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Holy Grail
Songs like
Holy Grail
by
Hunters & Collectors
Based on a tempo of (+/- 10%) and a similar genre
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Jo Jo Zep and The Falcons
Shape I'm In
101 bpm • G min • 03:34 • -12.26db
48% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
61% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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The Screaming Jets
Better
101 bpm • D Maj • 04:37 • -10.16db
53% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Noiseworks
In My Youth
102 bpm • D Maj • 03:35 • -9.95db
31% Popularity • 38% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Thirsty Merc
The Good Life
101 bpm • A# min • 03:20 • -3.99db
44% Popularity • 70% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Alex Lloyd
Amazing
100 bpm • A Maj • 03:23 • -7db
50% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Jo Jo Zep and The Falcons
Shape I'm In
101 bpm • G min • 03:33 • -3.64db
28% Popularity • 67% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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The Radiators
Hit and Run
102 bpm • E Maj • 04:18 • -14db
24% Popularity • 84% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Ben Lee
We're All In This Together
102 bpm • C# min • 04:39 • -8.94db
36% Popularity • 78% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
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Noiseworks
No Lies - 2007 Remastered
102 bpm • A Maj • 03:54 • -6.64db
27% Popularity • 55% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
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GANGgajang
Distraction - Remastered
100 bpm • D Maj • 03:20 • -5.95db
24% Popularity • 70% Danceability • 77% Energy • 10% Liveness
2% Instrumentalness • 96% Positiveness
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Birds Of Tokyo
The Greatest Mistakes
100 bpm • G Maj • 02:34 • -4.69db
42% Popularity • 63% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Things Of Stone and Wood
Rock This Boat
102 bpm • F min • 03:38 • -7db
13% Popularity • 59% Danceability • 92% Energy • 37% Liveness
1% Instrumentalness • 79% Positiveness
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Hunters & Collectors
True Tears Of Joy
102 bpm • B min • 04:24 • -6.24db
49% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Tim Finn
Fraction Too Much Friction
100 bpm • B min • 04:14 • -15db
37% Popularity • 66% Danceability • 49% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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Noiseworks
No Lies
102 bpm • A Maj • 03:54 • -11db
46% Popularity • 56% Danceability • 83% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
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Pete Murray
Bail Me Out
100 bpm • A Maj • 04:03 • -10db
39% Popularity • 58% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Split Enz
One Step Ahead
102 bpm • A min • 02:51 • -7.85db
40% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Boom Crash Opera
Onionskin
99 bpm • C Maj • 03:27 • -3.04db
43% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Birds Of Tokyo
Plans
103 bpm • A# Maj • 03:38 • -9.39db
57% Popularity • 61% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Hunters & Collectors
Holy Grail - Acoustic
104 bpm • E Maj • 03:21 • -7.83db
14% Popularity • 43% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Noiseworks
Welcome To The World
103 bpm • C# Maj • 04:46 • -12db
26% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Black Sorrows
Harley & Rose
104 bpm • G Maj • 03:54 • -15.26db
48% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Split Enz
Shark Attack
99 bpm • D Maj • 03:00 • -5db
31% Popularity • 50% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Johnny Diesel & The Injectors
Parisienne Hotel
104 bpm • E Maj • 04:03 • -12.68db
24% Popularity • 46% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Alex Lloyd
Coming Home
104 bpm • E Maj • 03:06 • -2.91db
31% Popularity • 50% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Hunters & Collectors
Hear No Evil
98 bpm • F# min • 04:20 • -4db
26% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Pete Murray
Feeler - Michael Brauer Mix
98 bpm • G Maj • 04:21 • -6.51db
42% Popularity • 43% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Diesel
Tip Of My Tongue
98 bpm • E Maj • 04:14 • -10.09db
56% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
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Split Enz
Strait Old Line
103 bpm • B Maj • 04:03 • -8.74db
25% Popularity • 63% Danceability • 72% Energy • 7% Liveness
4% Instrumentalness • 69% Positiveness
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Johnny Diesel & The Injectors
Cry In Shame
98 bpm • E Maj • 04:44 • -6.44db
57% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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The Whitlams
You Sound Like Louis Burdett
98 bpm • C# Maj • 04:01 • -6.66db
42% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Australian Crawl
The Boys Light Up - Remastered 2013
98 bpm • G Maj • 04:41 • -7db
63% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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The Black Sorrows
Snake Skin Shoes
98 bpm • D Maj • 04:42 • -9db
24% Popularity • 59% Danceability • 72% Energy • 7% Liveness
14% Instrumentalness • 67% Positiveness
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Diesel
Dig
105 bpm • E Maj • 04:52 • -5.35db
25% Popularity • 48% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
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Split Enz
My Mistake
98 bpm • A# Maj • 03:01 • -6.54db
36% Popularity • 57% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Choirboys
Rendezvous
97 bpm • D Maj • 04:09 • -7.59db
28% Popularity • 51% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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1927
If I Could
97 bpm • E Maj • 03:40 • -4db
49% Popularity • 69% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Noiseworks
Miles And Miles
105 bpm • C min • 04:15 • -8.36db
24% Popularity • 52% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Christine Anu
Sunshine on a Rainy Day
97 bpm • G Maj • 03:46 • -8.82db
44% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Diesel
Love Junk
97 bpm • F# min • 03:49 • -8.5db
20% Popularity • 64% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Richard Clapton
Glory Road - Original
105 bpm • A min • 04:32 • -16.24db
26% Popularity • 70% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
42% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Wendy Matthews
The Day You Went Away
106 bpm • E Maj • 04:42 • -13.71db
45% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Noiseworks
Freedom
105 bpm • G Maj • 03:18 • -9.48db
15% Popularity • 46% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Kids In The Kitchen
Current Stand
106 bpm • G Maj • 04:01 • -11.59db
38% Popularity • 56% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Jo Jo Zep and The Falcons
Hit and Run
106 bpm • C Maj • 04:41 • -3.63db
40% Popularity • 66% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Bernard Fanning
Tell Me How It Ends
106 bpm • D Maj • 03:41 • -5.14db
31% Popularity • 62% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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Little River Band
Help Is On Its Way - Remastered 2022
107 bpm • G Maj • 03:57 • -6.59db
56% Popularity • 63% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Boom Crash Opera
In The Morning
107 bpm • A Maj • 03:57 • -3.53db
19% Popularity • 49% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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The Cruel Sea
It Won't Last
107 bpm • A# Maj • 03:21 • -6.24db
37% Popularity • 86% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Noiseworks
Take You Higher
107 bpm • B min • 03:35 • -5.91db
13% Popularity • 64% Danceability • 97% Energy • 85% Liveness
1% Instrumentalness • 42% Positiveness
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The Black Sorrows
The Crack-Up
108 bpm • D Maj • 03:23 • -11db
28% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Divinyls
In My Life
108 bpm • D# Maj • 03:48 • -10db
26% Popularity • 39% Danceability • 88% Energy • 33% Liveness
4% Instrumentalness • 67% Positiveness
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Jenny Morris
You I Know
108 bpm • A# Maj • 04:09 • -6.3db
38% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Daryl Braithwaite
All I Do
108 bpm • D Maj • 04:06 • -10db
30% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Chocolate Starfish
You're so Vain
108 bpm • C Maj • 04:09 • -7db
38% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Regurgitator
Polyester Girl
108 bpm • G# Maj • 03:30 • -6db
37% Popularity • 75% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Alex Lloyd
My Way Home
108 bpm • B min • 04:30 • -9db
24% Popularity • 64% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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The Cruel Sea
The Honeymoon Is Over
94 bpm • C# Maj • 03:06 • -7.29db
53% Popularity • 46% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
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Split Enz
Dirty Creature
108 bpm • E min • 04:02 • -6db
39% Popularity • 61% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Wendy Matthews
Friday's Child
108 bpm • A# Maj • 04:00 • -12.23db
25% Popularity • 68% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
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Daryl Braithwaite
The Horses
94 bpm • E Maj • 04:16 • -14.82db
61% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
46% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Divinyls
I Touch Myself
109 bpm • F Maj • 03:47 • -10.21db
66% Popularity • 66% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Hunters & Collectors
Edge Of Nowhere
93 bpm • C# min • 05:12 • -5.39db
24% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Superjesus
Gravity
93 bpm • F Maj • 03:59 • -5db
52% Popularity • 54% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Australian Crawl
Indisposed - Remastered
109 bpm • D Maj • 04:04 • -8db
41% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Daryl Braithwaite
Higher Than Hope
110 bpm • C# Maj • 04:59 • -12db
28% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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the feelers
Venus - 2015 Remaster
110 bpm • G Maj • 04:50 • -6.67db
41% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Thirsty Merc
20 Good Reasons
93 bpm • C# Maj • 03:49 • -5db
53% Popularity • 42% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Divinyls
Sleeping Beauty
111 bpm • C# Maj • 03:41 • -9.68db
37% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Something For Kate
Monsters
111 bpm • C# Maj • 03:39 • -6.09db
43% Popularity • 42% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Australian Crawl
Waiting - Remastered
111 bpm • D min • 03:53 • -6.26db
32% Popularity • 67% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Taxiride
Get Set
92 bpm • E Maj • 03:13 • -5db
45% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Missy Higgins
Scar
92 bpm • C Maj • 03:33 • -5.67db
58% Popularity • 65% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Thirsty Merc
Someday, Someday - Single Version
92 bpm • G Maj • 03:41 • -5db
44% Popularity • 56% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Russell Morris
The Real Thing
92 bpm • D Maj • 06:20 • -14db
41% Popularity • 27% Danceability • 62% Energy • 12% Liveness
42% Instrumentalness • 56% Positiveness
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Hoodoo Gurus
My Girl - Remaster 2005
111 bpm • E Maj • 02:39 • -3.9db
46% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
43% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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1927
Tell Me A Story
112 bpm • A Maj • 04:13 • -10.05db
31% Popularity • 55% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Wendy Matthews
Token Angels
112 bpm • G# Maj • 04:50 • -14.22db
31% Popularity • 69% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Thirsty Merc
Emancipate Myself
111 bpm • B Maj • 04:11 • -3.72db
30% Popularity • 74% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Diesel
Man Alive
112 bpm • B min • 04:50 • -7.63db
31% Popularity • 63% Danceability • 88% Energy • 29% Liveness
29% Instrumentalness • 75% Positiveness
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Hoodoo Gurus
Death Defying - 2005 Remaster
112 bpm • D Maj • 03:23 • -4db
45% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
56% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Bernard Fanning
The Strangest Thing
91 bpm • G Maj • 03:14 • -7db
37% Popularity • 76% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
36% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Split Enz
I See Red
91 bpm • C Maj • 03:14 • -4.65db
40% Popularity • 30% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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The Exponents
Who Loves Who The Most
112 bpm • D Maj • 04:15 • -5.53db
37% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Hoodoo Gurus
I Want You Back - Remaster 2005
91 bpm • D Maj • 03:10 • -2.88db
42% Popularity • 41% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Boom Crash Opera
Superheroes
91 bpm • C Maj • 04:40 • -7db
15% Popularity • 46% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Stevie Wright
Evie (Let Your Hair Hang Down)
90 bpm • A Maj • 03:57 • -4.62db
54% Popularity • 46% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
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Models
Barbados
113 bpm • C Maj • 04:15 • -12.6db
49% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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You Am I
Heavy Heart
113 bpm • C Maj • 03:11 • -11db
44% Popularity • 70% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Daryl Braithwaite
Don't Hold Back Your Love
113 bpm • G Maj • 05:09 • -12.97db
21% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Augie March
One Crowded Hour
113 bpm • A Maj • 04:50 • -8.45db
51% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Boom Crash Opera
Hands Up In The Air
90 bpm • B Maj • 03:53 • -2.76db
29% Popularity • 53% Danceability • 91% Energy • 18% Liveness
2% Instrumentalness • 61% Positiveness
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DD Smash
Whaling
114 bpm • C Maj • 03:45 • -12.62db
43% Popularity • 60% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Models
I Hear Motion
113 bpm • F Maj • 05:31 • -16.02db
38% Popularity • 73% Danceability • 71% Energy • 22% Liveness
1% Instrumentalness • 74% Positiveness
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Holy Grail