Songs like Hooker's Hooker - The Sting/Soundtrack Version by Marvin Hamlisch
Based on a tempo of (+/- 10%) and a similar genre
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The Burbank Ensemble
The Victor (L.A. Confidential)
100 bpm • E min • 02:33 • -16.04db
0% Popularity • 19% Danceability • 25% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
0% Popularity • 19% Danceability • 25% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
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Marvin Hamlisch
After Car
100 bpm • E Maj • 02:15 • -17.58db
1% Popularity • 55% Danceability • 25% Energy • 10% Liveness
85% Instrumentalness • 72% Positiveness
1% Popularity • 55% Danceability • 25% Energy • 10% Liveness
85% Instrumentalness • 72% Positiveness
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Morris Stoloff
Moonglow / Theme From "Picnic"
100 bpm • F Maj • 02:47 • -15.13db
19% Popularity • 50% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
19% Popularity • 50% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
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Manhattan Ragtime Orchestra
The Junk Man Rag
100 bpm • C Maj • 02:57 • -8db
34% Popularity • 61% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 77% Positiveness
34% Popularity • 61% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 77% Positiveness
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Scott Joplin
Elite Synchopations (1902)
100 bpm • F Maj • 03:02 • -23.27db
26% Popularity • 35% Danceability • 25% Energy • 19% Liveness
87% Instrumentalness • 88% Positiveness
26% Popularity • 35% Danceability • 25% Energy • 19% Liveness
87% Instrumentalness • 88% Positiveness
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Dick Hyman
(In Bobo's Restaurant) Canzone Per Loret...
100 bpm • G Maj • 02:52 • -19db
30% Popularity • 29% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 29% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Alex North
Overture
100 bpm • A Maj • 02:43 • -13.03db
16% Popularity • 48% Danceability • 31% Energy • 35% Liveness
95% Instrumentalness • 44% Positiveness
16% Popularity • 48% Danceability • 31% Energy • 35% Liveness
95% Instrumentalness • 44% Positiveness
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Marvin Hamlisch
Hooker's Hooker - The Sting/Soundtrack V...
100 bpm • A# Maj • 02:48 • -9.72db
19% Popularity • 58% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 58% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Jelly Roll Morton
Kansas City Stomp
100 bpm • D# Maj • 02:45 • -24db
26% Popularity • 57% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 51% Positiveness
26% Popularity • 57% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 51% Positiveness
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The Warner Bros. Studio Orchestra
Medley (Laszlo / As Time Goes By / Order...
99 bpm • F Maj • 06:19 • -18db
5% Popularity • 15% Danceability • 18% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
5% Popularity • 15% Danceability • 18% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Woody Allen
Swing A Lullaby
101 bpm • F min • 04:45 • -14.47db
14% Popularity • 62% Danceability • 55% Energy • 7% Liveness
82% Instrumentalness • 82% Positiveness
14% Popularity • 62% Danceability • 55% Energy • 7% Liveness
82% Instrumentalness • 82% Positiveness
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Max Steiner
Gone With The Wind - Tara's Theme
101 bpm • F Maj • 03:39 • -20db
25% Popularity • 19% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Anne Dudley
Meanwhile In Berkeley Square
99 bpm • F min • 02:07 • -11.95db
16% Popularity • 62% Danceability • 31% Energy • 9% Liveness
50% Instrumentalness • 47% Positiveness
16% Popularity • 62% Danceability • 31% Energy • 9% Liveness
50% Instrumentalness • 47% Positiveness
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Scott Joplin
Scott Joplin's New Rag
99 bpm • C Maj • 03:11 • -21.95db
22% Popularity • 45% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 68% Positiveness
22% Popularity • 45% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 68% Positiveness
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Nino Rota
La dolce vita: Parlami di me
99 bpm • C Maj • 02:37 • -17.78db
19% Popularity • 28% Danceability • 8% Energy • 13% Liveness
82% Instrumentalness • 5% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 13% Liveness
82% Instrumentalness • 5% Positiveness
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Craig Carnelia
Fig Tree Rag
99 bpm • G Maj • 03:08 • -8.6db
0% Popularity • 64% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 64% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Woody Allen
Dippermouth Blues
99 bpm • A# Maj • 02:50 • -13.3db
21% Popularity • 66% Danceability • 62% Energy • 13% Liveness
90% Instrumentalness • 97% Positiveness
21% Popularity • 66% Danceability • 62% Energy • 13% Liveness
90% Instrumentalness • 97% Positiveness
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Original Memphis Five
Fireworks
101 bpm • G# Maj • 02:31 • -7db
14% Popularity • 82% Danceability • 54% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
14% Popularity • 82% Danceability • 54% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
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Anne Dudley
Jeeves And Wooster
101 bpm • D# min • 01:14 • -10.94db
33% Popularity • 67% Danceability • 36% Energy • 15% Liveness
37% Instrumentalness • 87% Positiveness
33% Popularity • 67% Danceability • 36% Energy • 15% Liveness
37% Instrumentalness • 87% Positiveness
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Benny Goodman Trio
There'll Be Some Changes Made - Instrume...
101 bpm • G min • 03:09 • -9.94db
8% Popularity • 63% Danceability • 63% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
8% Popularity • 63% Danceability • 63% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
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Nino Rota
Lola (Yes Sir, That's My Baby) / Parlami...
99 bpm • F Maj • 04:26 • -10.36db
11% Popularity • 33% Danceability • 27% Energy • 16% Liveness
11% Instrumentalness • 23% Positiveness
11% Popularity • 33% Danceability • 27% Energy • 16% Liveness
11% Instrumentalness • 23% Positiveness
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Scott Joplin
The Ragtime Dance: Rag-Time Dance, A Sto...
102 bpm • D# Maj • 03:05 • -21db
22% Popularity • 44% Danceability • 28% Energy • 14% Liveness
86% Instrumentalness • 77% Positiveness
22% Popularity • 44% Danceability • 28% Energy • 14% Liveness
86% Instrumentalness • 77% Positiveness
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Alex North
Space Station Docking
102 bpm • A min • 02:22 • -26.06db
19% Popularity • 25% Danceability • 15% Energy • 29% Liveness
81% Instrumentalness • 44% Positiveness
19% Popularity • 25% Danceability • 15% Energy • 29% Liveness
81% Instrumentalness • 44% Positiveness
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Franz Waxman
Auld Lang Syne
98 bpm • G Maj • 01:01 • -15.02db
22% Popularity • 38% Danceability • 16% Energy • 14% Liveness
84% Instrumentalness • 56% Positiveness
22% Popularity • 38% Danceability • 16% Energy • 14% Liveness
84% Instrumentalness • 56% Positiveness
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Reg Owen
Manhattan Spiritual
98 bpm • G# Maj • 02:45 • -14.89db
18% Popularity • 73% Danceability • 40% Energy • 7% Liveness
65% Instrumentalness • 65% Positiveness
18% Popularity • 73% Danceability • 40% Energy • 7% Liveness
65% Instrumentalness • 65% Positiveness
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James P. Johnson
Carolina Shout
102 bpm • C Maj • 02:47 • -17db
22% Popularity • 43% Danceability • 34% Energy • 13% Liveness
83% Instrumentalness • 78% Positiveness
22% Popularity • 43% Danceability • 34% Energy • 13% Liveness
83% Instrumentalness • 78% Positiveness
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Woody Herman
Golden Wedding
102 bpm • D min • 03:14 • -16.41db
8% Popularity • 56% Danceability • 23% Energy • 14% Liveness
87% Instrumentalness • 56% Positiveness
8% Popularity • 56% Danceability • 23% Energy • 14% Liveness
87% Instrumentalness • 56% Positiveness
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Ferrante & Teicher
Exodus
98 bpm • D min • 02:59 • -9.27db
26% Popularity • 48% Danceability • 32% Energy • 6% Liveness
34% Instrumentalness • 27% Positiveness
26% Popularity • 48% Danceability • 32% Energy • 6% Liveness
34% Instrumentalness • 27% Positiveness
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Max Steiner
The O'Hara Family
102 bpm • F Maj • 06:18 • -14.09db
18% Popularity • 20% Danceability • 25% Energy • 39% Liveness
84% Instrumentalness • 15% Positiveness
18% Popularity • 20% Danceability • 25% Energy • 39% Liveness
84% Instrumentalness • 15% Positiveness
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Vince Giordano And The Nighthawks
Everybody Loves My Baby
98 bpm • G Maj • 03:08 • -8.54db
30% Popularity • 83% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 56% Positiveness
30% Popularity • 83% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 56% Positiveness
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The Los Angeles Radio TV Symphony Orchestra
Alfred Hitchcock présente
98 bpm • C min • 00:57 • -11.51db
15% Popularity • 90% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 96% Positiveness
15% Popularity • 90% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 96% Positiveness
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Carmen Cavallaro
Manhattan
98 bpm • A# Maj • 02:58 • -18.49db
22% Popularity • 51% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
22% Popularity • 51% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
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Freddy Martin & His Orchestra
Bumble Boogie
98 bpm • A Maj • 02:51 • -10.48db
11% Popularity • 53% Danceability • 56% Energy • 7% Liveness
86% Instrumentalness • 55% Positiveness
11% Popularity • 53% Danceability • 56% Energy • 7% Liveness
86% Instrumentalness • 55% Positiveness
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Frank Trumbauer & His Orchestra; featuring Bix Beiderbecke
Ostrich Walk
97 bpm • G# Maj • 03:05 • -10.9db
10% Popularity • 58% Danceability • 52% Energy • 30% Liveness
95% Instrumentalness • 96% Positiveness
10% Popularity • 58% Danceability • 52% Energy • 30% Liveness
95% Instrumentalness • 96% Positiveness
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Jerome Kern
Smoke Gets In Your Eyes - (RKO film "Rob...
103 bpm • G# Maj • 03:15 • -7db
22% Popularity • 72% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
22% Popularity • 72% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
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Harry James
Trumpet Blues
103 bpm • A# Maj • 02:41 • -6.49db
11% Popularity • 47% Danceability • 58% Energy • 28% Liveness
68% Instrumentalness • 64% Positiveness
11% Popularity • 47% Danceability • 58% Energy • 28% Liveness
68% Instrumentalness • 64% Positiveness
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Paul Englishby
Miss Pettigrew Lives For A Day
103 bpm • E min • 02:14 • -14.73db
8% Popularity • 81% Danceability • 22% Energy • 8% Liveness
60% Instrumentalness • 55% Positiveness
8% Popularity • 81% Danceability • 22% Energy • 8% Liveness
60% Instrumentalness • 55% Positiveness
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John Barry Orchestra
The Human Jungle - Remastered
97 bpm • E Maj • 02:24 • -11db
14% Popularity • 37% Danceability • 49% Energy • 26% Liveness
1% Instrumentalness • 35% Positiveness
14% Popularity • 37% Danceability • 49% Energy • 26% Liveness
1% Instrumentalness • 35% Positiveness
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Anne Dudley
The Daily Grind
97 bpm • D# min • 02:07 • -12.11db
12% Popularity • 54% Danceability • 14% Energy • 9% Liveness
14% Instrumentalness • 27% Positiveness
12% Popularity • 54% Danceability • 14% Energy • 9% Liveness
14% Instrumentalness • 27% Positiveness
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Johnny Dodds
Stomp Time Blues
97 bpm • C min • 02:33 • -10.51db
8% Popularity • 79% Danceability • 38% Energy • 10% Liveness
84% Instrumentalness • 60% Positiveness
8% Popularity • 79% Danceability • 38% Energy • 10% Liveness
84% Instrumentalness • 60% Positiveness
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Scott Joplin
The Cascades
97 bpm • A# Maj • 02:56 • -24.68db
17% Popularity • 57% Danceability • 20% Energy • 16% Liveness
90% Instrumentalness • 72% Positiveness
17% Popularity • 57% Danceability • 20% Energy • 16% Liveness
90% Instrumentalness • 72% Positiveness
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Anton Karas
Anton Karas Second Theme
97 bpm • C# Maj • 02:04 • -11.85db
9% Popularity • 60% Danceability • 20% Energy • 10% Liveness
14% Instrumentalness • 59% Positiveness
9% Popularity • 60% Danceability • 20% Energy • 10% Liveness
14% Instrumentalness • 59% Positiveness
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Chick Webb
If Dreams Come True
97 bpm • D min • 03:24 • -13.94db
24% Popularity • 74% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 83% Positiveness
24% Popularity • 74% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 83% Positiveness
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The Universal International Orchestra
Strollin' Blues
97 bpm • C Maj • 02:40 • -10.6db
10% Popularity • 58% Danceability • 57% Energy • 31% Liveness
90% Instrumentalness • 92% Positiveness
10% Popularity • 58% Danceability • 57% Energy • 31% Liveness
90% Instrumentalness • 92% Positiveness
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Lionel Hampton
Flying Home
97 bpm • C# Maj • 03:10 • -9.79db
18% Popularity • 74% Danceability • 53% Energy • 16% Liveness
86% Instrumentalness • 81% Positiveness
18% Popularity • 74% Danceability • 53% Energy • 16% Liveness
86% Instrumentalness • 81% Positiveness
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Gordon Jenkins
Caravan
103 bpm • F Maj • 02:12 • -9.03db
30% Popularity • 51% Danceability • 48% Energy • 60% Liveness
54% Instrumentalness • 62% Positiveness
30% Popularity • 51% Danceability • 48% Energy • 60% Liveness
54% Instrumentalness • 62% Positiveness
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New England Conservatory Ragtime Ensemble
Joplin: The Cascades
103 bpm • E Maj • 03:27 • -13db
7% Popularity • 54% Danceability • 49% Energy • 5% Liveness
90% Instrumentalness • 40% Positiveness
7% Popularity • 54% Danceability • 49% Energy • 5% Liveness
90% Instrumentalness • 40% Positiveness
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Mrs Mills
Five Foot Two Eyes of Blue - 2003 Remast...
104 bpm • C Maj • 02:06 • -8db
17% Popularity • 68% Danceability • 67% Energy • 9% Liveness
91% Instrumentalness • 90% Positiveness
17% Popularity • 68% Danceability • 67% Energy • 9% Liveness
91% Instrumentalness • 90% Positiveness
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Alfred Newman
Airport Love Theme #2
104 bpm • E Maj • 02:43 • -31db
34% Popularity • 39% Danceability • 2% Energy • 17% Liveness
96% Instrumentalness • 18% Positiveness
34% Popularity • 39% Danceability • 2% Energy • 17% Liveness
96% Instrumentalness • 18% Positiveness
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George Fenton
Drunks
104 bpm • D Maj • 02:16 • -9.91db
10% Popularity • 66% Danceability • 54% Energy • 19% Liveness
90% Instrumentalness • 54% Positiveness
10% Popularity • 66% Danceability • 54% Energy • 19% Liveness
90% Instrumentalness • 54% Positiveness
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Burt Bacharach
Not Goin' Home Anymore
97 bpm • D# Maj • 03:31 • -21.8db
26% Popularity • 33% Danceability • 11% Energy • 11% Liveness
78% Instrumentalness • 17% Positiveness
26% Popularity • 33% Danceability • 11% Energy • 11% Liveness
78% Instrumentalness • 17% Positiveness
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Doc Paulin's Marching Band
We Shall Walk Through the Streets of the...
104 bpm • F Maj • 02:56 • -12.56db
11% Popularity • 56% Danceability • 72% Energy • 16% Liveness
94% Instrumentalness • 27% Positiveness
11% Popularity • 56% Danceability • 72% Energy • 16% Liveness
94% Instrumentalness • 27% Positiveness
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Anne Dudley
Changes
104 bpm • G# Maj • 02:54 • -14.07db
9% Popularity • 71% Danceability • 24% Energy • 28% Liveness
1% Instrumentalness • 75% Positiveness
9% Popularity • 71% Danceability • 24% Energy • 28% Liveness
1% Instrumentalness • 75% Positiveness
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Jerry Fielding
End Credits - La Golondrina
96 bpm • F Maj • 02:23 • -23.05db
11% Popularity • 12% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 10% Positiveness
11% Popularity • 12% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 10% Positiveness
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Les Brown & His Orchestra
Leap Frog - Remastered
96 bpm • G# Maj • 02:35 • -11.01db
23% Popularity • 50% Danceability • 50% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
23% Popularity • 50% Danceability • 50% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
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Kenny Ball & His Jazzmen
Rondo (Alternate Version)
104 bpm • F min • 02:25 • -7.2db
27% Popularity • 63% Danceability • 80% Energy • 31% Liveness
87% Instrumentalness • 94% Positiveness
27% Popularity • 63% Danceability • 80% Energy • 31% Liveness
87% Instrumentalness • 94% Positiveness
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Donna McKechnie
At the Ballet
104 bpm • A Maj • 03:29 • -20.54db
0% Popularity • 49% Danceability • 15% Energy • 68% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 49% Danceability • 15% Energy • 68% Liveness
0% Instrumentalness • 39% Positiveness
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Conal Fowkes
This Can't be Love
96 bpm • A# Maj • 03:33 • -19db
29% Popularity • 53% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 67% Positiveness
29% Popularity • 53% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 67% Positiveness
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Randy Newman
Train Ride - Soundtrack Version
105 bpm • C Maj • 01:52 • -16db
13% Popularity • 61% Danceability • 24% Energy • 15% Liveness
51% Instrumentalness • 40% Positiveness
13% Popularity • 61% Danceability • 24% Energy • 15% Liveness
51% Instrumentalness • 40% Positiveness
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Jenny Baker
Vet
96 bpm • D Maj • 00:57 • -12.7db
2% Popularity • 67% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
2% Popularity • 67% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Roger Williams
Moonglow & Theme from Picnic
105 bpm • F Maj • 02:47 • -15.24db
4% Popularity • 59% Danceability • 16% Energy • 8% Liveness
18% Instrumentalness • 63% Positiveness
4% Popularity • 59% Danceability • 16% Energy • 8% Liveness
18% Instrumentalness • 63% Positiveness
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Big Screen International
The NBC Mystery Movie
105 bpm • G Maj • 01:05 • -16.7db
16% Popularity • 44% Danceability • 34% Energy • 12% Liveness
51% Instrumentalness • 66% Positiveness
16% Popularity • 44% Danceability • 34% Energy • 12% Liveness
51% Instrumentalness • 66% Positiveness
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Ferrante & Teicher
Theme From "The Apartment"
95 bpm • F Maj • 03:03 • -11.49db
22% Popularity • 41% Danceability • 35% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
22% Popularity • 41% Danceability • 35% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Alfred Newman
How To Marry A Millionaire: Hanley's The...
95 bpm • G min • 02:55 • -21.17db
16% Popularity • 34% Danceability • 11% Energy • 14% Liveness
58% Instrumentalness • 20% Positiveness
16% Popularity • 34% Danceability • 11% Energy • 14% Liveness
58% Instrumentalness • 20% Positiveness
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Nino Rota
Gary Cooper
105 bpm • F Maj • 01:23 • -13db
35% Popularity • 33% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
35% Popularity • 33% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
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Marvin Hamlisch
The Entertainer / Rag Time Dance
95 bpm • F Maj • 03:40 • -7db
21% Popularity • 55% Danceability • 47% Energy • 10% Liveness
32% Instrumentalness • 58% Positiveness
21% Popularity • 55% Danceability • 47% Energy • 10% Liveness
32% Instrumentalness • 58% Positiveness
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TV Theme Song Maniacs
Theme From I Dream of Jeannie
105 bpm • G min • 01:10 • -9.86db
29% Popularity • 77% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 77% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Dick Hyman
Beautiful Signorina
105 bpm • F Maj • 03:14 • -20.76db
23% Popularity • 46% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
23% Popularity • 46% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
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Ray Anthony & His Orchestra
Dragnet
95 bpm • C min • 02:52 • -9db
19% Popularity • 55% Danceability • 74% Energy • 16% Liveness
90% Instrumentalness • 28% Positiveness
19% Popularity • 55% Danceability • 74% Energy • 16% Liveness
90% Instrumentalness • 28% Positiveness
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David Rose Orchestra
The Stripper
95 bpm • F Maj • 01:57 • -12.69db
27% Popularity • 45% Danceability • 44% Energy • 20% Liveness
97% Instrumentalness • 56% Positiveness
27% Popularity • 45% Danceability • 44% Energy • 20% Liveness
97% Instrumentalness • 56% Positiveness
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Nino Rota
The Pickup
95 bpm • F min • 02:56 • -12.72db
36% Popularity • 20% Danceability • 28% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
36% Popularity • 20% Danceability • 28% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
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Craig Carnelia
Will It Matter at All
95 bpm • C# Maj • 03:25 • -10.42db
0% Popularity • 59% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 59% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Randy Newman
Ragtime Theme
94 bpm • D# Maj • 02:36 • -22.76db
8% Popularity • 53% Danceability • 5% Energy • 17% Liveness
87% Instrumentalness • 29% Positiveness
8% Popularity • 53% Danceability • 5% Energy • 17% Liveness
87% Instrumentalness • 29% Positiveness
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Paul Eakins
Let Me Call You Sweetheart
106 bpm • G# Maj • 01:58 • -12.08db
8% Popularity • 67% Danceability • 32% Energy • 53% Liveness
24% Instrumentalness • 80% Positiveness
8% Popularity • 67% Danceability • 32% Energy • 53% Liveness
24% Instrumentalness • 80% Positiveness
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Pee Wee Hunt
12Th Street Rag
106 bpm • A# Maj • 02:54 • -7.26db
3% Popularity • 63% Danceability • 65% Energy • 12% Liveness
86% Instrumentalness • 89% Positiveness
3% Popularity • 63% Danceability • 65% Energy • 12% Liveness
86% Instrumentalness • 89% Positiveness
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Adolph Deutsch (conductor), Adolph Deutsch's Orchestra
Park Avenue Fantasy
106 bpm • G Maj • 02:10 • -12.54db
14% Popularity • 16% Danceability • 31% Energy • 26% Liveness
96% Instrumentalness • 11% Positiveness
14% Popularity • 16% Danceability • 31% Energy • 26% Liveness
96% Instrumentalness • 11% Positiveness
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Alfred Newman
Main Title
106 bpm • G min • 03:11 • -12.83db
17% Popularity • 50% Danceability • 52% Energy • 24% Liveness
15% Instrumentalness • 51% Positiveness
17% Popularity • 50% Danceability • 52% Energy • 24% Liveness
15% Instrumentalness • 51% Positiveness
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The Warner Bros. Studio Orchestra
Medley: It Had To Be You / Shine
106 bpm • D# Maj • 02:02 • -10.01db
13% Popularity • 58% Danceability • 55% Energy • 43% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 58% Danceability • 55% Energy • 43% Liveness
0% Instrumentalness • 92% Positiveness
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Randy Newman
Clef Club #2 - Soundtrack Version
106 bpm • A# Maj • 01:20 • -10.12db
27% Popularity • 84% Danceability • 53% Energy • 5% Liveness
90% Instrumentalness • 98% Positiveness
27% Popularity • 84% Danceability • 53% Energy • 5% Liveness
90% Instrumentalness • 98% Positiveness
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Marvin Hamlisch
Lucinda River / Two People
94 bpm • F# min • 03:45 • -16.23db
4% Popularity • 13% Danceability • 24% Energy • 16% Liveness
60% Instrumentalness • 4% Positiveness
4% Popularity • 13% Danceability • 24% Energy • 16% Liveness
60% Instrumentalness • 4% Positiveness
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Billy May
Mission Impossible - Lalo Schifrin Versi...
94 bpm • C min • 02:27 • -13db
18% Popularity • 50% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 50% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Harry Roy and His Orchestra
La Cucaracha
94 bpm • G# Maj • 03:08 • -13db
14% Popularity • 68% Danceability • 52% Energy • 31% Liveness
84% Instrumentalness • 92% Positiveness
14% Popularity • 68% Danceability • 52% Energy • 31% Liveness
84% Instrumentalness • 92% Positiveness
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Gato Barbieri
Last Tango in Paris - Ultimo Tango a Par...
107 bpm • C min • 03:24 • -8.51db
35% Popularity • 24% Danceability • 40% Energy • 10% Liveness
10% Instrumentalness • 50% Positiveness
35% Popularity • 24% Danceability • 40% Energy • 10% Liveness
10% Instrumentalness • 50% Positiveness
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Tom Sharpsteen and His Orlando
Salty Bubble
107 bpm • G min • 03:04 • -9db
9% Popularity • 72% Danceability • 70% Energy • 5% Liveness
83% Instrumentalness • 95% Positiveness
9% Popularity • 72% Danceability • 70% Energy • 5% Liveness
83% Instrumentalness • 95% Positiveness
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Joshua Rifkin
Stoptime Rag
107 bpm • C Maj • 02:56 • -27.71db
18% Popularity • 45% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 59% Positiveness
18% Popularity • 45% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 59% Positiveness
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John Ford
Main Title "How the West Was Won"
107 bpm • F min • 01:37 • -12.5db
16% Popularity • 53% Danceability • 63% Energy • 32% Liveness
54% Instrumentalness • 84% Positiveness
16% Popularity • 53% Danceability • 63% Energy • 32% Liveness
54% Instrumentalness • 84% Positiveness
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Marvin Hamlisch
Solace - The Sting/Soundtrack Version (P...
107 bpm • F Maj • 03:34 • -11.99db
28% Popularity • 50% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
28% Popularity • 50% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
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George Bruns
That Happy Rag
107 bpm • C Maj • 03:53 • -12.66db
16% Popularity • 66% Danceability • 39% Energy • 6% Liveness
51% Instrumentalness • 78% Positiveness
16% Popularity • 66% Danceability • 39% Energy • 6% Liveness
51% Instrumentalness • 78% Positiveness
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Alex North
Main Title
108 bpm • G Maj • 03:14 • -29.53db
23% Popularity • 34% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 31% Positiveness
23% Popularity • 34% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 31% Positiveness
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Vince Giordano And The Nighthawks
The Lady is a Tramp
108 bpm • C Maj • 03:49 • -15.52db
37% Popularity • 81% Danceability • 38% Energy • 23% Liveness
92% Instrumentalness • 91% Positiveness
37% Popularity • 81% Danceability • 38% Energy • 23% Liveness
92% Instrumentalness • 91% Positiveness
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Les Elgart
Varsity Drag
108 bpm • G min • 01:41 • -11db
22% Popularity • 67% Danceability • 58% Energy • 10% Liveness
85% Instrumentalness • 93% Positiveness
22% Popularity • 67% Danceability • 58% Energy • 10% Liveness
85% Instrumentalness • 93% Positiveness
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Frank Chacksfield & His Orchestra
The Alfred Hitchcock Theme
108 bpm • D Maj • 02:28 • -19.49db
18% Popularity • 73% Danceability • 16% Energy • 11% Liveness
59% Instrumentalness • 72% Positiveness
18% Popularity • 73% Danceability • 16% Energy • 11% Liveness
59% Instrumentalness • 72% Positiveness
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Marvin Hamlisch
Merry Go Round Music: (Listen To The Moc...
93 bpm • C Maj • 02:45 • -11.71db
16% Popularity • 50% Danceability • 63% Energy • 7% Liveness
93% Instrumentalness • 93% Positiveness
16% Popularity • 50% Danceability • 63% Energy • 7% Liveness
93% Instrumentalness • 93% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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Alex North
Spartacus Love Theme
108 bpm • A min • 02:50 • -17.51db
17% Popularity • 20% Danceability • 26% Energy • 32% Liveness
83% Instrumentalness • 17% Positiveness
17% Popularity • 20% Danceability • 26% Energy • 32% Liveness
83% Instrumentalness • 17% Positiveness
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Count Basie Orchestra
Do Nothin Til You Hear From Me
92 bpm • A# Maj • 03:55 • -18.02db
12% Popularity • 38% Danceability • 30% Energy • 40% Liveness
23% Instrumentalness • 67% Positiveness
12% Popularity • 38% Danceability • 30% Energy • 40% Liveness
23% Instrumentalness • 67% Positiveness
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Irving Berlin
Annie Get Your Gun: They Say It's Wonder...
108 bpm • D# Maj • 02:51 • -21.94db
24% Popularity • 44% Danceability • 5% Energy • 23% Liveness
94% Instrumentalness • 8% Positiveness
24% Popularity • 44% Danceability • 5% Energy • 23% Liveness
94% Instrumentalness • 8% Positiveness
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The Beau Hunks
Dash and Dot
108 bpm • F Maj • 01:08 • -17.05db
13% Popularity • 88% Danceability • 3% Energy • 10% Liveness
10% Instrumentalness • 49% Positiveness
13% Popularity • 88% Danceability • 3% Energy • 10% Liveness
10% Instrumentalness • 49% Positiveness
