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How Not To
Songs like
How Not To
by
Dan + Shay
Based on a tempo of (+/- 10%) and a similar genre
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Michael Ray
One That Got Away
160 bpm • A# Maj • 03:38 • -4db
50% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Eric Church
Record Year
160 bpm • F Maj • 02:59 • -8.12db
70% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Logan Mize
Ain't Always Pretty
160 bpm • C# Maj • 03:30 • -4.56db
42% Popularity • 56% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Luke Bryan
Sunrise, Sunburn, Sunset
160 bpm • A Maj • 03:36 • -2.27db
64% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Lee Brice
A Woman Like You
160 bpm • G Maj • 03:29 • -7db
59% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Dustin Lynch
Red Dirt, Blue Eyes
160 bpm • G# Maj • 03:17 • -4.52db
44% Popularity • 51% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Carly Pearce
Next Girl
160 bpm • B Maj • 02:44 • -4db
60% Popularity • 58% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Tim McGraw
Live Like You Were Dying
160 bpm • G Maj • 05:00 • -7.73db
70% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Young
She's Got a Way
160 bpm • A Maj • 02:51 • -5.13db
53% Popularity • 58% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
64% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Dan + Shay
How Not To
160 bpm • B min • 03:12 • -3.59db
60% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
62% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Chase Rice
Carolina Can
158 bpm • B Maj • 03:40 • -6.61db
20% Popularity • 48% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Luke Bryan
Home Alone Tonight
162 bpm • G# Maj • 03:10 • -1.18db
56% Popularity • 50% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Miranda Lambert
Over You
158 bpm • F# Maj • 04:13 • -6.97db
55% Popularity • 57% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Jana Kramer
Circles
162 bpm • F# Maj • 03:59 • -5db
36% Popularity • 52% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Dan + Shay
Road Trippin'
161 bpm • F Maj • 03:32 • -4.65db
47% Popularity • 55% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Dustin Lynch
Where It's At
158 bpm • D# Maj • 03:24 • -5.75db
59% Popularity • 56% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
60% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Granger Smith
If the Boot Fits
162 bpm • D# Maj • 02:50 • -5.74db
46% Popularity • 53% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Cody Johnson
On My Way to You
158 bpm • C# Maj • 03:33 • -5.48db
65% Popularity • 44% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Jon Pardi
Up All Night
163 bpm • A Maj • 03:29 • -4.94db
59% Popularity • 55% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Dan + Shay
Sway
158 bpm • A Maj • 03:09 • -4.18db
42% Popularity • 45% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Dustin Lynch
Mind Reader
162 bpm • E min • 03:05 • -4.17db
55% Popularity • 39% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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David Nail
Red Light
164 bpm • A Maj • 04:06 • -3db
49% Popularity • 39% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Chris Bandi
Man Enough Now
156 bpm • D Maj • 03:05 • -6.11db
48% Popularity • 59% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Blake Shelton
A Guy with a Girl
164 bpm • C Maj • 03:09 • -4.59db
61% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Dylan Schneider
No Problem
164 bpm • F Maj • 03:03 • -4.38db
40% Popularity • 48% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Dan + Shay
When I Pray for You
164 bpm • D Maj • 03:29 • -4.24db
50% Popularity • 38% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Big & Rich
Look at You
164 bpm • B Maj • 03:43 • -5db
43% Popularity • 50% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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David Nail
Night's On Fire
164 bpm • E Maj • 03:09 • -4.16db
56% Popularity • 54% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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RaeLynn
God Made Girls
156 bpm • D# Maj • 03:35 • -2.94db
52% Popularity • 49% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Chris Young
Hangin' On
156 bpm • G# Maj • 03:05 • -4.77db
54% Popularity • 43% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Scotty McCreery
Five More Minutes
156 bpm • G Maj • 04:01 • -4.93db
70% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Chase Rice
Ready Set Roll
156 bpm • C Maj • 03:10 • -5.3db
41% Popularity • 51% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
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Dan + Shay
Always Gonna Be
156 bpm • A# Maj • 02:52 • -5.45db
50% Popularity • 44% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Josh Turner
Hometown Girl
156 bpm • D# min • 03:35 • -5.47db
64% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
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Blake Shelton
Every Time I Hear That Song
156 bpm • D Maj • 03:34 • -5.45db
53% Popularity • 52% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Kenny Chesney
Save It for a Rainy Day
155 bpm • G Maj • 03:02 • -5.48db
59% Popularity • 54% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Trace Adkins
You're Gonna Miss This
155 bpm • G# Maj • 03:44 • -7.16db
64% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Thomas Rhett
Die A Happy Man
166 bpm • D Maj • 03:47 • -9.25db
76% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Joe Nichols
Yeah
166 bpm • B Maj • 03:51 • -4.65db
54% Popularity • 40% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Dan + Shay
Show You Off
166 bpm • B Maj • 03:03 • -4.2db
48% Popularity • 54% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Old Dominion
Song for Another Time
166 bpm • B Maj • 03:11 • -4db
62% Popularity • 50% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Chase Rice
Three Chords & The Truth
166 bpm • G# Maj • 03:54 • -4.72db
44% Popularity • 44% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Keith Urban
Cop Car
154 bpm • C# Maj • 04:16 • -6.32db
58% Popularity • 54% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Tyler Farr
Whiskey in My Water
154 bpm • G Maj • 03:08 • -5.08db
52% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Lauren Alaina
Getting Over Him
154 bpm • G# Maj • 02:46 • -4.73db
49% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Scotty McCreery
Home in My Mind
154 bpm • F# Maj • 03:35 • -6.49db
41% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Big & Rich
Lovin' Lately
154 bpm • E Maj • 03:38 • -5.54db
44% Popularity • 60% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Jana Kramer
Why Ya Wanna
167 bpm • E Maj • 03:41 • -3db
49% Popularity • 30% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Billy Currington
Must Be Doin' Somethin' Right
168 bpm • A Maj • 04:29 • -3.42db
66% Popularity • 49% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Easton Corbin
Baby Be My Love Song
168 bpm • C Maj • 03:19 • -6.15db
50% Popularity • 49% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Michael Ray
Get to You
168 bpm • D# Maj • 03:11 • -5.66db
49% Popularity • 48% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Jameson Rodgers
Some Girls
168 bpm • G# Maj • 03:04 • -5db
58% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Florida Georgia Line
God, Your Mama, And Me
168 bpm • G Maj • 03:03 • -3.73db
61% Popularity • 44% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Dan + Shay
Show You Off - Acoustic; Live
168 bpm • F Maj • 03:03 • -7.52db
28% Popularity • 41% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Chase Rice
50 Shades of Crazy
152 bpm • D# min • 03:10 • -5db
19% Popularity • 52% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Devin Dawson
Dark Horse
152 bpm • F# min • 03:31 • -4.56db
39% Popularity • 54% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Ray
Kiss You in the Morning
152 bpm • B Maj • 03:01 • -3db
47% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Lady A
You Look Good
152 bpm • C Maj • 03:01 • -4.65db
54% Popularity • 66% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Adam Doleac
Bigger Than Us
152 bpm • C# Maj • 03:21 • -3.46db
37% Popularity • 48% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
55% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Dan + Shay
19 You + Me
152 bpm • F# Maj • 03:37 • -5.13db
57% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
63% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Jake Owen
Anywhere With You
152 bpm • F Maj • 03:29 • -2.55db
58% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Thompson Square
Are You Gonna Kiss Me Or Not
152 bpm • G# Maj • 03:04 • -3.81db
66% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Luke Combs
Forever After All
152 bpm • C Maj • 03:52 • -5.2db
78% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Tim McGraw
Speak to a Girl
152 bpm • C# Maj • 03:52 • -7db
45% Popularity • 47% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Jon Pardi
Ain't Always The Cowboy
152 bpm • A Maj • 03:40 • -3db
69% Popularity • 54% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Dan + Shay
From the Ground Up
152 bpm • A Maj • 04:13 • -5.97db
65% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Eli Young Band
Crazy Girl
151 bpm • E Maj • 03:20 • -3.84db
69% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
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Luke Bryan
What She Wants Tonight
170 bpm • G# min • 03:07 • -3.86db
47% Popularity • 50% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Luke Combs
She Got the Best of Me
151 bpm • B Maj • 03:03 • -3.79db
80% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Tyler Rich
The Difference
170 bpm • A Maj • 03:06 • -5db
55% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Rodney Atkins
Take A Back Road
170 bpm • D# Maj • 03:29 • -4db
68% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Dan + Shay
You
170 bpm • C Maj • 03:16 • -6.21db
62% Popularity • 54% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Scotty McCreery
See You Tonight
170 bpm • A Maj • 03:46 • -6db
54% Popularity • 50% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Lady A
Downtown
170 bpm • A Maj • 03:15 • -5.29db
56% Popularity • 53% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Jackie Lee
Getting Over You
170 bpm • D Maj • 02:52 • -5.06db
43% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Young
Who I Am With You
150 bpm • C Maj • 03:11 • -4.31db
58% Popularity • 47% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Luke Bryan
Most People Are Good
150 bpm • G# Maj • 03:41 • -6.17db
65% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Dan + Shay
19 You + Me - Acoustic; Live
151 bpm • F# Maj • 03:41 • -8db
30% Popularity • 42% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Eli Young Band
Always The Love Songs
150 bpm • E Maj • 03:41 • -3.42db
42% Popularity • 47% Danceability • 77% Energy • 68% Liveness
0% Instrumentalness • 40% Positiveness
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Jana Kramer
I Got the Boy
150 bpm • C Maj • 03:21 • -5.95db
56% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Sugarland
Babe
172 bpm • E Maj • 03:35 • -3.29db
58% Popularity • 54% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
53% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Tim McGraw
Something Like That
172 bpm • F Maj • 03:03 • -5.68db
73% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Dan + Shay
Stupid Love
170 bpm • C Maj • 03:14 • -4db
45% Popularity • 69% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Blake Shelton
She's Got a Way with Words
149 bpm • D# Maj • 03:10 • -6db
50% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Old Dominion
No Such Thing as a Broken Heart
172 bpm • G# Maj • 02:56 • -4.3db
62% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Easton Corbin
Clockwork
172 bpm • C Maj • 03:09 • -4.85db
48% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Jake Owen
Barefoot Blue Jean Night
172 bpm • E Maj • 02:47 • -4.68db
73% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Randy Houser
Runnin' Outta Moonlight
172 bpm • D Maj • 03:13 • -3.72db
67% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Dan + Shay
Tequila - Acoustic
172 bpm • B Maj • 03:15 • -5.75db
37% Popularity • 46% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Hurd
Diamonds or Twine
148 bpm • D Maj • 03:31 • -8.8db
47% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Bryan
Kick The Dust Up
172 bpm • C# Maj • 03:10 • -2.32db
66% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Kip Moore
Last Shot
148 bpm • E Maj • 03:48 • -4.4db
54% Popularity • 49% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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LANCO
Greatest Love Story
148 bpm • A# Maj • 03:42 • -8.72db
69% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Sara Evans
A Little Bit Stronger
148 bpm • D Maj • 05:01 • -5.6db
61% Popularity • 54% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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How Not To