Songs like Honeysuckle by Greyson Chance
Based on a tempo of (+/- 10%) and a similar genre
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whatever mike
In Between
90 bpm • C# min • 03:03 • -5.33db
25% Popularity • 68% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 68% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Kayshawn
Save Your Love
90 bpm • E Maj • 03:22 • -10db
17% Popularity • 68% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 68% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Sasha Alex Sloan
Thoughts
90 bpm • G Maj • 03:05 • -9.93db
43% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
43% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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EBEN
The Kids Are Alright
90 bpm • G# Maj • 02:52 • -5.07db
27% Popularity • 83% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 83% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Claire Ernst
Easy on You
90 bpm • A# min • 03:16 • -9.35db
14% Popularity • 77% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 77% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Nox Holloway
Separate Ways
90 bpm • C# min • 03:03 • -6db
21% Popularity • 65% Danceability • 67% Energy • 10% Liveness
13% Instrumentalness • 60% Positiveness
21% Popularity • 65% Danceability • 67% Energy • 10% Liveness
13% Instrumentalness • 60% Positiveness
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Greyson Chance
Honeysuckle
90 bpm • B Maj • 02:22 • -9.15db
27% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Evie Irie
Misfit
90 bpm • F Maj • 03:01 • -6db
13% Popularity • 65% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 65% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Harry Hudson
Mean To Love
90 bpm • C# Maj • 02:54 • -7db
40% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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sad alex
all the way over
90 bpm • B min • 02:32 • -4.85db
18% Popularity • 74% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 74% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Josie Dunne
Stay The Way I Left You
90 bpm • G Maj • 02:12 • -6.95db
37% Popularity • 69% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 69% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Scott Helman
Lois
90 bpm • B min • 02:54 • -6db
23% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lauv
Dishes
90 bpm • B Maj • 02:36 • -10db
37% Popularity • 66% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 66% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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JP Saxe
Hey Stupid, I Love You
92 bpm • F min • 03:01 • -9.63db
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Alaina Castillo
ocean waves
90 bpm • G# min • 03:40 • -6db
35% Popularity • 46% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 46% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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Oh Wonder
Drunk On You (Acoustic)
88 bpm • C Maj • 03:17 • -11.91db
17% Popularity • 55% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 55% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Thomston
The Heights
88 bpm • C min • 03:19 • -10.34db
25% Popularity • 47% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 47% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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WATTS
Never Leave You
92 bpm • D Maj • 03:19 • -9.92db
23% Popularity • 63% Danceability • 44% Energy • 60% Liveness
2% Instrumentalness • 26% Positiveness
23% Popularity • 63% Danceability • 44% Energy • 60% Liveness
2% Instrumentalness • 26% Positiveness
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Josie Dunne
Same
92 bpm • A Maj • 02:41 • -9.16db
30% Popularity • 68% Danceability • 52% Energy • 8% Liveness
8% Instrumentalness • 56% Positiveness
30% Popularity • 68% Danceability • 52% Energy • 8% Liveness
8% Instrumentalness • 56% Positiveness
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Dutchkid
Flight
92 bpm • F# Maj • 03:06 • -4.02db
19% Popularity • 58% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 58% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Tony Ferrari
Where Did Our Summer Go?
92 bpm • F# Maj • 02:31 • -9.49db
14% Popularity • 73% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 73% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Troy Ogletree
Something Nothing
92 bpm • G# Maj • 02:41 • -6.05db
13% Popularity • 76% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 76% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Thomston
Casual
92 bpm • D# min • 03:05 • -5.61db
13% Popularity • 61% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 61% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Christian French
i think too much
92 bpm • G min • 03:22 • -7.86db
50% Popularity • 68% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 68% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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JUNG
Call Me Up
92 bpm • D Maj • 02:44 • -10.09db
34% Popularity • 82% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 82% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Juke Ross
Trading Places
88 bpm • A# Maj • 03:43 • -8db
29% Popularity • 62% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 62% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Bazzi
Who Am I?
88 bpm • F Maj • 02:51 • -6.35db
36% Popularity • 59% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 59% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Wingtip
When You're Lonely
92 bpm • D Maj • 02:52 • -7db
22% Popularity • 78% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 78% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Emily Vu
Just Wait
92 bpm • F Maj • 02:58 • -7.06db
17% Popularity • 77% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 77% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Loote
Songs About Girls
88 bpm • G Maj • 03:11 • -11db
21% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Greyson Chance
No Fear
88 bpm • C Maj • 03:44 • -6.42db
25% Popularity • 45% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 45% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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John K
Chill
92 bpm • C# min • 03:25 • -5.48db
29% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Thomston
Lightweight
93 bpm • A# Maj • 03:10 • -6.05db
18% Popularity • 46% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 46% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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JP Saxe
Women Who Look Like You
87 bpm • G min • 03:06 • -7db
29% Popularity • 66% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 66% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Alexander 23
Dirty AF1s
87 bpm • G# Maj • 02:17 • -6db
45% Popularity • 69% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 69% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Christian French
good things take time
93 bpm • C Maj • 02:36 • -7.86db
43% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Greyson Chance
8Track - Spotify Singles
93 bpm • F Maj • 03:12 • -11db
24% Popularity • 54% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 54% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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FINNEAS
I Lost a Friend (Marian Hill Remix)
87 bpm • G# min • 03:49 • -9.54db
25% Popularity • 68% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 68% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Anthony de la Torre
Know Me
94 bpm • C# min • 03:17 • -9.08db
32% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Sam Fischer
People I Don't Know
94 bpm • B min • 02:05 • -9db
29% Popularity • 86% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 86% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Josie Dunne
Same (Alternate Version)
86 bpm • D# Maj • 02:46 • -9db
26% Popularity • 55% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 55% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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ROLE MODEL
say it first
94 bpm • A Maj • 02:39 • -5.84db
44% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Greyson Chance
Twenty One
94 bpm • F min • 03:12 • -8db
31% Popularity • 73% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 73% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 43% Positiveness
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Fake Fake
Goodnightmare
94 bpm • A# min • 03:29 • -8.09db
8% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Oh Wonder
How It Goes
94 bpm • F# Maj • 03:25 • -12.2db
21% Popularity • 58% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 58% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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CAL
AFU
94 bpm • E min • 03:07 • -5.02db
33% Popularity • 82% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
33% Popularity • 82% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
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Nick Wilson
Safe
94 bpm • A Maj • 03:24 • -5.68db
9% Popularity • 45% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 45% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Josie Dunne
Back To It
94 bpm • C Maj • 02:34 • -7db
16% Popularity • 81% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 81% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Bazzi
Young & Alive
86 bpm • D# Maj • 02:40 • -5db
59% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Grace VanderWaal
Ur So Beautiful
94 bpm • C# Maj • 03:12 • -6.6db
39% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Oh Wonder
I Wish I Never Met You
94 bpm • C# Maj • 02:59 • -9.95db
39% Popularity • 47% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 47% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Myylo
Sad Boys
95 bpm • G Maj • 02:47 • -11db
13% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Bahari
gameboy
86 bpm • A# Maj • 03:00 • -9.35db
21% Popularity • 72% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 72% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Blake Rose
Lost
95 bpm • E Maj • 03:54 • -6.54db
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Daniella Mason
Girl in the Box
95 bpm • C Maj • 02:57 • -6.09db
17% Popularity • 62% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
17% Popularity • 62% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
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Emily Vu
Someone Else
95 bpm • F# Maj • 03:06 • -8.58db
12% Popularity • 84% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 84% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Loote
Somebody Else
95 bpm • G Maj • 02:43 • -7.53db
32% Popularity • 73% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 73% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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BETSIE GØLD
Craving You
95 bpm • C Maj • 02:56 • -9.17db
18% Popularity • 80% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 80% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Andrey Azizov
Take Me Down
95 bpm • C min • 03:05 • -8.77db
16% Popularity • 62% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 62% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Jeremy Zucker
somebody loves you
95 bpm • G Maj • 03:26 • -8db
45% Popularity • 74% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 74% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Peach Tree Rascals
I'm Sorry
95 bpm • E Maj • 02:44 • -7.39db
43% Popularity • 75% Danceability • 50% Energy • 47% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 75% Danceability • 50% Energy • 47% Liveness
0% Instrumentalness • 84% Positiveness
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Rachel Bochner
Purple
95 bpm • B Maj • 02:53 • -6.84db
29% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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david hugo
9teen
95 bpm • F# Maj • 02:40 • -7.82db
31% Popularity • 86% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 86% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Elyar
SAD SEX
95 bpm • C Maj • 03:07 • -6.45db
12% Popularity • 75% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 75% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jades Goudreault
eyeroll
95 bpm • C# Maj • 02:49 • -15.15db
17% Popularity • 77% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 77% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Lauv
fuck, i’m lonely - stripped
95 bpm • A Maj • 03:07 • -7db
33% Popularity • 74% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 74% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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RAC
Stuck On You
95 bpm • A# Maj • 03:12 • -8.39db
34% Popularity • 73% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 73% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Greyson Chance
Good As Gold
85 bpm • D Maj • 03:25 • -5db
34% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Gavin Haley
Be There for You
85 bpm • D# Maj • 02:09 • -10db
15% Popularity • 37% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 37% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
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Harry Hudson
Give Up On Us
85 bpm • F# Maj • 02:38 • -10db
27% Popularity • 71% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 71% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Talia Jean Perez
Conflicted
96 bpm • A# min • 04:02 • -10.21db
19% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Ben Kessler
Right Here Right Now
96 bpm • F# Maj • 03:03 • -6.05db
19% Popularity • 63% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 63% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 72% Positiveness
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EBEN
It’s Not You It’s Me
96 bpm • F# Maj • 02:44 • -6db
18% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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MKTO
Marry Those Eyes
96 bpm • F min • 02:58 • -5.11db
34% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Aidan Alexander
I Don't Love You
96 bpm • C# Maj • 03:24 • -10db
25% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Hailee Steinfeld
Man Up
84 bpm • G min • 02:48 • -7.17db
39% Popularity • 80% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 80% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Kevin Garrett
Gone Again
84 bpm • F Maj • 03:19 • -8db
25% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Ruel
up to something
96 bpm • D# min • 02:59 • -8.06db
40% Popularity • 69% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 69% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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somegirlnamedanna
seriously just stop
84 bpm • G# Maj • 02:29 • -8.31db
24% Popularity • 59% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 59% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Joel Adams
Goodbye
84 bpm • G# Maj • 03:05 • -7db
17% Popularity • 48% Danceability • 55% Energy • 16% Liveness
1% Instrumentalness • 22% Positiveness
17% Popularity • 48% Danceability • 55% Energy • 16% Liveness
1% Instrumentalness • 22% Positiveness
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Oh Wonder
I Like It When You Love Me
84 bpm • F min • 03:46 • -12db
45% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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WOOF! IT'S BILLY
LIGHT RAIN
97 bpm • C min • 03:39 • -6.41db
33% Popularity • 35% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 35% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Bea Miller
wisdom teeth
97 bpm • A min • 03:01 • -5.72db
34% Popularity • 76% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 76% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Eluera
Good When We Fight
97 bpm • D min • 03:16 • -6.24db
16% Popularity • 66% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 66% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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MAYLYN
You Go With Me
83 bpm • A Maj • 02:51 • -4.73db
13% Popularity • 72% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 72% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Gavin Haley
Self Control
83 bpm • G Maj • 03:25 • -6.53db
15% Popularity • 67% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 67% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Bearson
All In
98 bpm • C Maj • 02:59 • -7.46db
17% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Oh Wonder
Drunk On You
98 bpm • C Maj • 03:08 • -11.55db
28% Popularity • 67% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 67% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Cody Simpson
captain's dance with the devil
98 bpm • B Maj • 02:26 • -12.23db
36% Popularity • 62% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 62% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Alexander 23
Caught in the Middle
98 bpm • G Maj • 02:42 • -8db
36% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Kevin Courtois
Visions
98 bpm • F# Maj • 03:03 • -8db
23% Popularity • 74% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 74% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Olivia Lunny
Bedsheets
98 bpm • D# Maj • 02:54 • -12.85db
25% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Jackson Penn
My Girl
98 bpm • C# min • 02:58 • -4.86db
28% Popularity • 72% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 72% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Riah
Heartbreak Magic
83 bpm • A min • 03:22 • -10.37db
19% Popularity • 41% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 41% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Cody Simpson
Open Wave Of Life
83 bpm • F# Maj • 05:10 • -10.16db
14% Popularity • 31% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 31% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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John K
learning how to love
98 bpm • G min • 03:23 • -5.37db
28% Popularity • 68% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 68% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Oh Wonder
Keep On Dancing
82 bpm • C# Maj • 03:15 • -8db
40% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Grace VanderWaal
Poser
82 bpm • C Maj • 03:47 • -7db
30% Popularity • 57% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 57% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
