Songs like House With No Mirrors by Sasha Alex Sloan
Based on a tempo of (+/- 10%) and a similar genre
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Sasha Alex Sloan
House With No Mirrors
122 bpm • D Maj • 03:47 • -12db
48% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Em Beihold
Not Who We Were
122 bpm • C# Maj • 03:11 • -9db
34% Popularity • 68% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 68% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Hayd
Suffocate
122 bpm • E Maj • 04:01 • -22db
51% Popularity • 65% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 65% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Hailee Steinfeld
Afterlife
122 bpm • C# min • 03:29 • -4.73db
55% Popularity • 67% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 67% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Holly Humberstone
Falling Asleep At The Wheel
122 bpm • C Maj • 03:23 • -8db
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Munn
Empty Eyes
122 bpm • G# Maj • 03:07 • -8db
49% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Lexi Jayde
If I Really Love You
122 bpm • C Maj • 03:14 • -14.1db
47% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Conan Gray
Lookalike
122 bpm • A# Maj • 03:40 • -10.12db
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Astrid S
Favorite Part Of Me
122 bpm • C# Maj • 03:18 • -6.27db
51% Popularity • 60% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 60% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Catie Turner
i luv him.
123 bpm • C Maj • 03:45 • -9.5db
51% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Kate Vogel
Reasons to Stay
122 bpm • A Maj • 03:18 • -13db
39% Popularity • 54% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 54% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Munn
i'm fucked, i know
122 bpm • C# Maj • 02:25 • -9.04db
48% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Nick Wilson
Everybody But Me
123 bpm • C# min • 03:04 • -5.65db
40% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Kygo
I'll Wait
123 bpm • C# Maj • 03:35 • -6.97db
56% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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BLÜ EYES
halcyon
123 bpm • C# Maj • 03:19 • -8db
34% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Gracie Abrams
Mean It
123 bpm • A min • 02:51 • -9.5db
57% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
57% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Alec Benjamin
If I Killed Someone For You
121 bpm • G Maj • 03:05 • -5.36db
72% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
72% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Abe Parker
Self Sabotage
121 bpm • A# Maj • 03:03 • -5.33db
44% Popularity • 45% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 45% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Sasha Alex Sloan
Glad You Did
121 bpm • E Maj • 03:11 • -10.98db
45% Popularity • 71% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 71% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Luz
we'll be fine
121 bpm • A# Maj • 04:22 • -11.14db
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Ruth B.
Lost Boy
123 bpm • G Maj • 04:36 • -9.3db
69% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Alexander 23
High School
120 bpm • F# Maj • 03:08 • -7.04db
37% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Hayd
Changes
120 bpm • F# Maj • 03:34 • -17.14db
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Clara Mae
Sorry for Writing All the Songs About Yo...
120 bpm • G Maj • 03:26 • -7.03db
36% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sasha Alex Sloan
Too Sad To Cry
120 bpm • A# Maj • 03:28 • -9.94db
57% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Haley Joelle
Memory Lane
120 bpm • C# Maj • 02:34 • -12db
64% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
64% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Frawley
No One Can Fix Me
120 bpm • G Maj • 03:26 • -8.82db
52% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Alec Benjamin
Match In The Rain
120 bpm • A# min • 02:39 • -7.34db
57% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Ruel
LET THE GRASS GROW
120 bpm • F Maj • 02:55 • -7.62db
43% Popularity • 59% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 59% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Hayd
Closure
124 bpm • D Maj • 03:16 • -16.18db
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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GOLDHOUSE
i don't wanna know - acoustic
120 bpm • A# Maj • 03:06 • -8.74db
48% Popularity • 64% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 64% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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FINNEAS
Shelter
120 bpm • D# min • 03:07 • -10.04db
48% Popularity • 89% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 89% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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We Three
Secrets
120 bpm • C# Maj • 03:20 • -8db
36% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Chord Overstreet
Hold On
120 bpm • D Maj • 03:18 • -9.68db
78% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
78% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Marina Lin
this is what overthinking feels like
124 bpm • G Maj • 03:42 • -14db
35% Popularity • 57% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 57% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Mokita
London
120 bpm • B Maj • 02:40 • -8.72db
57% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Hayd
Safe & Sound
120 bpm • D Maj • 03:24 • -21db
42% Popularity • 71% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 71% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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JP Saxe
Explain You
124 bpm • B Maj • 03:18 • -11.55db
41% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Jillian Rossi
Fever Dream
120 bpm • D Maj • 02:51 • -8.47db
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Anne-Marie
Her
120 bpm • A# Maj • 02:57 • -5.57db
60% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jess Benko
A Soulmate Who Wasn’t Meant to Be
124 bpm • A min • 05:16 • -20.27db
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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Hayd
Superhero
120 bpm • A Maj • 04:01 • -19db
51% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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Ruel
Say
120 bpm • D# Maj • 03:47 • -8db
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Zevia
if depression gets the best of me
120 bpm • C Maj • 03:00 • -15db
56% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Nessa Barrett
Pain
120 bpm • C Maj • 03:39 • -14.77db
48% Popularity • 47% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
48% Popularity • 47% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Ray Lorraine
Love Story
120 bpm • C Maj • 03:52 • -17.72db
45% Popularity • 61% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 61% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Rosie Darling
Witness - Rajiv Dhall
120 bpm • D Maj • 03:33 • -10.46db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Hayd
October Snow
120 bpm • E Maj • 03:38 • -20.38db
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Elina
Champion
120 bpm • F# Maj • 02:53 • -9.01db
50% Popularity • 65% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 65% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Camylio
love and hate
125 bpm • C min • 03:10 • -8.05db
52% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Etham
Before I Lose My Mind - Stripped
125 bpm • C min • 03:46 • -11.14db
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Taylor Swift
Run (Taylor’s Version)
125 bpm • D# Maj • 04:00 • -6.92db
67% Popularity • 61% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 61% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Gracie Abrams
Rockland
126 bpm • F Maj • 03:37 • -11.34db
62% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Boy In Space
Drown
126 bpm • F Maj • 03:23 • -7.96db
45% Popularity • 42% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 42% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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RHODES
I'm Not Ok
126 bpm • F Maj • 03:23 • -7.75db
35% Popularity • 39% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 39% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Jamie Miller
Hold You 'Til We’re Old
126 bpm • A# Maj • 03:02 • -5.21db
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Taylor Swift
hoax
119 bpm • G# Maj • 03:40 • -15.07db
68% Popularity • 66% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
68% Popularity • 66% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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Kodaline
Wherever You Are
126 bpm • E Maj • 03:05 • -7.05db
53% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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shy martin
can I call you back?
126 bpm • A Maj • 02:33 • -9.99db
48% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Mimi Webb
I'll Break My Heart Again
118 bpm • G# Maj • 03:35 • -8.53db
44% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Alessia Cara
Out Of Love
118 bpm • G Maj • 03:47 • -9.25db
68% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
68% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Bazzi
Renee's Song
118 bpm • A Maj • 02:10 • -8.89db
52% Popularity • 59% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 59% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Lennon Stella
Older Than I Am
117 bpm • A Maj • 03:01 • -8.95db
50% Popularity • 44% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 44% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Fischer
What Other People Say
127 bpm • G Maj • 03:15 • -8.08db
48% Popularity • 65% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 65% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Sasha Alex Sloan
Intro
117 bpm • G# Maj • 00:45 • -18.02db
35% Popularity • 59% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 59% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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LOVA
Black Converse
117 bpm • D# Maj • 03:06 • -7db
49% Popularity • 78% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 78% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Elina
Mirage
117 bpm • F# min • 02:44 • -12db
43% Popularity • 52% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 52% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Alexander 23
Come Here and Leave Me Alone
117 bpm • C# min • 03:06 • -12.4db
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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vaultboy
aftermath
117 bpm • A Maj • 02:46 • -9.28db
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Ruth B.
Dandelions
117 bpm • C# Maj • 03:53 • -2.96db
88% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
88% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Sasha Alex Sloan
I h8 Myself
127 bpm • A min • 02:48 • -9.85db
37% Popularity • 79% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 79% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Lauren Spencer Smith
Back to Friends
117 bpm • D Maj • 03:35 • -9.95db
59% Popularity • 75% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
59% Popularity • 75% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Faith Marie
Antidote
128 bpm • A min • 05:00 • -12.14db
43% Popularity • 49% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 49% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Rosie Darling
Reruns
128 bpm • C# Maj • 02:26 • -11db
57% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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AJ Mitchell
Slow Dance
128 bpm • C# Maj • 02:58 • -7.66db
53% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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FINNEAS
Let's Fall in Love for the Night
128 bpm • F Maj • 03:10 • -7.94db
69% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Alexander Stewart
echo
128 bpm • F min • 03:18 • -7db
59% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Sasha Alex Sloan
Hardest Thing
128 bpm • A# Maj • 03:42 • -11.57db
34% Popularity • 79% Danceability • 35% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
34% Popularity • 79% Danceability • 35% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
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Gracie Abrams
Block me out
128 bpm • A# Maj • 04:09 • -7.47db
57% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Hayd
I Fall Apart
128 bpm • A# Maj • 04:00 • -16db
39% Popularity • 63% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 63% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
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Munn
I Lost Myself
128 bpm • D Maj • 03:11 • -6.23db
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Maggie Lindemann
Couple of Kids
128 bpm • E Maj • 03:42 • -4.53db
49% Popularity • 62% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 62% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Elina
Blue
116 bpm • C# Maj • 03:11 • -14.86db
43% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
43% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Bazzi
I Don't Think I'm Okay
128 bpm • A Maj • 02:56 • -8.12db
50% Popularity • 44% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 44% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Gracie Abrams
Brush Fire
129 bpm • D Maj • 03:10 • -9.23db
53% Popularity • 53% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 53% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Clara Mae
Overused
116 bpm • C Maj • 02:41 • -7.79db
37% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Maximillian
Ripples
130 bpm • C Maj • 03:15 • -9db
41% Popularity • 68% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 68% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Sasha Alex Sloan
Normal - stripped
115 bpm • F Maj • 03:17 • -9.64db
26% Popularity • 68% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 68% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Katelyn Tarver
Sinking In
130 bpm • C Maj • 03:34 • -8.65db
31% Popularity • 66% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 66% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Mokita
More Than Friends
130 bpm • A# Maj • 02:39 • -9db
52% Popularity • 78% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 78% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Abe Parker
Empty House
130 bpm • D Maj • 02:57 • -9.75db
40% Popularity • 63% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 63% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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mehro
perfume
130 bpm • D Maj • 02:29 • -7.09db
56% Popularity • 68% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
56% Popularity • 68% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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Nina Nesbitt
When You Lose Someone
130 bpm • D# Maj • 03:21 • -6db
33% Popularity • 39% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 39% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Sasha Alex Sloan
when was it over?
130 bpm • G Maj • 03:38 • -9.3db
58% Popularity • 63% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 63% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
