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Här ligger jorden (arr. G. Eriksson)
Songs like
Här ligger jorden (arr. G. Eriksson)
by
Traditional
Based on a tempo of (+/- 10%) and a similar genre
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"Drevnerussky Rospev" Male Choir
Joy Of The Celestial Forces
134 bpm • G min • 01:22 • -32db
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Z. Randall Stroope
Amor de mi Alma
134 bpm • C# Maj • 06:16 • -25db
18% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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The Russian State Symphony Cappella
Fervent Supplication
134 bpm • C Maj • 03:49 • -17.31db
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Men's Choir of the Valaam ...
The Day Has Passed
135 bpm • G# min • 01:07 • -25db
29% Popularity • 16% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Schola Gregoriana Mediolanensis & Giovanni Vianini
Stella Splendens In Monte
134 bpm • D Maj • 02:43 • -20.94db
12% Popularity • 20% Danceability • 22% Energy • 15% Liveness
12% Instrumentalness • 19% Positiveness
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Pérotin
Alleluia / Posui adiutorium
133 bpm • G min • 05:45 • -22db
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Traditional
Proprium Missae in Dominica: Offertorium...
133 bpm • G min • 02:30 • -33.13db
22% Popularity • 20% Danceability • 1% Energy • 33% Liveness
5% Instrumentalness • 6% Positiveness
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The Russian State Symphony Cappella
Amen, Alleluia
133 bpm • F Maj • 01:05 • -19.65db
32% Popularity • 21% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
23% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
24% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Traditional
Shenandoah
133 bpm • E Maj • 03:36 • -39db
24% Popularity • 16% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Speech to Mortals
Dark November
133 bpm • D Maj • 01:13 • -36.44db
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Monks Of The Abbey Of Notre Dame
Audi Filia
133 bpm • F min • 03:50 • -26db
44% Popularity • 20% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Bob Chilcott
The lily and the rose
135 bpm • A min • 03:26 • -23.65db
17% Popularity • 25% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
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Alexander Arkhangelsky
Glasom moim (With my Voice)
135 bpm • F# Maj • 03:16 • -25.16db
9% Popularity • 15% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Traditional
Auld Lang Syne (Arr. Knigge for Sopranin...
133 bpm • D Maj • 03:21 • -21.44db
24% Popularity • 18% Danceability • 11% Energy • 14% Liveness
60% Instrumentalness • 9% Positiveness
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St.Petersburg Chamber Choir
Our Father
136 bpm • F Maj • 03:26 • -28.28db
25% Popularity • 15% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Lege Artis Chamber Choir
We Praise Thee, O God No. 2 in F Major
136 bpm • F# Maj • 01:14 • -36.33db
39% Popularity • 16% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Cantarte Regensburg
Offertorium: Ave Maria
132 bpm • A min • 02:19 • -18.09db
33% Popularity • 24% Danceability • 12% Energy • 14% Liveness
35% Instrumentalness • 14% Positiveness
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Credo Chamber Choir
Holy God
132 bpm • B Maj • 05:48 • -20.01db
30% Popularity • 19% Danceability • 11% Energy • 13% Liveness
60% Instrumentalness • 4% Positiveness
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Traditional
Deep River
132 bpm • C Maj • 03:20 • -25.64db
12% Popularity • 24% Danceability • 3% Energy • 11% Liveness
9% Instrumentalness • 5% Positiveness
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"The Orthodox Singers" Male Choir
We Bow Down Before Your Cross
132 bpm • C min • 03:57 • -34db
34% Popularity • 16% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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The Russian State Symphony Cappella
Hymn of the Cherubim (Excerpt 1)
136 bpm • B min • 04:43 • -17.84db
25% Popularity • 15% Danceability • 30% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Divna Ljubojevic
In Flesh Thou Didst Fall Asleep / Пло...
132 bpm • F Maj • 01:00 • -16.37db
27% Popularity • 31% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Men's Choir of the Valaam Singing Culture Institute
Let My Prayer Be Set Forth in Thy Sight
136 bpm • A# min • 07:31 • -25.34db
23% Popularity • 16% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
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Isaac Albéniz
Salmo VI del Oficio de difuntos
132 bpm • F min • 05:29 • -25db
10% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Traditional
Proprium Missae in Dominica: Introitus -...
132 bpm • A min • 03:39 • -24.28db
25% Popularity • 24% Danceability • 4% Energy • 11% Liveness
19% Instrumentalness • 5% Positiveness
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"The Orthodox Singers" Male Choir
The Legend Of Twelve Robbers
136 bpm • G Maj • 04:47 • -21.71db
10% Popularity • 23% Danceability • 14% Energy • 16% Liveness
13% Instrumentalness • 9% Positiveness
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The Male Choir of Valaam Singing Culture Institute
Nowadays Forces Heavenly
137 bpm • F min • 03:25 • -23db
20% Popularity • 16% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Luis Cobos
Mexicano. Guadalajara y Otras - Remaster...
132 bpm • C Maj • 02:29 • -9db
30% Popularity • 63% Danceability • 50% Energy • 30% Liveness
50% Instrumentalness • 79% Positiveness
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The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
Memorare
131 bpm • F Maj • 02:00 • -28db
42% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
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Chamber Choir Versija
O Weisheit
131 bpm • A Maj • 02:17 • -19.36db
21% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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William Henry Monk
Abide with me
137 bpm • E Maj • 03:27 • -14.15db
17% Popularity • 19% Danceability • 20% Energy • 10% Liveness
11% Instrumentalness • 4% Positiveness
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"The Orthodox Singers" Male Choir
Eternal Memory
131 bpm • C# min • 02:30 • -32.25db
20% Popularity • 19% Danceability • 1% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Steppe, Endless Steppe
131 bpm • A# Maj • 02:48 • -21.5db
24% Popularity • 18% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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The Schola Cantorum of St. John XXIII Parish
Parce Domine
137 bpm • C# min • 01:27 • -25.24db
43% Popularity • 20% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 9% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Healey Willan
Rise up, my love, my fair one, Op. 314
137 bpm • C# Maj • 02:22 • -37db
29% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
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Kassia
Troparion for Holy Wednesday
137 bpm • C Maj • 05:51 • -24db
11% Popularity • 24% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Niels Gade
Morgensang af Elverskud
131 bpm • G Maj • 02:12 • -20.41db
13% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Wierni
Credo In Unum Deum
131 bpm • D# Maj • 04:51 • -18.15db
29% Popularity • 25% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 11% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
27% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
15% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
11% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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St.Petersburg Chamber Choir
Sourp Sourp (Holy Holy)
130 bpm • C Maj • 03:36 • -20.23db
27% Popularity • 19% Danceability • 17% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Dan Forrest
Jubilate Deo: I. Jubilate Deo (Oh Be Joy...
138 bpm • D Maj • 08:56 • -13db
12% Popularity • 28% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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Notre Dame Liturgical Choir
Sacris solemniis
130 bpm • C# min • 03:07 • -32.23db
12% Popularity • 22% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
16% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Jessica Baran-Surel
Saltarello
130 bpm • D min • 04:45 • -9db
28% Popularity • 51% Danceability • 51% Energy • 17% Liveness
67% Instrumentalness • 46% Positiveness
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Traditional
To Thee We Sing ' Bulgarian Chant, Ton...
130 bpm • C# min • 03:01 • -16.26db
20% Popularity • 24% Danceability • 20% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Song of Cherubs: Izhe Kheruvimi (Cherubi...
130 bpm • A Maj • 04:43 • -20db
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Divna Ljubojević
Heruvimska pesma
138 bpm • D# min • 02:12 • -12db
14% Popularity • 21% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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St.Petersburg Chamber Choir
Ektenia of Fervent Supplication
138 bpm • D# Maj • 02:15 • -21.55db
29% Popularity • 22% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Mack Wilberg
Beautiful Savior (Arr. M. Wilberg)
130 bpm • E Maj • 03:21 • -26db
31% Popularity • 18% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Traditional
Antienne: Nigra Sum Sed Formosa - Psaume...
130 bpm • C Maj • 04:05 • -28.62db
2% Popularity • 27% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 3% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
31% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
34% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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The Russian State Symphony Cappella
Ektenia
138 bpm • C Maj • 03:51 • -15.44db
17% Popularity • 18% Danceability • 31% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Karin Rehnqvist
När natten skänker frid
139 bpm • D min • 03:37 • -27.17db
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Traditional
Byzantine Liturgy: Dostoino est (It is w...
130 bpm • A Maj • 01:46 • -17.79db
33% Popularity • 22% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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The Rose Ensemble
O Gloriosissimi Lux
129 bpm • C min • 06:09 • -26db
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
39% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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The Russian State Symphony Cappella
Lord Have Mercy
130 bpm • C Maj • 03:47 • -17.15db
22% Popularity • 17% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Divna Ljubojevic
God Is With Us / С нами Бог
140 bpm • C# Maj • 03:37 • -10.47db
14% Popularity • 22% Danceability • 70% Energy • 77% Liveness
90% Instrumentalness • 11% Positiveness
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Dale Warland Singers
Oh Shenandoah
140 bpm • F Maj • 03:03 • -31.09db
22% Popularity • 16% Danceability • 4% Energy • 9% Liveness
49% Instrumentalness • 9% Positiveness
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Traditional
Confitebor Tibi, Domine: Ps.9a
129 bpm • D Maj • 05:44 • -16.03db
6% Popularity • 28% Danceability • 13% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Alexander Arkhangelsky
Ehtooveisu
128 bpm • F# Maj • 02:05 • -24.37db
10% Popularity • 21% Danceability • 8% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
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Jessica Baran-Surel
Laridé
140 bpm • A# Maj • 02:03 • -7db
42% Popularity • 54% Danceability • 48% Energy • 11% Liveness
71% Instrumentalness • 76% Positiveness
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Cherubika
Sophronievskaia Cherubic Hymn, Russian C...
128 bpm • D min • 05:22 • -18db
21% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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"The Orthodox Singers" Male Choir
How Glorious Is Our Lord In Zion
128 bpm • F Maj • 04:35 • -19.88db
10% Popularity • 18% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
32% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Traditional
O Maria, stella maris
129 bpm • F Maj • 03:43 • -27.71db
20% Popularity • 22% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Moscow Cathedral Choir
O Gentle Light
127 bpm • B Maj • 03:25 • -20.17db
20% Popularity • 18% Danceability • 17% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
141 bpm • C# Maj • 02:09 • -23.08db
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Monks Of The Abbey Of Notre Dame
Ad Benedictus Sanctissime
127 bpm • C# min • 03:22 • -23db
41% Popularity • 24% Danceability • 10% Energy • 14% Liveness
47% Instrumentalness • 7% Positiveness
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Traditional
Kyrie - Rex aeterno
128 bpm • D Maj • 03:45 • -25.49db
5% Popularity • 25% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Lege Artis Chamber Choir
Serenade
127 bpm • A# Maj • 02:02 • -26.74db
21% Popularity • 24% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Divna Ljubojevic
Defte Lai / Дефте лаи
127 bpm • F min • 01:30 • -11.64db
20% Popularity • 29% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Théodore Dubois
Adoramus te Christe
127 bpm • C Maj • 02:11 • -30db
40% Popularity • 20% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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"The Orthodox Singers" Male Choir
Blessed Is The Man Who Seeks No Councel ...
127 bpm • F Maj • 04:30 • -32.53db
16% Popularity • 17% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 5% Positiveness
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Harry Hagan OSB
Pange Lingua Gloriosi, Sing of Glory
127 bpm • C Maj • 02:53 • -25.68db
43% Popularity • 22% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Traditional
Salve Regina
128 bpm • A min • 02:58 • -17.45db
10% Popularity • 26% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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St.Petersburg Chamber Choir
Alleluia, Behold the Bridegroom
141 bpm • C Maj • 05:29 • -22.28db
33% Popularity • 16% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Ugis Praulins
Missa rigensis (2002): Kyrie eleison
127 bpm • G min • 03:28 • -22db
8% Popularity • 17% Danceability • 5% Energy • 31% Liveness
16% Instrumentalness • 4% Positiveness
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Jakob van Berchem
O Jesu Christe
127 bpm • D Maj • 03:16 • -28db
8% Popularity • 17% Danceability • 4% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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Här ligger jorden (arr. G. Eriksson)