Songs like House Fire by Tyler Childers
Based on a tempo of (+/- 10%) and a similar genre
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Dylan Gossett
Beneath Oak Trees
93 bpm • B Maj • 03:57 • -9db
69% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
69% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Tyler Childers
House Fire
93 bpm • F Maj • 03:52 • -8.42db
64% Popularity • 52% Danceability • 71% Energy • 27% Liveness
10% Instrumentalness • 55% Positiveness
64% Popularity • 52% Danceability • 71% Energy • 27% Liveness
10% Instrumentalness • 55% Positiveness
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The Panhandlers
West Texas in My Eye
94 bpm • D Maj • 03:08 • -10.8db
62% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Charles Wesley Godwin
All Again
92 bpm • G# Maj • 03:48 • -9.24db
71% Popularity • 51% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
71% Popularity • 51% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Whitey Morgan and the 78's
I'm on Fire
94 bpm • A Maj • 03:16 • -7.28db
55% Popularity • 56% Danceability • 63% Energy • 21% Liveness
39% Instrumentalness • 35% Positiveness
55% Popularity • 56% Danceability • 63% Energy • 21% Liveness
39% Instrumentalness • 35% Positiveness
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Paul Cauthen
Cocaine Country Dancing
92 bpm • D Maj • 04:16 • -8.73db
49% Popularity • 78% Danceability • 58% Energy • 9% Liveness
42% Instrumentalness • 58% Positiveness
49% Popularity • 78% Danceability • 58% Energy • 9% Liveness
42% Instrumentalness • 58% Positiveness
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Flatland Cavalry
Mountain Song
92 bpm • B Maj • 04:09 • -10.68db
62% Popularity • 55% Danceability • 45% Energy • 12% Liveness
26% Instrumentalness • 19% Positiveness
62% Popularity • 55% Danceability • 45% Energy • 12% Liveness
26% Instrumentalness • 19% Positiveness
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Tyler Childers
Coal
92 bpm • D# Maj • 03:21 • -12.84db
73% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
73% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jamey Johnson
That Lonesome Song
95 bpm • G Maj • 04:01 • -8.77db
60% Popularity • 52% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
60% Popularity • 52% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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Charles Wesley Godwin
Temporary Town
95 bpm • F# Maj • 04:02 • -9.87db
53% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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49 Winchester
Hillbilly Daydream
95 bpm • E Maj • 02:17 • -6.61db
52% Popularity • 66% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 66% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Zac Brown Band
Knee Deep
91 bpm • G# Maj • 03:23 • -8.23db
75% Popularity • 72% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
75% Popularity • 72% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Jon Pardi
Heartache Medication
95 bpm • A Maj • 03:29 • -3.34db
69% Popularity • 62% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
69% Popularity • 62% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Randy Travis
Forever and Ever, Amen
90 bpm • D Maj • 03:32 • -9db
74% Popularity • 68% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
74% Popularity • 68% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Alabama
Dixieland Delight
96 bpm • D Maj • 05:22 • -15.04db
65% Popularity • 44% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
65% Popularity • 44% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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The Lowdown Drifters
Fire in Her Eyes
90 bpm • E Maj • 03:14 • -6.76db
58% Popularity • 67% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
58% Popularity • 67% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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49 Winchester
Russell County Line
95 bpm • D Maj • 04:09 • -9.05db
56% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
56% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Josiah and the Bonnevilles
Jersey Giant
96 bpm • A Maj • 03:18 • -5.37db
61% Popularity • 48% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 48% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Jon Pardi
Night Shift
96 bpm • D Maj • 02:52 • -3.56db
79% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
79% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Whiskey Myers
Bar, Guitar and a Honky Tonk Crowd
90 bpm • C Maj • 03:17 • -5.67db
60% Popularity • 60% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
60% Popularity • 60% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Treaty Oak Revival
Irish Goodbye
96 bpm • F Maj • 03:21 • -3.11db
67% Popularity • 51% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
67% Popularity • 51% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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The Lowdown Drifters
Alright
90 bpm • C Maj • 03:20 • -10.39db
58% Popularity • 57% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
58% Popularity • 57% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Benjamin Tod
Long Gone
90 bpm • B Maj • 03:21 • -8.4db
49% Popularity • 60% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 60% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Tyler Childers
I Swear (To God)
90 bpm • E Maj • 03:20 • -5db
61% Popularity • 59% Danceability • 57% Energy • 33% Liveness
23% Instrumentalness • 92% Positiveness
61% Popularity • 59% Danceability • 57% Energy • 33% Liveness
23% Instrumentalness • 92% Positiveness
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Sturgill Simpson
I Don't Mind
89 bpm • C Maj • 04:29 • -7.9db
58% Popularity • 60% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
58% Popularity • 60% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Ian Munsick
Long Live Cowgirls
97 bpm • A# Maj • 03:05 • -5.98db
63% Popularity • 52% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
63% Popularity • 52% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Dylan Gossett
Coal
97 bpm • C# min • 03:14 • -9.56db
84% Popularity • 52% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
84% Popularity • 52% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Stapleton
Starting Over
89 bpm • A# Maj • 04:00 • -8.45db
78% Popularity • 64% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
78% Popularity • 64% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Parker McCollum
Meet You in the Middle
98 bpm • G Maj • 03:30 • -6db
63% Popularity • 55% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
63% Popularity • 55% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Tyler Childers
Ever Lovin' Hand
96 bpm • D Maj • 04:38 • -7db
48% Popularity • 57% Danceability • 82% Energy • 10% Liveness
6% Instrumentalness • 74% Positiveness
48% Popularity • 57% Danceability • 82% Energy • 10% Liveness
6% Instrumentalness • 74% Positiveness
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Sturgill Simpson
All Around You
97 bpm • B Maj • 03:09 • -8.82db
57% Popularity • 66% Danceability • 63% Energy • 36% Liveness
58% Instrumentalness • 43% Positiveness
57% Popularity • 66% Danceability • 63% Energy • 36% Liveness
58% Instrumentalness • 43% Positiveness
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Morgan Wallen
Chasin' You
97 bpm • G Maj • 03:25 • -5.79db
81% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
81% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Shane Smith & the Saints
Cocaine Habit
88 bpm • F# min • 04:22 • -6.06db
54% Popularity • 42% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 42% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Cody Johnson
The Painter
98 bpm • D Maj • 03:31 • -5.77db
76% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
76% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Muscadine Bloodline
Me On You
98 bpm • B min • 02:47 • -5db
69% Popularity • 72% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
69% Popularity • 72% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Parker McCollum
Hell of a Year
98 bpm • C min • 03:52 • -8db
67% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
67% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Evan Honer
Jersey Giant
88 bpm • G# Maj • 04:16 • -11.02db
74% Popularity • 58% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
74% Popularity • 58% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Dylan Gossett
To Be Free
98 bpm • D# Maj • 02:48 • -9.41db
72% Popularity • 62% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
72% Popularity • 62% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Chris Stapleton
Traveller
88 bpm • D min • 03:42 • -7db
74% Popularity • 54% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 76% Positiveness
74% Popularity • 54% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 76% Positiveness
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Chayce Beckham
23
88 bpm • C min • 03:48 • -7.36db
70% Popularity • 63% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
70% Popularity • 63% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Zach Bryan
Sun to Me
99 bpm • A min • 02:43 • -9db
84% Popularity • 50% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
84% Popularity • 50% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Whitey Morgan and the 78's
Bad News
88 bpm • D Maj • 05:17 • -7.1db
57% Popularity • 67% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 49% Positiveness
57% Popularity • 67% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 49% Positiveness
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Koe Wetzel
Creeps
88 bpm • F Maj • 03:44 • -4.97db
61% Popularity • 57% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 57% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Colten Jesse
Marlboro Man
99 bpm • E Maj • 03:50 • -10db
57% Popularity • 62% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 62% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Colby Acuff
Western White Pines
87 bpm • G Maj • 04:07 • -8.05db
44% Popularity • 45% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 45% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Eric Church
Hell Of A View
99 bpm • F Maj • 02:55 • -6.76db
72% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
72% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Charley Crockett
Just Like Honey
99 bpm • F Maj • 02:55 • -9.16db
51% Popularity • 66% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 66% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Wyatt Flores
Holes
87 bpm • D# Maj • 03:58 • -9.81db
54% Popularity • 38% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
54% Popularity • 38% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Tyler Childers
Feathered Indians
87 bpm • G Maj • 03:44 • -6.71db
80% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
80% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Flatland Cavalry
One I Want
87 bpm • G Maj • 03:51 • -7.95db
55% Popularity • 52% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 52% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Charles Wesley Godwin
Strawberry Queen
87 bpm • D# Maj • 03:59 • -9.28db
48% Popularity • 45% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 45% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Jason Isbell and the 400 Unit
Alabama Pines
100 bpm • E Maj • 03:51 • -10.12db
29% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Midland
Burn Out
100 bpm • G Maj • 03:08 • -5.61db
69% Popularity • 67% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
69% Popularity • 67% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Sturgill Simpson
Some Days
100 bpm • E Maj • 03:30 • -5.71db
51% Popularity • 53% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 53% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Ryan Bingham
The Weary Kind
100 bpm • D Maj • 04:18 • -16.36db
53% Popularity • 48% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 27% Positiveness
53% Popularity • 48% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 27% Positiveness
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Sam Barber
As Time Passes
86 bpm • F# Maj • 03:44 • -8.31db
61% Popularity • 59% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 59% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Jon Pardi
Your Heart Or Mine
86 bpm • F min • 02:41 • -4db
77% Popularity • 64% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
77% Popularity • 64% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Jelly Roll
Son Of A Sinner
86 bpm • G Maj • 03:52 • -7.49db
76% Popularity • 36% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
76% Popularity • 36% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Jamey Johnson
High Cost Of Living
86 bpm • C Maj • 05:45 • -7.04db
59% Popularity • 63% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 63% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Kat Hasty
The Highway Song
86 bpm • A Maj • 03:23 • -6db
50% Popularity • 68% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 68% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Sturgill Simpson
Sam
101 bpm • C Maj • 01:12 • -11db
69% Popularity • 71% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 71% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Wyatt Flores
Please Don't Go
85 bpm • F# min • 03:01 • -7.49db
76% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
76% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Sam Barber
Straight and Narrow
86 bpm • A# Maj • 03:19 • -8.83db
80% Popularity • 43% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
80% Popularity • 43% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Turnpike Troubadours
The Housefire
85 bpm • G Maj • 03:39 • -4.63db
53% Popularity • 48% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 48% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Caamp
By and By
101 bpm • A Maj • 04:40 • -7.98db
72% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
72% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Kenny Chesney
American Kids
85 bpm • C Maj • 03:02 • -7.37db
78% Popularity • 78% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
78% Popularity • 78% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Tyler Childers
Universal Sound
102 bpm • F Maj • 03:41 • -10db
68% Popularity • 67% Danceability • 44% Energy • 11% Liveness
26% Instrumentalness • 64% Positiveness
68% Popularity • 67% Danceability • 44% Energy • 11% Liveness
26% Instrumentalness • 64% Positiveness
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Wyatt Flores
Travelin’ kid
85 bpm • E Maj • 03:26 • -11db
55% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Steeldrivers
Midnight Train To Memphis
102 bpm • B min • 03:03 • -6db
57% Popularity • 71% Danceability • 71% Energy • 19% Liveness
11% Instrumentalness • 90% Positiveness
57% Popularity • 71% Danceability • 71% Energy • 19% Liveness
11% Instrumentalness • 90% Positiveness
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Colby Acuff
When I See You Again
85 bpm • C# Maj • 02:58 • -12.71db
56% Popularity • 48% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 48% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Reckless Kelly
Wicked Twisted Road
85 bpm • A Maj • 03:25 • -10.26db
53% Popularity • 41% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 45% Positiveness
53% Popularity • 41% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 45% Positiveness
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Midland
Drinkin' Problem
102 bpm • A Maj • 03:40 • -6.4db
71% Popularity • 62% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
71% Popularity • 62% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Colter Wall
Motorcycle
85 bpm • G Maj • 02:17 • -13.05db
69% Popularity • 68% Danceability • 43% Energy • 10% Liveness
53% Instrumentalness • 62% Positiveness
69% Popularity • 68% Danceability • 43% Energy • 10% Liveness
53% Instrumentalness • 62% Positiveness
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Ryan Bingham
The Poet
102 bpm • A Maj • 04:56 • -15.45db
54% Popularity • 48% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
54% Popularity • 48% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Tyler Childers
Whitehouse Road
84 bpm • C Maj • 04:40 • -5.5db
71% Popularity • 61% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
71% Popularity • 61% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Cody Johnson
Human
84 bpm • D Maj • 03:41 • -7.28db
69% Popularity • 40% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
69% Popularity • 40% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Watchhouse
Little Worlds
103 bpm • D Maj • 03:30 • -9db
59% Popularity • 54% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 54% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Cody Jinks
Somewhere in the Middle
84 bpm • A# Maj • 05:00 • -5.06db
59% Popularity • 59% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 59% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Colter Wall
Thirteen Silver Dollars
103 bpm • F Maj • 02:30 • -12.5db
62% Popularity • 60% Danceability • 28% Energy • 9% Liveness
31% Instrumentalness • 72% Positiveness
62% Popularity • 60% Danceability • 28% Energy • 9% Liveness
31% Instrumentalness • 72% Positiveness
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Luke Combs
Beautiful Crazy
103 bpm • B Maj • 03:13 • -7.43db
82% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
82% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Riley Green
Bury Me In Dixie
83 bpm • C# Maj • 03:08 • -9.03db
61% Popularity • 69% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 69% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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David Allan Coe
The Ride
84 bpm • F Maj • 03:10 • -12.37db
63% Popularity • 67% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
63% Popularity • 67% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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The Red Clay Strays
Good Godly Woman
83 bpm • G Maj • 02:27 • -7db
64% Popularity • 44% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
64% Popularity • 44% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Charley Crockett
I Am Not Afraid
83 bpm • B min • 02:44 • -6.54db
61% Popularity • 57% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 57% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Sam Barber
Ghost Town
83 bpm • G# Maj • 02:48 • -5.75db
60% Popularity • 42% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 42% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Steeldrivers
I Choose You
104 bpm • D Maj • 03:05 • -7.79db
60% Popularity • 64% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
60% Popularity • 64% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
78% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
78% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Jelly Roll
Save Me
83 bpm • C Maj • 03:57 • -5.02db
78% Popularity • 56% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
78% Popularity • 56% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Ryan Bingham
Wolves
83 bpm • G Maj • 04:32 • -7db
52% Popularity • 52% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 52% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Turnpike Troubadours
Old Time Feeling (Like Before)
83 bpm • C# min • 03:17 • -6db
49% Popularity • 55% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 55% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Sturgill Simpson
Life Ain't Fair and the World Is Mean
104 bpm • B min • 02:06 • -5db
65% Popularity • 64% Danceability • 82% Energy • 26% Liveness
3% Instrumentalness • 73% Positiveness
65% Popularity • 64% Danceability • 82% Energy • 26% Liveness
3% Instrumentalness • 73% Positiveness
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Colter Wall
Sleeping on the Blacktop
83 bpm • D min • 03:12 • -14.51db
76% Popularity • 58% Danceability • 31% Energy • 11% Liveness
21% Instrumentalness • 47% Positiveness
76% Popularity • 58% Danceability • 31% Energy • 11% Liveness
21% Instrumentalness • 47% Positiveness
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Koe Wetzel
February 28, 2016
82 bpm • G Maj • 03:53 • -6.65db
66% Popularity • 27% Danceability • 56% Energy • 41% Liveness
0% Instrumentalness • 31% Positiveness
66% Popularity • 27% Danceability • 56% Energy • 41% Liveness
0% Instrumentalness • 31% Positiveness
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Zach Bryan
Burn, Burn, Burn
83 bpm • D# Maj • 04:28 • -10.51db
83% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
83% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Muscadine Bloodline
Put Me in My Place
105 bpm • G# Maj • 03:09 • -11.34db
65% Popularity • 67% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
65% Popularity • 67% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Oliver Anthony Music
I Want to go Home
105 bpm • G# Maj • 02:50 • -13.09db
64% Popularity • 69% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
64% Popularity • 69% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Parker McCollum
Handle On You
105 bpm • F# Maj • 03:39 • -3.93db
70% Popularity • 59% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
70% Popularity • 59% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Hank Williams, Jr.
Whiskey Bent And Hell Bound
105 bpm • G Maj • 03:08 • -7.73db
65% Popularity • 73% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
65% Popularity • 73% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
