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Honey
Songs like
Honey
by
Maggie Rogers
Based on a tempo of (+/- 10%) and a similar genre
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Suki Waterhouse
Wild Side
144 bpm • E Maj • 03:55 • -9db
48% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Laura Elliott
Stages
144 bpm • B Maj • 04:21 • -12.1db
17% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Leith
Big Trees
144 bpm • G# Maj • 03:15 • -5.75db
24% Popularity • 58% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
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Trousdale
Go There
144 bpm • E Maj • 03:22 • -7.54db
34% Popularity • 51% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Phoebe Go
Be the Player, Not the Poet
144 bpm • D Maj • 04:54 • -13.17db
28% Popularity • 42% Danceability • 33% Energy • 13% Liveness
2% Instrumentalness • 25% Positiveness
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Maggie Rogers
Honey
144 bpm • G Maj • 03:42 • -2.11db
43% Popularity • 32% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Tommy Lefroy
The Mess
144 bpm • B Maj • 01:08 • -10.21db
58% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Hotel Fiction
Athens GA
145 bpm • F Maj • 04:27 • -6.45db
25% Popularity • 49% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Holly Humberstone
Scarlett
143 bpm • D Maj • 03:16 • -9db
57% Popularity • 62% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Gatlin
Really Funny
143 bpm • C min • 03:21 • -7.72db
31% Popularity • 70% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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LÉON
Wildest Dreams
143 bpm • C Maj • 04:43 • -7.32db
40% Popularity • 46% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Maggie Rogers
Don't Forget Me
145 bpm • G# Maj • 04:25 • -4.22db
61% Popularity • 49% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Boyish
Kill Your Pain
146 bpm • C# Maj • 02:46 • -6.19db
52% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Harriette
Fucking Married
146 bpm • G Maj • 03:13 • -7.75db
37% Popularity • 58% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Mallrat
To You
146 bpm • D Maj • 03:08 • -7.06db
31% Popularity • 44% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
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Gatlin
I Think About You All the Time
145 bpm • A# min • 04:10 • -10db
35% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Madison Cunningham
Hospital
142 bpm • E Maj • 03:33 • -9db
44% Popularity • 55% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Savannah Conley
More Than Fine
146 bpm • A# min • 03:27 • -6.78db
14% Popularity • 64% Danceability • 55% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
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The Japanese House
You always get what you want
142 bpm • A# Maj • 02:48 • -9.14db
45% Popularity • 63% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 62% Positiveness
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Maude Latour
Living It
142 bpm • A Maj • 03:03 • -8.77db
23% Popularity • 62% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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The Head And The Heart
Enemy Lines
146 bpm • D Maj • 03:22 • -4.25db
26% Popularity • 48% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Kacey Musgraves
Anime Eyes
142 bpm • A# Maj • 03:18 • -8.36db
66% Popularity • 38% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Madison Cunningham
Hospital (One Man Down)
146 bpm • F min • 03:27 • -5.94db
38% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Joy Oladokun
Taking Things For Granted
142 bpm • B Maj • 03:36 • -7.53db
43% Popularity • 59% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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The Aces
Always Get This Way
141 bpm • F# min • 02:54 • -6.09db
47% Popularity • 58% Danceability • 82% Energy • 55% Liveness
0% Instrumentalness • 56% Positiveness
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Haley Blais
Coolest fucking bitch in town
147 bpm • A# Maj • 04:56 • -10.45db
48% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Dora Jar
Look Back
147 bpm • E Maj • 02:58 • -13.6db
23% Popularity • 43% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Rett Madison
Pin-Up Daddy
141 bpm • D Maj • 04:11 • -8.91db
30% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Maude Latour
Minerals & Diamonds
148 bpm • G Maj • 02:54 • -6.75db
31% Popularity • 50% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Susannah Joffe
In Your Room
148 bpm • D Maj • 03:26 • -7.88db
28% Popularity • 51% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 68% Positiveness
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The Sunshine State
Pushing 30
148 bpm • D Maj • 03:30 • -6.51db
23% Popularity • 50% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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Gatlin
Paris
140 bpm • C Maj • 02:47 • -7.36db
27% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Lou Roy
U.D.I.D
140 bpm • A Maj • 03:23 • -10.52db
9% Popularity • 53% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Eliza McLamb
Doing Fine
140 bpm • G# Maj • 03:30 • -7.87db
37% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Leith
Love Vibes
140 bpm • F# Maj • 03:06 • -6.2db
27% Popularity • 56% Danceability • 81% Energy • 10% Liveness
14% Instrumentalness • 34% Positiveness
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Bestfriend
Hannah in the City
140 bpm • C# min • 03:48 • -6.52db
20% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Hana Eid
Dancing to The Smiths
140 bpm • D Maj • 04:19 • -9.45db
34% Popularity • 53% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Jensen McRae
Take It Easy
140 bpm • A Maj • 03:04 • -6.81db
36% Popularity • 73% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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quinnie
security question
140 bpm • A# Maj • 04:16 • -7.33db
31% Popularity • 55% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Tegan and Sara
Whatever That Was
140 bpm • A Maj • 03:40 • -11.32db
24% Popularity • 65% Danceability • 42% Energy • 14% Liveness
2% Instrumentalness • 51% Positiveness
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Plains
No Record of Wrongs
140 bpm • E Maj • 03:07 • -4.64db
32% Popularity • 66% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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King Princess
Dotted Lines
140 bpm • F min • 03:42 • -6db
30% Popularity • 52% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Gatlin
Still Not Me
139 bpm • F# Maj • 02:32 • -8.63db
30% Popularity • 56% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Maggie Rogers
Overdrive
149 bpm • G Maj • 03:14 • -6.19db
55% Popularity • 37% Danceability • 78% Energy • 8% Liveness
10% Instrumentalness • 9% Positiveness
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Del Water Gap
Sorry I Am
149 bpm • D Maj • 04:01 • -8db
47% Popularity • 54% Danceability • 75% Energy • 7% Liveness
48% Instrumentalness • 66% Positiveness
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Laura Elliott
Blue
139 bpm • D Maj • 04:12 • -13db
35% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Leith Ross
Guts
139 bpm • G Maj • 05:04 • -10.13db
40% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Noah Cyrus
Hardest Part
150 bpm • F# Maj • 03:42 • -9.29db
36% Popularity • 31% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Remi Wolf
Cake
150 bpm • F min • 02:47 • -6db
46% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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The Japanese House
Baby goes again
150 bpm • C Maj • 03:31 • -10.34db
46% Popularity • 50% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Lorde
No Better
150 bpm • F Maj • 02:50 • -7.08db
50% Popularity • 61% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Maggie Rogers
Shatter
150 bpm • A Maj • 03:40 • -2db
60% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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girlhouse
cool guy
150 bpm • B Maj • 03:16 • -6.51db
23% Popularity • 57% Danceability • 61% Energy • 15% Liveness
10% Instrumentalness • 71% Positiveness
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Jensen McRae
Immune
150 bpm • F# Maj • 03:30 • -9db
43% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Cece Coakley
Monday Morning
138 bpm • D Maj • 03:16 • -8.91db
33% Popularity • 61% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Phoebe Go
The Kid
138 bpm • F Maj • 03:33 • -12.51db
24% Popularity • 63% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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King Princess
Too Bad
138 bpm • C Maj • 02:53 • -5.38db
37% Popularity • 55% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Trousdale
Out Of My Mind
138 bpm • B Maj • 04:41 • -9.2db
37% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Laura Elliott
God Complex
137 bpm • E Maj • 04:37 • -9.33db
19% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Japanese House
Spot Dog
151 bpm • C Maj • 04:28 • -13.14db
45% Popularity • 36% Danceability • 29% Energy • 7% Liveness
21% Instrumentalness • 15% Positiveness
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Gatlin
Sugarcoated
151 bpm • C# Maj • 02:26 • -7.8db
26% Popularity • 62% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Rett Madison
God Is a Woman
137 bpm • G Maj • 03:56 • -7.73db
14% Popularity • 42% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Carly Rae Jepsen
Go Find Yourself or Whatever
137 bpm • C# Maj • 04:44 • -9db
41% Popularity • 45% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Maude Latour
Strangers Forever
137 bpm • F Maj • 03:13 • -8.94db
35% Popularity • 64% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Madison Cunningham
Our Rebellion
152 bpm • F Maj • 03:08 • -10db
28% Popularity • 61% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
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Tommy Lefroy
Jericho Beach
152 bpm • A Maj • 02:56 • -10db
39% Popularity • 48% Danceability • 26% Energy • 34% Liveness
10% Instrumentalness • 24% Positiveness
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Lizzy McAlpine
an ego thing
152 bpm • G# Maj • 02:50 • -8.86db
50% Popularity • 67% Danceability • 50% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
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King Princess
Let Us Die
152 bpm • C# Maj • 03:53 • -5db
41% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Deanna Petcoff
Devastatingly Mediocre
152 bpm • D# Maj • 03:02 • -3.55db
14% Popularity • 48% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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The Head And The Heart
Virginia (Wind In The Night)
136 bpm • G Maj • 03:25 • -3.7db
47% Popularity • 26% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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quinnie
man
136 bpm • C Maj • 03:58 • -9db
49% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Better Oblivion Community Center
Sleepwalkin' - Daydreamin' Version
136 bpm • B Maj • 03:42 • -4.93db
33% Popularity • 61% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Trousdale
Point Your Finger
136 bpm • G Maj • 03:34 • -7.3db
33% Popularity • 58% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Mallrat
Heart Guitar
136 bpm • E Maj • 04:15 • -9.91db
22% Popularity • 47% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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buffchick
Over & Again
136 bpm • B Maj • 03:07 • -7db
27% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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BROODS
Distance And Drugs
135 bpm • F Maj • 03:32 • -8.49db
27% Popularity • 59% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Tegan and Sara
Faded Like A Feeling
135 bpm • C# Maj • 03:22 • -13.64db
30% Popularity • 55% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Peach Fuzz
Shaking the Can
135 bpm • C Maj • 02:44 • -9db
30% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Trousdale
Any Day Now
135 bpm • D Maj • 03:21 • -6.51db
46% Popularity • 53% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Ashe
Shower With My Clothes On
135 bpm • F# min • 03:04 • -7db
39% Popularity • 57% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Maggie Rogers
I've Got a Friend
135 bpm • G Maj • 03:12 • -7.77db
43% Popularity • 74% Danceability • 39% Energy • 61% Liveness
0% Instrumentalness • 45% Positiveness
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Mallrat
I’m Not My Body, It’s Mine
135 bpm • G Maj • 03:35 • -12.63db
19% Popularity • 45% Danceability • 28% Energy • 12% Liveness
5% Instrumentalness • 10% Positiveness
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Lizzy McAlpine
doomsday
135 bpm • C# Maj • 04:28 • -10db
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Del Water Gap
Coping on Unemployment
134 bpm • B Maj • 03:48 • -7.17db
46% Popularity • 58% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Dora Jar
Voice In The Darkness
155 bpm • C Maj • 02:23 • -6.07db
24% Popularity • 34% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Ashe
omw
155 bpm • E Maj • 02:51 • -6db
38% Popularity • 73% Danceability • 85% Energy • 17% Liveness
4% Instrumentalness • 74% Positiveness
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Jade Bird
Trick Mirror
133 bpm • F# Maj • 02:33 • -6.65db
24% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Cassandra Coleman
Moonbeam
156 bpm • F Maj • 03:40 • -4.67db
28% Popularity • 49% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Lizzy McAlpine
all my ghosts
155 bpm • D# Maj • 03:17 • -12db
60% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Noah Cyrus
Noah (Stand Still)
156 bpm • C# Maj • 03:54 • -8.61db
42% Popularity • 45% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Del Water Gap
Hurting Kind
155 bpm • A Maj • 03:40 • -8db
46% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Mallory Merk
Thorns
156 bpm • D Maj • 03:13 • -5db
26% Popularity • 33% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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HAIM
Gasoline
133 bpm • C# min • 03:13 • -4.26db
62% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Maude Latour
Headphones
156 bpm • D Maj • 02:47 • -6db
29% Popularity • 66% Danceability • 65% Energy • 13% Liveness
3% Instrumentalness • 81% Positiveness
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Grace Ives
On The Ground
133 bpm • D Maj • 03:25 • -3.18db
36% Popularity • 83% Danceability • 93% Energy • 8% Liveness
41% Instrumentalness • 80% Positiveness
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Olivia Barton
Antisocial
156 bpm • C# Maj • 03:32 • -13.1db
14% Popularity • 53% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Tegan and Sara
I’m Okay
156 bpm • F# Maj • 03:21 • -6.11db
24% Popularity • 59% Danceability • 66% Energy • 11% Liveness
7% Instrumentalness • 56% Positiveness
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Florence + The Machine
Choreomania
157 bpm • C Maj • 03:33 • -7.61db
57% Popularity • 64% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Mallrat
Fade Into You
156 bpm • A Maj • 04:12 • -10.79db
36% Popularity • 31% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sophie May
Cadillac
132 bpm • A Maj • 02:51 • -6.39db
42% Popularity • 56% Danceability • 84% Energy • 22% Liveness
1% Instrumentalness • 37% Positiveness
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Honey