Songs like Hump Thru the Winter by Fantastic Negrito
Based on a tempo of (+/- 10%) and a similar genre
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The Wanton Bishops
Waslaha
76 bpm • C Maj • 02:38 • -5.74db
42% Popularity • 46% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 46% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Devon Gilfillian
Travelin' Blues
76 bpm • D Maj • 03:05 • -7.36db
31% Popularity • 56% Danceability • 45% Energy • 16% Liveness
4% Instrumentalness • 20% Positiveness
31% Popularity • 56% Danceability • 45% Energy • 16% Liveness
4% Instrumentalness • 20% Positiveness
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Ida Mae
American Cars
76 bpm • A# min • 03:45 • -9.24db
33% Popularity • 50% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 50% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Earl St. Clair
Pain
76 bpm • G Maj • 05:01 • -5.49db
24% Popularity • 55% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 55% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Joanne Shaw Taylor
Human
76 bpm • C Maj • 03:21 • -7.35db
36% Popularity • 59% Danceability • 47% Energy • 12% Liveness
54% Instrumentalness • 10% Positiveness
36% Popularity • 59% Danceability • 47% Energy • 12% Liveness
54% Instrumentalness • 10% Positiveness
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The Stone Foxes
Say My Name
75 bpm • A min • 02:39 • -6.56db
34% Popularity • 39% Danceability • 61% Energy • 10% Liveness
8% Instrumentalness • 32% Positiveness
34% Popularity • 39% Danceability • 61% Energy • 10% Liveness
8% Instrumentalness • 32% Positiveness
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Welshly Arms
Hold on I'm Coming
77 bpm • C Maj • 03:53 • -4.74db
39% Popularity • 42% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 42% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Southern Avenue
She Gets Me High
77 bpm • D Maj • 03:58 • -2.88db
31% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Amythyst Kiah
Hangover Blues
75 bpm • C# min • 04:04 • -7db
25% Popularity • 61% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 61% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Fantastic Negrito
They Go Low
75 bpm • B Maj • 03:42 • -7.95db
29% Popularity • 60% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 60% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Radio Moscow
250 Miles/Brain Cycles
77 bpm • B min • 07:33 • -9.88db
21% Popularity • 21% Danceability • 64% Energy • 93% Liveness
69% Instrumentalness • 44% Positiveness
21% Popularity • 21% Danceability • 64% Energy • 93% Liveness
69% Instrumentalness • 44% Positiveness
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Parker Millsap
Quite Contrary
75 bpm • D min • 04:48 • -6db
32% Popularity • 60% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 60% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Zion I
Try & Try
77 bpm • D Maj • 03:18 • -5.86db
6% Popularity • 31% Danceability • 87% Energy • 73% Liveness
0% Instrumentalness • 25% Positiveness
6% Popularity • 31% Danceability • 87% Energy • 73% Liveness
0% Instrumentalness • 25% Positiveness
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Dan Auerbach
Heartbroken, In Disrepair
78 bpm • F min • 03:21 • -8.43db
57% Popularity • 60% Danceability • 90% Energy • 27% Liveness
30% Instrumentalness • 92% Positiveness
57% Popularity • 60% Danceability • 90% Energy • 27% Liveness
30% Instrumentalness • 92% Positiveness
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Black Rebel Motorcycle Club
Fault Line
78 bpm • C Maj • 02:57 • -10.35db
41% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Patrick Sweany
Every Gun
78 bpm • F Maj • 03:17 • -8db
24% Popularity • 62% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
24% Popularity • 62% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
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Radio Moscow
250 Miles
78 bpm • A min • 04:52 • -11.08db
44% Popularity • 46% Danceability • 42% Energy • 10% Liveness
17% Instrumentalness • 58% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 10% Liveness
17% Instrumentalness • 58% Positiveness
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Ben Caplan
Seed of Love
78 bpm • D Maj • 04:40 • -9.17db
26% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Luella and the Sun
We Got to Meet Death One Day
78 bpm • A# min • 04:55 • -8.03db
16% Popularity • 36% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 36% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Stone Foxes
I'm A King Bee
79 bpm • A# min • 03:19 • -8.11db
50% Popularity • 47% Danceability • 53% Energy • 10% Liveness
19% Instrumentalness • 48% Positiveness
50% Popularity • 47% Danceability • 53% Energy • 10% Liveness
19% Instrumentalness • 48% Positiveness
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Odetta Hartman
Dreamcatchers
79 bpm • C Maj • 01:51 • -8.01db
45% Popularity • 50% Danceability • 55% Energy • 20% Liveness
17% Instrumentalness • 57% Positiveness
45% Popularity • 50% Danceability • 55% Energy • 20% Liveness
17% Instrumentalness • 57% Positiveness
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little hurricane
Off the Shelf
73 bpm • A# min • 03:28 • -9.18db
36% Popularity • 60% Danceability • 59% Energy • 6% Liveness
78% Instrumentalness • 42% Positiveness
36% Popularity • 60% Danceability • 59% Energy • 6% Liveness
78% Instrumentalness • 42% Positiveness
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Fantastic Negrito
Bad Guy Necessity
79 bpm • G# min • 03:58 • -6.52db
20% Popularity • 77% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 77% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Robert Randolph & The Family Band
Second Hand Man
79 bpm • B min • 03:03 • -3.64db
40% Popularity • 50% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 50% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Vintage Trouble
Gracefully
79 bpm • G Maj • 03:38 • -7.55db
14% Popularity • 56% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 56% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Dead Weather
I Can't Hear You
79 bpm • C min • 03:35 • -3.17db
49% Popularity • 53% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
49% Popularity • 53% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Lucette
Muddy Water
80 bpm • D min • 02:34 • -9db
33% Popularity • 72% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 72% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jack Broadbent
Making My Way
80 bpm • D Maj • 03:48 • -11.9db
20% Popularity • 65% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
20% Popularity • 65% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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Hopetoun Brown
Hate I Don't Love You
80 bpm • D# min • 03:38 • -7.83db
13% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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John The Conqueror
John Doe
80 bpm • G min • 03:22 • -9.81db
12% Popularity • 66% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 66% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Dorothy
Raise Hell
80 bpm • F# Maj • 03:01 • -6.4db
59% Popularity • 55% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 72% Positiveness
59% Popularity • 55% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 72% Positiveness
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Bones Owens
Keep It Close
80 bpm • B Maj • 03:40 • -5.12db
42% Popularity • 45% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 45% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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KaiL Baxley
Boy Got It Bad (Live with the Charleston...
80 bpm • E min • 02:52 • -9.59db
23% Popularity • 70% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 70% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Jack Broadbent
New Orleans
80 bpm • E min • 03:41 • -9.75db
16% Popularity • 71% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 71% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Randall Bramblett
Dead In The Water
80 bpm • E min • 04:23 • -7.45db
28% Popularity • 62% Danceability • 78% Energy • 20% Liveness
2% Instrumentalness • 77% Positiveness
28% Popularity • 62% Danceability • 78% Energy • 20% Liveness
2% Instrumentalness • 77% Positiveness
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Jesse Roper
Cherry
80 bpm • D# min • 04:18 • -6db
29% Popularity • 50% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 50% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Royal Deluxe
Make a Little Money
80 bpm • G Maj • 03:39 • -6.4db
34% Popularity • 57% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
34% Popularity • 57% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Ian Siegal
She Got The Devil In Her/I Gotta Try You
72 bpm • C# Maj • 08:33 • -8.08db
20% Popularity • 57% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 62% Positiveness
20% Popularity • 57% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 62% Positiveness
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The Deadbeat Cousins
Don't Tell Me No Lies
72 bpm • D min • 02:27 • -11.93db
43% Popularity • 55% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 55% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Eric Tessmer
Good So Bad
72 bpm • B min • 04:09 • -6.05db
30% Popularity • 50% Danceability • 76% Energy • 42% Liveness
10% Instrumentalness • 60% Positiveness
30% Popularity • 50% Danceability • 76% Energy • 42% Liveness
10% Instrumentalness • 60% Positiveness
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Dorothy
Gun In My Hand
80 bpm • D Maj • 03:20 • -6.09db
52% Popularity • 37% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 37% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Left Lane Cruiser
Juice To Get Loose
72 bpm • C Maj • 02:23 • -7db
49% Popularity • 38% Danceability • 70% Energy • 19% Liveness
17% Instrumentalness • 55% Positiveness
49% Popularity • 38% Danceability • 70% Energy • 19% Liveness
17% Instrumentalness • 55% Positiveness
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Fantastic Negrito
How Long?
72 bpm • F# min • 04:16 • -7db
29% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Ida Mae
My Girl is a Heartbreak (OurVinyl Sessio...
80 bpm • A min • 04:06 • -7.57db
24% Popularity • 61% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 61% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Rose Cousins
Chains
81 bpm • D Maj • 03:14 • -7.38db
35% Popularity • 44% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 44% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Robert Cray
This Man
81 bpm • A# min • 05:06 • -6.54db
39% Popularity • 76% Danceability • 85% Energy • 9% Liveness
3% Instrumentalness • 89% Positiveness
39% Popularity • 76% Danceability • 85% Energy • 9% Liveness
3% Instrumentalness • 89% Positiveness
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Jack White
I'm Shakin'
81 bpm • B min • 03:00 • -10.05db
51% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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little hurricane
Mt. Senorita
81 bpm • A min • 03:03 • -6.1db
26% Popularity • 77% Danceability • 59% Energy • 43% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 77% Danceability • 59% Energy • 43% Liveness
0% Instrumentalness • 70% Positiveness
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Rayland Baxter
Bad Things
81 bpm • D min • 05:13 • -7.61db
47% Popularity • 32% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 32% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Ben Caplan
Down to the River
71 bpm • C min • 04:57 • -8.36db
41% Popularity • 30% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 30% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Ida Mae
Reaching
82 bpm • A# Maj • 03:15 • -5.84db
28% Popularity • 50% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 50% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Luke Winslow-King
I'm Glad Trouble Don't Last Always
82 bpm • D Maj • 04:17 • -7.12db
48% Popularity • 58% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
48% Popularity • 58% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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Boo Boo Davis
Sorry Baby
82 bpm • C min • 04:21 • -7.7db
9% Popularity • 63% Danceability • 61% Energy • 35% Liveness
4% Instrumentalness • 68% Positiveness
9% Popularity • 63% Danceability • 61% Energy • 35% Liveness
4% Instrumentalness • 68% Positiveness
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Fantastic Negrito
Plastic Hamburgers
82 bpm • A Maj • 03:37 • -6.61db
43% Popularity • 63% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 63% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Hannah Wicklund
Bomb Through The Breeze
82 bpm • D Maj • 02:44 • -4.65db
41% Popularity • 40% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 40% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Adia Victoria
Magnolia Blues
82 bpm • C Maj • 03:29 • -10.73db
35% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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little hurricane
Bad Moon Rising
82 bpm • E min • 03:12 • -10.11db
15% Popularity • 71% Danceability • 66% Energy • 60% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 71% Danceability • 66% Energy • 60% Liveness
0% Instrumentalness • 82% Positiveness
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Nathan Cavaleri
Rising Sun
83 bpm • C Maj • 02:56 • -8db
36% Popularity • 73% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 73% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Suzanne Santo
Blood on Your Knees
83 bpm • D Maj • 03:42 • -3.26db
35% Popularity • 40% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 40% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Fantastic Negrito
Man with No Name
83 bpm • C Maj • 03:30 • -7.19db
15% Popularity • 43% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 43% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Shemekia Copeland
Clotilda's On Fire
84 bpm • C# min • 04:26 • -5db
33% Popularity • 60% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 60% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Patrick Sweany
Get Along
84 bpm • B min • 03:26 • -9.64db
9% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Stone Foxes
Eye For Love
84 bpm • G# Maj • 03:16 • -5.98db
35% Popularity • 26% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 26% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Ben Miller Band
Redwing Blackbird
84 bpm • D Maj • 04:15 • -6.98db
27% Popularity • 55% Danceability • 72% Energy • 14% Liveness
22% Instrumentalness • 38% Positiveness
27% Popularity • 55% Danceability • 72% Energy • 14% Liveness
22% Instrumentalness • 38% Positiveness
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Southern Avenue
Savior
68 bpm • B min • 03:43 • -4db
36% Popularity • 48% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 48% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Fantastic Negrito
A New Beginning
85 bpm • F# min • 03:32 • -6.64db
22% Popularity • 67% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 67% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Hanni El Khatib
You Rascal You
85 bpm • F Maj • 02:21 • -7.98db
44% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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little hurricane
That Woman
85 bpm • C min • 01:40 • -8.01db
32% Popularity • 71% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 90% Positiveness
32% Popularity • 71% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 90% Positiveness
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Bobby Saint
Unholy
85 bpm • E Maj • 03:29 • -7db
29% Popularity • 61% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 61% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
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Bad Flamingo
Bottom Shelf Gin
85 bpm • G min • 03:02 • -10.56db
19% Popularity • 65% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
19% Popularity • 65% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
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The Stone Foxes
Man's Red Fire
85 bpm • C Maj • 03:36 • -4.67db
26% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Caught A Ghost
No Sugar in My Coffee
85 bpm • G# Maj • 03:30 • -6db
42% Popularity • 71% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
42% Popularity • 71% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Dan Auerbach
The Prowl
85 bpm • G# Maj • 03:16 • -6db
50% Popularity • 37% Danceability • 76% Energy • 66% Liveness
3% Instrumentalness • 60% Positiveness
50% Popularity • 37% Danceability • 76% Energy • 66% Liveness
3% Instrumentalness • 60% Positiveness
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little hurricane
Bad Business
85 bpm • F Maj • 02:58 • -7.4db
43% Popularity • 64% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 64% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Jack Broadbent
Don't Be Lonesome
86 bpm • C# Maj • 04:41 • -14.82db
15% Popularity • 59% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
15% Popularity • 59% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
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The Cold Stares
Any Way the Wind Blows
86 bpm • G Maj • 03:01 • -7.35db
44% Popularity • 61% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 61% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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The Stone Foxes
City on the Water
85 bpm • F min • 04:18 • -13db
31% Popularity • 41% Danceability • 62% Energy • 7% Liveness
26% Instrumentalness • 46% Positiveness
31% Popularity • 41% Danceability • 62% Energy • 7% Liveness
26% Instrumentalness • 46% Positiveness
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The Raconteurs
Top Yourself
86 bpm • G Maj • 04:25 • -5db
44% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Blues Saraceno
Evil Ways
86 bpm • A Maj • 03:33 • -5.49db
34% Popularity • 51% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 51% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Eric Gales
Carry Yourself
86 bpm • G min • 05:23 • -4.9db
36% Popularity • 68% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
36% Popularity • 68% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
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Dan Owen
Little Red Rooster
86 bpm • G Maj • 03:21 • -5.54db
31% Popularity • 22% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 22% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Jack Broadbent
She said (original)
67 bpm • D min • 02:02 • -11.59db
35% Popularity • 67% Danceability • 22% Energy • 14% Liveness
66% Instrumentalness • 54% Positiveness
35% Popularity • 67% Danceability • 22% Energy • 14% Liveness
66% Instrumentalness • 54% Positiveness
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The Stone Foxes
Jericho
67 bpm • C# Maj • 02:34 • -5.07db
33% Popularity • 46% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 46% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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The Marcus King Band
Rita Is Gone
87 bpm • F Maj • 04:25 • -8.22db
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
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Dorothy
Down To The Bottom
87 bpm • B min • 02:32 • -5.43db
51% Popularity • 61% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 61% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Vintage Trouble
Blues Hand Me Down - Acoustic Version
88 bpm • F min • 03:29 • -6.25db
17% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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7Horse
Swagger
87 bpm • G# Maj • 03:53 • -6.31db
32% Popularity • 56% Danceability • 91% Energy • 15% Liveness
70% Instrumentalness • 74% Positiveness
32% Popularity • 56% Danceability • 91% Energy • 15% Liveness
70% Instrumentalness • 74% Positiveness
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Liz Brasher
Blood of the Lamb
88 bpm • F# min • 03:02 • -6.62db
30% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Southern Avenue
Be The Love You Want
88 bpm • B min • 03:16 • -5.86db
25% Popularity • 49% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 49% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Fantastic Negrito
Push Back
88 bpm • C# Maj • 03:52 • -5.24db
17% Popularity • 70% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 70% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Bellhound Choir
Bad Dreams
66 bpm • C Maj • 03:04 • -7.88db
47% Popularity • 30% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 38% Positiveness
47% Popularity • 30% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 38% Positiveness
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Blackalicious
Love's Gonna Save The Day
88 bpm • D Maj • 03:13 • -6.38db
4% Popularity • 77% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
4% Popularity • 77% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Kitty, Daisy & Lewis
You're So Fine
88 bpm • E min • 03:21 • -4db
22% Popularity • 71% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 71% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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J.D. Simo
Old Black Mattie
89 bpm • G Maj • 04:55 • -7.15db
20% Popularity • 38% Danceability • 77% Energy • 14% Liveness
79% Instrumentalness • 52% Positiveness
20% Popularity • 38% Danceability • 77% Energy • 14% Liveness
79% Instrumentalness • 52% Positiveness
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The Parlor Mob
Everything You're Breathing For
89 bpm • C Maj • 03:46 • -5.4db
43% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Pokey LaFarge
Bluebird
89 bpm • D min • 03:04 • -5.77db
36% Popularity • 59% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 59% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Tami Neilson
Holy Moses
89 bpm • G Maj • 03:10 • -2db
26% Popularity • 61% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 61% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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The Dead Weather
Hustle and Cuss
90 bpm • A Maj • 03:45 • -3.38db
38% Popularity • 48% Danceability • 89% Energy • 25% Liveness
3% Instrumentalness • 49% Positiveness
38% Popularity • 48% Danceability • 89% Energy • 25% Liveness
3% Instrumentalness • 49% Positiveness
