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Hot Beer
Songs like
Hot Beer
by
Dillon Carmichael
Based on a tempo of (+/- 10%) and a similar genre
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Frank Foster
A Few More Miles
148 bpm • D# Maj • 03:12 • -9.42db
36% Popularity • 63% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Randall King
Tuggin’ on My Heartstrings
148 bpm • G# Maj • 03:11 • -5.41db
43% Popularity • 54% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Larry Fleet
Stack of Records
148 bpm • C Maj • 03:38 • -6db
44% Popularity • 59% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Jade Eagleson
Honky Talkin'
148 bpm • E Maj • 02:53 • -2.81db
30% Popularity • 55% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Heath Sanders
Proud
148 bpm • C# Maj • 03:15 • -5db
25% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Mason Lively
Something 'Bout a Southern Girl
148 bpm • D# Maj • 04:22 • -4.45db
26% Popularity • 52% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Tyler Braden
Secret
148 bpm • G Maj • 03:54 • -7.82db
44% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Dillon Carmichael
Rollin' Stone
148 bpm • C Maj • 03:01 • -5db
25% Popularity • 42% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Hayden Coffman
Good Ol' Boys
148 bpm • F# Maj • 03:02 • -5db
47% Popularity • 48% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Larry Fleet
Different Shade of Red
148 bpm • C# Maj • 03:07 • -5db
44% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Drew Parker
At The End Of The Dirt Road
148 bpm • C# Maj • 03:23 • -5.85db
34% Popularity • 49% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Canaan Smith
Beer Drinkin' Weather
148 bpm • A# Maj • 03:04 • -2.88db
46% Popularity • 46% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Cody Hibbard
Different Now
148 bpm • D# Maj • 03:09 • -4.34db
29% Popularity • 40% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Heath Sanders
Bloodline
148 bpm • F# Maj • 03:52 • -5.19db
44% Popularity • 52% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Randy Rogers Band
Fast Car
148 bpm • G Maj • 03:28 • -5db
34% Popularity • 44% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Dillon Carmichael
Hot Beer
148 bpm • B Maj • 03:10 • -5db
44% Popularity • 64% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Logan Mize
Who Didn't
148 bpm • A# Maj • 02:57 • -4db
36% Popularity • 55% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Mike Ryan
Ghost Town
148 bpm • F# min • 03:26 • -6.74db
41% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Cody Hibbard
Just For The Record
148 bpm • F# Maj • 03:21 • -5.49db
41% Popularity • 47% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Ian Munsick
Introduce You to God
148 bpm • D Maj • 03:34 • -5.37db
40% Popularity • 49% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Mickey Lamantia
Take Our Country Back
148 bpm • D Maj • 03:33 • -5.98db
27% Popularity • 67% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Luke Combs
My Kinda Folk
148 bpm • G Maj • 04:27 • -4.59db
51% Popularity • 52% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Randy Houser
Still That Cowboy
149 bpm • F# Maj • 03:46 • -5db
46% Popularity • 54% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Elvie Shane
Sundays In The South
147 bpm • F# Maj • 03:15 • -3.45db
28% Popularity • 66% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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David Adam Byrnes
She Only Wanted Flowers
147 bpm • G# Maj • 03:34 • -7.37db
32% Popularity • 53% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Mikele Buck Band
Love You Down
147 bpm • G Maj • 03:02 • -6.5db
29% Popularity • 51% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Mickey Lamantia
The Old One
149 bpm • F Maj • 04:29 • -9.7db
33% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Drew Parker
I Was Lying
146 bpm • A# Maj • 03:10 • -4.3db
28% Popularity • 48% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Tyler Booth
Bar High
146 bpm • A Maj • 02:58 • -5db
33% Popularity • 53% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Randy Houser
Workin' Man
146 bpm • D# Maj • 03:38 • -4.87db
46% Popularity • 61% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Clay Walker
You Look Good
146 bpm • F# Maj • 02:55 • -6.15db
38% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Ray Fulcher
Love Ya Son, Go Dawgs
150 bpm • C# Maj • 04:02 • -6db
27% Popularity • 58% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Dillon Carmichael
Country Boy Lovin'
150 bpm • D Maj • 02:45 • -4.26db
24% Popularity • 61% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Drew Parker
Hell Yeah Say When I'm In
146 bpm • D Maj • 02:48 • -3.68db
36% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Larry Fleet
Best That I Got
146 bpm • G Maj • 03:18 • -5.02db
45% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Corey Kent
There's Always Next Year
150 bpm • C Maj • 02:49 • -6db
42% Popularity • 53% Danceability • 91% Energy • 45% Liveness
0% Instrumentalness • 68% Positiveness
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Ronnie Dunn
Young Buck
150 bpm • A Maj • 03:12 • -6db
38% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Drake White
50 Years Too Late
146 bpm • D Maj • 04:11 • -4.89db
38% Popularity • 53% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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Heath Sanders
Old School’s In
146 bpm • G# Maj • 03:53 • -5.08db
34% Popularity • 49% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 33% Positiveness
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Frank Foster
'Til I'm Gone
146 bpm • D Maj • 04:28 • -6.85db
31% Popularity • 55% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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Larry Fleet
Layaway
150 bpm • F Maj • 03:29 • -4.52db
34% Popularity • 52% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Mike Ryan
Die Runnin'
146 bpm • F# Maj • 03:11 • -3.99db
45% Popularity • 48% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Morgan Wallen
Somethin’ Country
146 bpm • D Maj • 02:52 • -4.44db
58% Popularity • 60% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Ronnie Dunn
That's Why They Make Jack Daniels
146 bpm • D# Maj • 03:23 • -5db
38% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Kolby Cooper
It Ain't Me
150 bpm • F# Maj • 04:28 • -4.96db
52% Popularity • 40% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Chancey Williams
The World Needs More Cowboys
150 bpm • C# Maj • 03:02 • -4.27db
36% Popularity • 54% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Trey Lewis
Little Tired
146 bpm • A# Maj • 04:23 • -5.48db
31% Popularity • 49% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Larry Fleet
Mix 'Em With Whiskey
150 bpm • B Maj • 03:19 • -5db
50% Popularity • 67% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Tyler Wood
Dad
150 bpm • C# Maj • 03:27 • -6.38db
40% Popularity • 64% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Curtis Grimes
Still
146 bpm • C Maj • 03:15 • -4.66db
26% Popularity • 58% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Crawford & Power
She Liked to Get High
146 bpm • E Maj • 03:37 • -5db
26% Popularity • 56% Danceability • 69% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
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Heath Sanders
Common Ground
146 bpm • D# Maj • 04:09 • -7.4db
23% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Chancey Williams
Wyoming Wind
151 bpm • B Maj • 04:02 • -8db
32% Popularity • 49% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Dillon Carmichael
Dancing Away with My Heart
145 bpm • A Maj • 03:47 • -7.62db
43% Popularity • 32% Danceability • 55% Energy • 20% Liveness
10% Instrumentalness • 38% Positiveness
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Jon Wolfe
Some Ol' Bar in the 90's
145 bpm • G# Maj • 03:24 • -3.94db
42% Popularity • 55% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Tyler Booth
Hank Crankin' People
145 bpm • G Maj • 03:48 • -4.68db
43% Popularity • 51% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Kolby Cooper
Boy From Anderson County
145 bpm • A Maj • 04:04 • -5.63db
40% Popularity • 52% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Matt Mason
Roll No More
151 bpm • A Maj • 03:04 • -7.64db
36% Popularity • 54% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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David Adam Byrnes
Beer Bucket List
152 bpm • E Maj • 03:29 • -5.09db
27% Popularity • 54% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Michael Ray
Higher Education
152 bpm • B Maj • 03:37 • -4.28db
41% Popularity • 59% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Aaron Watson
Crash Landing
152 bpm • G Maj • 03:24 • -4.99db
21% Popularity • 60% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Elvie Shane
Sundress
144 bpm • G Maj • 03:30 • -5.38db
39% Popularity • 62% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jade Eagleson
More Drinkin' Than Fishin'
152 bpm • C# Maj • 02:59 • -4db
42% Popularity • 58% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Curtis Grimes
River Road Dream
152 bpm • D# Maj • 03:23 • -4db
31% Popularity • 60% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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William Clark Green
Drunk Again
144 bpm • G Maj • 04:06 • -5.21db
42% Popularity • 47% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Janson
Hank The Hell Out Of The Honkytonk
144 bpm • A Maj • 03:09 • -5.7db
40% Popularity • 62% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Alex Key
We Want You Back
144 bpm • D# Maj • 03:36 • -5.55db
27% Popularity • 55% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Luke Combs
On the Other Line
144 bpm • E Maj • 02:55 • -4.86db
52% Popularity • 57% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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David Adam Byrnes
Signs
144 bpm • C Maj • 03:15 • -6db
29% Popularity • 52% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Canaan Smith
Cabin In The Woods
144 bpm • D# Maj • 02:56 • -5.82db
29% Popularity • 59% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 62% Positiveness
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Ashland Craft
Your Momma Still Does
144 bpm • G# Maj • 02:37 • -5.37db
43% Popularity • 54% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Tyler Booth
Real Real Country
152 bpm • E Maj • 03:00 • -5.42db
27% Popularity • 55% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Joey Greer
The Devil's Wife
153 bpm • G# Maj • 03:18 • -4db
45% Popularity • 40% Danceability • 87% Energy • 76% Liveness
0% Instrumentalness • 54% Positiveness
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HIXTAPE
Red Dirt Clouds
144 bpm • A# Maj • 03:16 • -4.92db
41% Popularity • 57% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Muscadine Bloodline
Dispatch to 16th Ave.
143 bpm • G Maj • 03:43 • -9.38db
37% Popularity • 44% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Triston Marez
Darlin'
153 bpm • C Maj • 03:42 • -4.46db
43% Popularity • 56% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Leroy Gibbons
If I Don't Call
143 bpm • G# Maj • 03:35 • -5db
34% Popularity • 40% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Dillon Carmichael
Hose Water
154 bpm • C Maj • 03:09 • -5db
25% Popularity • 56% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
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Hayden Coffman
Good As It Gets
154 bpm • C# Maj • 03:30 • -4.7db
42% Popularity • 50% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Josh Ward
Somewhere Between Right & Wrong
154 bpm • D Maj • 03:04 • -6db
40% Popularity • 55% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Cody Webb
Jon Boat
154 bpm • G Maj • 03:17 • -3db
33% Popularity • 61% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Triston Marez
Darlin' - Acoustic
143 bpm • B Maj • 04:10 • -10db
37% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Bryan Martin
Long As Daddy's Working
154 bpm • D# Maj • 03:37 • -8.6db
41% Popularity • 49% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Ashland Craft
Make It Past Georgia
142 bpm • A# Maj • 03:21 • -5.05db
36% Popularity • 56% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Dylan Wheeler
Shines Through
142 bpm • C# Maj • 03:39 • -4.44db
42% Popularity • 48% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Luke Combs
Used To Wish I Was
142 bpm • D Maj • 02:58 • -4.89db
52% Popularity • 52% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Kolby Cooper
2 Words
142 bpm • G Maj • 03:41 • -4.5db
49% Popularity • 50% Danceability • 86% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
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Chad Cooke Band
Cowboy's Cowgirl
142 bpm • F Maj • 03:16 • -4.19db
24% Popularity • 54% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Chancey Williams
Fastest Gun in Town
142 bpm • F Maj • 03:52 • -4.58db
29% Popularity • 55% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Aaron Lewis
God And Guns
142 bpm • B Maj • 03:45 • -4.19db
45% Popularity • 61% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Tyler Farr
Only Truck In Town
142 bpm • E min • 03:14 • -3.84db
35% Popularity • 44% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Dillon Carmichael
99 Problems (Fish Ain't One)
142 bpm • F# Maj • 03:10 • -5.43db
25% Popularity • 64% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
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Aaron Watson
That's Why God Loves Cowboys
142 bpm • G# Maj • 03:53 • -5.55db
40% Popularity • 66% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Mike Ryan
Damn Good Goodbye
142 bpm • E Maj • 03:32 • -6.38db
56% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jameson Rodgers
I'm on a Dirt Road
142 bpm • C# Maj • 03:25 • -4.68db
39% Popularity • 50% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Dylan Marlowe
I'll Keep the Country
142 bpm • C# Maj • 03:31 • -5db
48% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Colston
First Dirt Road
142 bpm • F# Maj • 03:27 • -6.08db
23% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Dillon Carmichael
Paychecks And Longnecks
142 bpm • A min • 03:21 • -4.26db
26% Popularity • 53% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Carson Jeffrey
Take Away This Pain
141 bpm • E min • 03:20 • -5.44db
44% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Joey Greer
Two Steps Away
142 bpm • C Maj • 04:08 • -5.69db
24% Popularity • 56% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
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Hot Beer