Songs like Homo quidam fecit coenam by Thomas Tallis
Based on a tempo of (+/- 10%) and a similar genre
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Charles Villiers Stanford
3 Latin Motets, Op. 38: III. Beati quoru...
83 bpm • G# Maj • 03:29 • -25.84db
28% Popularity • 8% Danceability • 7% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
28% Popularity • 8% Danceability • 7% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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César Franck
Panis angelicus
83 bpm • A Maj • 03:27 • -31.92db
19% Popularity • 11% Danceability • 1% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 1% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Liturgy of St. John Chrysostom for Choru...
83 bpm • D# Maj • 02:58 • -35.07db
27% Popularity • 16% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Thomas Tallis
Homo quidam fecit coenam
83 bpm • A Maj • 05:29 • -17.75db
9% Popularity • 10% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 10% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Frank Martin
Mass for unaccompanied double choir: V. ...
83 bpm • E min • 05:09 • -28.39db
12% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Psalm 23
83 bpm • D min • 02:43 • -31db
13% Popularity • 13% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
The Lord's Prayer
83 bpm • C Maj • 05:40 • -29.82db
25% Popularity • 16% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 16% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Elias, Op. 70, MWV A25: Elijah, Op. 70, ...
83 bpm • D Maj • 02:15 • -26db
11% Popularity • 14% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
83 bpm • G Maj • 04:07 • -22.57db
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Quel augellin che canta
83 bpm • A# Maj • 02:06 • -23.74db
16% Popularity • 15% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 15% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
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Yevhen Savchuk
Vespers, Op. 37: Bless The Lord, O My So...
83 bpm • C# Maj • 04:51 • -23db
5% Popularity • 20% Danceability • 15% Energy • 9% Liveness
28% Instrumentalness • 6% Positiveness
5% Popularity • 20% Danceability • 15% Energy • 9% Liveness
28% Instrumentalness • 6% Positiveness
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Anton Bruckner
Os justi, WAB 30
82 bpm • C Maj • 04:14 • -29db
16% Popularity • 13% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
16% Popularity • 13% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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George Dyson
Nunc Dimittis in F Major (1)
82 bpm • F Maj • 02:19 • -35.79db
13% Popularity • 15% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Alberto Ginastera
The Lamentations of Jeremiah, Op. 14: Re...
82 bpm • G# min • 04:36 • -20db
8% Popularity • 10% Danceability • 25% Energy • 72% Liveness
12% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 25% Energy • 72% Liveness
12% Instrumentalness • 4% Positiveness
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John Cameron
Lux aeterna (choral arr. of Elgar's Nimr...
84 bpm • C# Maj • 03:51 • -30.09db
11% Popularity • 9% Danceability • 6% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 6% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
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University of King's College Chapel Choir
Alma Redemptoris
84 bpm • D# Maj • 04:05 • -21db
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Thomas Tallis
Dorian Service: Preces I
82 bpm • D Maj • 01:08 • -23.69db
5% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Paul Hindemith
6 Chansons: No. 2. Un cygne
82 bpm • E min • 02:04 • -26db
17% Popularity • 19% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Vespro della beata Vergine (1610): Conce...
82 bpm • G min • 04:53 • -22.01db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Antoine Brumel
Missa "Et ecce terrae motus" A 12 voce: ...
82 bpm • C Maj • 01:38 • -18db
18% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
18% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
84 bpm • G# min • 03:31 • -32.54db
8% Popularity • 24% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 24% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
35% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
35% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Thomas Tallis
If Ye Love Me
82 bpm • F Maj • 01:59 • -30db
9% Popularity • 22% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Leonardo Leo
Heu nos miseros
82 bpm • A min • 03:04 • -21.11db
10% Popularity • 11% Danceability • 9% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 9% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
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Anton Bruckner
Ave Maria, WAB 6
84 bpm • F Maj • 03:38 • -29db
13% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
13% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Tota pulchra es
84 bpm • E Maj • 05:30 • -34db
19% Popularity • 14% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
19% Popularity • 14% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Valiant for Truth
82 bpm • E min • 06:06 • -26.69db
9% Popularity • 9% Danceability • 4% Energy • 4% Liveness
1% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 4% Energy • 4% Liveness
1% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Requiem aeternam II
84 bpm • D Maj • 04:01 • -26db
15% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
15% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Adoramus te Christe
82 bpm • G Maj • 03:39 • -20.56db
13% Popularity • 15% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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William Byrd
Ave verum corpus
84 bpm • A min • 04:07 • -27.68db
23% Popularity • 9% Danceability • 5% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 5% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
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Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Randall Thompson
Alleluia
82 bpm • D Maj • 05:20 • -26db
23% Popularity • 11% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Amy Beach
3 Shakespeare Choruses, Op. 39: No. 2. C...
82 bpm • A# Maj • 02:10 • -25.92db
10% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Eric Whitacre
Three Songs of Faith: I. hope, faith, li...
84 bpm • A# Maj • 04:06 • -23.28db
10% Popularity • 9% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
10% Popularity • 9% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Giovanni de Macque
Io piango o filli, madrigal à 5
82 bpm • A min • 03:27 • -24.81db
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Thomas Tallis
Tallis: Spem in alium
84 bpm • C# Maj • 10:18 • -18.25db
7% Popularity • 8% Danceability • 16% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 16% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Girl Choristers
アヴェマリア(エルガー) 作品2...
82 bpm • A# Maj • 02:41 • -29db
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Shimmering - Ace generosa
82 bpm • B min • 05:13 • -22db
25% Popularity • 11% Danceability • 7% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 7% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
35% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
35% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Kheruvimskaya pesnya (Cherubic Hymn)
82 bpm • E min • 04:58 • -27.07db
19% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
19% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: Kyrie
81 bpm • A min • 05:55 • -26db
15% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
81 bpm • F# min • 01:08 • -31.52db
32% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Gregorio Allegri
Motets: Repleti sunt omnes
81 bpm • D min • 01:41 • -17.4db
32% Popularity • 18% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
32% Popularity • 18% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Girolamo Frescobaldi
O Mors Illa
81 bpm • G min • 04:16 • -24db
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Herr, wenn ich nur dich habe, SWV 280
85 bpm • A min • 03:27 • -18db
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Frank Martin
Mass for unaccompanied double choir: IV....
81 bpm • D Maj • 04:28 • -24db
13% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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Otto Nicolai
Herr, auf dich traue ich (Psalm 31)
81 bpm • D# Maj • 09:32 • -25.69db
14% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Philippe de Monte
Miserere mei, Deus
85 bpm • F min • 03:38 • -21db
13% Popularity • 11% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 5% Positiveness
13% Popularity • 11% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 5% Positiveness
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Thomas Tallis
Dorian Service: Nunc Dimittis
81 bpm • F# Maj • 01:46 • -24.34db
7% Popularity • 25% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 25% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Kim André Arnesen
There We Shall Rest
81 bpm • F Maj • 05:24 • -27db
20% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Jacques Arcadelt
O pulcherrima mulierum a 5
81 bpm • A# min • 02:34 • -22db
18% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
18% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
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Benjamin Britten
A Hymn to the Virgin
81 bpm • E Maj • 02:43 • -27db
18% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
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Thomas Tallis
O nata lux de lumine
81 bpm • G min • 01:49 • -23.52db
5% Popularity • 20% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
5% Popularity • 20% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Kim André Arnesen
Even When He Is Silent
81 bpm • C Maj • 06:20 • -26db
22% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
22% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
24% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
24% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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Calmus Ensemble
Abendlied Op. 693
80 bpm • D# Maj • 02:32 • -20db
15% Popularity • 11% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 5% Positiveness
15% Popularity • 11% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 5% Positiveness
► Preview
Orlando Gibbons
Galliard
86 bpm • F# Maj • 02:56 • -25db
17% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
17% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
► Preview
Johannes Ockeghem
D'un autre amer: D'ung aultre amer
86 bpm • D min • 03:07 • -22.11db
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Thomas Tallis
Blessed be thy name
81 bpm • A# min • 02:20 • -22.59db
1% Popularity • 14% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 14% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Frank Martin
Mass for Double Choir: Gloria
86 bpm • D min • 06:10 • -27db
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
► Preview
Hildegard von Bingen
Alma Redemptoris Mater
80 bpm • F Maj • 02:09 • -24.16db
11% Popularity • 19% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 19% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
86 bpm • C min • 01:50 • -25.43db
29% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 2: No. 25, Qui ...
86 bpm • E min • 03:24 • -22db
10% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
10% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
► Preview
Thomas Tallis
in manus tuas
85 bpm • G min • 01:45 • -23.78db
1% Popularity • 15% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
1% Popularity • 15% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Pēteris Vasks
Klusas dziemas (silent songs): II. Dusi ...
80 bpm • A Maj • 01:35 • -35.5db
30% Popularity • 16% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
► Preview
Gregorio Allegri
Messe vidi turbam magnam: No. 2, Kyrie
80 bpm • F Maj • 02:39 • -16.68db
24% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
Prelude
86 bpm • G# min • 03:00 • -28db
15% Popularity • 11% Danceability • 5% Energy • 6% Liveness
79% Instrumentalness • 6% Positiveness
15% Popularity • 11% Danceability • 5% Energy • 6% Liveness
79% Instrumentalness • 6% Positiveness
► Preview
Jacques Arcadelt
Il bianco e dolce cigno
86 bpm • E Maj • 02:59 • -24.42db
8% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Cyrillus Kreek
Taaveti laulud 22, "Mu Jumal! Mu Jumal!"...
80 bpm • G Maj • 04:26 • -26db
9% Popularity • 9% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
► Preview
Francisco Guerrero
Maria Magdalene
86 bpm • A Maj • 08:20 • -21.25db
20% Popularity • 10% Danceability • 19% Energy • 14% Liveness
37% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 19% Energy • 14% Liveness
37% Instrumentalness • 4% Positiveness
► Preview
Emilio de' Cavalieri
Prima die Lectio prima: IV. Beth
86 bpm • F# min • 01:12 • -24db
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Ch...
80 bpm • A Maj • 02:34 • -32db
33% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
33% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Feast...
86 bpm • G Maj • 01:32 • -16db
10% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jan Pieterszoon Sweelinck
Psalm 96, "Chantez a Dieu chanson nouvel...
86 bpm • E min • 01:55 • -24.05db
20% Popularity • 28% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 28% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
23% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Charles D'Argentil
Missa pro defunctis: V. Sanctus
80 bpm • A Maj • 03:14 • -13.11db
13% Popularity • 15% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 15% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: O Serene Light
86 bpm • G# Maj • 03:26 • -24.82db
9% Popularity • 21% Danceability • 8% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
9% Popularity • 21% Danceability • 8% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
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Philippe de Monte
Missa super mon coeur se recomande: Sanc...
86 bpm • C# Maj • 03:10 • -22db
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Anton Bruckner
Tantum ergo, WAB 32
86 bpm • D Maj • 03:07 • -26.68db
19% Popularity • 14% Danceability • 7% Energy • 8% Liveness
42% Instrumentalness • 8% Positiveness
19% Popularity • 14% Danceability • 7% Energy • 8% Liveness
42% Instrumentalness • 8% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: III. Eripe me
80 bpm • D Maj • 04:11 • -23.81db
9% Popularity • 15% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: I. Kyrie
80 bpm • E min • 05:16 • -23db
15% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
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Thomas Tallis
O Lord Give Thy Holy Spirit
86 bpm • A# min • 02:05 • -24.26db
4% Popularity • 17% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Trad+
If Ye Love Me
80 bpm • F Maj • 02:04 • -20.46db
3% Popularity • 14% Danceability • 23% Energy • 11% Liveness
61% Instrumentalness • 6% Positiveness
3% Popularity • 14% Danceability • 23% Energy • 11% Liveness
61% Instrumentalness • 6% Positiveness
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Jean Richafort
Requiem in memoriam Josquin Desprez: I. ...
86 bpm • F Maj • 04:18 • -20.99db
17% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Osculetur me
80 bpm • C min • 03:23 • -24.13db
18% Popularity • 16% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Lumen Valo
Ralph Vaughan Williams: Rest
80 bpm • D# Maj • 04:03 • -22.98db
15% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories, Feria quinta: I. ...
80 bpm • A min • 04:19 • -22.35db
15% Popularity • 9% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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William Byrd
Miserere nostri
86 bpm • E min • 03:00 • -25db
9% Popularity • 14% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Die deutsche Liturgie: Heilig, heilig is...
87 bpm • D Maj • 02:00 • -24db
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Jacobus Gallus
Pueri concinite
87 bpm • F Maj • 01:51 • -25db
35% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
35% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
