Songs like How Can I Say I'm Sorry by Jimmy Ruffin
Based on a tempo of (+/- 10%) and a similar genre
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Chairmen Of The Board
Working on a Building of Love
111 bpm • F Maj • 02:56 • -8db
18% Popularity • 57% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 57% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Jimmy Ruffin
I've Passed This Way Before
111 bpm • A# Maj • 02:42 • -13db
28% Popularity • 74% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 74% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Four Tops
Bernadette
111 bpm • F# Maj • 03:01 • -8db
50% Popularity • 66% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 66% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 70% Positiveness
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The Lovin' Spoonful
Daydream
111 bpm • C# Maj • 02:19 • -11.37db
64% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Candi Staton
Stand by Your Man
111 bpm • A Maj • 02:58 • -12.9db
30% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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The Pointer Sisters
Slow Hand
111 bpm • F# Maj • 03:51 • -7.77db
58% Popularity • 83% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 83% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Jr. Walker & The All Stars
What Does It Take (To Win Your Love)
111 bpm • F Maj • 02:30 • -11db
52% Popularity • 61% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 61% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Jimmy Ruffin
Thanks But No Thanks
111 bpm • F min • 02:53 • -9.94db
1% Popularity • 72% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
1% Popularity • 72% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Sonny & Cher
I Got You Babe
111 bpm • F# Maj • 03:10 • -6.02db
65% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
65% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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The Walker Brothers
The Sun Ain't Gonna Shine Anymore
111 bpm • D Maj • 03:04 • -7.35db
49% Popularity • 44% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 44% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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The Lovin' Spoonful
Summer in the City - Remastered
110 bpm • A# Maj • 02:40 • -9.76db
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Marvin Gaye
How Sweet It Is (To Be Loved By You)
110 bpm • C Maj • 02:57 • -10db
60% Popularity • 65% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 65% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Flirtations
Nothing But A Heartache
112 bpm • G# Maj • 02:44 • -5db
46% Popularity • 49% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 49% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmy Ruffin
Black Is Black
110 bpm • D Maj • 03:25 • -11.38db
17% Popularity • 60% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 60% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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David Ruffin
My Whole World Ended (The Moment You Lef...
110 bpm • F Maj • 03:32 • -9db
40% Popularity • 57% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 57% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Paul & Paula
Hey Paula
110 bpm • G Maj • 02:30 • -11.85db
49% Popularity • 54% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 54% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Little Anthony & The Imperials
Hurt So Bad
110 bpm • E min • 02:19 • -9.93db
36% Popularity • 51% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 51% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
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The Mamas & The Papas
Monday, Monday - Single Version
110 bpm • C# Maj • 03:28 • -9.5db
63% Popularity • 49% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
63% Popularity • 49% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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Sam & Dave
Soul Man
112 bpm • C Maj • 02:39 • -13.24db
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Clarence "Frogman" Henry
But I Do
110 bpm • A# Maj • 02:21 • 1.57db
41% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Neil Diamond
Girl, You'll Be A Woman Soon
110 bpm • F Maj • 03:00 • -5.57db
62% Popularity • 52% Danceability • 64% Energy • 32% Liveness
6% Instrumentalness • 66% Positiveness
62% Popularity • 52% Danceability • 64% Energy • 32% Liveness
6% Instrumentalness • 66% Positiveness
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Dr. Hook
When You're In Love With A Beautiful Wom...
110 bpm • G# Maj • 02:58 • -9.54db
66% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
66% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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The Elgins
Darling Baby
113 bpm • A# Maj • 02:50 • -4.13db
10% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Brenda Holloway
Operator - Single Version
109 bpm • G min • 03:15 • -10.72db
24% Popularity • 63% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 63% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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James Brown & The Famous Flames
Please, Please, Please
109 bpm • F Maj • 02:46 • -13.32db
43% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Wayne Fontana & The Mindbenders
The Game Of Love
109 bpm • A Maj • 02:07 • -4db
51% Popularity • 57% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 57% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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The Detroit Emeralds
Feel The Need In Me
113 bpm • C# Maj • 03:22 • -13.96db
29% Popularity • 75% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 75% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Brenton Wood
Gimme Little Sign
113 bpm • A# min • 02:21 • -5.06db
61% Popularity • 74% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
61% Popularity • 74% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Jimmy Ruffin
Shake Hands With A Dreamer
113 bpm • C min • 02:55 • -8.49db
3% Popularity • 67% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
3% Popularity • 67% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Sly & The Family Stone
Family Affair - Single Version
109 bpm • D min • 03:05 • -13.83db
53% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
53% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
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Freda Payne
Band Of Gold - Re-Recorded
109 bpm • G Maj • 03:05 • -5.44db
39% Popularity • 63% Danceability • 75% Energy • 42% Liveness
0% Instrumentalness • 93% Positiveness
39% Popularity • 63% Danceability • 75% Energy • 42% Liveness
0% Instrumentalness • 93% Positiveness
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Smokey Robinson
Being With You
109 bpm • C min • 04:06 • -9.53db
54% Popularity • 65% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
54% Popularity • 65% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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The Shirelles
Baby It's You
113 bpm • G min • 02:41 • -11.86db
47% Popularity • 64% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 64% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Carla Thomas
B-A-B-Y
114 bpm • G# Maj • 02:57 • -11.98db
58% Popularity • 74% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
58% Popularity • 74% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Jimmy Ruffin
It's A Desperate Situation
113 bpm • B Maj • 02:55 • -11.52db
2% Popularity • 60% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
2% Popularity • 60% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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The Tams
Hey Girl Don't Bother Me
114 bpm • A# Maj • 02:31 • -16.51db
37% Popularity • 79% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 79% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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MFSB
T.S.O.P. (The Sound of Philadelphia)
114 bpm • G min • 03:42 • -8.23db
48% Popularity • 71% Danceability • 85% Energy • 10% Liveness
12% Instrumentalness • 96% Positiveness
48% Popularity • 71% Danceability • 85% Energy • 10% Liveness
12% Instrumentalness • 96% Positiveness
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Frankie Valli & The Four Seasons
Working My Way Back to You
114 bpm • C Maj • 03:06 • -4db
43% Popularity • 67% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 67% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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The 5th Dimension
Up, Up and Away
108 bpm • G min • 02:43 • -14.6db
50% Popularity • 39% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 39% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Carla Thomas
B-A-B-Y - MONO Audio
114 bpm • G# Maj • 02:51 • -12.18db
20% Popularity • 74% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 74% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Jimmy Ruffin
Just Before Love Ends
108 bpm • D# Maj • 03:18 • -9.12db
6% Popularity • 63% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
6% Popularity • 63% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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Doris Troy
Just One Look
108 bpm • F Maj • 02:31 • -15db
56% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
56% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Tavares
More Than A Woman
108 bpm • G# min • 03:27 • -12.12db
56% Popularity • 70% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
56% Popularity • 70% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
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Esther Phillips
Release Me
114 bpm • C# Maj • 03:19 • -12.46db
52% Popularity • 43% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 41% Positiveness
52% Popularity • 43% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 41% Positiveness
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Chuck Jackson
Any Day Now
108 bpm • G Maj • 03:27 • -11.98db
29% Popularity • 75% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 75% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Solomon Burke
Cry to Me
115 bpm • E Maj • 02:34 • -9.85db
71% Popularity • 73% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
71% Popularity • 73% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
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The Contours
What Becomes of the Broken Hearted
107 bpm • F Maj • 02:51 • -9.95db
31% Popularity • 70% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 70% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Jimmy Ruffin
Baby I've Got It
115 bpm • D Maj • 02:32 • -11.61db
20% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Hues Corporation
Rock the Boat
107 bpm • D# Maj • 03:22 • -9.72db
65% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
65% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Roberta Flack
Where Is the Love
115 bpm • G# Maj • 02:43 • -15db
52% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Velvelettes
(We've Got) Honey Love
115 bpm • C# Maj • 02:33 • -8.18db
37% Popularity • 75% Danceability • 81% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
37% Popularity • 75% Danceability • 81% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
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The Supremes
Stop! In The Name Of Love
115 bpm • C Maj • 02:52 • -12.75db
65% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
65% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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The Marvelettes
The Hunter Gets Captured By The Game
115 bpm • B min • 02:50 • -11.43db
34% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Winstons
Color Him Father
115 bpm • F min • 03:10 • -7.31db
35% Popularity • 53% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 53% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Diana Ross & The Supremes
Someday We'll Be Together
107 bpm • C# Maj • 03:31 • -12.45db
56% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Boz Scaggs
What Can I Say (2023 Remaster)
115 bpm • G Maj • 03:01 • -11.21db
53% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Chairmen Of The Board
I'm on My Way to a Better Place
115 bpm • C# Maj • 04:06 • -4.95db
20% Popularity • 64% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 64% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 87% Positiveness
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The McCoys
Hang On Sloopy
115 bpm • G Maj • 03:51 • -12db
55% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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10cc
The Things We Do For Love
107 bpm • C# Maj • 03:27 • -9.84db
66% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
66% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The Young Rascals
Groovin'
107 bpm • F min • 02:31 • -8.9db
60% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Sam & Dave
Hold On, I'm Comin'
107 bpm • F# Maj • 02:35 • -14.03db
72% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
72% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
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Johnnie Taylor
Who's Making Love
115 bpm • A# Maj • 02:46 • -13.27db
43% Popularity • 79% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 79% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Gerry & The Pacemakers
Don't Let the Sun Catch You Crying (Main...
107 bpm • C# Maj • 02:37 • -14db
51% Popularity • 48% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 48% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Candi Staton
Young Hearts Run Free
115 bpm • G min • 04:08 • -9.3db
70% Popularity • 65% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
70% Popularity • 65% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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J.J. Jackson
But It's Alright
115 bpm • C# min • 02:53 • -4.81db
37% Popularity • 63% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 63% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Emotions
Best of My Love
115 bpm • C Maj • 03:40 • -6.87db
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
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The Staple Singers
Touch A Hand (Make A Friend)
116 bpm • C Maj • 03:26 • -9db
32% Popularity • 68% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 68% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Rufus Thomas
Walking the Dog - Mono
116 bpm • G# Maj • 02:38 • -9.03db
35% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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The Bar-Kays
Soul Finger
116 bpm • E Maj • 02:22 • -15db
43% Popularity • 74% Danceability • 46% Energy • 23% Liveness
84% Instrumentalness • 86% Positiveness
43% Popularity • 74% Danceability • 46% Energy • 23% Liveness
84% Instrumentalness • 86% Positiveness
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Heaven 17
My Sensitivity (Gets In The Way)
107 bpm • D Maj • 03:32 • -9.05db
5% Popularity • 70% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
5% Popularity • 70% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Jimmy Ruffin
You Gave Me Love
106 bpm • C# Maj • 03:00 • -9.7db
3% Popularity • 65% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
3% Popularity • 65% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Freda Payne
Band Of Gold (Single Mix)
106 bpm • B min • 02:58 • -8db
51% Popularity • 76% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
51% Popularity • 76% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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The Tymes
Ms. Grace - Rerecorded
116 bpm • B min • 03:19 • -12.31db
27% Popularity • 68% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 68% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Frankie Valli & The Four Seasons
Bye Bye Baby (Baby Goodbye)
116 bpm • D Maj • 02:33 • -9db
34% Popularity • 49% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 49% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Neil Sedaka
Breaking Up Is Hard to Do
116 bpm • G# min • 02:19 • -5.47db
60% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The Elgins
Put Yourself In My Place
116 bpm • C Maj • 02:40 • -4.39db
15% Popularity • 54% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 54% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Jimmy Ruffin
Too Busy Thinking About My Baby
116 bpm • F Maj • 02:45 • -7.29db
27% Popularity • 60% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 60% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Bee Gees
Jive Talkin'
106 bpm • G min • 03:42 • -12.97db
63% Popularity • 81% Danceability • 55% Energy • 16% Liveness
9% Instrumentalness • 73% Positiveness
63% Popularity • 81% Danceability • 55% Energy • 16% Liveness
9% Instrumentalness • 73% Positiveness
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Garnet Mimms & The Enchanters
A Quiet Place
106 bpm • G min • 02:24 • -12.22db
35% Popularity • 69% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 69% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Jackie DeShannon
What The World Needs Now Is Love
106 bpm • C# Maj • 03:06 • -9.5db
55% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
55% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Bob & Earl
Harlem Shuffle
116 bpm • F Maj • 02:54 • -6.64db
51% Popularity • 62% Danceability • 79% Energy • 5% Liveness
2% Instrumentalness • 80% Positiveness
51% Popularity • 62% Danceability • 79% Energy • 5% Liveness
2% Instrumentalness • 80% Positiveness
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Chairmen Of The Board
Everything's Tuesday
117 bpm • C Maj • 02:50 • -5.91db
25% Popularity • 74% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 74% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy Ruffin
(Stop Leading Me On) I Know How To Love ...
116 bpm • A# Maj • 02:44 • -7.42db
8% Popularity • 56% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 56% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Bobby Bloom
Montego Bay
106 bpm • G Maj • 02:56 • -10db
42% Popularity • 76% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 76% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Elvis Presley
Pocketful of Rainbows
117 bpm • D Maj • 02:34 • -16.96db
50% Popularity • 44% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
50% Popularity • 44% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Honey Cone
One Monkey Don't Stop No Show - Pt. 1
117 bpm • F# Maj • 03:31 • -8.16db
17% Popularity • 76% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 76% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Marvelettes
Destination: Anywhere
117 bpm • G min • 02:38 • -8db
34% Popularity • 71% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 71% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
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The Tams
What Kind Of Fool (Do You Think I Am)
117 bpm • C# Maj • 02:04 • -13.96db
28% Popularity • 71% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 71% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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New York City
I'm Doin' Fine Now
117 bpm • A# Maj • 02:51 • -12.25db
33% Popularity • 85% Danceability • 66% Energy • 73% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 85% Danceability • 66% Energy • 73% Liveness
0% Instrumentalness • 97% Positiveness
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Gerry & The Pacemakers
Ferry Cross the Mersey - Stereo; 1997 Re...
105 bpm • F# min • 02:23 • -11db
55% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Tavares
Heaven Must Be Missing An Angel - Pt. 1
117 bpm • A min • 06:33 • -11.89db
53% Popularity • 60% Danceability • 73% Energy • 65% Liveness
0% Instrumentalness • 95% Positiveness
53% Popularity • 60% Danceability • 73% Energy • 65% Liveness
0% Instrumentalness • 95% Positiveness
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Elvis Presley
Kentucky Rain
105 bpm • C Maj • 03:15 • -14.03db
56% Popularity • 41% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
56% Popularity • 41% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Eddie Floyd
Knock on Wood
105 bpm • E Maj • 03:09 • -12.92db
60% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
60% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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The Elgins
Put Yourself In My Place
117 bpm • C Maj • 02:26 • -4.21db
29% Popularity • 50% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 50% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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The Soul Survivors
Expressway (To Your Heart) - Single Vers...
105 bpm • B Maj • 02:18 • -11db
37% Popularity • 51% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 51% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Commodores
Nightshift
105 bpm • G# Maj • 05:06 • -10.19db
66% Popularity • 73% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
66% Popularity • 73% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
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Marvin Gaye
I Heard It Through The Grapevine
117 bpm • D# min • 03:14 • -10.85db
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Diana Ross & The Supremes
Love Child
105 bpm • A min • 03:01 • -0.81db
49% Popularity • 57% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 57% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
