Songs like How Are You? by JESSIA
Based on a tempo of (+/- 10%) and a similar genre
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Mckenna Grace
Checkered Vans
140 bpm • A Maj • 03:18 • -4.2db
37% Popularity • 54% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 54% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Xana
Pray
140 bpm • F# min • 03:54 • -7.55db
47% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Stela Cole
Graveyard Shift
140 bpm • G Maj • 03:08 • -6.84db
13% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Olivia O'Brien
Bitches These Days
140 bpm • C# min • 02:23 • -4.47db
44% Popularity • 73% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 73% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Sarah Saint James
mad at god
140 bpm • G# Maj • 02:51 • -8.07db
41% Popularity • 65% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 65% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Riley Roth
Go Find Less
140 bpm • C# min • 02:40 • -4db
43% Popularity • 57% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 57% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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JESSIA
How Are You?
140 bpm • B Maj • 02:28 • -7.47db
36% Popularity • 80% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 80% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Xana
Goddess
140 bpm • G min • 03:37 • -7.96db
52% Popularity • 68% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 68% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
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Adelaine Morin
No Sugar
140 bpm • C# min • 02:43 • -3.27db
33% Popularity • 70% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 70% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Tomine Harket
Psychopath
140 bpm • A# min • 02:00 • -6.32db
16% Popularity • 71% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 71% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Britton
do you even miss me at all?
140 bpm • F min • 04:12 • -8.5db
34% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Zolita
20 Questions
140 bpm • D Maj • 02:59 • -6db
41% Popularity • 66% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 66% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Sam Short
I Wouldn't Love Me
140 bpm • E min • 02:16 • -5.44db
48% Popularity • 68% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 68% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Elle Winter
Sad Girl Heaven
140 bpm • C Maj • 02:47 • -7db
22% Popularity • 62% Danceability • 57% Energy • 58% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 62% Danceability • 57% Energy • 58% Liveness
0% Instrumentalness • 39% Positiveness
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JESSIA
Care About Me
140 bpm • E Maj • 02:45 • -5.05db
58% Popularity • 48% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 13% Positiveness
58% Popularity • 48% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 13% Positiveness
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Natalie Jane
Red Flag
140 bpm • F Maj • 03:19 • -8.36db
49% Popularity • 41% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 41% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Britton
Happy Being Me
140 bpm • F Maj • 03:03 • -11db
36% Popularity • 60% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 60% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Lenii
SLIP
140 bpm • G min • 02:23 • -8db
21% Popularity • 67% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 67% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Zaryah
SOCIETY OF MEN
139 bpm • G# Maj • 03:16 • -7.55db
24% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Nicky Buell
BOY CRAZY
139 bpm • C min • 03:19 • -5db
28% Popularity • 72% Danceability • 58% Energy • 48% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 72% Danceability • 58% Energy • 48% Liveness
0% Instrumentalness • 68% Positiveness
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Ber
Worrying - Demo
141 bpm • G# Maj • 03:20 • -8.55db
27% Popularity • 83% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 83% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Au/Ra
Screw Feelings
141 bpm • F Maj • 02:36 • -10.12db
34% Popularity • 71% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 71% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Britton
R U OK
139 bpm • B min • 03:40 • -10.69db
30% Popularity • 51% Danceability • 49% Energy • 58% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 51% Danceability • 49% Energy • 58% Liveness
0% Instrumentalness • 42% Positiveness
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Haiden Henderson
DUMP HIM
138 bpm • A# min • 02:34 • -6.94db
39% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Em Beihold
12345
138 bpm • A Maj • 02:44 • -6.35db
47% Popularity • 73% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 73% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Brianna Musco
why dont you want me
138 bpm • A# Maj • 02:31 • -6.23db
27% Popularity • 70% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 70% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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YDE
Old Her
143 bpm • C Maj • 03:01 • -8.62db
33% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Brooke Alexx
Dumb In Love
138 bpm • E min • 02:46 • -5.02db
36% Popularity • 72% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 72% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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JESSIA
Conviction
137 bpm • G# min • 03:30 • -6.42db
37% Popularity • 64% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 64% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Dylan Conrique
ugly
137 bpm • B min • 03:00 • -5db
39% Popularity • 68% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 68% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Grey Zeigler
SOB
144 bpm • F min • 02:47 • -7.82db
21% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Chloe Tang
I'd Kill
144 bpm • A# min • 02:16 • -8db
30% Popularity • 90% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 90% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Adelaine Morin
Petty
136 bpm • E min • 02:23 • -7db
18% Popularity • 72% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 72% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Arcaeus
Miss My Ex
136 bpm • G min • 03:22 • -7db
30% Popularity • 77% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 77% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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JESSIA
One Before The One
137 bpm • A# Maj • 02:48 • -6.69db
44% Popularity • 59% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 59% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sam Short
Already Mine
136 bpm • F Maj • 02:25 • -10.2db
40% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Devon Cole
Too Much Love
144 bpm • D Maj • 02:28 • -7.69db
37% Popularity • 81% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 81% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Trevi Moran
too hot to be this hungover
136 bpm • G# Maj • 02:50 • -5.78db
22% Popularity • 52% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 52% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Jade LeMac
Meet You in Hell
136 bpm • C min • 03:07 • -4.78db
43% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Jax
i can't believe i shaved my legs for thi...
136 bpm • C# Maj • 03:23 • -9.87db
33% Popularity • 84% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 84% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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JESSIA
He's A 10
136 bpm • C# Maj • 02:43 • -3.83db
55% Popularity • 84% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
55% Popularity • 84% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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TIMMS
Tamagotchi
136 bpm • C Maj • 02:01 • -7db
49% Popularity • 75% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 75% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Annika Wells
The Bitter End
145 bpm • F# Maj • 02:32 • -6.43db
25% Popularity • 90% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 90% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Jaira Burns
Daytime
145 bpm • C# min • 02:12 • -7.93db
23% Popularity • 92% Danceability • 40% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 92% Danceability • 40% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
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Devon Cole
Uncall It
145 bpm • C min • 02:36 • -6.5db
35% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Jax
papercuts
145 bpm • F Maj • 03:12 • -7db
37% Popularity • 78% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 78% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Noah Davis
Twinkle Twinkle
145 bpm • F# min • 02:05 • -6db
31% Popularity • 72% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 72% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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JESSIA
Next Time
135 bpm • C Maj • 03:17 • -9db
51% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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EQRIC
Run the World
145 bpm • C Maj • 02:40 • -4.58db
17% Popularity • 63% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 63% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Dysomia
Surrender
135 bpm • D Maj • 02:41 • -7.23db
5% Popularity • 77% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
5% Popularity • 77% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Andie Case
I Think I'm God
145 bpm • C min • 02:45 • -4.67db
20% Popularity • 62% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 62% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Marisa Maino
want u like that
135 bpm • C# min • 03:13 • -4db
37% Popularity • 80% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 80% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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jenny nuo
résumé
145 bpm • B Maj • 02:46 • -8.34db
21% Popularity • 55% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 55% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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GALXARA
Sour
135 bpm • C# min • 03:10 • -4.09db
38% Popularity • 79% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 79% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 70% Positiveness
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Chloe Adams
Dead To Me
135 bpm • E min • 02:33 • -6db
58% Popularity • 86% Danceability • 40% Energy • 11% Liveness
13% Instrumentalness • 65% Positiveness
58% Popularity • 86% Danceability • 40% Energy • 11% Liveness
13% Instrumentalness • 65% Positiveness
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JXCKY
Ghost You
135 bpm • F# Maj • 03:09 • -8.44db
14% Popularity • 62% Danceability • 37% Energy • 76% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 62% Danceability • 37% Energy • 76% Liveness
0% Instrumentalness • 58% Positiveness
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Anna Sofia
Cruel World
135 bpm • B min • 03:03 • -6db
29% Popularity • 63% Danceability • 54% Energy • 29% Liveness
2% Instrumentalness • 60% Positiveness
29% Popularity • 63% Danceability • 54% Energy • 29% Liveness
2% Instrumentalness • 60% Positiveness
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Andi
House On Fire
135 bpm • C# Maj • 03:13 • -10db
36% Popularity • 82% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 82% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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HAVEN
Different People
134 bpm • D# min • 02:54 • -6.86db
36% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Chandler Leighton
WTF Happened Last Night
146 bpm • F# min • 03:25 • -6.49db
23% Popularity • 68% Danceability • 48% Energy • 45% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 68% Danceability • 48% Energy • 45% Liveness
0% Instrumentalness • 26% Positiveness
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GAYLE
sleeping with my friends
146 bpm • F# Maj • 02:48 • -6.68db
25% Popularity • 62% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 62% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Devon Cole
Kissing Corner Booth
134 bpm • A Maj • 02:59 • -7.35db
33% Popularity • 77% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 77% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Marisa Maino
i sleep fine
134 bpm • C Maj • 02:55 • -7db
21% Popularity • 62% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 62% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Carlie Hanson
Girls in Line for the Bathroom
147 bpm • C# Maj • 02:27 • -6.53db
33% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Britton
Damaged
134 bpm • F min • 02:47 • -10.66db
32% Popularity • 77% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 77% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Beth McCarthy
You Ruined Love
147 bpm • C# Maj • 03:05 • -3.69db
33% Popularity • 62% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 62% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Brooke Alexx
Coolest Guy I Know
133 bpm • B min • 02:06 • -6.42db
34% Popularity • 89% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 89% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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margø
one bad day
147 bpm • C# Maj • 02:58 • -3.44db
25% Popularity • 69% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 69% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Andrea Russett
6 Feet
148 bpm • A min • 02:44 • -5.51db
31% Popularity • 65% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 65% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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ari hicks
Sad Ghost
148 bpm • A min • 03:07 • -10.74db
23% Popularity • 62% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 62% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Olivia O'Brien
Sociopath
133 bpm • G Maj • 02:33 • -6.16db
40% Popularity • 73% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 73% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Beth McCarthy
No Hard Feelings
148 bpm • D Maj • 03:36 • -6db
34% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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VILLFORTH
Shouldn't This Feel Easy?
148 bpm • F# Maj • 02:49 • -8.08db
18% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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TIMMS
Tiptoe
148 bpm • C# min • 02:01 • -6db
50% Popularity • 77% Danceability • 58% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 77% Danceability • 58% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
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Savannah Sgro
I Kiss Strangers
148 bpm • E Maj • 02:40 • -4.99db
18% Popularity • 47% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 47% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Lenii
The Kids Are All Rebels
148 bpm • D# min • 02:09 • -5.47db
50% Popularity • 41% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 41% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Marisa Maino
growing up can go to hell
132 bpm • A Maj • 03:55 • -8db
36% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Andi
Wish We Were Strangers
132 bpm • E Maj • 02:48 • -6.7db
32% Popularity • 70% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 70% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Zoë Ferguson
Die Alone
132 bpm • B min • 02:29 • -6.75db
29% Popularity • 71% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 71% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Lilyisthatyou
Bad Energy
132 bpm • F Maj • 02:22 • -5.74db
39% Popularity • 64% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 64% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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FLAVIA
Paris Girls
132 bpm • C Maj • 03:27 • -7.82db
18% Popularity • 72% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 72% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Melody Federer
I Hate Love
132 bpm • E Maj • 03:06 • -6.36db
33% Popularity • 70% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 70% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Abigail Barlow
Ragdoll
149 bpm • C Maj • 03:06 • -5.64db
26% Popularity • 82% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 82% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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ASTON
Killer Queen
132 bpm • G min • 03:06 • -5db
39% Popularity • 70% Danceability • 78% Energy • 29% Liveness
2% Instrumentalness • 35% Positiveness
39% Popularity • 70% Danceability • 78% Energy • 29% Liveness
2% Instrumentalness • 35% Positiveness
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ari hicks
Romeo Dies
150 bpm • G# min • 02:48 • -10.49db
32% Popularity • 70% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 70% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Hailey Haus
Flavor of the Month
150 bpm • B min • 02:20 • -6.78db
32% Popularity • 61% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 61% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Grey Zeigler
Back To You
150 bpm • C Maj • 03:12 • -8.21db
23% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Geena Fontanella
Upside
150 bpm • A Maj • 03:18 • -6.68db
17% Popularity • 69% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 69% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Stupid Hobby
Toxic
150 bpm • G# Maj • 02:25 • -7.61db
30% Popularity • 54% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 54% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
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Brittany Maggs
Killing My Vibe
150 bpm • C Maj • 03:08 • -5.28db
31% Popularity • 63% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 63% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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J. Maya
Thanatos (End of Us)
150 bpm • F# min • 02:52 • -7db
36% Popularity • 65% Danceability • 57% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
36% Popularity • 65% Danceability • 57% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
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EQRIC
Love Games
150 bpm • G Maj • 03:08 • -5db
22% Popularity • 56% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 56% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Carlie Hanson
Fuck Your Labels
150 bpm • F# Maj • 02:57 • -7db
32% Popularity • 70% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 70% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Jillian Rossi
txt me when u get here
150 bpm • B min • 03:16 • -5db
25% Popularity • 73% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 73% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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JESSIA
Be Here Now
150 bpm • G# Maj • 02:33 • -11db
35% Popularity • 51% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 51% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Grey Zeigler
cigarettes in the morning
150 bpm • A# min • 02:46 • -7.37db
34% Popularity • 62% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 62% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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PRINS
That's the thing x
130 bpm • F# min • 03:51 • -6.79db
25% Popularity • 71% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 71% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Ella Isaacson
RUDE
130 bpm • A Maj • 02:24 • -4db
41% Popularity • 80% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 80% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
