Songs like House of Glass by Jon Caryl
Based on a tempo of (+/- 10%) and a similar genre
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Sam MacPherson
Routine
86 bpm • E Maj • 03:15 • -13.67db
40% Popularity • 64% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 64% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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yaeow
sad girl
86 bpm • B Maj • 03:32 • -15.42db
33% Popularity • 55% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 55% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Alec Benjamin
Annabelle's Homework
86 bpm • G# Maj • 03:12 • -5.38db
55% Popularity • 68% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 68% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Camylio
hurting me, hurting you
86 bpm • C# Maj • 02:39 • -9.8db
50% Popularity • 36% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 36% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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dylxn
is this how it all falls apart?
86 bpm • C Maj • 02:26 • -17.27db
45% Popularity • 56% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 56% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jon Caryl
House of Glass
86 bpm • D Maj • 03:22 • -16.83db
50% Popularity • 48% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 48% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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BRDGS
better days
86 bpm • E Maj • 02:26 • -9.33db
27% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Alex Warren
Remember Me Happy
86 bpm • D Maj • 02:21 • -8.27db
50% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Jake Clark
Happy
87 bpm • A Maj • 03:16 • -10.93db
20% Popularity • 53% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 53% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Jamie Grey
Shouldn't Be Thinking About You
87 bpm • F# Maj • 02:51 • -8.7db
48% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Josiah MacCartney
no one cares anymore
85 bpm • E Maj • 04:13 • -11.52db
24% Popularity • 34% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 34% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Jon Caryl
Heavy Heart (Demo)
86 bpm • C Maj • 02:07 • -6.89db
25% Popularity • 59% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 59% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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sammy rash
let's be friends
85 bpm • G# Maj • 02:06 • -8.69db
59% Popularity • 84% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
59% Popularity • 84% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Chord Overstreet
Tortured Soul
87 bpm • E Maj • 04:06 • -10db
47% Popularity • 55% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 55% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Ari Mediratta
Beautiful Cry
85 bpm • F Maj • 02:33 • -6.88db
21% Popularity • 67% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 67% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Reagan Beem
Sinking Slowly
87 bpm • E Maj • 03:36 • -8.35db
28% Popularity • 76% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 76% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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elijah woods
who you could be
87 bpm • E Maj • 02:17 • -10.68db
56% Popularity • 55% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 55% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Hanniou
what do i do now
85 bpm • D# Maj • 03:05 • -8.94db
55% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Presence
Drug Abuse
84 bpm • C# Maj • 03:15 • -9.09db
32% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Alec Benjamin
Older
84 bpm • D Maj • 02:44 • -8.46db
63% Popularity • 54% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
63% Popularity • 54% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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vaultboy
feel anything
88 bpm • A# Maj • 02:11 • -9.41db
56% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
56% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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BLÜ EYES
stuck in my head
84 bpm • C# Maj • 02:32 • -10db
47% Popularity • 52% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 52% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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elijah woods
past life
88 bpm • A# Maj • 02:44 • -7.26db
61% Popularity • 73% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
61% Popularity • 73% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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sammy rash
smile more
88 bpm • A# Maj • 01:35 • -6.17db
60% Popularity • 82% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
60% Popularity • 82% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Camylio
amnesia
88 bpm • G# min • 02:52 • -9db
52% Popularity • 47% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 47% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Jillian Rossi
Not Used To Normal
88 bpm • D# Maj • 02:02 • -9.77db
55% Popularity • 46% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 46% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jon Caryl
Monsters
84 bpm • C# Maj • 03:11 • -11.88db
34% Popularity • 43% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 43% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Jonah Kagen
Turbulence
88 bpm • F Maj • 02:52 • -11.38db
37% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Abe Parker
3 Moods
84 bpm • F Maj • 03:08 • -9.24db
33% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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yaeow
don't overthink it
84 bpm • F min • 02:15 • -15.05db
31% Popularity • 45% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 39% Positiveness
31% Popularity • 45% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 39% Positiveness
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Suriel Hess
Sing Myself to Sleep
83 bpm • F# Maj • 03:15 • -11db
45% Popularity • 52% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 52% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Josiah MacCartney
a letter to my old best friend
89 bpm • B Maj • 03:44 • -9.79db
34% Popularity • 71% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 71% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jake Cornell
Forget You
89 bpm • E Maj • 02:25 • -12.22db
33% Popularity • 52% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 52% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jonah Kagen
broken
84 bpm • C# Maj • 03:15 • -12db
62% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
62% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Rosie Darling
Coping
83 bpm • F# Maj • 03:10 • -7.3db
62% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
62% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Reagan Beem
Dancing Round My Problems
82 bpm • A# Maj • 02:57 • -9.23db
46% Popularity • 39% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 39% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jake Banfield
Thank You for Being You
90 bpm • D# Maj • 02:31 • -10.52db
39% Popularity • 70% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 70% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Charlie Oriain
Miss The Rest
82 bpm • C# Maj • 02:50 • -12.76db
34% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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NERIAH
Unfinished Business
90 bpm • G# min • 03:29 • -6.18db
61% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
61% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jonah Kagen
Drowning
83 bpm • D min • 02:43 • -5.97db
37% Popularity • 47% Danceability • 61% Energy • 50% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 47% Danceability • 61% Energy • 50% Liveness
0% Instrumentalness • 48% Positiveness
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Alex Sampson
All That We Could Have Been
90 bpm • A# Maj • 03:10 • -5.75db
48% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Zach Hood
number one fan
82 bpm • D# Maj • 02:57 • -7.87db
30% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Jared Benjamin
Not Going Back
90 bpm • C Maj • 02:22 • -6.42db
46% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Jake Cornell
Back To You
82 bpm • G Maj • 02:40 • -10.07db
40% Popularity • 47% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 47% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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NERIAH
Unfinished Business (Acoustic)
90 bpm • B Maj • 03:28 • -7.51db
51% Popularity • 57% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 57% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Jonah Kagen
CHEMICALS!
90 bpm • G# Maj • 02:10 • -10db
39% Popularity • 59% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 59% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Eli Wilson
I Always Fall
82 bpm • D Maj • 02:40 • -7.19db
63% Popularity • 36% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
63% Popularity • 36% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Haley Joelle
Brave Face
90 bpm • B Maj • 03:18 • -11db
44% Popularity • 48% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 48% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Kylie Muse
To The Boy
82 bpm • D# min • 02:19 • -10.81db
57% Popularity • 47% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
57% Popularity • 47% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Ryan Mack
Did You Love Me Ever?
82 bpm • C Maj • 02:06 • -11.41db
52% Popularity • 64% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 64% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Kate Vogel
The Grave
82 bpm • F# Maj • 02:50 • -11db
24% Popularity • 43% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 43% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jonah Kagen
broken (Acoustic)
82 bpm • C# Maj • 02:57 • -10db
46% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Sadie Jean
Just Because
90 bpm • D# Maj • 02:12 • -7.8db
68% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
68% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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AWIN
My Home
82 bpm • B Maj • 02:09 • -11.48db
52% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Jon Caryl
Alone
82 bpm • D Maj • 03:09 • -12db
53% Popularity • 51% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 18% Positiveness
53% Popularity • 51% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 18% Positiveness
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Jordan Suaste
Body - Acoustic
91 bpm • G Maj • 03:53 • -10.85db
38% Popularity • 51% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 51% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Josiah MacCartney
you shoulda stayed
82 bpm • D Maj • 03:35 • -7.89db
22% Popularity • 47% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 47% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Eli Wilson
The Times I Won't Forget
81 bpm • D# min • 02:37 • -7.48db
39% Popularity • 59% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 59% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Abe Parker
Younger Me
81 bpm • C# Maj • 02:37 • -6.7db
37% Popularity • 62% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 62% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Frawley
If I Don't Laugh, I'll Cry
81 bpm • E Maj • 03:18 • -5.18db
62% Popularity • 67% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
62% Popularity • 67% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Eric Damiano
I Have No One
92 bpm • D# Maj • 02:46 • -5.42db
31% Popularity • 66% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 66% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Benson Boone
Work of Art
92 bpm • F# Maj • 02:49 • -6.94db
63% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Camylio
leaving home
80 bpm • C Maj • 02:53 • -8.48db
49% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
49% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Ben Lawrence
Intrusive Thoughts
80 bpm • A# min • 02:58 • -18.46db
18% Popularity • 55% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 55% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Abe Parker
Until Now
81 bpm • C# Maj • 03:09 • -7.84db
39% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Jonah Kagen
georgia
80 bpm • G# Maj • 03:30 • -11db
41% Popularity • 33% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 33% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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AWIN
She Looks Like You
80 bpm • E Maj • 02:27 • -12.41db
16% Popularity • 68% Danceability • 41% Energy • 71% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 68% Danceability • 41% Energy • 71% Liveness
0% Instrumentalness • 63% Positiveness
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elijah woods
wildfire
80 bpm • E Maj • 02:23 • -14db
58% Popularity • 81% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 81% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Thomas Day
After We Break Up
80 bpm • E Maj • 03:03 • -8.25db
39% Popularity • 48% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 48% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
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Jon Caryl
Darling, I Do
92 bpm • D# Maj • 02:01 • -9.27db
25% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Presence
Okay to Cry
80 bpm • G Maj • 02:51 • -8.15db
25% Popularity • 67% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 67% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Abe Parker
Imposter Syndrome
80 bpm • D# Maj • 03:13 • -5.98db
31% Popularity • 70% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 70% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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yaeow
Lost In Between
80 bpm • A Maj • 02:04 • -13.58db
46% Popularity • 63% Danceability • 33% Energy • 26% Liveness
9% Instrumentalness • 41% Positiveness
46% Popularity • 63% Danceability • 33% Energy • 26% Liveness
9% Instrumentalness • 41% Positiveness
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Rachel Grae
Daughter
80 bpm • D Maj • 02:42 • -7.4db
53% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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sundial
dear parents
80 bpm • G Maj • 02:31 • -10.53db
29% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Alex Warren
One More I Love You
93 bpm • G# Maj • 03:36 • -8.23db
60% Popularity • 63% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 63% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Presence
Nightmare
80 bpm • D Maj • 03:00 • -7db
35% Popularity • 50% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
35% Popularity • 50% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Frawley
Austin's Song
80 bpm • D# Maj • 03:07 • -12.41db
49% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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vaultboy
i wish u knew
93 bpm • G# Maj • 03:13 • -9.35db
58% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
58% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Sara Kays
Picture of You
93 bpm • A Maj • 03:21 • -11.82db
45% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
45% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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BRDGS
Dancing Without Music
93 bpm • C# Maj • 04:08 • -9.25db
48% Popularity • 32% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 32% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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King Leer
i'll follow you into the dark
80 bpm • E Maj • 02:21 • -7db
30% Popularity • 55% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 55% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Noah Henderson
i think you loved me
93 bpm • A# Maj • 03:31 • -15.15db
45% Popularity • 36% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 36% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Mark Ambor
Don't You Worry
93 bpm • G Maj • 02:42 • -7.08db
50% Popularity • 51% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 51% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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vaultboy
this is what i get
79 bpm • D Maj • 03:05 • -6db
43% Popularity • 35% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 35% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Zach Seabaugh
Maybe in the Morning
79 bpm • E Maj • 02:44 • -11db
43% Popularity • 58% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 58% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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sammy rash
lead me on
79 bpm • F min • 02:07 • -8.76db
60% Popularity • 79% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 79% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Rosie Darling
Coping - Stripped
79 bpm • F# Maj • 03:01 • -6.86db
49% Popularity • 68% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 68% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Zach Hood
never knew a heart could break itself
79 bpm • A Maj • 02:35 • -7.26db
66% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
66% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Sara Kays
Math
94 bpm • C# Maj • 02:56 • -6db
39% Popularity • 63% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 63% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Reagan Beem
Change - Acoustic
79 bpm • D Maj • 03:01 • -4.87db
25% Popularity • 49% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 49% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Jon Caryl
Us Together
78 bpm • F# min • 02:15 • -8.65db
22% Popularity • 50% Danceability • 50% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
22% Popularity • 50% Danceability • 50% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
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Eric Damiano
Haunted Mansion
95 bpm • G Maj • 03:44 • -9.5db
23% Popularity • 54% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 54% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Hayd
When You Were Mine
78 bpm • E Maj • 04:26 • -10.92db
46% Popularity • 24% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 24% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Scott Quinn
Holding on to Letting Go
95 bpm • B min • 02:45 • -9.38db
53% Popularity • 46% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
53% Popularity • 46% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Abe Parker
Last First Kiss
78 bpm • D Maj • 02:51 • -9.61db
40% Popularity • 55% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 55% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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yaeow
not your fault (hey you)
78 bpm • D Maj • 03:45 • -17.23db
43% Popularity • 59% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 59% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Jon Caryl
Tears Come From The Heart
95 bpm • D Maj • 03:29 • -15.31db
42% Popularity • 72% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 72% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
