Songs like Humanity by Ian Hawgood
Based on a tempo of (+/- 10%) and a similar genre
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David Cordero
Lento
78 bpm • C# min • 01:59 • -17.15db
39% Popularity • 14% Danceability • 33% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 33% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
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Ian Hawgood
refleurir
78 bpm • F Maj • 07:38 • -21.57db
5% Popularity • 15% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
5% Popularity • 15% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Poemme
Clouds of Breath
78 bpm • C# min • 09:21 • -22db
22% Popularity • 16% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Christopher Willits
Coast
78 bpm • A Maj • 06:13 • -22db
25% Popularity • 12% Danceability • 20% Energy • 36% Liveness
89% Instrumentalness • 3% Positiveness
25% Popularity • 12% Danceability • 20% Energy • 36% Liveness
89% Instrumentalness • 3% Positiveness
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Taylor Deupree
Echo Affinity
78 bpm • F# Maj • 05:37 • -17db
24% Popularity • 33% Danceability • 10% Energy • 5% Liveness
77% Instrumentalness • 5% Positiveness
24% Popularity • 33% Danceability • 10% Energy • 5% Liveness
77% Instrumentalness • 5% Positiveness
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Nobuto Suda
Seven
78 bpm • E Maj • 06:32 • -22.4db
18% Popularity • 21% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
18% Popularity • 21% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Olan Mill
Seadailer
78 bpm • C Maj • 04:27 • -21.82db
14% Popularity • 7% Danceability • 21% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
14% Popularity • 7% Danceability • 21% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Ian Hawgood
Humanity
78 bpm • C Maj • 07:00 • -17.84db
19% Popularity • 13% Danceability • 11% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
19% Popularity • 13% Danceability • 11% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Chequerboard
A Field of Night
79 bpm • G Maj • 07:33 • -20.59db
33% Popularity • 12% Danceability • 24% Energy • 35% Liveness
91% Instrumentalness • 7% Positiveness
33% Popularity • 12% Danceability • 24% Energy • 35% Liveness
91% Instrumentalness • 7% Positiveness
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Wil Bolton
Cumulus Sketch
77 bpm • F Maj • 06:39 • -19.88db
1% Popularity • 8% Danceability • 22% Energy • 46% Liveness
92% Instrumentalness • 7% Positiveness
1% Popularity • 8% Danceability • 22% Energy • 46% Liveness
92% Instrumentalness • 7% Positiveness
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Black Brunswicker
Woodsmoke
79 bpm • C Maj • 04:00 • -25.03db
30% Popularity • 8% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Bvdub
Ember 1
77 bpm • G min • 02:24 • -21.28db
26% Popularity • 12% Danceability • 28% Energy • 13% Liveness
99% Instrumentalness • 18% Positiveness
26% Popularity • 12% Danceability • 28% Energy • 13% Liveness
99% Instrumentalness • 18% Positiveness
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Federico Durand
Lluvia de estrellas
79 bpm • A Maj • 07:32 • -22db
26% Popularity • 22% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Ian Hawgood
For Things We Must Bear
79 bpm • C# Maj • 01:07 • -29.32db
27% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Brian McBride
Girl Nap
77 bpm • E Maj • 03:51 • -20.99db
29% Popularity • 9% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Chris Walla
Kanta's Theme
77 bpm • D Maj • 06:42 • -21.82db
32% Popularity • 29% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 29% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
Prince of the Sea
77 bpm • C Maj • 07:39 • -8.64db
25% Popularity • 8% Danceability • 35% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
25% Popularity • 8% Danceability • 35% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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Machinefabriek
Zucht 2
77 bpm • B min • 09:21 • -28db
23% Popularity • 6% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
23% Popularity • 6% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Danny Norbury
This Night
79 bpm • F Maj • 04:22 • -18.28db
5% Popularity • 16% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
5% Popularity • 16% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Ian Hawgood
Fractural
77 bpm • E Maj • 11:52 • -31.05db
31% Popularity • 30% Danceability • 4% Energy • 7% Liveness
29% Instrumentalness • 4% Positiveness
31% Popularity • 30% Danceability • 4% Energy • 7% Liveness
29% Instrumentalness • 4% Positiveness
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Brian McBride
Piano Abg
77 bpm • G Maj • 04:33 • -30.15db
28% Popularity • 9% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Arovane
Stars Collide
77 bpm • A min • 03:36 • -21db
22% Popularity • 11% Danceability • 17% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
22% Popularity • 11% Danceability • 17% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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July Skies
Distant Showers Sweep Across Norfolk Sch...
79 bpm • A# min • 04:30 • -19db
28% Popularity • 23% Danceability • 22% Energy • 23% Liveness
93% Instrumentalness • 5% Positiveness
28% Popularity • 23% Danceability • 22% Energy • 23% Liveness
93% Instrumentalness • 5% Positiveness
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Nathan Fake
HoursDaysMonthsSeasons - Olga Wojciechow...
79 bpm • F min • 04:03 • -18db
29% Popularity • 27% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
29% Popularity • 27% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Emily A. Sprague
Mesa
77 bpm • C Maj • 04:48 • -19.79db
25% Popularity • 25% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
25% Popularity • 25% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
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Ian Hawgood
Journey
79 bpm • A min • 03:21 • -31.85db
1% Popularity • 31% Danceability • 2% Energy • 6% Liveness
99% Instrumentalness • 4% Positiveness
1% Popularity • 31% Danceability • 2% Energy • 6% Liveness
99% Instrumentalness • 4% Positiveness
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Ex Confusion
With You
76 bpm • E min • 03:13 • -25.45db
26% Popularity • 7% Danceability • 8% Energy • 7% Liveness
80% Instrumentalness • 3% Positiveness
26% Popularity • 7% Danceability • 8% Energy • 7% Liveness
80% Instrumentalness • 3% Positiveness
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Laraaji
Introspection - Edit
76 bpm • A min • 02:35 • -21.8db
34% Popularity • 14% Danceability • 12% Energy • 7% Liveness
63% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 12% Energy • 7% Liveness
63% Instrumentalness • 3% Positiveness
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Brian McBride
I Will
76 bpm • G# Maj • 05:44 • -20db
28% Popularity • 11% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
28% Popularity • 11% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Rhucle
Normal
76 bpm • C min • 02:52 • -24.81db
29% Popularity • 24% Danceability • 4% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 4% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Warmth
Time as a Reward - Wil Bolton Remix
80 bpm • B min • 08:00 • -24.34db
1% Popularity • 16% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
1% Popularity • 16% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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36
Inside
80 bpm • A min • 05:23 • -17.37db
27% Popularity • 20% Danceability • 43% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 43% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Ex Confusion
Desire
76 bpm • B Maj • 06:20 • -30.16db
23% Popularity • 11% Danceability • 3% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
23% Popularity • 11% Danceability • 3% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Eluvium
Beyond the Moon for Someone in Reverse
80 bpm • D# Maj • 08:51 • -11.14db
16% Popularity • 7% Danceability • 10% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 10% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
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Felicia Atkinson
ME
76 bpm • C Maj • 04:21 • -27.35db
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Bruno Sanfilippo
Tangible
80 bpm • A# Maj • 04:13 • -21.44db
19% Popularity • 20% Danceability • 9% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 9% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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willamette
portrait of a sleeping girl with radio
76 bpm • F Maj • 03:35 • -21.35db
24% Popularity • 16% Danceability • 17% Energy • 11% Liveness
76% Instrumentalness • 10% Positiveness
24% Popularity • 16% Danceability • 17% Energy • 11% Liveness
76% Instrumentalness • 10% Positiveness
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Bing & Ruth
Scrapes
80 bpm • C# Maj • 05:18 • -21db
22% Popularity • 9% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 9% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Wil Bolton
Rails Overhead
80 bpm • A min • 07:13 • -22.92db
2% Popularity • 33% Danceability • 11% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
2% Popularity • 33% Danceability • 11% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Julianna Barwick
Healing Is A Miracle
80 bpm • C Maj • 04:10 • -12.67db
39% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
39% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Matthewdavid’s Mindflight
O’cean Dream
76 bpm • C Maj • 08:32 • -16db
20% Popularity • 7% Danceability • 17% Energy • 17% Liveness
89% Instrumentalness • 3% Positiveness
20% Popularity • 7% Danceability • 17% Energy • 17% Liveness
89% Instrumentalness • 3% Positiveness
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Shuta Yasukochi
Reflection
75 bpm • D Maj • 03:16 • -19.17db
18% Popularity • 18% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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willamette
Echo Park
80 bpm • C# Maj • 03:26 • -28db
22% Popularity • 8% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 8% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Bing & Ruth
The How of it Sped
75 bpm • A# min • 05:47 • -23.32db
34% Popularity • 35% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
34% Popularity • 35% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Nobuto Suda
One
75 bpm • F# Maj • 04:48 • -25db
30% Popularity • 18% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
30% Popularity • 18% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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Taylor Deupree
Unearth
75 bpm • A# Maj • 05:57 • -27db
30% Popularity • 20% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
30% Popularity • 20% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Kyle Bobby Dunn
Sedentary II
81 bpm • C Maj • 03:20 • -26.73db
22% Popularity • 32% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
22% Popularity • 32% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Shuta Yasukochi
Hikari
75 bpm • D Maj • 04:09 • -22.46db
28% Popularity • 15% Danceability • 17% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
28% Popularity • 15% Danceability • 17% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
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Stars Of The Lid
Articulate Silences, Pt. 2
75 bpm • D Maj • 05:37 • -23db
36% Popularity • 7% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
36% Popularity • 7% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Bing & Ruth
Reflector
76 bpm • A# Maj • 07:20 • -26.22db
30% Popularity • 7% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
30% Popularity • 7% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Purl
Waking Up
75 bpm • E Maj • 07:04 • -21.9db
19% Popularity • 12% Danceability • 24% Energy • 24% Liveness
91% Instrumentalness • 6% Positiveness
19% Popularity • 12% Danceability • 24% Energy • 24% Liveness
91% Instrumentalness • 6% Positiveness
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Taylor Deupree
Minism
81 bpm • C# Maj • 03:47 • -26.75db
38% Popularity • 21% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
38% Popularity • 21% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Kyle Bobby Dunn
An Excrement Suite for Voices Lost Again
75 bpm • F Maj • 04:06 • -28db
19% Popularity • 15% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
19% Popularity • 15% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Federico Durand
El JardÃn De Rosas Antiguas
75 bpm • C Maj • 02:46 • -18.73db
25% Popularity • 9% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 2% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 2% Positiveness
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Rafael Anton Irisarri
Moments Descend On My Windowpane
81 bpm • D Maj • 05:14 • -19.4db
34% Popularity • 24% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
34% Popularity • 24% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
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Bing & Ruth
Form Takes
75 bpm • F# Maj • 06:23 • -18.33db
19% Popularity • 16% Danceability • 26% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
19% Popularity • 16% Danceability • 26% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
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Ian Hawgood
Fragment III
81 bpm • G Maj • 05:38 • -38.6db
0% Popularity • 6% Danceability • 50% Energy • 9% Liveness
92% Instrumentalness • 2% Positiveness
0% Popularity • 6% Danceability • 50% Energy • 9% Liveness
92% Instrumentalness • 2% Positiveness
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Wil Bolton
Sycamore Screen
75 bpm • F# Maj • 06:40 • -17.38db
23% Popularity • 18% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Helios
Seeming
75 bpm • D# Maj • 02:35 • -18db
39% Popularity • 17% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Christina Vantzou
Adversary
81 bpm • A Maj • 07:35 • -20.03db
18% Popularity • 8% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
18% Popularity • 8% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Darshan Ambient
Blue Lotus
75 bpm • G# min • 05:41 • -28db
26% Popularity • 7% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 21% Positiveness
26% Popularity • 7% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 21% Positiveness
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Bing & Ruth
TWTGA
81 bpm • A# Maj • 05:55 • -30.65db
34% Popularity • 11% Danceability • 9% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
34% Popularity • 11% Danceability • 9% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
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Hirotaka Shirotsubaki
Yanagiwara
75 bpm • F# Maj • 07:27 • -25db
30% Popularity • 13% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
30% Popularity • 13% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
Distance
81 bpm • A Maj • 06:47 • -14.71db
17% Popularity • 8% Danceability • 39% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 39% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
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Olan Mill
The Prescribed Individual
75 bpm • D min • 02:55 • -24.7db
21% Popularity • 19% Danceability • 4% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 4% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Biosphere
Dissolving Clouds
75 bpm • D# Maj • 04:28 • -30db
39% Popularity • 6% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
39% Popularity • 6% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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anthéne
hearth
74 bpm • A Maj • 02:36 • -18.35db
21% Popularity • 13% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
21% Popularity • 13% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Franck Zaragoza
Time to Go
74 bpm • D Maj • 03:51 • -23.88db
14% Popularity • 13% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
14% Popularity • 13% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Christina Vantzou
Your Changes Have Been Submitted
82 bpm • C Maj • 01:43 • -17.51db
37% Popularity • 22% Danceability • 24% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
37% Popularity • 22% Danceability • 24% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Ian Hawgood
Your Listless Sky
82 bpm • A# min • 01:42 • -28.59db
2% Popularity • 23% Danceability • 6% Energy • 31% Liveness
93% Instrumentalness • 16% Positiveness
2% Popularity • 23% Danceability • 6% Energy • 31% Liveness
93% Instrumentalness • 16% Positiveness
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Stars Of The Lid
Dungtitled (In a Major)
74 bpm • A Maj • 05:54 • -22.62db
41% Popularity • 11% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
41% Popularity • 11% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Chihei Hatakeyama
old chair
82 bpm • E Maj • 03:23 • -25.2db
23% Popularity • 31% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
23% Popularity • 31% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Deaf Center
Undone
82 bpm • A# min • 02:36 • -28.25db
26% Popularity • 27% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
26% Popularity • 27% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
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Hammock
Dust Swirling Into Your Shape
74 bpm • G# min • 03:48 • -19.16db
28% Popularity • 20% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Marsen Jules
Fanes D'Automne
74 bpm • C Maj • 06:09 • -18.42db
19% Popularity • 14% Danceability • 17% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
19% Popularity • 14% Danceability • 17% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Ian Hawgood
Departures
82 bpm • C# Maj • 01:21 • -26.61db
3% Popularity • 33% Danceability • 0% Energy • 10% Liveness
56% Instrumentalness • 37% Positiveness
3% Popularity • 33% Danceability • 0% Energy • 10% Liveness
56% Instrumentalness • 37% Positiveness
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Harold Budd
Little Heart - 2013 Remaster
82 bpm • A min • 07:38 • -22db
32% Popularity • 28% Danceability • 12% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 28% Danceability • 12% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Sonogram
Fell Through Mirrors
74 bpm • C Maj • 02:38 • -16.83db
19% Popularity • 15% Danceability • 21% Energy • 8% Liveness
78% Instrumentalness • 6% Positiveness
19% Popularity • 15% Danceability • 21% Energy • 8% Liveness
78% Instrumentalness • 6% Positiveness
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William Basinski
92982.3
74 bpm • D# min • 07:03 • -20.8db
35% Popularity • 17% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
35% Popularity • 17% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Marconi Union
Slow Motion
74 bpm • E min • 06:31 • -21.14db
33% Popularity • 7% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 7% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Abul Mogard
Half Light of Dawn
74 bpm • G min • 06:48 • -22db
33% Popularity • 6% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 6% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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April
Undercurrent / Watershed
82 bpm • A# Maj • 07:46 • -19.05db
37% Popularity • 14% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
37% Popularity • 14% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Celer
Indistinguishable from Magic
74 bpm • C min • 05:48 • -38.44db
30% Popularity • 7% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
30% Popularity • 7% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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Bing & Ruth
Starwood Choker
74 bpm • B Maj • 06:16 • -19db
39% Popularity • 7% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Pausal
Celestial
83 bpm • E min • 05:43 • -16db
10% Popularity • 8% Danceability • 30% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 30% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
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Hakobune
Lighthouse
74 bpm • A# Maj • 03:51 • -30.73db
27% Popularity • 22% Danceability • 5% Energy • 14% Liveness
69% Instrumentalness • 4% Positiveness
27% Popularity • 22% Danceability • 5% Energy • 14% Liveness
69% Instrumentalness • 4% Positiveness
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Abstract Aprils
Reserve
74 bpm • F# Maj • 05:38 • -26.32db
28% Popularity • 16% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Jon Hopkins
Ascending, Dawn Sky
83 bpm • C Maj • 09:22 • -22.62db
40% Popularity • 8% Danceability • 12% Energy • 18% Liveness
83% Instrumentalness • 3% Positiveness
40% Popularity • 8% Danceability • 12% Energy • 18% Liveness
83% Instrumentalness • 3% Positiveness
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Billow Observatory
Wash Away The Dust
73 bpm • C Maj • 04:34 • -19.66db
20% Popularity • 6% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
20% Popularity • 6% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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Christina Vantzou
11: 11
73 bpm • C Maj • 04:05 • -22.15db
20% Popularity • 16% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
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Ian Hawgood
North India In 1998 With My Dad
73 bpm • C Maj • 05:10 • -30.31db
0% Popularity • 6% Danceability • 0% Energy • 17% Liveness
99% Instrumentalness • 3% Positiveness
0% Popularity • 6% Danceability • 0% Energy • 17% Liveness
99% Instrumentalness • 3% Positiveness
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Tapes and Topographies
Signal to Noise
83 bpm • D Maj • 04:51 • -14.11db
13% Popularity • 8% Danceability • 30% Energy • 8% Liveness
99% Instrumentalness • 6% Positiveness
13% Popularity • 8% Danceability • 30% Energy • 8% Liveness
99% Instrumentalness • 6% Positiveness
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Christopher Willits
Ama
73 bpm • C Maj • 03:52 • -29.09db
27% Popularity • 8% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
27% Popularity • 8% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Jogging House
Revenge
83 bpm • D# min • 07:14 • -19.33db
16% Popularity • 8% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
16% Popularity • 8% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Kara-Lis Coverdale
Moments In Love
73 bpm • C min • 09:23 • -28.43db
38% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
38% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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36
Black Shore
83 bpm • C# Maj • 02:20 • -18.81db
41% Popularity • 19% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 19% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Deaf Center
Movements / The Ascent
73 bpm • C Maj • 06:19 • -20db
31% Popularity • 8% Danceability • 41% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 8% Danceability • 41% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Brian McBride
Mélodrames télégraphiés (In B Major ...
73 bpm • B Maj • 04:12 • -21.36db
17% Popularity • 15% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
17% Popularity • 15% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
