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Hounds Of Hell
Songs like
Hounds Of Hell (with Nadia Reid)
by
The Phoenix Foundation
Based on a tempo of (+/- 10%) and a similar genre
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Ham Sandwich
Illuminate
107 bpm • B min • 03:40 • -6.26db
26% Popularity • 69% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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The Phoenix Foundation
Let Me Die A Woman
107 bpm • D Maj • 03:52 • -11.28db
11% Popularity • 65% Danceability • 58% Energy • 11% Liveness
21% Instrumentalness • 43% Positiveness
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The Chills
Warm Waveform
107 bpm • C Maj • 04:10 • -6.24db
11% Popularity • 63% Danceability • 76% Energy • 33% Liveness
5% Instrumentalness • 59% Positiveness
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Jack Ladder
Dumb Love
107 bpm • C Maj • 05:14 • -9db
12% Popularity • 58% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 59% Positiveness
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Augie March
After The Crack Up
107 bpm • D# Maj • 04:16 • -6db
15% Popularity • 53% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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The Bats
Free All The Monsters
107 bpm • F Maj • 02:57 • -6.44db
3% Popularity • 40% Danceability • 69% Energy • 10% Liveness
4% Instrumentalness • 51% Positiveness
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dios (malos)
Starting Five
107 bpm • G min • 03:13 • -8.29db
11% Popularity • 61% Danceability • 64% Energy • 38% Liveness
1% Instrumentalness • 90% Positiveness
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The Phoenix Foundation
Hounds Of Hell
107 bpm • G min • 03:34 • -9.14db
11% Popularity • 53% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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The Mutton Birds
White Valiant
108 bpm • G Maj • 05:12 • -12.62db
14% Popularity • 60% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Kurt Vile
Never Run Away
108 bpm • D# Maj • 03:24 • -5.93db
33% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Fly My Pretties
Quiet Girl
106 bpm • F Maj • 04:18 • -9.64db
16% Popularity • 55% Danceability • 76% Energy • 70% Liveness
4% Instrumentalness • 55% Positiveness
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Willy Mason
Shadows In The Dark
108 bpm • C Maj • 03:56 • -9.04db
17% Popularity • 73% Danceability • 48% Energy • 11% Liveness
38% Instrumentalness • 54% Positiveness
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Bill Ryder-Jones
Two To Birkenhead
108 bpm • A Maj • 04:22 • -5.57db
28% Popularity • 44% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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The Phoenix Foundation
Wave Machine
108 bpm • C Maj • 06:00 • -14.43db
1% Popularity • 31% Danceability • 30% Energy • 9% Liveness
55% Instrumentalness • 18% Positiveness
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Age Pryor
I Don't Want
108 bpm • B min • 04:40 • -9.12db
14% Popularity • 60% Danceability • 78% Energy • 13% Liveness
83% Instrumentalness • 46% Positiveness
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The Superimposers
The Beach
108 bpm • D Maj • 03:39 • -6.19db
11% Popularity • 67% Danceability • 66% Energy • 11% Liveness
4% Instrumentalness • 54% Positiveness
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Chris Knox
Not Given Lightly
106 bpm • B Maj • 05:06 • -14db
36% Popularity • 73% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 63% Positiveness
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Lawrence Arabia
I've Smoked Too Much
108 bpm • G Maj • 05:34 • -9.88db
12% Popularity • 46% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Fraser A. Gorman
Walking To Oman's
105 bpm • D Maj • 03:53 • -6db
18% Popularity • 55% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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The Phoenix Foundation
Skeleton
108 bpm • A# min • 03:52 • -7.3db
8% Popularity • 51% Danceability • 72% Energy • 8% Liveness
30% Instrumentalness • 36% Positiveness
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Kurt Vile
Air Bud
105 bpm • E min • 06:29 • -6.97db
27% Popularity • 60% Danceability • 89% Energy • 12% Liveness
60% Instrumentalness • 71% Positiveness
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Jack Ladder
Beautiful Sound
109 bpm • A Maj • 05:01 • -8db
13% Popularity • 50% Danceability • 55% Energy • 14% Liveness
15% Instrumentalness • 25% Positiveness
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Cherry Ghost
Mathematics
105 bpm • A Maj • 04:33 • -3.62db
30% Popularity • 44% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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The Sleepy Jackson
You Needed More
105 bpm • D Maj • 03:09 • -6.05db
14% Popularity • 49% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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The Orbweavers
Merri
109 bpm • A min • 03:12 • -14.45db
13% Popularity • 34% Danceability • 39% Energy • 34% Liveness
35% Instrumentalness • 24% Positiveness
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The Phoenix Foundation
Pot
106 bpm • D Maj • 03:24 • -7db
10% Popularity • 54% Danceability • 70% Energy • 9% Liveness
51% Instrumentalness • 42% Positiveness
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Oh Mercy
I Feel Possessed
110 bpm • G min • 03:15 • -11db
26% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Bill Ryder-Jones
Even Good Things Break My Heart - Bonus ...
110 bpm • B Maj • 04:21 • -5.43db
16% Popularity • 64% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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#1 Dads
For Randy Robinson and Cassidy
110 bpm • B Maj • 03:58 • -6.94db
20% Popularity • 58% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 77% Positiveness
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The Sleepy Jackson
Caffeine In The Morning Sun
105 bpm • G Maj • 04:17 • -7db
7% Popularity • 58% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
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Gruff Rhys
American Interior
110 bpm • A min • 03:15 • -3db
26% Popularity • 57% Danceability • 93% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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The Phoenix Foundation
Pure Joy
105 bpm • A# min • 04:27 • -8.07db
4% Popularity • 45% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Badly Drawn Boy
Another Pearl
103 bpm • G# Maj • 04:27 • -5.25db
25% Popularity • 61% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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The War On Drugs
It's Your Destiny
111 bpm • C Maj • 04:49 • -7.67db
34% Popularity • 41% Danceability • 82% Energy • 44% Liveness
58% Instrumentalness • 28% Positiveness
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Papercuts
John Brown
103 bpm • D# Maj • 04:21 • -7db
13% Popularity • 38% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Boy & Bear
Harlequin Dream
111 bpm • C min • 04:20 • -5.58db
41% Popularity • 48% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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H. Hawkline
Moons in My Mirror
111 bpm • B min • 03:10 • -6db
10% Popularity • 73% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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The Phoenix Foundation
Flock Of Hearts
110 bpm • F Maj • 03:17 • -7.26db
22% Popularity • 65% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Richard Hawley
Heart of Oak
111 bpm • D Maj • 04:26 • -10.4db
31% Popularity • 48% Danceability • 53% Energy • 7% Liveness
38% Instrumentalness • 43% Positiveness
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3Ds
Spooky
111 bpm • C Maj • 04:54 • -15.49db
10% Popularity • 58% Danceability • 15% Energy • 9% Liveness
52% Instrumentalness • 31% Positiveness
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The Sleepy Jackson
Acid In My Heart
103 bpm • A Maj • 03:31 • -7.4db
17% Popularity • 63% Danceability • 66% Energy • 14% Liveness
6% Instrumentalness • 30% Positiveness
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The War On Drugs
Come To The City
111 bpm • C# Maj • 04:01 • -7.12db
18% Popularity • 32% Danceability • 90% Energy • 13% Liveness
2% Instrumentalness • 28% Positiveness
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Vetiver
Stranger Still
111 bpm • C# min • 07:00 • -9db
27% Popularity • 69% Danceability • 83% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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The Phoenix Foundation
This Charming Van
103 bpm • C Maj • 03:56 • -13.28db
11% Popularity • 69% Danceability • 39% Energy • 11% Liveness
44% Instrumentalness • 70% Positiveness
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Kurt Vile
Freeway
112 bpm • F# Maj • 02:41 • -8.16db
35% Popularity • 61% Danceability • 92% Energy • 13% Liveness
36% Instrumentalness • 89% Positiveness
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SJD
Superman, You're Crying
103 bpm • E Maj • 04:18 • -14.09db
10% Popularity • 54% Danceability • 64% Energy • 37% Liveness
50% Instrumentalness • 38% Positiveness
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Ultimate Painting
Break the Chain
112 bpm • G Maj • 03:03 • -8.65db
15% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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The War On Drugs
Come To The City
111 bpm • C# Maj • 04:31 • -7.07db
37% Popularity • 30% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 26% Positiveness
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The Besnard Lakes
Albatross
112 bpm • A Maj • 04:42 • -5db
20% Popularity • 37% Danceability • 89% Energy • 32% Liveness
68% Instrumentalness • 26% Positiveness
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Gaz Coombes
Matador
112 bpm • C Maj • 01:25 • -5.51db
34% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Phoenix Foundation
Wonton
112 bpm • D Maj • 04:01 • -7.84db
7% Popularity • 64% Danceability • 72% Energy • 16% Liveness
12% Instrumentalness • 86% Positiveness
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Kurt Vile
Runner Ups
102 bpm • D# min • 04:00 • -6.86db
35% Popularity • 36% Danceability • 71% Energy • 12% Liveness
96% Instrumentalness • 53% Positiveness
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The Sleepy Jackson
Good Dancers
112 bpm • B min • 04:12 • -5db
37% Popularity • 53% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
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The War On Drugs
I Was There
103 bpm • C Maj • 03:49 • -7.71db
40% Popularity • 56% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Wild Beasts
The Devil's Crayon
112 bpm • G# Maj • 03:38 • -7db
26% Popularity • 51% Danceability • 85% Energy • 11% Liveness
7% Instrumentalness • 81% Positiveness
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Gaz Coombes
Matador - Da Capo
112 bpm • C Maj • 03:20 • -5.85db
8% Popularity • 50% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 37% Positiveness
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The Phoenix Foundation
Dickheads Abound - The Du Son EP
112 bpm • A Maj • 04:14 • -7.92db
5% Popularity • 62% Danceability • 70% Energy • 30% Liveness
71% Instrumentalness • 44% Positiveness
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Anthonie Tonnon
Water Underground
102 bpm • D Maj • 05:35 • -4.77db
12% Popularity • 47% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Sleepy Jackson
Good Dancers
113 bpm • B min • 04:08 • -5db
10% Popularity • 47% Danceability • 88% Energy • 17% Liveness
2% Instrumentalness • 66% Positiveness
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The War On Drugs
Brothers
112 bpm • G# Maj • 04:29 • -8.12db
39% Popularity • 52% Danceability • 87% Energy • 16% Liveness
72% Instrumentalness • 51% Positiveness
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Whyte Horses
The Snowfalls
113 bpm • C Maj • 03:54 • -4.39db
21% Popularity • 59% Danceability • 94% Energy • 9% Liveness
17% Instrumentalness • 77% Positiveness
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David Kitt
What I Ask
113 bpm • A min • 07:54 • -8db
13% Popularity • 63% Danceability • 60% Energy • 7% Liveness
91% Instrumentalness • 30% Positiveness
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Dean & Britta
Herringbone Tweed
101 bpm • D Maj • 04:43 • -10.49db
16% Popularity • 63% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 66% Positiveness
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Ultimate Painting
The Ocean
113 bpm • C# min • 02:35 • -7.9db
26% Popularity • 68% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
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Hamilton Leithauser
The Smallest Splinter
101 bpm • B min • 04:22 • -5.13db
17% Popularity • 52% Danceability • 85% Energy • 10% Liveness
60% Instrumentalness • 10% Positiveness
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The War On Drugs
Brothers
112 bpm • C min • 05:13 • -9.56db
30% Popularity • 58% Danceability • 69% Energy • 31% Liveness
70% Instrumentalness • 69% Positiveness
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Liam Finn
Cold Feet
101 bpm • C# Maj • 04:16 • -6.61db
8% Popularity • 64% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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The Mutton Birds
The Heater
114 bpm • C Maj • 03:43 • -5.65db
18% Popularity • 43% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Twerps
Who Are You
114 bpm • G Maj • 05:11 • -5.92db
19% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Trashcan Sinatras
Weightlifting
101 bpm • G Maj • 04:39 • -11.19db
29% Popularity • 59% Danceability • 53% Energy • 9% Liveness
70% Instrumentalness • 79% Positiveness
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Ultimate Painting
Monday Morning, Somewhere Central
114 bpm • G Maj • 02:53 • -10.2db
25% Popularity • 78% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The War On Drugs
Arms Like Boulders
113 bpm • A Maj • 05:27 • -7.26db
20% Popularity • 53% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Phoenix Foundation
Twilight
114 bpm • F# min • 02:58 • -15.83db
7% Popularity • 40% Danceability • 23% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
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The Mutton Birds
The Heater
114 bpm • C Maj • 04:24 • -8.41db
12% Popularity • 47% Danceability • 77% Energy • 39% Liveness
2% Instrumentalness • 24% Positiveness
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Grandaddy
Way We Won't
114 bpm • E Maj • 04:21 • -7.15db
29% Popularity • 55% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
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Future Islands
Beach Foam
100 bpm • B min • 04:24 • -6.98db
42% Popularity • 38% Danceability • 55% Energy • 37% Liveness
1% Instrumentalness • 6% Positiveness
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Fly My Pretties
Catch the Light
100 bpm • G Maj • 04:25 • -12.99db
18% Popularity • 39% Danceability • 42% Energy • 73% Liveness
11% Instrumentalness • 33% Positiveness
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Dick Diver
Blue & That
100 bpm • E Maj • 02:00 • -16.73db
13% Popularity • 66% Danceability • 12% Energy • 15% Liveness
7% Instrumentalness • 17% Positiveness
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The Phoenix Foundation
Eventually
100 bpm • A Maj • 05:27 • -10.42db
10% Popularity • 47% Danceability • 54% Energy • 18% Liveness
54% Instrumentalness • 23% Positiveness
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Bill Ryder-Jones
Wild Roses
100 bpm • D Maj • 03:38 • -7.54db
24% Popularity • 61% Danceability • 65% Energy • 14% Liveness
38% Instrumentalness • 49% Positiveness
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Jack Ladder
Not Worth Waiting For
114 bpm • D Maj • 03:46 • -8.92db
11% Popularity • 65% Danceability • 54% Energy • 44% Liveness
11% Instrumentalness • 44% Positiveness
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SJD
waterhole
100 bpm • G Maj • 03:24 • -10.6db
14% Popularity • 77% Danceability • 37% Energy • 16% Liveness
88% Instrumentalness • 69% Positiveness
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Oh Mercy
If You Come Around Tonight
100 bpm • G Maj • 03:26 • -5.33db
11% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Lawrence Arabia
Everything's Minimal
115 bpm • C Maj • 03:03 • -9.14db
21% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Real Estate
Exactly Nothing
115 bpm • D Maj • 03:17 • -6.06db
24% Popularity • 48% Danceability • 82% Energy • 22% Liveness
82% Instrumentalness • 56% Positiveness
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The Phoenix Foundation
The Captain
100 bpm • F# min • 03:37 • -6.83db
16% Popularity • 56% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Jen Cloher
Mount Beauty
115 bpm • F# min • 03:25 • -5.25db
16% Popularity • 33% Danceability • 90% Energy • 11% Liveness
60% Instrumentalness • 77% Positiveness
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I Am Kloot
Dark Star - Remastered
115 bpm • G min • 02:22 • -8.28db
19% Popularity • 58% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Neil Finn
Flying In the Face of Love
116 bpm • B min • 04:04 • -5.65db
12% Popularity • 68% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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The Reduction Agents
The Pool
116 bpm • E min • 02:27 • -11.16db
12% Popularity • 36% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Dick Diver
Water Damage
116 bpm • D Maj • 03:54 • -7.3db
19% Popularity • 64% Danceability • 48% Energy • 9% Liveness
21% Instrumentalness • 40% Positiveness
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Badly Drawn Boy
Once Around the Block
116 bpm • F Maj • 04:04 • -8db
49% Popularity • 39% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
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Twerps
Peculiar
116 bpm • G Maj • 03:15 • -6.74db
12% Popularity • 51% Danceability • 53% Energy • 12% Liveness
2% Instrumentalness • 59% Positiveness
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I Am Kloot
Morning Rain - Remastered
116 bpm • C# min • 03:22 • -8db
21% Popularity • 73% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Gomez
Tijuana Lady
116 bpm • A Maj • 07:08 • -12db
42% Popularity • 63% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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The Rosebuds
Silence by the Lakeside
116 bpm • D min • 04:49 • -12.05db
9% Popularity • 59% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Lawrence Arabia
Everybody Wants Something
116 bpm • F# min • 04:07 • -8.35db
32% Popularity • 80% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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BC Camplight
You Should've Gone to School
116 bpm • G Maj • 04:29 • -9db
24% Popularity • 65% Danceability • 54% Energy • 13% Liveness
17% Instrumentalness • 60% Positiveness
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Hooton Tennis Club
Jasper
116 bpm • A Maj • 03:09 • -3.64db
15% Popularity • 38% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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The Go-Betweens
Boundary Rider
116 bpm • C Maj • 02:45 • -6.1db
18% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Hounds Of Hell