Songs like Hot In Herre by Jenny Owen Youngs
Based on a tempo of (+/- 10%) and a similar genre
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Sarah Jarosz
Shankill Butchers
88 bpm • F# min • 04:22 • -10.28db
26% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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The Civil Wars
Sour Times
88 bpm • C min • 03:17 • -8.65db
24% Popularity • 42% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 42% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Jenny Owen Youngs
Hot In Herre
88 bpm • G Maj • 04:16 • -7.44db
36% Popularity • 62% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 62% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Kingsley Flood
Waiting On the River to Rise
88 bpm • F Maj • 03:33 • -8.46db
17% Popularity • 61% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 61% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Lauren O'Connell
White Noise
87 bpm • G Maj • 04:33 • -13.92db
14% Popularity • 61% Danceability • 36% Energy • 11% Liveness
17% Instrumentalness • 24% Positiveness
14% Popularity • 61% Danceability • 36% Energy • 11% Liveness
17% Instrumentalness • 24% Positiveness
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The Be Good Tanyas
House Of The Rising Sun
88 bpm • G Maj • 03:49 • -13.58db
34% Popularity • 65% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
34% Popularity • 65% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Ani DiFranco
Every State Line - No Walls Mixtape
89 bpm • F# Maj • 02:58 • -7.9db
9% Popularity • 76% Danceability • 40% Energy • 65% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 76% Danceability • 40% Energy • 65% Liveness
0% Instrumentalness • 51% Positiveness
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the bird and the bee
Maneater
89 bpm • B min • 03:31 • -10.72db
33% Popularity • 74% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 74% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
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Jenny Owen Youngs
Bricks
87 bpm • F# Maj • 05:00 • -13.17db
7% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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I'm With Her
I-89 - Recorded At Spotify Studios NYC
90 bpm • G min • 03:00 • -11.59db
35% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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The Civil Wars
Billie Jean
90 bpm • A min • 04:19 • -8.52db
56% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
56% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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John Mark Nelson
Boy
90 bpm • E Maj • 03:57 • -11.45db
27% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Buffering the Vampire Slayer
You Can Always Get Divorced
90 bpm • E Maj • 02:25 • -8.82db
5% Popularity • 79% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
5% Popularity • 79% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Nerina Pallot
Spirit Walks - EP Version
90 bpm • G Maj • 02:36 • -10.08db
9% Popularity • 61% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 61% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Jenny Owen Youngs
Vampire Weeknight - The One AM Radio Rem...
89 bpm • G Maj • 03:15 • -11.7db
5% Popularity • 58% Danceability • 40% Energy • 34% Liveness
27% Instrumentalness • 48% Positiveness
5% Popularity • 58% Danceability • 40% Energy • 34% Liveness
27% Instrumentalness • 48% Positiveness
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Deb Talan
Rocks and Water
90 bpm • A# Maj • 03:42 • -7.5db
29% Popularity • 60% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 60% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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The Civil Wars
I've Got This Friend
90 bpm • D Maj • 03:23 • -11.48db
25% Popularity • 60% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 60% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Alex Cornell
Sex On Fire
90 bpm • G Maj • 03:05 • -11.22db
51% Popularity • 48% Danceability • 41% Energy • 12% Liveness
11% Instrumentalness • 6% Positiveness
51% Popularity • 48% Danceability • 41% Energy • 12% Liveness
11% Instrumentalness • 6% Positiveness
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Fountains Of Wayne
...Baby One More Time
86 bpm • F# min • 03:20 • -7.52db
31% Popularity • 51% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 51% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Twin Bandit
Stolen Dance
86 bpm • C Maj • 03:55 • -10.16db
56% Popularity • 71% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
56% Popularity • 71% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Grace Potter
Empty Heart
86 bpm • C Maj • 03:15 • -5.48db
41% Popularity • 69% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 69% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Lindi Ortega
To Love Somebody
86 bpm • B Maj • 03:24 • -6.71db
15% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Rilo Kiley
The Moneymaker
90 bpm • E min • 02:51 • -4db
31% Popularity • 56% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 56% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Lauren O'Connell
All I Have to Do Is Dream
86 bpm • F# min • 03:47 • -15db
28% Popularity • 55% Danceability • 25% Energy • 8% Liveness
6% Instrumentalness • 17% Positiveness
28% Popularity • 55% Danceability • 25% Energy • 8% Liveness
6% Instrumentalness • 17% Positiveness
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Jenny Owen Youngs
Woodcut - The Age Of Rockets Remix
90 bpm • E Maj • 04:04 • -9.23db
4% Popularity • 29% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
4% Popularity • 29% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Amanda Shires
Bulletproof
91 bpm • A min • 04:13 • -10.15db
15% Popularity • 48% Danceability • 61% Energy • 12% Liveness
3% Instrumentalness • 50% Positiveness
15% Popularity • 48% Danceability • 61% Energy • 12% Liveness
3% Instrumentalness • 50% Positiveness
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The Civil Wars
Barton Hollow
91 bpm • D Maj • 03:25 • -7.34db
35% Popularity • 40% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 40% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Carsie Blanton
Fuck Yourself (Love Yourself)
85 bpm • C Maj • 04:12 • -15.93db
18% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Elizabeth & the Catapult
Momma's Boy
91 bpm • G min • 02:50 • -4.81db
22% Popularity • 69% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 69% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Freedom Fry
Mary Jane's Last Dance
85 bpm • G Maj • 03:50 • -6.25db
29% Popularity • 55% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 55% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Jenny Owen Youngs
Woodcut
91 bpm • F# min • 04:18 • -13.46db
7% Popularity • 44% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 44% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Jeremy Fisher
Scar That Never Heals
91 bpm • A Maj • 03:39 • -3.37db
28% Popularity • 62% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 62% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Guster
Blister In The Sun - MTV2 Version
92 bpm • G Maj • 02:43 • -12.05db
19% Popularity • 67% Danceability • 60% Energy • 74% Liveness
1% Instrumentalness • 96% Positiveness
19% Popularity • 67% Danceability • 60% Energy • 74% Liveness
1% Instrumentalness • 96% Positiveness
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Carsie Blanton
Backbone
84 bpm • B Maj • 04:16 • -10.54db
15% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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MisterWives
Riptide
92 bpm • C# Maj • 04:13 • -7db
46% Popularity • 48% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 48% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Caroline Smith & The Good Night Sleeps
Tying My Shoes
92 bpm • G Maj • 03:00 • -9.2db
12% Popularity • 74% Danceability • 52% Energy • 2% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 74% Danceability • 52% Energy • 2% Liveness
0% Instrumentalness • 90% Positiveness
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The Civil Wars
Oh Henry - Alternate Version
84 bpm • C Maj • 03:28 • -6db
7% Popularity • 42% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 42% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Ryan Adams
Blank Space
93 bpm • A# Maj • 03:21 • -17.12db
39% Popularity • 44% Danceability • 22% Energy • 11% Liveness
34% Instrumentalness • 38% Positiveness
39% Popularity • 44% Danceability • 22% Energy • 11% Liveness
34% Instrumentalness • 38% Positiveness
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Nickel Creek
Hayloft
93 bpm • C Maj • 03:17 • -6.87db
33% Popularity • 66% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 66% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Lauren O'Connell
I Am Trying to Break Your Heart
93 bpm • G Maj • 05:00 • -15.18db
9% Popularity • 67% Danceability • 32% Energy • 34% Liveness
16% Instrumentalness • 32% Positiveness
9% Popularity • 67% Danceability • 32% Energy • 34% Liveness
16% Instrumentalness • 32% Positiveness
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Molly Tuttle
Fake Empire
93 bpm • G# Maj • 03:25 • -15.96db
30% Popularity • 34% Danceability • 44% Energy • 19% Liveness
21% Instrumentalness • 38% Positiveness
30% Popularity • 34% Danceability • 44% Energy • 19% Liveness
21% Instrumentalness • 38% Positiveness
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Jenny Owen Youngs
Sleep Machine
93 bpm • A min • 04:32 • -6.52db
5% Popularity • 54% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
5% Popularity • 54% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
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The Civil Wars
I Had Me a Girl - Acoustic
83 bpm • F Maj • 03:35 • -6.37db
13% Popularity • 41% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 41% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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the bird and the bee
Rich Girl
83 bpm • D min • 02:48 • -9.72db
28% Popularity • 69% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 69% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Leah Blevins
Heart of Gold (615 Sessions)
83 bpm • F min • 01:45 • -13.32db
34% Popularity • 71% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 71% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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My Bubba
Sexual Healing
83 bpm • F Maj • 02:54 • -11.51db
30% Popularity • 65% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 65% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Erin McKeown
You, Sailor
83 bpm • E Maj • 04:23 • -11.96db
22% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jenny Owen Youngs
If I Didn't Know
83 bpm • C Maj • 04:09 • -6.39db
8% Popularity • 56% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 56% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Sarah Jarosz
The Tourist
82 bpm • E Maj • 04:52 • -7.19db
26% Popularity • 34% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 34% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Buffering the Vampire Slayer
Entropy
94 bpm • B min • 03:16 • -15.04db
5% Popularity • 72% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
5% Popularity • 72% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Vespers
All I Want is You
94 bpm • C Maj • 02:39 • -10.69db
22% Popularity • 61% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 61% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
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Audra Mae
Little Red Wagon
94 bpm • G Maj • 03:11 • -6.89db
22% Popularity • 64% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 64% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Glen Hansard
Cry Me a River
82 bpm • G# min • 04:12 • -9.97db
33% Popularity • 58% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 58% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Jenny Owen Youngs
Dissolve
94 bpm • G# Maj • 03:49 • -6.95db
7% Popularity • 58% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
7% Popularity • 58% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Xavier Dunn
Gold Digger
82 bpm • G# Maj • 03:58 • -10.04db
22% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Casey Shea
Chop Suey
82 bpm • G Maj • 02:43 • -12.45db
15% Popularity • 51% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 51% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Julia Nunes
Stay Awake
82 bpm • D Maj • 03:07 • -5.75db
19% Popularity • 69% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 69% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Sarah Blackwood
Say It Ain't So
82 bpm • C Maj • 03:34 • -10.81db
9% Popularity • 74% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 74% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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You+Me
From a Closet in Norway (Oslo Blues)
95 bpm • A Maj • 03:16 • -13db
34% Popularity • 50% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 50% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jenny Owen Youngs
Born to Lose
94 bpm • G# min • 03:30 • -9.24db
12% Popularity • 72% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 72% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Sara Bareilles
Sweet As Whole
95 bpm • G# Maj • 04:37 • -9.34db
33% Popularity • 43% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 43% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Lucy Schwartz
When We Were Young
95 bpm • C Maj • 03:01 • -7db
34% Popularity • 65% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 65% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Alva Leigh
Both Sides Now
95 bpm • F Maj • 04:42 • -12.05db
24% Popularity • 57% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 57% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Dan Wilson
Free Life
95 bpm • E Maj • 04:54 • -6.77db
24% Popularity • 60% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 60% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Dynamite Hack
Boyz-n-the Hood
81 bpm • A Maj • 03:04 • -7.08db
51% Popularity • 68% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 68% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Jenny Owen Youngs
Your Apartment
95 bpm • C Maj • 03:53 • -4.48db
21% Popularity • 65% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 65% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Carolina Chocolate Drops
Hit 'Em up Style
95 bpm • C Maj • 03:56 • -6.52db
44% Popularity • 58% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
44% Popularity • 58% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
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Good Old War
My Own Sinking Ship
95 bpm • G Maj • 02:53 • -8db
26% Popularity • 56% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 56% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Sean Hayes
Powerful Stuff
96 bpm • F# min • 03:35 • -9db
34% Popularity • 88% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 88% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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DISPATCH
Out Loud (Live)
81 bpm • E min • 03:32 • -7.93db
44% Popularity • 68% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 68% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Buffering the Vampire Slayer
I Will Remember You (Buffy's Song)
81 bpm • C min • 04:08 • -15.54db
5% Popularity • 76% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
5% Popularity • 76% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Julia Nunes
First Impressions
96 bpm • G Maj • 03:32 • -10.08db
11% Popularity • 70% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 70% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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David Wax Museum
Born With a Broken Heart
96 bpm • G Maj • 02:44 • -6db
29% Popularity • 69% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 69% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Masquer
Bills, Bills, Bills
96 bpm • D min • 04:09 • -4.29db
18% Popularity • 52% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 52% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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The Decemberists
A Beginning Song
96 bpm • G Maj • 05:22 • -6.16db
35% Popularity • 52% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 52% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Indigo Girls
Romeo And Juliet
80 bpm • B min • 04:43 • -7.76db
43% Popularity • 42% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 42% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Old 97's
Question
80 bpm • C Maj • 02:15 • -10.56db
44% Popularity • 61% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 61% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Julia Nunes
Balloons
80 bpm • F# Maj • 03:51 • -6.86db
13% Popularity • 56% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 56% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Elephant Revival
Ring around the Moon
80 bpm • F Maj • 04:20 • -9.38db
37% Popularity • 42% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
37% Popularity • 42% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Buffering the Vampire Slayer
Dirty Girls
80 bpm • E min • 03:11 • -9.51db
5% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
5% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Dessa
Skeleton Key
97 bpm • C# Maj • 03:34 • -3.63db
25% Popularity • 68% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 68% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Tim Neuhaus
Lisztomania (Phoenix Cover)
97 bpm • F# min • 02:06 • -11db
17% Popularity • 66% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 66% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Deb Talan
Ashes On Your Eyes
97 bpm • D# min • 04:22 • -6.52db
22% Popularity • 58% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 58% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Sometymes Why
Too Repressed - Explicit
80 bpm • C Maj • 05:57 • -10.32db
26% Popularity • 58% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 58% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Lissie
I Dont Wanna Go to Work
98 bpm • F Maj • 03:42 • -5.8db
20% Popularity • 54% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 54% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Jenny Owen Youngs
Voice On Tape
98 bpm • E Maj • 03:03 • -13.54db
20% Popularity • 71% Danceability • 23% Energy • 17% Liveness
9% Instrumentalness • 18% Positiveness
20% Popularity • 71% Danceability • 23% Energy • 17% Liveness
9% Instrumentalness • 18% Positiveness
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Charlie Mars
Listen to the Darkside
98 bpm • B Maj • 03:31 • -9db
39% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Lauren O'Connell
I Belong to You
99 bpm • C Maj • 04:05 • -12.1db
16% Popularity • 53% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 53% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Jocelyn Mackenzie
Little Islands - Jenny Owen Youngs Remix
99 bpm • G Maj • 03:41 • -12.48db
1% Popularity • 59% Danceability • 55% Energy • 16% Liveness
10% Instrumentalness • 5% Positiveness
1% Popularity • 59% Danceability • 55% Energy • 16% Liveness
10% Instrumentalness • 5% Positiveness
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Amelia Curran
The Mistress
99 bpm • C# min • 03:38 • -8.43db
31% Popularity • 70% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 70% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Beautiful Small Machines
Paper Planes
78 bpm • D Maj • 03:57 • -4.78db
22% Popularity • 64% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 64% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Jenny Owen Youngs
O God
98 bpm • A Maj • 04:11 • -12.32db
10% Popularity • 51% Danceability • 27% Energy • 11% Liveness
51% Instrumentalness • 19% Positiveness
10% Popularity • 51% Danceability • 27% Energy • 11% Liveness
51% Instrumentalness • 19% Positiveness
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Tancred
Mirepoix
78 bpm • A# Maj • 03:20 • -11.77db
6% Popularity • 59% Danceability • 36% Energy • 9% Liveness
2% Instrumentalness • 18% Positiveness
6% Popularity • 59% Danceability • 36% Energy • 9% Liveness
2% Instrumentalness • 18% Positiveness
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Good Old War
Coney Island
99 bpm • F Maj • 02:43 • -7.19db
36% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Bright Eyes
We Are Going to Be Friends
100 bpm • G Maj • 02:19 • -8db
40% Popularity • 76% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 76% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Blondfire
Heathens
78 bpm • G# min • 04:06 • -8.64db
24% Popularity • 29% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 29% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ani DiFranco
Promiscuity
100 bpm • D Maj • 03:20 • -10.12db
1% Popularity • 81% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
1% Popularity • 81% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Jenny Owen Youngs
Porchrail
100 bpm • F# min • 01:45 • -10.71db
19% Popularity • 60% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
19% Popularity • 60% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
