
39% Popularity • 59% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Emily Ann Roberts
Change My Tune
100 bpm • F Maj • 03:05 • -5.47db
26% Popularity • 59% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -7.65db
48% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Abby Anderson
We Go Together Like
100 bpm • B Maj • 02:43 • -5.32db
37% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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RaeLynn
Rowdy
100 bpm • D Maj • 03:05 • -3.22db
33% Popularity • 53% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Thomas Rhett
Almost
100 bpm • C Maj • 03:11 • -6db
39% Popularity • 60% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
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LOCASH
It’s Only Midnight
100 bpm • A Maj • 02:54 • -4.83db
42% Popularity • 59% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Luke Bryan
Too Drunk To Drive
111 bpm • F# Maj • 03:27 • -5.13db
36% Popularity • 62% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -8.23db
33% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Drew Baldridge
Senior Year
111 bpm • F Maj • 03:55 • -3.72db
38% Popularity • 52% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Brett Eldredge
Gabrielle
99 bpm • A# Maj • 03:36 • -6.72db
48% Popularity • 71% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Thomas Rhett
Beer Can’t Fix
111 bpm • G Maj • 03:29 • -4.07db
69% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Trisha Yearwood
Every Girl in This Town
112 bpm • G Maj • 02:59 • -7.25db
22% Popularity • 62% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Kylie Morgan
Cuss A Little
112 bpm • A# Maj • 02:48 • -7.5db
42% Popularity • 71% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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James Barker Band
Slow Down Town
112 bpm • C# Maj • 03:26 • -5db
32% Popularity • 57% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Kelsea Ballerini
Legends
112 bpm • E Maj • 04:03 • -5.85db
30% Popularity • 58% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Waterloo Revival
Like I Miss You
98 bpm • E Maj • 02:45 • -7db
20% Popularity • 66% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Thomas Rhett
Things Dads Do
112 bpm • E Maj • 04:09 • -7.31db
36% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Hailey Whitters
The Days
98 bpm • C# Maj • 03:14 • -8db
26% Popularity • 72% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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LANCO
Old Camaro
113 bpm • B Maj • 03:07 • -4.58db
31% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Walker County
Bits & Pieces
97 bpm • C# Maj • 02:41 • -4.39db
23% Popularity • 58% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Kane Brown
Homesick
97 bpm • G# Maj • 03:25 • -8.82db
63% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Brooks & Dunn
Ain't Nothing 'Bout You - with Brett You...
97 bpm • G# min • 04:01 • -6db
47% Popularity • 68% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Kelsea Ballerini
homecoming queen? - ballerini album vers...
113 bpm • A Maj • 02:57 • -8.56db
36% Popularity • 49% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Priscilla Block
My Bar
97 bpm • B Maj • 03:13 • -3db
51% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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MacKenzie Porter
Pickup
97 bpm • C# Maj • 02:48 • -3.97db
41% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Lauren Alaina
If The World Was A Small Town
97 bpm • F# Maj • 02:54 • -4.78db
25% Popularity • 64% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Kane Brown
Homesick - First Dance Version
97 bpm • G# Maj • 03:19 • -6.82db
34% Popularity • 58% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Chevel Shepherd
Southern Boy
114 bpm • C Maj • 03:11 • -3.16db
15% Popularity • 67% Danceability • 83% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Gabby Barrett
Rivers Deep
114 bpm • A# Maj • 03:47 • -3.05db
43% Popularity • 72% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Kelsea Ballerini
Miss Me More - Recorded at Sound Stage S...
96 bpm • A min • 03:13 • -7.26db
15% Popularity • 68% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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James Barker Band
There's A Drink For That
96 bpm • G Maj • 03:04 • -6.2db
39% Popularity • 63% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Jon Langston
Sunday Morning Heart
96 bpm • G Maj • 03:07 • -4.73db
25% Popularity • 57% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Allie Colleen
Ain't the Only Hell (My Momma Raised)
96 bpm • C# min • 03:41 • -5.16db
18% Popularity • 59% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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MacKenzie Porter
Seeing Other People
96 bpm • C# Maj • 03:02 • -4db
37% Popularity • 59% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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A Thousand Horses
A Song to Remember
115 bpm • C# min • 03:11 • -6.37db
38% Popularity • 55% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Kelsea Ballerini
homecoming queen?
114 bpm • A Maj • 02:47 • -5db
55% Popularity • 46% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Levi Hummon
Good Taste
96 bpm • A Maj • 02:37 • -5.83db
35% Popularity • 66% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Kameron Marlowe
Burn 'Em All
115 bpm • B min • 03:06 • -4.89db
54% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Avenue Beat
Ruin That For Me - 2020 edit
115 bpm • F# Maj • 02:43 • -4db
21% Popularity • 69% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Troy Cartwright
Hung Up On You
115 bpm • A# Maj • 03:21 • -3.96db
40% Popularity • 65% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Rascal Flatts
Feel It In The Morning
115 bpm • E Maj • 03:13 • -4.36db
25% Popularity • 60% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Kelsea Ballerini
Miss Me More
96 bpm • D Maj • 03:12 • -7.15db
43% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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James Barker Band
Over All Over Again
115 bpm • G# Maj • 03:21 • -3.34db
35% Popularity • 58% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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hole in the bottle - ballerini album version