Songs like Hot & Heavy by Lucy Dacus
Based on a tempo of (+/- 10%) and a similar genre
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The Japanese House
Morning Pages
135 bpm • A Maj • 03:47 • -10.41db
51% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Lucy Dacus
Hot & Heavy
135 bpm • C Maj • 04:10 • -6.66db
60% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
60% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Leith Ross
Everyone I've Never Met
135 bpm • A Maj • 03:11 • -12.98db
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Lizzy McAlpine
doomsday
135 bpm • C# Maj • 04:28 • -10db
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Katy Kirby
Tap Twice
134 bpm • F Maj • 02:37 • -13.54db
30% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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boygenius
Emily I'm Sorry
136 bpm • B Maj • 03:34 • -12.16db
65% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
65% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
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Samia
Fit N Full
136 bpm • E Maj • 02:46 • -4db
17% Popularity • 56% Danceability • 82% Energy • 36% Liveness
7% Instrumentalness • 46% Positiveness
17% Popularity • 56% Danceability • 82% Energy • 36% Liveness
7% Instrumentalness • 46% Positiveness
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Lucy Dacus
Addictions
135 bpm • A# Maj • 03:24 • -7.13db
48% Popularity • 64% Danceability • 56% Energy • 14% Liveness
5% Instrumentalness • 32% Positiveness
48% Popularity • 64% Danceability • 56% Energy • 14% Liveness
5% Instrumentalness • 32% Positiveness
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quinnie
man
136 bpm • C Maj • 03:58 • -9db
48% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Lizzy McAlpine
firearm
134 bpm • D Maj • 03:02 • -7.73db
51% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
51% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Better Oblivion Community Center
Sleepwalkin' - Daydreamin' Version
136 bpm • B Maj • 03:42 • -4.93db
32% Popularity • 61% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 61% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Phoebe Bridgers
ICU
134 bpm • D Maj • 03:10 • -8.08db
62% Popularity • 51% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
62% Popularity • 51% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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beabadoobee
She Plays Bass
136 bpm • A min • 03:27 • -3.82db
56% Popularity • 45% Danceability • 89% Energy • 10% Liveness
2% Instrumentalness • 27% Positiveness
56% Popularity • 45% Danceability • 89% Energy • 10% Liveness
2% Instrumentalness • 27% Positiveness
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Lucy Dacus
I Don't Wanna Be Funny Anymore
135 bpm • G# Maj • 02:43 • -8.03db
55% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
55% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
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Samia
As You Are
136 bpm • B Maj • 02:21 • -11db
39% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Wallice
23
134 bpm • F Maj • 02:44 • -4.97db
48% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Adrianne Lenker
Jonathan
137 bpm • B Maj • 02:08 • -14.24db
60% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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HAIM
Gasoline
133 bpm • C# min • 03:13 • -4.26db
61% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
61% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Wet Leg
Ur Mum
133 bpm • E Maj • 03:21 • -6db
54% Popularity • 68% Danceability • 72% Energy • 42% Liveness
28% Instrumentalness • 55% Positiveness
54% Popularity • 68% Danceability • 72% Energy • 42% Liveness
28% Instrumentalness • 55% Positiveness
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Lucy Dacus
Green Eyes, Red Face
135 bpm • A Maj • 03:38 • -9db
38% Popularity • 54% Danceability • 28% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
38% Popularity • 54% Danceability • 28% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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The Beths
Future Me Hates Me
137 bpm • E Maj • 04:05 • -7db
47% Popularity • 48% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 48% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Katy Kirby
Cool Dry Place
137 bpm • E Maj • 05:00 • -10.23db
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Big Thief
Change
133 bpm • A# Maj • 04:55 • -13db
60% Popularity • 63% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 63% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Haley Heynderickx
Worth It
132 bpm • E Maj • 07:53 • -10db
43% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
43% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Odie Leigh
Crop Circles
138 bpm • F min • 03:46 • -9.49db
51% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Lucy Dacus
Partner in Crime - Spotify Singles
134 bpm • A Maj • 03:53 • -14.78db
36% Popularity • 67% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 67% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Samia
Minnesota
132 bpm • C Maj • 03:01 • -6.42db
15% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Fenne Lily
Hypochondriac
132 bpm • D# Maj • 03:12 • -7db
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
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Big Thief
Objects
138 bpm • G min • 02:41 • -10.36db
56% Popularity • 68% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 51% Positiveness
56% Popularity • 68% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 51% Positiveness
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Wet Leg
Angelica
132 bpm • C Maj • 03:52 • -5db
53% Popularity • 49% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 49% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
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Leith Ross
Guts
139 bpm • G Maj • 05:04 • -10.13db
39% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Lucy Dacus
Thumbs Again
133 bpm • A# Maj • 04:39 • -12db
32% Popularity • 53% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 53% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Weyes Blood
Andromeda
131 bpm • C# min • 04:40 • -7.94db
67% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
67% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Paramore
Thick Skull (Re: Julien Baker)
131 bpm • A Maj • 04:54 • -7.52db
49% Popularity • 55% Danceability • 52% Energy • 11% Liveness
6% Instrumentalness • 18% Positiveness
49% Popularity • 55% Danceability • 52% Energy • 11% Liveness
6% Instrumentalness • 18% Positiveness
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Big Thief
Velvet Ring - 2023 Remaster
139 bpm • C Maj • 02:35 • -11.94db
63% Popularity • 32% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
63% Popularity • 32% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
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Phoebe Bridgers
Kyoto
131 bpm • B Maj • 03:04 • -6.89db
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Rosie Tucker
Ambrosia
140 bpm • C# Maj • 03:45 • -7db
35% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Lucy Dacus
Body to Flame
133 bpm • D Maj • 03:05 • -9.65db
46% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
46% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Chappell Roan
Casual
131 bpm • C# Maj • 03:52 • -6.85db
75% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
75% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Kevin Atwater
star tripping
140 bpm • G Maj • 02:34 • -6.8db
49% Popularity • 71% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 71% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Big Thief
Vampire Empire
131 bpm • A Maj • 03:12 • -7.8db
76% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
76% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Last Dinner Party
On Your Side
140 bpm • B min • 04:27 • -7.43db
58% Popularity • 27% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 8% Positiveness
58% Popularity • 27% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 8% Positiveness
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Mitski
Heat Lightning
140 bpm • C Maj • 02:51 • -13.54db
58% Popularity • 54% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 26% Positiveness
58% Popularity • 54% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 26% Positiveness
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Lucy Dacus
Fool's Gold
138 bpm • F min • 03:18 • -15.9db
45% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Petey
Haircut
140 bpm • A Maj • 02:32 • -7.22db
47% Popularity • 65% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 65% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Chappell Roan
HOT TO GO!
140 bpm • F# Maj • 03:04 • -4.92db
73% Popularity • 74% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
73% Popularity • 74% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Big Thief
Shark Smile
131 bpm • F# min • 03:57 • -8.15db
56% Popularity • 62% Danceability • 75% Energy • 12% Liveness
50% Instrumentalness • 55% Positiveness
56% Popularity • 62% Danceability • 75% Energy • 12% Liveness
50% Instrumentalness • 55% Positiveness
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Eliza McLamb
Doing Fine
140 bpm • G# Maj • 03:30 • -7.87db
36% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Weyes Blood
A Lot's Gonna Change
140 bpm • C# Maj • 04:21 • -10.16db
58% Popularity • 22% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
58% Popularity • 22% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Lucy Dacus
The Shell
138 bpm • D Maj • 04:37 • -9.61db
42% Popularity • 55% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
42% Popularity • 55% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Wet Leg
Wet Dream
130 bpm • D Maj • 02:20 • -5.94db
68% Popularity • 72% Danceability • 70% Energy • 23% Liveness
3% Instrumentalness • 89% Positiveness
68% Popularity • 72% Danceability • 70% Energy • 23% Liveness
3% Instrumentalness • 89% Positiveness
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Etta Marcus
Theatre
140 bpm • C# Maj • 02:59 • -5.55db
47% Popularity • 50% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
47% Popularity • 50% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Big Thief
Shark Smile - Edit
131 bpm • F# min • 03:14 • -9.31db
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
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Maya Hawke
Backup Plan
140 bpm • C Maj • 03:17 • -12.87db
43% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Japanese Breakfast
Everybody Wants to Love You
130 bpm • G Maj • 02:12 • -3db
48% Popularity • 48% Danceability • 88% Energy • 28% Liveness
16% Instrumentalness • 68% Positiveness
48% Popularity • 48% Danceability • 88% Energy • 28% Liveness
16% Instrumentalness • 68% Positiveness
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Lucy Dacus
Strange Torpedo
139 bpm • B min • 04:24 • -6db
36% Popularity • 54% Danceability • 75% Energy • 7% Liveness
64% Instrumentalness • 24% Positiveness
36% Popularity • 54% Danceability • 75% Energy • 7% Liveness
64% Instrumentalness • 24% Positiveness
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Snail Mail
Deep Sea
140 bpm • C# Maj • 04:42 • -6.01db
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
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Seeing Double
Leah
130 bpm • F Maj • 04:20 • -8.37db
44% Popularity • 55% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 55% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Chappell Roan
California
130 bpm • C# Maj • 03:18 • -10.07db
62% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
62% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Phoebe Bridgers
Waiting Room
130 bpm • D Maj • 06:33 • -10.07db
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Leith Ross
Music Box
130 bpm • C# Maj • 04:25 • -14.52db
44% Popularity • 33% Danceability • 22% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
44% Popularity • 33% Danceability • 22% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
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Lucy Dacus
Timefighter
140 bpm • G min • 05:48 • -8db
45% Popularity • 48% Danceability • 46% Energy • 11% Liveness
26% Instrumentalness • 37% Positiveness
45% Popularity • 48% Danceability • 46% Energy • 11% Liveness
26% Instrumentalness • 37% Positiveness
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Snail Mail
Valentine
130 bpm • C Maj • 03:16 • -5db
42% Popularity • 49% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 49% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Squirrel Flower
So Hot You're Hurting My Feelings
141 bpm • F Maj • 03:29 • -7db
51% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Ethel Cain
A House In Nebraska
129 bpm • D Maj • 07:46 • -7.89db
61% Popularity • 24% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 24% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Fiona Apple
Paper Bag
141 bpm • C Maj • 03:39 • -9.9db
67% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
67% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Slow Pulp
Idaho
141 bpm • A Maj • 04:05 • -7db
48% Popularity • 54% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 54% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Lucy Dacus
Kissing Lessons
140 bpm • C# Maj • 01:54 • -7.07db
52% Popularity • 55% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
52% Popularity • 55% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
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Japanese Breakfast
Savage Good Boy
129 bpm • D Maj • 02:26 • -6db
47% Popularity • 71% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 71% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Adult Mom
Berlin
129 bpm • F# Maj • 03:20 • -7.25db
29% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Fiona Apple
I Want You To Love Me
141 bpm • A min • 03:57 • -8.82db
59% Popularity • 53% Danceability • 50% Energy • 9% Liveness
4% Instrumentalness • 71% Positiveness
59% Popularity • 53% Danceability • 50% Energy • 9% Liveness
4% Instrumentalness • 71% Positiveness
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Better Oblivion Community Center
Didn't Know What I Was In For
141 bpm • D Maj • 04:03 • -11db
46% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Lucy Dacus
Direct Address
140 bpm • D Maj • 03:19 • -8db
41% Popularity • 40% Danceability • 40% Energy • 15% Liveness
18% Instrumentalness • 15% Positiveness
41% Popularity • 40% Danceability • 40% Energy • 15% Liveness
18% Instrumentalness • 15% Positiveness
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Adrianne Lenker
Steamboat
129 bpm • C# Maj • 02:41 • -12db
55% Popularity • 71% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
55% Popularity • 71% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Big Thief
Real Love - 2023 Remaster
129 bpm • C Maj • 04:17 • -4.83db
51% Popularity • 31% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 31% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Frankie Cosmos
Abigail
129 bpm • A Maj • 01:53 • -8db
59% Popularity • 49% Danceability • 73% Energy • 14% Liveness
58% Instrumentalness • 49% Positiveness
59% Popularity • 49% Danceability • 73% Energy • 14% Liveness
58% Instrumentalness • 49% Positiveness
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Ada Lea
damn
142 bpm • G# min • 04:21 • -9db
39% Popularity • 69% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 69% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Better Oblivion Community Center
Little Trouble
142 bpm • F Maj • 02:54 • -5.42db
42% Popularity • 57% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 57% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
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Fleet Foxes
Wading In Waist-High Water
128 bpm • G Maj • 02:15 • -15.27db
51% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
51% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Lucy Dacus
Home Again
140 bpm • G Maj • 02:33 • -14db
37% Popularity • 58% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 58% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Japanese Breakfast
Slide Tackle
128 bpm • F Maj • 03:39 • -6.52db
49% Popularity • 75% Danceability • 60% Energy • 6% Liveness
1% Instrumentalness • 87% Positiveness
49% Popularity • 75% Danceability • 60% Energy • 6% Liveness
1% Instrumentalness • 87% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
40% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Taylor Swift
cowboy like me
128 bpm • C Maj • 04:35 • -9.01db
69% Popularity • 60% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
69% Popularity • 60% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Orla Gartland
More Like You
128 bpm • D Maj • 03:40 • -10.13db
46% Popularity • 88% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 88% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Big Thief
Vegas - 2023 Remaster
128 bpm • A Maj • 02:19 • -7.19db
53% Popularity • 62% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
53% Popularity • 62% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Lucy Dacus
Christine
142 bpm • C Maj • 02:33 • -10.84db
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Fenne Lily
Berlin
143 bpm • G# Maj • 03:39 • -9.88db
39% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
39% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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boygenius
Not Strong Enough
127 bpm • C# Maj • 03:54 • -5.85db
78% Popularity • 51% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
78% Popularity • 51% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Tommy Lefroy
The Mess
144 bpm • B Maj • 01:08 • -10.21db
56% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
56% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Suki Waterhouse
Wild Side
144 bpm • E Maj • 03:55 • -9db
47% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Lucy Dacus
Next of Kin
128 bpm • A# Maj • 04:06 • -7.71db
41% Popularity • 55% Danceability • 65% Energy • 12% Liveness
14% Instrumentalness • 38% Positiveness
41% Popularity • 55% Danceability • 65% Energy • 12% Liveness
14% Instrumentalness • 38% Positiveness
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Big Thief
Masterpiece - 2023 Remaster
144 bpm • E Maj • 03:50 • -5.54db
55% Popularity • 37% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 37% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Snail Mail
Pristine
126 bpm • C Maj • 04:55 • -5.51db
52% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Clairo
Blouse
145 bpm • G Maj • 03:15 • -20.33db
55% Popularity • 32% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 32% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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NoSo
Allie
126 bpm • E Maj • 03:25 • -8.19db
34% Popularity • 81% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
34% Popularity • 81% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Claud
Tommy
126 bpm • C# Maj • 03:33 • -11.5db
35% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness