Songs like Hollywood by Lewis Capaldi
Based on a tempo of (+/- 10%) and a similar genre
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Forest Blakk
Put Your Hands Up
125 bpm • B Maj • 03:12 • -7db
39% Popularity • 63% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 63% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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James TW
When You Love Someone - Acoustic
125 bpm • G Maj • 03:30 • -8.36db
59% Popularity • 71% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 71% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Lewis Capaldi
Hollywood
125 bpm • A# Maj • 03:11 • -4.9db
55% Popularity • 72% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 72% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Alex Warren
How Could You (Be OK)
125 bpm • C Maj • 03:17 • -5.36db
52% Popularity • 73% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 73% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Zara Larsson
Ruin My Life - Piano Version
125 bpm • B Maj • 03:10 • -7.2db
39% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Etham
Before I Lose My Mind - Stripped
125 bpm • C min • 03:46 • -11.14db
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sam Fender
Waiting For Love - Recorded At RAK Studi...
125 bpm • F# min • 02:45 • -5.22db
51% Popularity • 33% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 33% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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James TW
When You Love Someone
126 bpm • G Maj • 03:36 • -6.09db
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Lewis Capaldi
Lost On You
126 bpm • A# Maj • 03:17 • -8.23db
62% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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JP Saxe
Explain You
124 bpm • B Maj • 03:18 • -11.55db
41% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Plested
The Least That I Could Do
126 bpm • C# min • 03:33 • -5db
27% Popularity • 64% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 64% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Etham
Better Now - Acoustic
125 bpm • D# Maj • 04:00 • -5.44db
37% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Sam Tompkins
You Broke My Heart So Gently
126 bpm • C# Maj • 03:23 • -9.59db
42% Popularity • 64% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 64% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
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Wrabel
Poetry
126 bpm • G# Maj • 04:09 • -5.52db
43% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Jamie Miller
Hold You 'Til We’re Old
126 bpm • A# Maj • 03:02 • -5.21db
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Tate McRae
you broke me first
124 bpm • E Maj • 02:50 • -9.36db
85% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
85% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Louis Tomlinson
Two of Us - Acoustic
126 bpm • C Maj • 03:46 • -8db
42% Popularity • 71% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 71% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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George Ezra
The Beautiful Dream
126 bpm • E Maj • 04:29 • -8.47db
42% Popularity • 50% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
42% Popularity • 50% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Catie Turner
21st Century Machine
124 bpm • C# Maj • 03:51 • -9.81db
37% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Dean Lewis
Be Alright
126 bpm • B Maj • 03:16 • -7.6db
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Two Degrees
It's Over
124 bpm • B min • 03:21 • -8db
17% Popularity • 67% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 67% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Ruth B.
Lost Boy
123 bpm • G Maj • 04:36 • -9.3db
69% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Rhys Lewis
Reason To Hate You
127 bpm • C# min • 03:58 • -9.78db
31% Popularity • 62% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 62% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Panic! At The Disco
Dying in LA
126 bpm • D Maj • 03:49 • -5db
51% Popularity • 35% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 35% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Etham
Running Out - Stripped
127 bpm • C min • 03:33 • -7.33db
33% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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James TW
You & Me
127 bpm • B Maj • 03:51 • -6.33db
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Lauv
Tattoos Together
123 bpm • E Maj • 03:06 • -7.49db
60% Popularity • 86% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
60% Popularity • 86% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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John Legend
Conversations in the Dark
123 bpm • G# min • 03:55 • -8.42db
58% Popularity • 36% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
58% Popularity • 36% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Louis Tomlinson
Two of Us
127 bpm • C Maj • 03:37 • -5.63db
58% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Rhys Lewis
End Like This
123 bpm • G# min • 03:21 • -5.94db
39% Popularity • 75% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 75% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Olly Murs
Excuses
127 bpm • C# Maj • 04:06 • -4.78db
38% Popularity • 42% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 42% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Lewis Capaldi
drivers license - Spotify Singles
127 bpm • E Maj • 04:22 • -12.53db
61% Popularity • 54% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
61% Popularity • 54% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Noah Cyrus
Lonely
122 bpm • F Maj • 02:24 • -8.27db
66% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
66% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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KAWALA
Roads
122 bpm • E Maj • 04:04 • -10.57db
27% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Sigala
Came Here for Love - Acoustic
123 bpm • F Maj • 03:36 • -7.1db
48% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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AJ Mitchell
Slow Dance
128 bpm • C# Maj • 02:58 • -7.66db
53% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Ruel
Dazed & Confused
128 bpm • D Maj • 03:09 • -7.41db
62% Popularity • 69% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
62% Popularity • 69% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Corey Harper
Blind
122 bpm • D Maj • 03:42 • -6.92db
33% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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The Fray
How to Save a Life
122 bpm • A# Maj • 04:22 • -4.08db
80% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
80% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Lewis Capaldi
Heavenly Kind Of State Of Mind
122 bpm • D min • 03:21 • -3.37db
58% Popularity • 65% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 65% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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George Ezra
Hold My Girl
122 bpm • A# Maj • 03:31 • -6.37db
71% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
71% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Rothwell
Darling
128 bpm • F# Maj • 03:47 • -6.55db
39% Popularity • 49% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 49% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Isak Danielson
Hold My Hand
122 bpm • G min • 03:21 • -9.58db
46% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Declan J Donovan
Anymore
128 bpm • G min • 03:37 • -7.67db
28% Popularity • 59% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 59% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Holly Humberstone
Falling Asleep At The Wheel
122 bpm • C Maj • 03:23 • -8db
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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OneRepublic
Rescue Me
121 bpm • B min • 02:39 • -7.74db
72% Popularity • 76% Danceability • 61% Energy • 57% Liveness
0% Instrumentalness • 65% Positiveness
72% Popularity • 76% Danceability • 61% Energy • 57% Liveness
0% Instrumentalness • 65% Positiveness
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George Ezra
Hold My Girl (Acoustic Version)
122 bpm • A# Maj • 03:31 • -7.43db
56% Popularity • 72% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 72% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Astrid S
Favorite Part Of Me
122 bpm • C# Maj • 03:18 • -6.27db
51% Popularity • 60% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 60% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Olivia Rodrigo
Wondering
129 bpm • F# Maj • 03:45 • -7.06db
61% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Alexander 23
High School
120 bpm • F# Maj • 03:08 • -7.04db
37% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Lewis Capaldi
Leave Me Slowly
130 bpm • A# Maj • 03:43 • -4.79db
48% Popularity • 55% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 55% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lauv
Superhero
130 bpm • G Maj • 02:59 • -8.62db
55% Popularity • 68% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
55% Popularity • 68% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Nick Kingsley
The Day We Fell in Love
120 bpm • D Maj • 02:49 • -7.81db
36% Popularity • 62% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 62% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Joshua Bassett
Set Me Free
130 bpm • D Maj • 04:02 • -8.26db
53% Popularity • 45% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
53% Popularity • 45% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Matt Walden
Milestone
130 bpm • E Maj • 04:23 • -14.98db
41% Popularity • 63% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 63% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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OneRepublic
I Lived
120 bpm • A Maj • 03:54 • -5.46db
76% Popularity • 59% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
76% Popularity • 59% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Lewis Capaldi
Old Navy Blue
130 bpm • F Maj • 03:08 • -8.32db
50% Popularity • 48% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 48% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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FINNEAS
Shelter
120 bpm • D# min • 03:07 • -10.04db
48% Popularity • 89% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 89% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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James TW
Big Picture
120 bpm • E Maj • 03:40 • -5.42db
30% Popularity • 91% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 91% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Chord Overstreet
Hold On
120 bpm • D Maj • 03:18 • -9.68db
79% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
79% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Jillian Rossi
Fever Dream
120 bpm • D Maj • 02:51 • -8.47db
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Plested
Ribcage
120 bpm • G# min • 03:15 • -7.44db
29% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Ruel
Say
120 bpm • D# Maj • 03:47 • -8db
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Rhys Lewis
When Was The Last Time?
120 bpm • A Maj • 03:36 • -12.09db
19% Popularity • 66% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 66% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Abandoning Sunday
Life After Love
120 bpm • A# Maj • 04:26 • -16.36db
29% Popularity • 68% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 68% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Lewis Capaldi
Rush
120 bpm • C# Maj • 03:18 • -7.39db
61% Popularity • 63% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 63% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Elina
Champion
120 bpm • F# Maj • 02:53 • -9.01db
49% Popularity • 65% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 65% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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James TW
Ex - Acoustic
131 bpm • A Maj • 03:41 • -5.58db
39% Popularity • 75% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 75% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Zara Larsson
I Can't Fall in Love Without You
131 bpm • E Maj • 03:00 • -9.24db
61% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
61% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Tate McRae
Teenage Mind
119 bpm • E min • 02:35 • -9.72db
67% Popularity • 67% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
67% Popularity • 67% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Sleeping At Last
Already Gone
131 bpm • D# Maj • 04:03 • -10db
68% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Freya Ridings
Unconditional
119 bpm • D Maj • 03:17 • -7.78db
38% Popularity • 40% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 40% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
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Lewis Capaldi
Before You Go - Edessa Remix
119 bpm • D# Maj • 03:16 • -6db
41% Popularity • 62% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 62% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
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Mimi Webb
Goodbye
119 bpm • C Maj • 03:04 • -6db
52% Popularity • 50% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 50% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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P!nk
90 Days
132 bpm • G min • 03:50 • -5.38db
50% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Chance Peña
Up, Up & Away
132 bpm • A min • 02:00 • -12.33db
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Billy Lockett
Call Me In The Morning
132 bpm • G# Maj • 03:38 • -10.14db
38% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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OneRepublic
Somebody To Love
118 bpm • D Maj • 03:01 • -8.08db
46% Popularity • 40% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 40% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Callum Beattie
Some Heroes Don't Wear Capes
132 bpm • B Maj • 03:18 • -8.54db
16% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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The Script
The Last Time
132 bpm • F Maj • 03:16 • -3.42db
54% Popularity • 52% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 15% Positiveness
54% Popularity • 52% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 15% Positiveness
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Aidan Martin
I Blame You
132 bpm • C Maj • 03:24 • -5.83db
36% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Forest Blakk
Fall Into Me
118 bpm • D Maj • 03:46 • -6.75db
64% Popularity • 45% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
64% Popularity • 45% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Isaac Butler
Moon Song
132 bpm • A# Maj • 03:44 • -9.43db
32% Popularity • 60% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 60% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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AJ Mitchell
Used to Be
118 bpm • F Maj • 02:54 • -6.55db
52% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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OneRepublic
Rescue Me - Acoustic
118 bpm • B min • 02:44 • -9.15db
45% Popularity • 66% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 66% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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The Script
The Last Time - Acoustic
132 bpm • F Maj • 03:16 • -5.11db
29% Popularity • 63% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 63% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Lewis Capaldi
One
118 bpm • A Maj • 02:59 • -7.09db
64% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
64% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Mimi Webb
I'll Break My Heart Again
118 bpm • G# Maj • 03:35 • -8.53db
44% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Alessia Cara
Out Of Love
118 bpm • G Maj • 03:47 • -9.25db
68% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
68% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Sigala
Wish You Well - Acoustic
118 bpm • E min • 03:28 • -9.12db
36% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Becky Hill
Better Off Without You (Acoustic Shift K...
117 bpm • F Maj • 03:32 • -5db
35% Popularity • 47% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 47% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Birdy
Not About Angels
117 bpm • C Maj • 03:09 • -11.88db
70% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Lewis Capaldi
when the party's over - Recorded at Spot...
117 bpm • A# Maj • 03:52 • -10.27db
64% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Labrinth
Jealous
117 bpm • C# Maj • 04:47 • -8.95db
73% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
73% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Lauren Spencer Smith
Back to Friends
117 bpm • D Maj • 03:35 • -9.95db
59% Popularity • 75% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
59% Popularity • 75% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
