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Human
Songs like
Human
by
Cody Johnson
Based on a tempo of (+/- 10%) and a similar genre
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Cody Jinks
Somewhere in the Middle
84 bpm • A# Maj • 05:00 • -5.06db
59% Popularity • 59% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Zac Brown Band
Whatever It Is
84 bpm • C# Maj • 03:28 • -6.63db
70% Popularity • 69% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Cody Johnson
Human
84 bpm • D Maj • 03:41 • -7.28db
70% Popularity • 40% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Riley Green
Bury Me In Dixie
83 bpm • C# Maj • 03:08 • -9.03db
61% Popularity • 69% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Blake Shelton
I'll Name the Dogs
83 bpm • E Maj • 03:03 • -6db
63% Popularity • 35% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Easton Corbin
A Little More Country Than That
85 bpm • B Maj • 02:52 • -8.53db
62% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Randy Houser
Note to Self
85 bpm • C# Maj • 03:15 • -6.49db
70% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Old Dominion
No Hard Feelings
85 bpm • E Maj • 03:11 • -6db
63% Popularity • 64% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Kenny Chesney
American Kids
85 bpm • C Maj • 03:02 • -7.37db
76% Popularity • 78% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Dierks Bentley
Living
83 bpm • C# Maj • 03:42 • -6.33db
59% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Zach Top
There's The Sun
83 bpm • F Maj • 03:25 • -7.95db
59% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Cody Johnson
Work Boots
83 bpm • D Maj • 02:49 • -5.12db
61% Popularity • 64% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Luke Combs
5 Leaf Clover
83 bpm • C# Maj • 03:31 • -5db
73% Popularity • 42% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Gary Allan
Right Where I Need To Be
83 bpm • C# Maj • 03:02 • -4.79db
67% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Koe Wetzel
February 28, 2016
82 bpm • G Maj • 03:53 • -6.65db
66% Popularity • 27% Danceability • 56% Energy • 41% Liveness
0% Instrumentalness • 31% Positiveness
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Wyatt Flores
Please Don't Go
85 bpm • F# min • 03:01 • -7.49db
79% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Jake Owen
Made For You
82 bpm • C# Maj • 03:58 • -6.83db
70% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Parker McCollum
Rest Of My Life
86 bpm • G Maj • 02:54 • -7db
55% Popularity • 57% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Jelly Roll
Son Of A Sinner
86 bpm • G Maj • 03:52 • -7.49db
78% Popularity • 36% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Jordan Davis
Slow Dance In A Parking Lot
82 bpm • G Maj • 03:13 • -4.49db
70% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Cole Swindell
Single Saturday Night
82 bpm • G Maj • 03:09 • -5db
61% Popularity • 63% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Brothers Osborne
I'm Not For Everyone
82 bpm • G Maj • 02:52 • -4.87db
67% Popularity • 59% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Bryan Martin
We Ride
82 bpm • D# Maj • 03:08 • -4.18db
82% Popularity • 62% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Brett Young
You Didn’t
82 bpm • B Maj • 03:45 • -7.6db
63% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jon Pardi
Your Heart Or Mine
86 bpm • F min • 02:41 • -4db
78% Popularity • 64% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Tyler Childers
Lady May
81 bpm • D# Maj • 03:03 • -13.29db
79% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Cole Swindell
Break Up in the End
86 bpm • C# Maj • 03:19 • -8db
62% Popularity • 51% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Randall King
Mirror, Mirror
81 bpm • E Maj • 03:15 • -7.77db
57% Popularity • 43% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Cody Johnson
Kiss Goodbye
87 bpm • G min • 03:20 • -5.14db
57% Popularity • 61% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Billy Currington
It Don't Hurt Like It Used To
81 bpm • G# Maj • 03:04 • -4.07db
65% Popularity • 56% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Mitchell Tenpenny
Truth About You
81 bpm • A# Maj • 03:23 • -4.65db
63% Popularity • 52% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Young
Looking for You
81 bpm • G Maj • 02:59 • -3.59db
66% Popularity • 53% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Eric Church
Doing Life With Me
81 bpm • D# Maj • 03:15 • -10.29db
60% Popularity • 65% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Ian Munsick
Horses Are Faster
81 bpm • A Maj • 04:07 • -6.29db
64% Popularity • 31% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Cody Johnson
I Ain't Going Nowhere Baby
81 bpm • D Maj • 04:37 • -7db
48% Popularity • 36% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
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Koe Wetzel
Creeps
88 bpm • F Maj • 03:44 • -4.97db
62% Popularity • 57% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Chayce Beckham
23
88 bpm • C min • 03:48 • -7.35db
81% Popularity • 63% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Easton Corbin
Marry That Girl
88 bpm • E Maj • 03:10 • -7.41db
59% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Miranda Lambert
If I Was a Cowboy
80 bpm • F# min • 03:14 • -6db
60% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Dylan Marlowe
All About It
80 bpm • D Maj • 03:05 • -6db
52% Popularity • 42% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Cody Johnson
When It Comes to You
80 bpm • D# Maj • 03:36 • -8.24db
50% Popularity • 47% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Chase Rice
Eyes On You
89 bpm • A Maj • 03:02 • -6.98db
69% Popularity • 34% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Gabby Barrett
Pick Me Up
80 bpm • D Maj • 02:49 • -5db
62% Popularity • 47% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Stapleton
Starting Over
89 bpm • A# Maj • 04:00 • -8.45db
78% Popularity • 64% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Lee Brice
Boy
79 bpm • F# Maj • 03:18 • -7.95db
64% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Tanner Usrey
Take Me Home
79 bpm • G Maj • 03:29 • -8.05db
56% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Cody Johnson
Whiskey Bent
80 bpm • E Maj • 03:16 • -8.08db
64% Popularity • 56% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Jordan Davis
Next Thing You Know
79 bpm • F Maj • 02:55 • -8db
79% Popularity • 55% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Bailey Zimmerman
You Don’t Want That Smoke
78 bpm • E Maj • 03:20 • -9.6db
65% Popularity • 44% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Thomas Rhett
Mamaw's House
90 bpm • D Maj • 03:07 • -7.69db
69% Popularity • 56% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Lee Brice
Love Like Crazy
78 bpm • A# Maj • 03:37 • -5.11db
65% Popularity • 54% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Billy Currington
Do I Make You Wanna
90 bpm • A Maj • 03:54 • -5.43db
66% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Cody Johnson
Long Haired Country Boy
89 bpm • F# Maj • 04:17 • -4.88db
55% Popularity • 54% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jon Pardi
Dirt On My Boots
90 bpm • B Maj • 03:21 • -4.18db
78% Popularity • 68% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Chris Stapleton
Broken Halos
78 bpm • G# Maj • 03:00 • -7.09db
80% Popularity • 61% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Randy Travis
Forever and Ever, Amen
90 bpm • D Maj • 03:32 • -9db
75% Popularity • 68% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Ashley McBryde
One Night Standards
78 bpm • F Maj • 03:10 • -5.02db
60% Popularity • 54% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Scotty McCreery
This Is It
78 bpm • G# Maj • 03:50 • -6.79db
64% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Gavin Adcock
Ain't No Cure
78 bpm • C# Maj • 03:07 • -5.88db
67% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Luke Combs
Even Though I'm Leaving
78 bpm • D Maj • 03:45 • -6.04db
71% Popularity • 55% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Cody Johnson
Welcome to the Show
91 bpm • F# Maj • 02:40 • -3.83db
69% Popularity • 59% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Lee Brice
Memory I Don't Mess With
92 bpm • F# min • 03:00 • -7.61db
67% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Ashley Cooke
Never Til Now
77 bpm • A# Maj • 02:53 • -7.55db
62% Popularity • 38% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Riley Green
Georgia Time
77 bpm • F# Maj • 03:41 • -6.23db
65% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
63% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Luke Combs
Beer Never Broke My Heart
77 bpm • C# Maj • 03:06 • -4.48db
79% Popularity • 54% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Luke Bryan
Huntin', Fishin' And Lovin' Every Day
77 bpm • C Maj • 04:38 • -4.28db
67% Popularity • 54% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Lee Brice
I Don't Dance
92 bpm • C# Maj • 03:41 • -7.74db
68% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Cody Johnson
Guilty As Can Be
92 bpm • D Maj • 04:02 • -3.84db
55% Popularity • 66% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Kenny Chesney
Get Along
92 bpm • G Maj • 03:19 • -6.11db
68% Popularity • 63% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Eric Church
Round Here Buzz
76 bpm • D Maj • 03:34 • -9.06db
62% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Kameron Marlowe
We Were Cowboys
76 bpm • C# Maj • 03:39 • -5.96db
47% Popularity • 45% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Maddie & Tae
Die From A Broken Heart
76 bpm • A Maj • 03:08 • -6.63db
72% Popularity • 60% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Brett Young
Like I Loved You
76 bpm • C# Maj • 03:27 • -6.05db
65% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Treaty Oak Revival
No Vacancy
76 bpm • C Maj • 04:04 • -4db
72% Popularity • 43% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Old Dominion
One Man Band
76 bpm • F# Maj • 03:06 • -8.33db
77% Popularity • 71% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Young
At the End of a Bar
76 bpm • D# Maj • 03:06 • -4.23db
58% Popularity • 49% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Cody Johnson
Son of a Ramblin' Man
93 bpm • B Maj • 03:12 • -4.23db
48% Popularity • 60% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Sam Hunt
Outskirts
75 bpm • A# Maj • 03:02 • -4db
72% Popularity • 55% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Whiskey Myers
Broken Window Serenade
75 bpm • E min • 05:46 • -6.67db
72% Popularity • 55% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Kolby Cooper
Breaking News
75 bpm • G Maj • 03:40 • -4.87db
47% Popularity • 26% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Randall King
Hey Cowgirl
95 bpm • G# Maj • 03:20 • -5.8db
48% Popularity • 63% Danceability • 65% Energy • 15% Liveness
19% Instrumentalness • 40% Positiveness
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49 Winchester
Russell County Line
95 bpm • D Maj • 04:09 • -9db
68% Popularity • 64% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Cody Johnson
Monday Morning Merle
94 bpm • D Maj • 03:49 • -6.32db
53% Popularity • 60% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Jon Pardi
Heartache Medication
95 bpm • A Maj • 03:29 • -3.34db
70% Popularity • 62% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Larry Fleet
In Love With My Problems
95 bpm • D Maj • 03:03 • -4.3db
56% Popularity • 59% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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Whiskey Myers
Ballad Of A Southern Man
74 bpm • G Maj • 03:40 • -6.57db
66% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Carly Pearce
Never Wanted To Be That Girl
74 bpm • C# Maj • 03:34 • -6.44db
58% Popularity • 55% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Dustin Lynch
Cowboys and Angels
74 bpm • A# Maj • 03:47 • -5.77db
67% Popularity • 36% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Cody Johnson
With You I Am
75 bpm • G Maj • 03:40 • -6.22db
72% Popularity • 56% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Nate Smith
World on Fire
96 bpm • B min • 03:09 • -4.87db
79% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Bryan Martin
Beauty in the Struggle
74 bpm • C# Maj • 02:32 • -7.5db
68% Popularity • 57% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Lee Brice
One Of Them Girls
96 bpm • E Maj • 03:08 • -6.08db
76% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Jon Pardi
Night Shift
96 bpm • D Maj • 02:52 • -3.56db
80% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Dustin Lynch
Small Town Boy
73 bpm • A Maj • 03:25 • -6.02db
69% Popularity • 56% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Cody Johnson
Give a Cowboy a Kiss
96 bpm • D Maj • 05:05 • -5.04db
53% Popularity • 59% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Josh Abbott Band
Settle Me Down
73 bpm • E Maj • 02:57 • -6.74db
66% Popularity • 30% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Luke Grimes
Hold On
73 bpm • D# Maj • 03:04 • -8.08db
65% Popularity • 62% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Priscilla Block
My Bar
97 bpm • B Maj • 03:13 • -3db
54% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Morgan Wallen
Chasin' You
97 bpm • G Maj • 03:25 • -5.79db
82% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Human