Songs like Horse Guards Whitehall (From 'London Landmarks' Suite) by Haydn Wood
Based on a tempo of (+/- 10%) and a similar genre
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Haydn Wood
Horse Guards Whitehall
155 bpm • F Maj • 03:14 • -9.78db
1% Popularity • 44% Danceability • 42% Energy • 35% Liveness
82% Instrumentalness • 77% Positiveness
1% Popularity • 44% Danceability • 42% Energy • 35% Liveness
82% Instrumentalness • 77% Positiveness
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Percy Grainger
Grainger / Orch. Artok: Country Gardens,...
157 bpm • D# Maj • 02:16 • -16.5db
22% Popularity • 43% Danceability • 24% Energy • 13% Liveness
93% Instrumentalness • 79% Positiveness
22% Popularity • 43% Danceability • 24% Energy • 13% Liveness
93% Instrumentalness • 79% Positiveness
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Sidney Torch
Portrait of a Flirt
158 bpm • C Maj • 02:42 • -9db
13% Popularity • 26% Danceability • 42% Energy • 36% Liveness
13% Instrumentalness • 33% Positiveness
13% Popularity • 26% Danceability • 42% Energy • 36% Liveness
13% Instrumentalness • 33% Positiveness
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Josef Strauss
For Ever, Polka schnell, Op. 193
153 bpm • G Maj • 02:47 • -15.65db
18% Popularity • 61% Danceability • 34% Energy • 7% Liveness
96% Instrumentalness • 90% Positiveness
18% Popularity • 61% Danceability • 34% Energy • 7% Liveness
96% Instrumentalness • 90% Positiveness
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Danke Timi Briggs
Militant Beauty
152 bpm • A# Maj • 02:11 • -17.32db
14% Popularity • 12% Danceability • 18% Energy • 32% Liveness
85% Instrumentalness • 34% Positiveness
14% Popularity • 12% Danceability • 18% Energy • 32% Liveness
85% Instrumentalness • 34% Positiveness
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Eric Coates
Coates: By the Sleepy Lagoon
158 bpm • C Maj • 03:09 • -24.98db
12% Popularity • 10% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
12% Popularity • 10% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Emiliano Branda
The Haunting Hour
151 bpm • A# Maj • 02:15 • -18.12db
7% Popularity • 41% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 45% Positiveness
7% Popularity • 41% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 45% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann, Op. 67: Belle nui...
150 bpm • D Maj • 02:37 • -15.01db
34% Popularity • 15% Danceability • 19% Energy • 18% Liveness
91% Instrumentalness • 7% Positiveness
34% Popularity • 15% Danceability • 19% Energy • 18% Liveness
91% Instrumentalness • 7% Positiveness
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Hans Christian Lumbye
Kanon Galop (1853)
150 bpm • E Maj • 02:22 • -16db
27% Popularity • 35% Danceability • 41% Energy • 33% Liveness
87% Instrumentalness • 58% Positiveness
27% Popularity • 35% Danceability • 41% Energy • 33% Liveness
87% Instrumentalness • 58% Positiveness
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Ronald Binge
Binge: Elizabethan Serenade, "The Man in...
149 bpm • F Maj • 03:34 • -20.35db
15% Popularity • 28% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 44% Positiveness
15% Popularity • 28% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 44% Positiveness
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Danke Timi Briggs
Billabong
150 bpm • G min • 02:12 • -15.02db
17% Popularity • 22% Danceability • 22% Energy • 36% Liveness
91% Instrumentalness • 38% Positiveness
17% Popularity • 22% Danceability • 22% Energy • 36% Liveness
91% Instrumentalness • 38% Positiveness
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William Walton
Henry V (adapted by Christopher Palmer):...
150 bpm • C Maj • 01:28 • -46db
19% Popularity • 12% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 8% Positiveness
19% Popularity • 12% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 8% Positiveness
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Haydn Wood
Laughing Cavalier
149 bpm • E min • 01:08 • -16db
10% Popularity • 50% Danceability • 29% Energy • 13% Liveness
92% Instrumentalness • 84% Positiveness
10% Popularity • 50% Danceability • 29% Energy • 13% Liveness
92% Instrumentalness • 84% Positiveness
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Eric Coates
The Dambusters: March: 'The Dam Busters'
148 bpm • C Maj • 03:56 • -20.48db
10% Popularity • 29% Danceability • 14% Energy • 25% Liveness
95% Instrumentalness • 37% Positiveness
10% Popularity • 29% Danceability • 14% Energy • 25% Liveness
95% Instrumentalness • 37% Positiveness
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Lev Atovmyan
Ballet Suite No. 1 (arr. L. Atovmyan): G...
162 bpm • A Maj • 01:45 • -16db
17% Popularity • 48% Danceability • 45% Energy • 8% Liveness
88% Instrumentalness • 89% Positiveness
17% Popularity • 48% Danceability • 45% Energy • 8% Liveness
88% Instrumentalness • 89% Positiveness
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Leonard Bernstein
Candide, Act I: Overture
148 bpm • A# Maj • 04:29 • -10.62db
22% Popularity • 32% Danceability • 45% Energy • 14% Liveness
38% Instrumentalness • 36% Positiveness
22% Popularity • 32% Danceability • 45% Energy • 14% Liveness
38% Instrumentalness • 36% Positiveness
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Jacques Offenbach
Gaîté parisienne: Polka I
163 bpm • D# Maj • 01:44 • -21.84db
8% Popularity • 47% Danceability • 18% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
8% Popularity • 47% Danceability • 18% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
147 bpm • C min • 02:54 • -18db
15% Popularity • 24% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 24% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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London Symphony Orchestra
Anitra's Dance
163 bpm • A min • 02:10 • -32.2db
14% Popularity • 26% Danceability • 3% Energy • 13% Liveness
78% Instrumentalness • 17% Positiveness
14% Popularity • 26% Danceability • 3% Energy • 13% Liveness
78% Instrumentalness • 17% Positiveness
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Franz von Suppé
Die Reise um die Erde in 80 Tagen (Versi...
147 bpm • C# min • 01:01 • -11.84db
28% Popularity • 32% Danceability • 44% Energy • 53% Liveness
86% Instrumentalness • 31% Positiveness
28% Popularity • 32% Danceability • 44% Energy • 53% Liveness
86% Instrumentalness • 31% Positiveness
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Hugo Alfvén
Vallflickans Dance (Dance of the Shepher...
147 bpm • G Maj • 03:54 • -29db
10% Popularity • 25% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
10% Popularity • 25% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Vivian Ellis
Coronation Scot
147 bpm • G Maj • 03:01 • -28db
18% Popularity • 26% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 16% Positiveness
18% Popularity • 26% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 16% Positiveness
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Danke Timi Briggs
Baby Mothers Unshamed Mothers
147 bpm • G min • 02:18 • -16.59db
15% Popularity • 17% Danceability • 20% Energy • 37% Liveness
92% Instrumentalness • 31% Positiveness
15% Popularity • 17% Danceability • 20% Energy • 37% Liveness
92% Instrumentalness • 31% Positiveness
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Sir Henry Wood
Fantasia on British Sea Songs (excerpts)...
145 bpm • A Maj • 02:17 • -26.16db
21% Popularity • 39% Danceability • 8% Energy • 38% Liveness
1% Instrumentalness • 77% Positiveness
21% Popularity • 39% Danceability • 8% Energy • 38% Liveness
1% Instrumentalness • 77% Positiveness
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Singapore Symphony Orchestra
Happiness
165 bpm • G Maj • 02:12 • -32.38db
17% Popularity • 16% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 40% Positiveness
17% Popularity • 16% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 40% Positiveness
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Émile Waldteufel
Walzer, Op.138, "Schlittschuhlaufer"
167 bpm • A Maj • 08:34 • -16.06db
8% Popularity • 23% Danceability • 10% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
8% Popularity • 23% Danceability • 10% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
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St. Petersburg State Symphony Orchestra
Act I - Boston Waltz
144 bpm • D Maj • 02:45 • -19db
13% Popularity • 27% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
13% Popularity • 27% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Rossini: La gazza ladra: Overture
167 bpm • E Maj • 10:13 • -20.71db
17% Popularity • 34% Danceability • 10% Energy • 26% Liveness
75% Instrumentalness • 33% Positiveness
17% Popularity • 34% Danceability • 10% Energy • 26% Liveness
75% Instrumentalness • 33% Positiveness
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Alberto Ginastera
Estancia, Op. 8: Scene 1, El Amanecer - ...
144 bpm • C Maj • 01:33 • -18.56db
11% Popularity • 48% Danceability • 42% Energy • 61% Liveness
90% Instrumentalness • 40% Positiveness
11% Popularity • 48% Danceability • 42% Energy • 61% Liveness
90% Instrumentalness • 40% Positiveness
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Haydn Wood
Horseguard's Whitehall (Down Your Way)
143 bpm • F Maj • 03:09 • -9.91db
1% Popularity • 44% Danceability • 41% Energy • 13% Liveness
89% Instrumentalness • 75% Positiveness
1% Popularity • 44% Danceability • 41% Energy • 13% Liveness
89% Instrumentalness • 75% Positiveness
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Eric Coates
Cinderella: 2. Her Fairy Godmother calls...
143 bpm • G Maj • 01:35 • -31db
15% Popularity • 14% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Hans Christian Lumbye
Dagmar Polka (1866)
168 bpm • A Maj • 02:21 • -17.55db
24% Popularity • 28% Danceability • 18% Energy • 22% Liveness
89% Instrumentalness • 53% Positiveness
24% Popularity • 28% Danceability • 18% Energy • 22% Liveness
89% Instrumentalness • 53% Positiveness
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Ruth Rutherford
Love's Garden Of Roses
168 bpm • B Maj • 02:56 • -9.15db
0% Popularity • 33% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 33% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Franz von Suppé
Des Matrosen Heimkehr: Tanz der Schiffsj...
168 bpm • D Maj • 02:14 • -18.02db
17% Popularity • 38% Danceability • 24% Energy • 44% Liveness
94% Instrumentalness • 77% Positiveness
17% Popularity • 38% Danceability • 24% Energy • 44% Liveness
94% Instrumentalness • 77% Positiveness
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Silvia Capova
Prelude: The Wispering Valley
143 bpm • G Maj • 04:22 • -23.3db
11% Popularity • 19% Danceability • 6% Energy • 32% Liveness
12% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 6% Energy • 32% Liveness
12% Instrumentalness • 4% Positiveness
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![Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): On a branch of a big tree (The Bird) cover art](https://i.scdn.co/image/ab67616d00001e02f8f124b3c9cbe2123a602857)
Raymond Leppard
Peter and the Wolf - A Musical Tale for ...
143 bpm • C Maj • 01:31 • -25.1db
10% Popularity • 39% Danceability • 6% Energy • 23% Liveness
69% Instrumentalness • 36% Positiveness
10% Popularity • 39% Danceability • 6% Energy • 23% Liveness
69% Instrumentalness • 36% Positiveness
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Various Artists
Pas de Quatre from Aurora's Wedding
168 bpm • A# Maj • 02:37 • -20.85db
10% Popularity • 9% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Ernest Tomlinson
Little Serenade
143 bpm • A Maj • 03:23 • -31db
22% Popularity • 18% Danceability • 2% Energy • 13% Liveness
67% Instrumentalness • 17% Positiveness
22% Popularity • 18% Danceability • 2% Energy • 13% Liveness
67% Instrumentalness • 17% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme by Paganini
168 bpm • C# Maj • 02:42 • -17.99db
8% Popularity • 16% Danceability • 17% Energy • 11% Liveness
76% Instrumentalness • 7% Positiveness
8% Popularity • 16% Danceability • 17% Energy • 11% Liveness
76% Instrumentalness • 7% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: Alborada: Vi...
142 bpm • A# Maj • 01:04 • -17.18db
20% Popularity • 40% Danceability • 25% Energy • 30% Liveness
57% Instrumentalness • 61% Positiveness
20% Popularity • 40% Danceability • 25% Energy • 30% Liveness
57% Instrumentalness • 61% Positiveness
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Eric Coates
Coates: Calling All Workers (March)
141 bpm • C Maj • 03:10 • -11db
6% Popularity • 36% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 67% Positiveness
6% Popularity • 36% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 67% Positiveness
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Haydn Wood
Frescoes Suite 3:bandstand
141 bpm • C Maj • 03:56 • -11.34db
0% Popularity • 43% Danceability • 43% Energy • 33% Liveness
88% Instrumentalness • 68% Positiveness
0% Popularity • 43% Danceability • 43% Energy • 33% Liveness
88% Instrumentalness • 68% Positiveness
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Dermot Troy
Wood: Roses of Picardy
170 bpm • B min • 04:05 • -10.99db
0% Popularity • 24% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 24% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Ernest Tomlinson
Little Serenade
142 bpm • A Maj • 03:23 • -29db
22% Popularity • 17% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 4 "L'automne": ...
141 bpm • A Maj • 04:26 • -27.79db
15% Popularity • 14% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Arno Babajanian
Elegy (Arr. for Piano & Orchestra by Sas...
171 bpm • D min • 04:24 • -21.24db
9% Popularity • 14% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
9% Popularity • 14% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Gottfried Huppertz
Metropolis: I. Auftakt: Freder und Maria
171 bpm • G# Maj • 05:22 • -22.22db
9% Popularity • 9% Danceability • 7% Energy • 54% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 7% Energy • 54% Liveness
90% Instrumentalness • 4% Positiveness
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Ronald Binge
Las Castañuelas
141 bpm • F Maj • 03:13 • -18db
14% Popularity • 38% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 49% Positiveness
14% Popularity • 38% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 49% Positiveness
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Fredell caparon
your game
140 bpm • A Maj • 02:17 • -17db
9% Popularity • 42% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
9% Popularity • 42% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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Alejandro Llovet Abascal
Waltz No 2 Vera Icon
140 bpm • A# Maj • 03:12 • -20.23db
9% Popularity • 68% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 94% Positiveness
9% Popularity • 68% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 94% Positiveness
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Haydn Wood
Violin Concerto in A Minor: II. Andante ...
140 bpm • F Maj • 08:17 • -31.43db
1% Popularity • 15% Danceability • 2% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 2% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
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Frederick Delius
La Calinda
172 bpm • D Maj • 04:17 • -24db
10% Popularity • 16% Danceability • 7% Energy • 6% Liveness
60% Instrumentalness • 7% Positiveness
10% Popularity • 16% Danceability • 7% Energy • 6% Liveness
60% Instrumentalness • 7% Positiveness
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Johann Strauss II
Wiener Blut, Walzer, Op. 354
172 bpm • C Maj • 09:57 • -25db
27% Popularity • 20% Danceability • 7% Energy • 65% Liveness
66% Instrumentalness • 11% Positiveness
27% Popularity • 20% Danceability • 7% Energy • 65% Liveness
66% Instrumentalness • 11% Positiveness
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New D'Oyly Carte Opera Orchestra
The Pirates of Penzance: Overture
140 bpm • G Maj • 07:09 • -21.46db
10% Popularity • 32% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
10% Popularity • 32% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Alexander Glazunov
Raymonda, Op. 57: Act I - Scene I
172 bpm • D# Maj • 04:06 • -21.43db
7% Popularity • 10% Danceability • 5% Energy • 17% Liveness
98% Instrumentalness • 5% Positiveness
7% Popularity • 10% Danceability • 5% Energy • 17% Liveness
98% Instrumentalness • 5% Positiveness
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Selim Palmgren
Illusion, Op. 1, No. 2
172 bpm • E min • 02:33 • -29db
17% Popularity • 8% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Haydn Wood
Mayday: A May-Day Overture
140 bpm • G Maj • 06:58 • -20.01db
1% Popularity • 22% Danceability • 15% Energy • 7% Liveness
84% Instrumentalness • 12% Positiveness
1% Popularity • 22% Danceability • 15% Energy • 7% Liveness
84% Instrumentalness • 12% Positiveness
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J Zibin
Le Corsaire: Pas d Esclave - Lankendem V...
173 bpm • D Maj • 01:05 • -20db
17% Popularity • 43% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 76% Positiveness
17% Popularity • 43% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 76% Positiveness
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Eric Coates
Cinderella: 10. The Prince and his atten...
139 bpm • D Maj • 01:03 • -22.42db
9% Popularity • 19% Danceability • 19% Energy • 50% Liveness
73% Instrumentalness • 16% Positiveness
9% Popularity • 19% Danceability • 19% Energy • 50% Liveness
73% Instrumentalness • 16% Positiveness
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Annunzio Paolo Mantovani
Exodus Main Theme
139 bpm • E min • 03:10 • -17.31db
11% Popularity • 15% Danceability • 21% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
11% Popularity • 15% Danceability • 21% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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Moscow Symphony Orchestra
The Son Of Kong: Runaway Blues
138 bpm • F Maj • 01:39 • -28.96db
20% Popularity • 15% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 6% Positiveness
20% Popularity • 15% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Modest Mussorgsky
Khovanshchina: Morgendammerung an der Mo...
174 bpm • C# min • 05:08 • -27.08db
11% Popularity • 12% Danceability • 3% Energy • 5% Liveness
66% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 3% Energy • 5% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Haydn Wood
Bird of Love Divine
173 bpm • F Maj • 02:01 • -20.32db
0% Popularity • 17% Danceability • 8% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
0% Popularity • 17% Danceability • 8% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
► Preview
Robert Farnon
Westminster Waltz
174 bpm • D Maj • 02:50 • -25db
11% Popularity • 11% Danceability • 9% Energy • 35% Liveness
95% Instrumentalness • 17% Positiveness
11% Popularity • 11% Danceability • 9% Energy • 35% Liveness
95% Instrumentalness • 17% Positiveness
► Preview
Paul Lincke
Glow Worm Idyll
138 bpm • D# Maj • 03:32 • -12.68db
3% Popularity • 46% Danceability • 17% Energy • 36% Liveness
87% Instrumentalness • 43% Positiveness
3% Popularity • 46% Danceability • 17% Energy • 36% Liveness
87% Instrumentalness • 43% Positiveness
► Preview
Frederick Delius
Summer Evening
175 bpm • D Maj • 05:45 • -26db
9% Popularity • 8% Danceability • 3% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 3% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
► Preview
Ronald Binge
Faire Frou-Frou
175 bpm • G Maj • 02:23 • -25.89db
17% Popularity • 44% Danceability • 17% Energy • 14% Liveness
82% Instrumentalness • 84% Positiveness
17% Popularity • 44% Danceability • 17% Energy • 14% Liveness
82% Instrumentalness • 84% Positiveness
► Preview
Franz Lehár
Gold And Silver Waltz (Gold und Silber/L...
175 bpm • C Maj • 07:06 • -15db
9% Popularity • 21% Danceability • 16% Energy • 73% Liveness
89% Instrumentalness • 23% Positiveness
9% Popularity • 21% Danceability • 16% Energy • 73% Liveness
89% Instrumentalness • 23% Positiveness
► Preview
Haydn Wood
Little Yvette
173 bpm • A# Maj • 03:00 • -16.04db
0% Popularity • 33% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 33% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Ferde Grofé
Grand Canyon Suite: I. Sunrise
137 bpm • A Maj • 05:09 • -15.42db
8% Popularity • 16% Danceability • 24% Energy • 14% Liveness
84% Instrumentalness • 30% Positiveness
8% Popularity • 16% Danceability • 24% Energy • 14% Liveness
84% Instrumentalness • 30% Positiveness
► Preview
蔡榮吉
世界名曲:小夜曲
137 bpm • D Maj • 03:50 • -19.3db
10% Popularity • 17% Danceability • 11% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 11% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Julius Fučík
Lebensmärchen, Op. 253 (Version for Orc...
176 bpm • G Maj • 08:16 • -21.36db
11% Popularity • 22% Danceability • 6% Energy • 7% Liveness
59% Instrumentalness • 8% Positiveness
11% Popularity • 22% Danceability • 6% Energy • 7% Liveness
59% Instrumentalness • 8% Positiveness
► Preview
Eric Coates
The Dam Busters
137 bpm • C Maj • 02:58 • -12.09db
3% Popularity • 34% Danceability • 40% Energy • 22% Liveness
93% Instrumentalness • 44% Positiveness
3% Popularity • 34% Danceability • 40% Energy • 22% Liveness
93% Instrumentalness • 44% Positiveness
► Preview
Alberto Lizzio
Symphony Fantastique Op.14: Un Bal, Vals...
177 bpm • A Maj • 06:11 • -25.99db
10% Popularity • 16% Danceability • 6% Energy • 5% Liveness
66% Instrumentalness • 9% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 5% Liveness
66% Instrumentalness • 9% Positiveness
► Preview
Haydn Wood
The Horseguards, Whitehall
138 bpm • F Maj • 03:38 • -21db
6% Popularity • 32% Danceability • 18% Energy • 37% Liveness
93% Instrumentalness • 51% Positiveness
6% Popularity • 32% Danceability • 18% Energy • 37% Liveness
93% Instrumentalness • 51% Positiveness
► Preview
Hector Berlioz
Symphony Fantastique in C Major, Op 14: ...
177 bpm • A Maj • 06:10 • -20.23db
9% Popularity • 17% Danceability • 14% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
9% Popularity • 17% Danceability • 14% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Albert Ketèlbey
Bells across the Meadows
136 bpm • D# Maj • 05:12 • -27db
17% Popularity • 15% Danceability • 4% Energy • 17% Liveness
61% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 4% Energy • 17% Liveness
61% Instrumentalness • 4% Positiveness
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Johann Strauss II
Vienna Blood - Waltz Op. 354
178 bpm • C Maj • 08:12 • -25db
24% Popularity • 20% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
24% Popularity • 20% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Ronald Binge
Elizabethan Serenade
178 bpm • F Maj • 02:57 • -13db
13% Popularity • 32% Danceability • 20% Energy • 6% Liveness
41% Instrumentalness • 66% Positiveness
13% Popularity • 32% Danceability • 20% Energy • 6% Liveness
41% Instrumentalness • 66% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: II. Arabi...
134 bpm • F Maj • 04:27 • -23.67db
2% Popularity • 40% Danceability • 5% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
2% Popularity • 40% Danceability • 5% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
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Haydn Wood
Montmartre
138 bpm • F Maj • 02:50 • -12.54db
0% Popularity • 44% Danceability • 38% Energy • 9% Liveness
69% Instrumentalness • 67% Positiveness
0% Popularity • 44% Danceability • 38% Energy • 9% Liveness
69% Instrumentalness • 67% Positiveness
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Eric Coates
By the Sleepy Lagoon
135 bpm • C Maj • 03:57 • -29.36db
20% Popularity • 15% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ferdinand Hérold
Hérold & Lanchbery: La fille mal gardé...
134 bpm • D# Maj • 03:35 • -28db
9% Popularity • 22% Danceability • 3% Energy • 48% Liveness
58% Instrumentalness • 24% Positiveness
9% Popularity • 22% Danceability • 3% Energy • 48% Liveness
58% Instrumentalness • 24% Positiveness
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Johann Strauss II
Wiener Blut
179 bpm • C Maj • 09:08 • -19.4db
13% Popularity • 24% Danceability • 9% Energy • 5% Liveness
61% Instrumentalness • 21% Positiveness
13% Popularity • 24% Danceability • 9% Energy • 5% Liveness
61% Instrumentalness • 21% Positiveness
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Hans Christian Lumbye
Deborah Polka-Mazurka (1857)
134 bpm • E min • 02:48 • -17.46db
14% Popularity • 37% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 58% Positiveness
14% Popularity • 37% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 58% Positiveness
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Robert Farnon
Jumping Bean
133 bpm • D# Maj • 02:22 • -24.81db
8% Popularity • 49% Danceability • 25% Energy • 20% Liveness
91% Instrumentalness • 59% Positiveness
8% Popularity • 49% Danceability • 25% Energy • 20% Liveness
91% Instrumentalness • 59% Positiveness
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Haydn Wood
Paris - Suite: III. Montmatre
136 bpm • F Maj • 04:02 • -13.64db
3% Popularity • 40% Danceability • 35% Energy • 12% Liveness
72% Instrumentalness • 48% Positiveness
3% Popularity • 40% Danceability • 35% Energy • 12% Liveness
72% Instrumentalness • 48% Positiveness
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Eric Coates
By The Sleepy Lagoon: By the Sleepy Lago...
134 bpm • C Maj • 03:47 • -17db
13% Popularity • 16% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Shanghai Philharmonic Orchestra
Evening Party
133 bpm • D Maj • 01:54 • -19.01db
17% Popularity • 58% Danceability • 9% Energy • 30% Liveness
6% Instrumentalness • 41% Positiveness
17% Popularity • 58% Danceability • 9% Energy • 30% Liveness
6% Instrumentalness • 41% Positiveness
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Johann Strauss II
Rosen aus dem Süden, Op. 388
181 bpm • F Maj • 10:01 • -18.59db
34% Popularity • 24% Danceability • 10% Energy • 6% Liveness
85% Instrumentalness • 28% Positiveness
34% Popularity • 24% Danceability • 10% Energy • 6% Liveness
85% Instrumentalness • 28% Positiveness
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London Symphony Orchestra
Fledermaus Overture
181 bpm • A Maj • 02:37 • -18.36db
12% Popularity • 27% Danceability • 20% Energy • 8% Liveness
68% Instrumentalness • 22% Positiveness
12% Popularity • 27% Danceability • 20% Energy • 8% Liveness
68% Instrumentalness • 22% Positiveness
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Ronald Binge
Elizabethan Serenade
181 bpm • F Maj • 02:51 • -33.14db
10% Popularity • 16% Danceability • 2% Energy • 9% Liveness
31% Instrumentalness • 46% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 9% Liveness
31% Instrumentalness • 46% Positiveness
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Haydn Wood
Paris: III. March: Montmartre
134 bpm • F Maj • 04:05 • -17.84db
0% Popularity • 46% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 62% Positiveness
0% Popularity • 46% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 62% Positiveness
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Francois Fortin
Funny alucarD
132 bpm • F# Maj • 01:14 • -22.67db
13% Popularity • 44% Danceability • 9% Energy • 29% Liveness
93% Instrumentalness • 16% Positiveness
13% Popularity • 44% Danceability • 9% Energy • 29% Liveness
93% Instrumentalness • 16% Positiveness
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Wiener Symphoniker
Die Fledermaus Waltz
132 bpm • D Maj • 02:04 • -12.49db
12% Popularity • 42% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 67% Positiveness
12% Popularity • 42% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 67% Positiveness
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Maurice Yvain
Yes!, Act I: Ouverture
132 bpm • F Maj • 03:49 • -16.3db
14% Popularity • 44% Danceability • 27% Energy • 16% Liveness
93% Instrumentalness • 73% Positiveness
14% Popularity • 44% Danceability • 27% Energy • 16% Liveness
93% Instrumentalness • 73% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: I. Mornin...
182 bpm • E Maj • 03:44 • -27.38db
4% Popularity • 7% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
4% Popularity • 7% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Ernest Tomlinson
First Suite of English Folk Dances: No. ...
183 bpm • A# Maj • 02:36 • -29db
17% Popularity • 28% Danceability • 2% Energy • 12% Liveness
44% Instrumentalness • 51% Positiveness
17% Popularity • 28% Danceability • 2% Energy • 12% Liveness
44% Instrumentalness • 51% Positiveness
