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Songs like
Home Inside (with Valerie June) (From “Norah Jones is Playing Along” Podcast)
by
Norah Jones
Based on a tempo of (+/- 10%) and a similar genre
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The Milk Carton Kids
All of the Time in the World to Kill
181 bpm • C Maj • 02:52 • -16.95db
32% Popularity • 44% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 69% Positiveness
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Norah Jones
Home Inside
181 bpm • C Maj • 02:19 • -8db
22% Popularity • 38% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Gabriels
If You Only Knew
180 bpm • A# Maj • 04:12 • -8.51db
24% Popularity • 30% Danceability • 36% Energy • 61% Liveness
9% Instrumentalness • 28% Positiveness
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Alisa Amador
Together
183 bpm • D Maj • 04:12 • -12.64db
18% Popularity • 28% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Kevin Morby
Goodbye To Good Times
179 bpm • C Maj • 05:14 • -10.86db
24% Popularity • 59% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Joan Shelley
We’d Be Home
183 bpm • C# Maj • 03:06 • -16db
25% Popularity • 33% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Anna Ash
I Wonder
177 bpm • B Maj • 02:41 • -8.22db
17% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Norah Jones
Say Goodbye - Live At Austin City Limits...
178 bpm • F min • 03:32 • -4.81db
29% Popularity • 37% Danceability • 72% Energy • 84% Liveness
0% Instrumentalness • 42% Positiveness
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Aimee Mann
Burn It Out
176 bpm • D Maj • 02:57 • -9.86db
21% Popularity • 28% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Here It Is
Steer Your Way
178 bpm • F min • 04:48 • -12.81db
36% Popularity • 36% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Jill Barber
Joint Account
187 bpm • E Maj • 03:06 • -12.22db
21% Popularity • 36% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Joan Shelley
I Got What I Wanted
183 bpm • C min • 03:06 • -13db
28% Popularity • 43% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 33% Positiveness
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Anna Ash
Wildest Dreams (Demo)
176 bpm • A# min • 03:10 • -16.5db
26% Popularity • 51% Danceability • 15% Energy • 13% Liveness
2% Instrumentalness • 39% Positiveness
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Valerie June
Within You - Moon And Stars / Acoustic
187 bpm • B min • 04:02 • -7.83db
21% Popularity • 33% Danceability • 49% Energy • 4% Liveness
12% Instrumentalness • 26% Positiveness
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Ben Harper
Wide Open Light
175 bpm • D min • 04:10 • -16.88db
27% Popularity • 38% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Jake Xerxes Fussell
Washington
174 bpm • A Maj • 03:37 • -16db
29% Popularity • 43% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 22% Positiveness
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Sunny War
Higher
172 bpm • C min • 03:23 • -7.88db
0% Popularity • 52% Danceability • 63% Energy • 14% Liveness
33% Instrumentalness • 57% Positiveness
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The Brother Brothers
These Days
172 bpm • D Maj • 03:03 • -15.56db
23% Popularity • 40% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Anna Ash
Let Me Love You
174 bpm • D Maj • 02:48 • -10.07db
39% Popularity • 70% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Bill Callahan
First Bird
172 bpm • F# Maj • 05:01 • -13.59db
27% Popularity • 41% Danceability • 30% Energy • 11% Liveness
49% Instrumentalness • 20% Positiveness
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Bruce Cockburn
Colin Went Down to the Water
172 bpm • E Maj • 04:41 • -14.32db
18% Popularity • 44% Danceability • 24% Energy • 11% Liveness
8% Instrumentalness • 34% Positiveness
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M. Ward
too young to die
172 bpm • C# min • 04:34 • -11.84db
46% Popularity • 40% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Sunny War
Shelter And Storm
171 bpm • E min • 02:40 • -4.83db
0% Popularity • 45% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Norah Jones
Traces of You [From “Norah Jones is P...
171 bpm • D Maj • 03:49 • -9.83db
27% Popularity • 28% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Johnny Flynn
White in the Moon
171 bpm • G Maj • 02:55 • -9.39db
14% Popularity • 26% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Odessa
Wake Up With the Sun
170 bpm • A# Maj • 02:36 • -14.69db
35% Popularity • 41% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Caroline Spence
Lighthouse
170 bpm • C min • 03:31 • -8.72db
17% Popularity • 47% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
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Ondara
A Drowning In Mexico City
193 bpm • A Maj • 03:05 • -16.48db
23% Popularity • 33% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
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Joan Shelley
Haven
167 bpm • C Maj • 01:44 • -18.37db
40% Popularity • 34% Danceability • 8% Energy • 11% Liveness
60% Instrumentalness • 40% Positiveness
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Norah Jones
Turn Me On
171 bpm • A# Maj • 02:34 • -11db
72% Popularity • 43% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Fruit Bats
The Joker
168 bpm • F Maj • 03:38 • -10.72db
15% Popularity • 45% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Complete Mountain Almanac
May
167 bpm • A min • 03:59 • -13.39db
15% Popularity • 34% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Courtney Marie Andrews
To Ramona
167 bpm • F Maj • 03:37 • -10.44db
24% Popularity • 40% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Jake Xerxes Fussell
Breast of Glass
166 bpm • G Maj • 04:01 • -12.49db
28% Popularity • 45% Danceability • 20% Energy • 10% Liveness
77% Instrumentalness • 38% Positiveness
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Aoife O'Donovan
Age of Apathy - Acoustic
197 bpm • E Maj • 04:04 • -16.1db
17% Popularity • 38% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Norah Jones
Night Life [From “Norah Jones is Play...
168 bpm • D# Maj • 03:43 • -8.68db
29% Popularity • 39% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Anaïs Mitchell
Brooklyn Bridge
166 bpm • G# Maj • 04:18 • -15.29db
26% Popularity • 27% Danceability • 20% Energy • 21% Liveness
20% Instrumentalness • 7% Positiveness
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Rosita Kèss
The Life I Used to Live
198 bpm • D Maj • 03:58 • -15.08db
17% Popularity • 40% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
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Serena Ryder
River of Tears
164 bpm • E Maj • 03:03 • -11.84db
32% Popularity • 55% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Joan Shelley
Sure As Night
164 bpm • A Maj • 03:24 • -15.12db
30% Popularity • 40% Danceability • 18% Energy • 11% Liveness
6% Instrumentalness • 49% Positiveness
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Bonny Light Horseman
Jane Jane
201 bpm • E min • 03:06 • -8db
32% Popularity • 38% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Glen Hansard
Take Heart
162 bpm • F Maj • 05:02 • -11.7db
25% Popularity • 28% Danceability • 33% Energy • 25% Liveness
44% Instrumentalness • 17% Positiveness
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Anaïs Mitchell
Backroads
201 bpm • F Maj • 03:26 • -9.38db
20% Popularity • 46% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Basia Bulat
Are You in Love? - The Garden Version
201 bpm • F Maj • 03:32 • -10.22db
13% Popularity • 35% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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John Smith
Talk to Me of Mendocino
161 bpm • G Maj • 03:20 • -16.58db
23% Popularity • 29% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Ben Harper
Yard Sale
204 bpm • G Maj • 04:17 • -15.79db
34% Popularity • 41% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Valerie June
Beautiful Dreamer
160 bpm • F# Maj • 02:35 • -15.63db
10% Popularity • 28% Danceability • 14% Energy • 14% Liveness
2% Instrumentalness • 29% Positiveness
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Angel Olsen
Big Time
204 bpm • A# Maj • 04:07 • -5.31db
42% Popularity • 29% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Anaïs Mitchell
On Your Way (Felix Song)
203 bpm • E Maj • 02:53 • -7.14db
24% Popularity • 38% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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First Aid Kit
Turning Onto You
160 bpm • A# Maj • 03:21 • -5.63db
40% Popularity • 56% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Basia Bulat
Oh, My Darling
202 bpm • G Maj • 01:23 • -12.21db
39% Popularity • 31% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Andrea von Kampen
Of Him I Love Both Day and Night
160 bpm • D Maj • 01:04 • -15.04db
50% Popularity • 61% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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James Yorkston
An Upturned Crab
208 bpm • C Maj • 02:58 • -17.12db
13% Popularity • 21% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Natalie Merchant
Tower of Babel
208 bpm • A Maj • 02:28 • -9.36db
42% Popularity • 65% Danceability • 47% Energy • 9% Liveness
15% Instrumentalness • 87% Positiveness
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Anaïs Mitchell
The Words
207 bpm • C Maj • 03:11 • -14.22db
19% Popularity • 38% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Norah Jones
Sunrise
157 bpm • G# Maj • 03:20 • -13.8db
76% Popularity • 53% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 68% Positiveness
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Sunny War
Baby Bitch
157 bpm • C Maj • 02:57 • -5.54db
0% Popularity • 41% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Rebecka Törnqvist
My Neighbour
156 bpm • G Maj • 02:48 • -11.34db
10% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Joan Shelley
The Spur
155 bpm • A# Maj • 03:52 • -11db
23% Popularity • 42% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Andrew Bird
Make a Picture
155 bpm • G Maj • 03:25 • -10db
42% Popularity • 66% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
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Valerie June
Imagine
155 bpm • D Maj • 03:08 • -12.12db
14% Popularity • 40% Danceability • 46% Energy • 10% Liveness
13% Instrumentalness • 44% Positiveness
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