Songs like How Long (Until I See the Sun Again?) by Birch Pereira & the Gin Joints
Based on a tempo of (+/- 10%) and a similar genre
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Birch Pereira & the Gin Joints
How Long (Until I See the Sun Again?)
92 bpm • E Maj • 03:53 • -7.69db
2% Popularity • 53% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
2% Popularity • 53% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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The Black Market Trust
L-O-V-E
92 bpm • D Maj • 02:24 • -12.76db
20% Popularity • 81% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 81% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The Blue Vipers Of Brooklyn
Blue Drag
93 bpm • C# Maj • 03:40 • -9.11db
23% Popularity • 63% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 63% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Brook Sidney
Someone Said a Word to Me
93 bpm • F min • 02:09 • -9.65db
16% Popularity • 76% Danceability • 50% Energy • 11% Liveness
29% Instrumentalness • 79% Positiveness
16% Popularity • 76% Danceability • 50% Energy • 11% Liveness
29% Instrumentalness • 79% Positiveness
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Mat Najean Jazz Band
City Talks
91 bpm • G Maj • 03:58 • -6.81db
9% Popularity • 79% Danceability • 44% Energy • 11% Liveness
96% Instrumentalness • 57% Positiveness
9% Popularity • 79% Danceability • 44% Energy • 11% Liveness
96% Instrumentalness • 57% Positiveness
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Conrad Ramsden
The Sweet Georgina
93 bpm • A# Maj • 02:05 • -9.87db
11% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Birch Pereira & the Gin Joints
Mo' Better Blues
93 bpm • G Maj • 03:13 • -15.43db
1% Popularity • 80% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
1% Popularity • 80% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Dunn Dryden
The Mountain
91 bpm • F min • 03:56 • -6.89db
11% Popularity • 69% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 69% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Susie Anoli
If Dreams Come True
91 bpm • B min • 02:25 • -14db
28% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Indigo Swing
That's Where My Money Goes
93 bpm • A# Maj • 02:56 • -11.42db
33% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Jean-Pierre Bertrand
If You're Not Mine
93 bpm • F min • 03:07 • -19db
21% Popularity • 65% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 35% Positiveness
21% Popularity • 65% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 35% Positiveness
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Midnight Serenaders
Ain’t She Sweet
90 bpm • G Maj • 04:15 • -8.56db
9% Popularity • 68% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 68% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Birch Pereira & the Gin Joints
Heartaches
91 bpm • G# Maj • 02:53 • -13.01db
5% Popularity • 76% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
5% Popularity • 76% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Terry Waldo
The Very Thought of You
90 bpm • C min • 05:24 • -16.34db
12% Popularity • 55% Danceability • 9% Energy • 7% Liveness
9% Instrumentalness • 34% Positiveness
12% Popularity • 55% Danceability • 9% Energy • 7% Liveness
9% Instrumentalness • 34% Positiveness
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The Chilkats
Chilkat Night Out
94 bpm • D# Maj • 03:30 • -8.53db
15% Popularity • 52% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 52% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Conrad Ramsden
You Drive Me Crazy
90 bpm • A# min • 02:33 • -15.94db
12% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Rory Lynch
I Won't Wonder Why
94 bpm • F Maj • 04:05 • -8.74db
12% Popularity • 45% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 45% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Giorgio Cuscito
Strippin'
94 bpm • F Maj • 02:14 • -10db
18% Popularity • 51% Danceability • 43% Energy • 22% Liveness
23% Instrumentalness • 69% Positiveness
18% Popularity • 51% Danceability • 43% Energy • 22% Liveness
23% Instrumentalness • 69% Positiveness
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Engelbert Wrobel
Promenade Aux Champs Elysees
90 bpm • F min • 05:24 • -11.5db
9% Popularity • 68% Danceability • 48% Energy • 7% Liveness
87% Instrumentalness • 96% Positiveness
9% Popularity • 68% Danceability • 48% Energy • 7% Liveness
87% Instrumentalness • 96% Positiveness
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Hot Club Sandwich
Déjà Vu
90 bpm • A min • 03:44 • -11.27db
11% Popularity • 83% Danceability • 30% Energy • 10% Liveness
62% Instrumentalness • 68% Positiveness
11% Popularity • 83% Danceability • 30% Energy • 10% Liveness
62% Instrumentalness • 68% Positiveness
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Terry Waldo
Baby Won't You Please Come Home
94 bpm • C min • 05:13 • -12.09db
14% Popularity • 60% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 60% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Conrad Ramsden
Recorded
94 bpm • F min • 03:13 • -7.42db
11% Popularity • 48% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 48% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Lacy Haith
The Void
90 bpm • G# min • 03:01 • -6.9db
21% Popularity • 56% Danceability • 74% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
21% Popularity • 56% Danceability • 74% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
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Giorgio Cuscito
Kansas City Stride
94 bpm • D Maj • 02:53 • -9.22db
18% Popularity • 86% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
18% Popularity • 86% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Lyn Stanley
Makin' Whoopee
90 bpm • A min • 03:49 • -15.18db
11% Popularity • 66% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 66% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Georgia Parker
Why Can't It Be Me?
90 bpm • G min • 02:10 • -10.66db
16% Popularity • 62% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 62% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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The Mad Hat Hucksters
When I Get Low I Get High
89 bpm • D min • 04:00 • -8.82db
7% Popularity • 74% Danceability • 44% Energy • 8% Liveness
3% Instrumentalness • 87% Positiveness
7% Popularity • 74% Danceability • 44% Energy • 8% Liveness
3% Instrumentalness • 87% Positiveness
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TAB Collective
At Midnight
95 bpm • C Maj • 03:08 • -12.22db
8% Popularity • 76% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 76% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Blue Moon Marquee
Lowlands
95 bpm • A min • 04:09 • -8.84db
8% Popularity • 61% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 61% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Michael Kaeshammer
She's Gone
89 bpm • F Maj • 02:44 • -6.49db
15% Popularity • 70% Danceability • 72% Energy • 14% Liveness
62% Instrumentalness • 84% Positiveness
15% Popularity • 70% Danceability • 72% Energy • 14% Liveness
62% Instrumentalness • 84% Positiveness
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The Quebe Sisters
Load at 7 (Leave at 8)
95 bpm • C Maj • 02:05 • -11.16db
12% Popularity • 78% Danceability • 28% Energy • 13% Liveness
94% Instrumentalness • 81% Positiveness
12% Popularity • 78% Danceability • 28% Energy • 13% Liveness
94% Instrumentalness • 81% Positiveness
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You Rascal Band
Chim Chim Cher-ee
95 bpm • C min • 03:36 • -12.1db
11% Popularity • 70% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 70% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Slowey and the Boats
Si Tu Vois Ma Mère
89 bpm • C Maj • 03:00 • -10.72db
8% Popularity • 47% Danceability • 36% Energy • 10% Liveness
52% Instrumentalness • 29% Positiveness
8% Popularity • 47% Danceability • 36% Energy • 10% Liveness
52% Instrumentalness • 29% Positiveness
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Birch Pereira & the Gin Joints
The Tennessee Waltz
89 bpm • G Maj • 03:29 • -11.8db
0% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Piper Herman
Bahamas
95 bpm • G Maj • 02:14 • -12.28db
29% Popularity • 70% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 70% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Filip Jers
Jätten Jorms sång
89 bpm • A Maj • 04:09 • -9.46db
8% Popularity • 59% Danceability • 60% Energy • 19% Liveness
97% Instrumentalness • 69% Positiveness
8% Popularity • 59% Danceability • 60% Energy • 19% Liveness
97% Instrumentalness • 69% Positiveness
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Sagzan Georgi
My T-shirt
95 bpm • A min • 01:39 • -7.05db
9% Popularity • 66% Danceability • 81% Energy • 19% Liveness
92% Instrumentalness • 89% Positiveness
9% Popularity • 66% Danceability • 81% Energy • 19% Liveness
92% Instrumentalness • 89% Positiveness
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Peter Lamb and the Wolves
His Eye Is on the Sparrow
96 bpm • A# Maj • 06:02 • -6.54db
8% Popularity • 62% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 55% Positiveness
8% Popularity • 62% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 55% Positiveness
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Andreas Sobczyk Quartett
Chicka Boo
88 bpm • F min • 03:26 • -10.21db
10% Popularity • 67% Danceability • 50% Energy • 33% Liveness
50% Instrumentalness • 83% Positiveness
10% Popularity • 67% Danceability • 50% Energy • 33% Liveness
50% Instrumentalness • 83% Positiveness
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The Black Market Trust
(I Would Do) Anything for You
96 bpm • G# Maj • 01:53 • -7.48db
16% Popularity • 67% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 67% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Daewon Lee
Come on and Kiss Me
96 bpm • D min • 03:24 • -14.43db
9% Popularity • 89% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 89% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Alondra Becerra
I Dare You
96 bpm • C min • 03:54 • -6.97db
12% Popularity • 69% Danceability • 50% Energy • 29% Liveness
1% Instrumentalness • 86% Positiveness
12% Popularity • 69% Danceability • 50% Energy • 29% Liveness
1% Instrumentalness • 86% Positiveness
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Tennille Langdon
If I Give My Heart To You
88 bpm • E Maj • 02:14 • -12.03db
15% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Mose Allison
Some Right, Some Wrong
97 bpm • G# Maj • 02:48 • -10.06db
10% Popularity • 68% Danceability • 51% Energy • 14% Liveness
41% Instrumentalness • 77% Positiveness
10% Popularity • 68% Danceability • 51% Energy • 14% Liveness
41% Instrumentalness • 77% Positiveness
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Lacy Haith
Happy Birthday Mom
88 bpm • A# Maj • 01:44 • -7.34db
21% Popularity • 77% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 77% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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O Sister!
I See A Sunshine When It Rains
97 bpm • F min • 03:17 • -9.71db
8% Popularity • 73% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 73% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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The Hot Club Of San Francisco
I'm Not Impressed
97 bpm • B min • 02:59 • -7.58db
8% Popularity • 73% Danceability • 49% Energy • 6% Liveness
54% Instrumentalness • 56% Positiveness
8% Popularity • 73% Danceability • 49% Energy • 6% Liveness
54% Instrumentalness • 56% Positiveness
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Adolph Walker
Whiskey Head Blues
97 bpm • B Maj • 03:37 • -10.78db
24% Popularity • 78% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 78% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Alex Pangman
Moon Ray
97 bpm • C min • 05:42 • -11.91db
9% Popularity • 62% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 62% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Birch Pereira & the Gin Joints
My Wanderin' Eyes
87 bpm • D# Maj • 03:18 • -11.29db
0% Popularity • 50% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 34% Positiveness
0% Popularity • 50% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 34% Positiveness
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Summer Camargo
80 Tears of Joy
98 bpm • G Maj • 06:33 • -10.73db
17% Popularity • 56% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
17% Popularity • 56% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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Gaucho
Part-Time Sweetheart
98 bpm • G# Maj • 04:17 • -14.47db
8% Popularity • 71% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 71% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Mortimer Bronte
Roll The Good Time
98 bpm • A# Maj • 03:34 • -13.01db
9% Popularity • 69% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 69% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Grand Marquis
Easy to Be the Devil
86 bpm • D min • 05:33 • -13.96db
9% Popularity • 59% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 59% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Rodney Longfellow
Lie to You
98 bpm • G min • 05:05 • -9.92db
9% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Buddy Bolden Legacy Band
Buddy's Habits
98 bpm • G# Maj • 04:38 • -8.33db
7% Popularity • 69% Danceability • 65% Energy • 5% Liveness
21% Instrumentalness • 89% Positiveness
7% Popularity • 69% Danceability • 65% Energy • 5% Liveness
21% Instrumentalness • 89% Positiveness
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Hot Club De Frank
Jeepers Creepers
98 bpm • A Maj • 04:09 • -11db
8% Popularity • 73% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 73% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Marco Bianchi Vibes 4tet
The Bet
98 bpm • C min • 02:00 • -8.15db
20% Popularity • 86% Danceability • 43% Energy • 10% Liveness
70% Instrumentalness • 69% Positiveness
20% Popularity • 86% Danceability • 43% Energy • 10% Liveness
70% Instrumentalness • 69% Positiveness
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Moses Macadam
A Journey of Sorrow
98 bpm • F Maj • 04:58 • -9.16db
29% Popularity • 50% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 50% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Norbert Susemihl
Arkansas Blues
98 bpm • C Maj • 04:45 • -12.41db
15% Popularity • 74% Danceability • 22% Energy • 12% Liveness
81% Instrumentalness • 73% Positiveness
15% Popularity • 74% Danceability • 22% Energy • 12% Liveness
81% Instrumentalness • 73% Positiveness
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Birch Pereira & the Gin Joints
Lost Highway
86 bpm • D Maj • 03:39 • -13.96db
1% Popularity • 61% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
1% Popularity • 61% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
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Pepper and the Jellies
When the Red Red Robin Comes Bob Bob Bob...
98 bpm • F Maj • 02:21 • -7.54db
20% Popularity • 81% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 81% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Leroy Jones
Rendezvous
98 bpm • F Maj • 05:41 • -13.07db
9% Popularity • 79% Danceability • 39% Energy • 14% Liveness
89% Instrumentalness • 85% Positiveness
9% Popularity • 79% Danceability • 39% Energy • 14% Liveness
89% Instrumentalness • 85% Positiveness
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Luca Velotti
Swinging Black
98 bpm • F min • 03:05 • -13.32db
13% Popularity • 62% Danceability • 35% Energy • 13% Liveness
89% Instrumentalness • 69% Positiveness
13% Popularity • 62% Danceability • 35% Energy • 13% Liveness
89% Instrumentalness • 69% Positiveness
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Alondra Becerra
Music Makes Me Who I Am
99 bpm • F Maj • 03:15 • -7.78db
13% Popularity • 58% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 58% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Hot Club du Nax
Crawl out Through the Fallout
99 bpm • F# min • 02:14 • -11.47db
13% Popularity • 67% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 67% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Birch Pereira & the Gin Joints
Lonesome Town
99 bpm • D Maj • 04:37 • -15.35db
2% Popularity • 35% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
2% Popularity • 35% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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The Bourbon Street Stompers
Blues In The Air
85 bpm • D# Maj • 02:40 • -12db
10% Popularity • 55% Danceability • 30% Energy • 12% Liveness
51% Instrumentalness • 54% Positiveness
10% Popularity • 55% Danceability • 30% Energy • 12% Liveness
51% Instrumentalness • 54% Positiveness
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Guy Verlinde
I'm Your Man
99 bpm • F# min • 02:40 • -9.71db
20% Popularity • 55% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 55% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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Gordon Webster
Sweet Lover No More
99 bpm • C Maj • 03:30 • -10.59db
16% Popularity • 81% Danceability • 51% Energy • 6% Liveness
5% Instrumentalness • 71% Positiveness
16% Popularity • 81% Danceability • 51% Energy • 6% Liveness
5% Instrumentalness • 71% Positiveness
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Ginger Tunes
Cockpit Kerfuffle
100 bpm • C Maj • 03:53 • -6.95db
10% Popularity • 65% Danceability • 51% Energy • 3% Liveness
93% Instrumentalness • 43% Positiveness
10% Popularity • 65% Danceability • 51% Energy • 3% Liveness
93% Instrumentalness • 43% Positiveness
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Rodney Longfellow
Lighthouse Light
85 bpm • F Maj • 03:27 • -10.02db
12% Popularity • 54% Danceability • 49% Energy • 9% Liveness
24% Instrumentalness • 72% Positiveness
12% Popularity • 54% Danceability • 49% Energy • 9% Liveness
24% Instrumentalness • 72% Positiveness
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Birch Pereira & the Gin Joints
If You Ever Change Your Mind (Please Let...
85 bpm • F Maj • 04:13 • -10.08db
0% Popularity • 46% Danceability • 32% Energy • 19% Liveness
1% Instrumentalness • 46% Positiveness
0% Popularity • 46% Danceability • 32% Energy • 19% Liveness
1% Instrumentalness • 46% Positiveness
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The Fried Seven
Guess Who's in Town
100 bpm • B min • 02:50 • -6.53db
11% Popularity • 73% Danceability • 38% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 73% Danceability • 38% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
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Roderick Paulin
'lil Liza Jane
100 bpm • G# Maj • 07:10 • -13.83db
7% Popularity • 47% Danceability • 62% Energy • 11% Liveness
68% Instrumentalness • 83% Positiveness
7% Popularity • 47% Danceability • 62% Energy • 11% Liveness
68% Instrumentalness • 83% Positiveness
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Earth.Boy
Reboot
100 bpm • D# Maj • 03:30 • -9.04db
9% Popularity • 84% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 84% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Giorgio Cuscito
Hawaiian Blues
100 bpm • D min • 02:49 • -11.94db
20% Popularity • 81% Danceability • 15% Energy • 14% Liveness
92% Instrumentalness • 88% Positiveness
20% Popularity • 81% Danceability • 15% Energy • 14% Liveness
92% Instrumentalness • 88% Positiveness
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Girls from Mars
Crazy People
100 bpm • F Maj • 02:43 • -8.16db
14% Popularity • 77% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 77% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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ruth weiss
90 - Set Two
100 bpm • C# Maj • 02:56 • -10.98db
8% Popularity • 63% Danceability • 29% Energy • 16% Liveness
25% Instrumentalness • 72% Positiveness
8% Popularity • 63% Danceability • 29% Energy • 16% Liveness
25% Instrumentalness • 72% Positiveness
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Tennille Langdon
It's Magic
100 bpm • C Maj • 02:53 • -10.64db
8% Popularity • 45% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 45% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Blue Harlem
I Put a Spell on You
100 bpm • C min • 03:14 • -6.31db
24% Popularity • 72% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 72% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Moses Macadam
Night And Day
84 bpm • C# Maj • 04:16 • -8.58db
29% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Vera
Room With A View
84 bpm • C Maj • 04:08 • -6.67db
12% Popularity • 59% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 59% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Giorgio Cuscito
Strip Trap
101 bpm • C min • 02:15 • -11.52db
20% Popularity • 77% Danceability • 39% Energy • 27% Liveness
80% Instrumentalness • 38% Positiveness
20% Popularity • 77% Danceability • 39% Energy • 27% Liveness
80% Instrumentalness • 38% Positiveness
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Alondra Becerra
Willow Weeping For Me
84 bpm • A# Maj • 05:45 • -9.57db
11% Popularity • 37% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 37% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Birch Pereira & the Gin Joints
Anytime
101 bpm • A Maj • 02:45 • -8.94db
14% Popularity • 89% Danceability • 47% Energy • 10% Liveness
12% Instrumentalness • 76% Positiveness
14% Popularity • 89% Danceability • 47% Energy • 10% Liveness
12% Instrumentalness • 76% Positiveness
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Blue Harlem
Angel City Blues
100 bpm • C# Maj • 03:34 • -5.19db
10% Popularity • 57% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 57% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Girls from Mars
It Don't Mean A Thing - If It Ain't Got ...
102 bpm • A min • 02:48 • -9db
27% Popularity • 83% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 83% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Allen Toussaint
Singin' the Blues
102 bpm • D# Maj • 05:40 • -11.36db
32% Popularity • 60% Danceability • 34% Energy • 27% Liveness
84% Instrumentalness • 64% Positiveness
32% Popularity • 60% Danceability • 34% Energy • 27% Liveness
84% Instrumentalness • 64% Positiveness
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Giorgio Cuscito
Strip Ology
101 bpm • F Maj • 02:05 • -9.57db
20% Popularity • 70% Danceability • 50% Energy • 14% Liveness
92% Instrumentalness • 64% Positiveness
20% Popularity • 70% Danceability • 50% Energy • 14% Liveness
92% Instrumentalness • 64% Positiveness
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Tim Laughlin
Must Be Right, Can't Be Wrong
83 bpm • F Maj • 03:27 • -9.84db
17% Popularity • 67% Danceability • 24% Energy • 9% Liveness
12% Instrumentalness • 60% Positiveness
17% Popularity • 67% Danceability • 24% Energy • 9% Liveness
12% Instrumentalness • 60% Positiveness
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Jenn Cleary
Tain't Nobody's Business
102 bpm • G min • 03:34 • -8.33db
13% Popularity • 71% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 71% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Blue Harlem
Jump Jack Jump
101 bpm • D Maj • 02:41 • -3.93db
22% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Bob Jay & ABC swing Band
C'est si bon
102 bpm • A Maj • 04:07 • -9.07db
9% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Hadda Brooks
Need A Little Sugar In My Bowl
83 bpm • A# Maj • 03:25 • -15db
10% Popularity • 53% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 53% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Birch Pereira & the Gin Joints
Nobody Knows You When You're Down and Ou...
83 bpm • D Maj • 03:19 • -16.56db
1% Popularity • 76% Danceability • 10% Energy • 16% Liveness
4% Instrumentalness • 38% Positiveness
1% Popularity • 76% Danceability • 10% Energy • 16% Liveness
4% Instrumentalness • 38% Positiveness
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Andreas Sobczyk Quartett
These Foolish Things
102 bpm • F min • 04:16 • -14.04db
11% Popularity • 71% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 71% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Greg Ruby
Cautionary Tale
102 bpm • C# Maj • 03:17 • -10.43db
11% Popularity • 69% Danceability • 51% Energy • 18% Liveness
93% Instrumentalness • 74% Positiveness
11% Popularity • 69% Danceability • 51% Energy • 18% Liveness
93% Instrumentalness • 74% Positiveness
