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How To Miss You
Songs like
How To Miss You
by
San Joseph
Based on a tempo of (+/- 10%) and a similar genre
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Free Arlo
ur bf sux
130 bpm • B Maj • 02:40 • -6.05db
22% Popularity • 69% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Jeremy Zucker
i need you (in my life)
130 bpm • G# Maj • 03:09 • -7.65db
43% Popularity • 70% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Aidan Bissett
I Can't Be Your Friend
130 bpm • A Maj • 02:51 • -5.56db
41% Popularity • 73% Danceability • 68% Energy • 8% Liveness
3% Instrumentalness • 81% Positiveness
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San Joseph
How To Miss You
130 bpm • G# Maj • 03:06 • -4.88db
33% Popularity • 67% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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BIZZY
Out Loud
130 bpm • D# Maj • 01:32 • -6.66db
37% Popularity • 76% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Blake Rose
Rollerblades
130 bpm • E Maj • 03:34 • -6db
38% Popularity • 50% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Love You Later
Keepintouch
130 bpm • F# Maj • 03:08 • -8.78db
31% Popularity • 36% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Eighty Ninety
Stay Alive
130 bpm • G Maj • 03:56 • -5.78db
15% Popularity • 58% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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moony
FALLLLLLLLL IN LOVE
129 bpm • E Maj • 03:18 • -4.79db
36% Popularity • 67% Danceability • 80% Energy • 69% Liveness
1% Instrumentalness • 85% Positiveness
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Josie Dunne
LIMBO
129 bpm • G# Maj • 02:14 • -5.68db
25% Popularity • 71% Danceability • 74% Energy • 36% Liveness
6% Instrumentalness • 73% Positiveness
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Nightly
radiohead
132 bpm • E Maj • 03:17 • -6.56db
41% Popularity • 50% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Riley Biederer
different but exactly like you
131 bpm • G Maj • 03:47 • -15.26db
40% Popularity • 76% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Casey Tutton
Hold Me
128 bpm • D Maj • 03:04 • -6.24db
31% Popularity • 72% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Van Buren
Got Away
128 bpm • C Maj • 03:28 • -7.05db
34% Popularity • 73% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Corey Harper
2 Tickets
132 bpm • C# min • 02:28 • -7.24db
34% Popularity • 86% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Ben Kessler
Default
132 bpm • B Maj • 03:05 • -6.25db
27% Popularity • 40% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Shoffy
Chase The Light
128 bpm • C Maj • 03:04 • -4.95db
31% Popularity • 71% Danceability • 80% Energy • 72% Liveness
0% Instrumentalness • 67% Positiveness
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carobae
every time i close my eyes
132 bpm • F Maj • 03:02 • -8.04db
16% Popularity • 68% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Point Blank Society
Matching Tattoos
132 bpm • D Maj • 03:28 • -9.56db
11% Popularity • 87% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Windser
Capsize
128 bpm • E Maj • 03:39 • -5.51db
30% Popularity • 72% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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RARIA
Happy Never After
128 bpm • F Maj • 02:44 • -5.24db
18% Popularity • 78% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Carlie Hanson
Torn
128 bpm • F# min • 03:34 • -5.77db
27% Popularity • 68% Danceability • 79% Energy • 24% Liveness
7% Instrumentalness • 36% Positiveness
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TRACE
Stomachache
128 bpm • G Maj • 03:04 • -8db
29% Popularity • 77% Danceability • 56% Energy • 12% Liveness
56% Instrumentalness • 73% Positiveness
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19&YOU
19&YOU
128 bpm • G# Maj • 02:55 • -5.75db
23% Popularity • 65% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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ehren
I WANT YOU
132 bpm • D Maj • 03:18 • -6.03db
35% Popularity • 67% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Conor Burns
The Weight Of Love
128 bpm • G# Maj • 02:24 • -5.38db
36% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Saint Blonde
Rollercoaster
128 bpm • F Maj • 02:33 • -4.78db
37% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Drive!Drive!
Who We Are
127 bpm • C Maj • 03:58 • -6db
20% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Fly By Midnight
Dance
127 bpm • F# min • 03:12 • -4.36db
49% Popularity • 62% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Bates
Takeaway Cup
133 bpm • D# Maj • 02:29 • -6.37db
38% Popularity • 69% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Oceanic
Care More
127 bpm • D# min • 03:07 • -8.06db
22% Popularity • 68% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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STRUAN
Rest of the Summer
127 bpm • C# Maj • 02:12 • -6.18db
33% Popularity • 61% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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morgxn
THE WAY IT WAS
127 bpm • B Maj • 03:17 • -3db
39% Popularity • 67% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Hardcastle
Blue Sky
127 bpm • C# Maj • 02:39 • -5.3db
33% Popularity • 66% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Keir Gibson
When Nobody's Left
133 bpm • F Maj • 03:31 • -7.79db
12% Popularity • 48% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Imani Graham
GLAD IT'S OVER
127 bpm • G# Maj • 03:50 • -7.14db
29% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Chris James
29
134 bpm • E Maj • 02:18 • -5.13db
56% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Nate Mitchell
Find Me
126 bpm • C# Maj • 02:54 • -10.52db
33% Popularity • 62% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Neuhaus
Okay, Maybe Not
127 bpm • F# min • 03:10 • -7.05db
39% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Eleanor Kingston
Losing Focus
126 bpm • G# Maj • 02:35 • -8.71db
34% Popularity • 72% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Knox
NYC
126 bpm • G# Maj • 03:24 • -5.63db
44% Popularity • 78% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Phil Good
UNALIVE
126 bpm • D Maj • 02:42 • -7.92db
35% Popularity • 79% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Bailey Bryan
Upside Down
126 bpm • F# Maj • 03:02 • -5.71db
29% Popularity • 81% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Charles William
I Want A Love Like That
126 bpm • A# Maj • 02:19 • -8.79db
31% Popularity • 81% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
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Ashley Singh
Duvet Cover
126 bpm • A Maj • 02:25 • -5.99db
34% Popularity • 80% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Patrick Martin
Dandelion Eyes
126 bpm • G Maj • 03:09 • -4.51db
47% Popularity • 66% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Alt Fiction
Yesterday
126 bpm • D Maj • 03:03 • -5.85db
12% Popularity • 66% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Jennie Harluk
17
126 bpm • C Maj • 03:13 • -6.76db
15% Popularity • 81% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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19&YOU
Loving Me
126 bpm • A Maj • 02:44 • -8.03db
21% Popularity • 78% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Valley
Evenings & Weekends
135 bpm • C# Maj • 03:13 • -5.09db
36% Popularity • 68% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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The Million
Therapy
135 bpm • B Maj • 02:46 • -6.37db
31% Popularity • 75% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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almost monday
this is growing up
135 bpm • A# min • 03:04 • -7db
38% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Ivy
Broad Shoulders
135 bpm • G Maj • 03:07 • -6.86db
36% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Rightfield
Big Tex
135 bpm • G min • 02:48 • -3db
32% Popularity • 58% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Tom Siletto
place and time
135 bpm • D Maj • 03:34 • -8db
29% Popularity • 68% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Miki Ratsula
Missing June
125 bpm • F Maj • 02:52 • -9.01db
44% Popularity • 72% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Francisco Martin
Passenger Princess
125 bpm • E Maj • 03:36 • -7db
36% Popularity • 70% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Wingtip
Talk
125 bpm • A# Maj • 03:17 • -6.51db
37% Popularity • 78% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Oli Fox
Butterfingers
125 bpm • C min • 03:05 • -5.2db
32% Popularity • 62% Danceability • 87% Energy • 60% Liveness
18% Instrumentalness • 63% Positiveness
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Shoffy
Find My Way
125 bpm • G# min • 02:53 • -4.14db
21% Popularity • 75% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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POLYDRIVE
Not Me Anymore
125 bpm • C min • 03:22 • -9db
31% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Hardcastle
YOU
125 bpm • D Maj • 02:58 • -5.61db
22% Popularity • 67% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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STRUAN
Drunk and Emotional
125 bpm • D# Maj • 02:50 • -6.82db
26% Popularity • 64% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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PARRIS MITCHELL
Easy Love
125 bpm • C Maj • 03:27 • -6.93db
36% Popularity • 82% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Jefferson Clay
People IDK Yet
125 bpm • A Maj • 02:13 • -7.48db
37% Popularity • 76% Danceability • 79% Energy • 37% Liveness
3% Instrumentalness • 97% Positiveness
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Jonny West
back & forth
125 bpm • A# min • 03:39 • -8.64db
13% Popularity • 59% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Alt Bloom
TYCO
125 bpm • F Maj • 03:00 • -3.56db
22% Popularity • 75% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
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GUS
Stoned
125 bpm • A Maj • 03:00 • -7.32db
20% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Alexander 23
Different (Demo)
125 bpm • C# Maj • 03:31 • -6.73db
33% Popularity • 80% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 90% Positiveness
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Ber
Boys Who Kiss You In Their Car
136 bpm • B min • 02:44 • -10db
36% Popularity • 70% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Christian French
thank god
136 bpm • F# min • 02:39 • -5.82db
44% Popularity • 84% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Nightly
love somebody
136 bpm • G Maj • 02:47 • -5.69db
30% Popularity • 42% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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BAYEM
Demonize
136 bpm • C# Maj • 02:55 • -5.92db
30% Popularity • 72% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Savannah Sgro
I Think I’m in ____
136 bpm • A Maj • 02:40 • -4.86db
30% Popularity • 75% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Spencer Sutherland
Paranoia
136 bpm • B Maj • 03:11 • -6.23db
39% Popularity • 73% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Laur Elle
Crossed Wires
124 bpm • D Maj • 03:05 • -6.7db
26% Popularity • 64% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Rosie Darling
Golden Age
124 bpm • C Maj • 03:31 • -8db
45% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Brogan Pero
My Lover
124 bpm • A# Maj • 02:50 • -7.5db
37% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Lorelei Marcell
Flashbacks
124 bpm • G# Maj • 03:20 • -8db
30% Popularity • 67% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Alt Fiction
She Knows It
124 bpm • C# min • 03:01 • -5.65db
12% Popularity • 74% Danceability • 74% Energy • 14% Liveness
2% Instrumentalness • 69% Positiveness
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remy
u either die a hero or live long enough ...
124 bpm • D Maj • 02:48 • -7.72db
21% Popularity • 71% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Smallpools
West Coast (I'm in Love)
124 bpm • F# min • 03:32 • -5.81db
27% Popularity • 65% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Michaela Slinger
Little Pieces
124 bpm • G Maj • 03:23 • -4.43db
30% Popularity • 58% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Israel McFarland
Never Did
124 bpm • D Maj • 01:58 • -8.98db
33% Popularity • 85% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Sam Alesandri
I Like You, You're Different
137 bpm • C Maj • 02:19 • -4.21db
33% Popularity • 79% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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SADBOii
It's Not Like That
137 bpm • A Maj • 02:26 • -6.79db
21% Popularity • 57% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Cristina Hart
Never Be Her
137 bpm • G Maj • 03:04 • -8.09db
31% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Fritz Hager
Two Step
123 bpm • F Maj • 02:54 • -6.12db
36% Popularity • 75% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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A R I Z O N A
Dancing With The Dead
123 bpm • C Maj • 03:03 • -7.35db
35% Popularity • 86% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Beeson
I Haven't Seen You Since The Summer
123 bpm • F Maj • 03:20 • -9.7db
43% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Taylor Roche
better than home
123 bpm • F Maj • 03:08 • -6.41db
21% Popularity • 74% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Moody Joody
Something To Do
123 bpm • F# Maj • 03:04 • -8.38db
29% Popularity • 69% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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remy
checked out
123 bpm • F Maj • 02:17 • -8.04db
45% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Adriel Rivera
WHEN I MET YOU, DEAR
138 bpm • B min • 03:00 • -9.32db
15% Popularity • 71% Danceability • 86% Energy • 52% Liveness
7% Instrumentalness • 86% Positiveness
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TANDM
Accidentally In Love
138 bpm • G Maj • 02:50 • -5.63db
37% Popularity • 73% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Blake Rose
Dizzy
138 bpm • G# Maj • 03:04 • -4db
35% Popularity • 68% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Cody Lovaas
Make More Sense
138 bpm • A# Maj • 02:53 • -5.83db
31% Popularity • 79% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Ruel
I DON'T WANNA BE LIKE YOU
122 bpm • C# Maj • 02:43 • -4.87db
54% Popularity • 70% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Shoobies
Alone
122 bpm • E Maj • 03:08 • -7.29db
29% Popularity • 64% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
BRDGS
I Think I Loved You
122 bpm • A# Maj • 02:35 • -9.06db
32% Popularity • 85% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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How To Miss You