Songs like Hungarian Dance No. 5, WoO1 by Othmar M. F. Maga
Based on a tempo of (+/- 10%) and a similar genre
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AntonÃn Dvořák
Dvořák: 8 Slavonic Dances, Op. 72, B. ...
81 bpm • C Maj • 02:36 • -19.56db
25% Popularity • 16% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
25% Popularity • 16% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Intermezzo
81 bpm • D# Maj • 04:40 • -23.65db
7% Popularity • 13% Danceability • 4% Energy • 14% Liveness
68% Instrumentalness • 4% Positiveness
7% Popularity • 13% Danceability • 4% Energy • 14% Liveness
68% Instrumentalness • 4% Positiveness
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Luigi Boccherini
String Quintet in C Major, Op. 30, No. 6...
81 bpm • G Maj • 05:27 • -21.2db
7% Popularity • 11% Danceability • 1% Energy • 14% Liveness
70% Instrumentalness • 10% Positiveness
7% Popularity • 11% Danceability • 1% Energy • 14% Liveness
70% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 21 in C Major, K. 467...
81 bpm • C Maj • 06:43 • -19.28db
29% Popularity • 44% Danceability • 25% Energy • 14% Liveness
93% Instrumentalness • 51% Positiveness
29% Popularity • 44% Danceability • 25% Energy • 14% Liveness
93% Instrumentalness • 51% Positiveness
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Gabriel Fauré
Masques et Bergamasques, suite, Op.112: ...
81 bpm • F Maj • 02:35 • -19.93db
14% Popularity • 33% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 17% Positiveness
14% Popularity • 33% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 17% Positiveness
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Ernst von Dohnányi
Serenade in C Major, Op. 10: IV. Tema co...
81 bpm • G Maj • 05:59 • -27.97db
10% Popularity • 13% Danceability • 3% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 3% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
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Franz Liszt
Eine Symphonie zu Dantes Divina Commedia...
81 bpm • D# Maj • 01:38 • -35.91db
14% Popularity • 20% Danceability • 1% Energy • 9% Liveness
18% Instrumentalness • 3% Positiveness
14% Popularity • 20% Danceability • 1% Energy • 9% Liveness
18% Instrumentalness • 3% Positiveness
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Dvorak
When My Mother Taught Me to Sing
81 bpm • D Maj • 02:11 • -33.19db
10% Popularity • 15% Danceability • 1% Energy • 14% Liveness
74% Instrumentalness • 5% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 14% Liveness
74% Instrumentalness • 5% Positiveness
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Nuremberg Symphony Orchestra
Die Jahreszeiten für Orchester, Op. 67:...
81 bpm • D min • 08:45 • -23.16db
0% Popularity • 18% Danceability • 16% Energy • 12% Liveness
76% Instrumentalness • 10% Positiveness
0% Popularity • 18% Danceability • 16% Energy • 12% Liveness
76% Instrumentalness • 10% Positiveness
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Othmar M. F. Maga
Hungarian Dance No. 5, WoO1
81 bpm • D# Maj • 02:15 • -11.23db
1% Popularity • 32% Danceability • 28% Energy • 18% Liveness
68% Instrumentalness • 40% Positiveness
1% Popularity • 32% Danceability • 28% Energy • 18% Liveness
68% Instrumentalness • 40% Positiveness
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Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Josef Suk
Serenade für Streicher, Op. 6: II. Alle...
81 bpm • F# Maj • 05:46 • -17.38db
8% Popularity • 21% Danceability • 8% Energy • 17% Liveness
90% Instrumentalness • 7% Positiveness
8% Popularity • 21% Danceability • 8% Energy • 17% Liveness
90% Instrumentalness • 7% Positiveness
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Moritz Moszkowski
Piano Concerto in E, Op. 59: III. Scherz...
81 bpm • E Maj • 06:25 • -20.32db
8% Popularity • 28% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
8% Popularity • 28% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 In G Minor
81 bpm • G min • 02:39 • -14.73db
3% Popularity • 20% Danceability • 41% Energy • 16% Liveness
92% Instrumentalness • 55% Positiveness
3% Popularity • 20% Danceability • 41% Energy • 16% Liveness
92% Instrumentalness • 55% Positiveness
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Edvard Grieg
Symphonic Dances, Op. 64: III. Allegro g...
80 bpm • A Maj • 06:31 • -21.68db
7% Popularity • 24% Danceability • 6% Energy • 18% Liveness
81% Instrumentalness • 29% Positiveness
7% Popularity • 24% Danceability • 6% Energy • 18% Liveness
81% Instrumentalness • 29% Positiveness
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Robert Schumann
Symphony No. 4 in D Minor, Op. 120 (1851...
82 bpm • D Maj • 04:53 • -21.52db
8% Popularity • 8% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
8% Popularity • 8% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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Mikhail Glinka
Ivan Susanin
81 bpm • G Maj • 05:47 • -9.28db
9% Popularity • 35% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 46% Positiveness
9% Popularity • 35% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 46% Positiveness
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Johann Strauss II
Wiener Blut, Op. 354
80 bpm • C Maj • 08:24 • -20.58db
11% Popularity • 20% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 12% Positiveness
11% Popularity • 20% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 12% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: V. Tarantella
80 bpm • A# Maj • 02:16 • -22db
11% Popularity • 42% Danceability • 21% Energy • 11% Liveness
87% Instrumentalness • 32% Positiveness
11% Popularity • 42% Danceability • 21% Energy • 11% Liveness
87% Instrumentalness • 32% Positiveness
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Jacques Offenbach
Orpheus In The Underworld (Orphée aux e...
82 bpm • G Maj • 09:40 • -23.55db
13% Popularity • 19% Danceability • 6% Energy • 12% Liveness
40% Instrumentalness • 17% Positiveness
13% Popularity • 19% Danceability • 6% Energy • 12% Liveness
40% Instrumentalness • 17% Positiveness
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Léo Delibes
Sylvia: Prelude: The Huntresses
80 bpm • D# Maj • 05:02 • -15.77db
13% Popularity • 26% Danceability • 17% Energy • 18% Liveness
62% Instrumentalness • 14% Positiveness
13% Popularity • 26% Danceability • 17% Energy • 18% Liveness
62% Instrumentalness • 14% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: II. Lento assai
82 bpm • A min • 02:10 • -29.3db
22% Popularity • 17% Danceability • 6% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 6% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 3 in D Minor,...
80 bpm • A# Maj • 10:45 • -26.33db
8% Popularity • 8% Danceability • 8% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 8% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Part II: ...
80 bpm • D Maj • 02:22 • -36.64db
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
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Joseph Haydn
Symphony No. 104 in D Major, Hob.I:104, ...
80 bpm • G Maj • 09:29 • -21.67db
5% Popularity • 21% Danceability • 2% Energy • 19% Liveness
29% Instrumentalness • 4% Positiveness
5% Popularity • 21% Danceability • 2% Energy • 19% Liveness
29% Instrumentalness • 4% Positiveness
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Nuremberg Symphony Orchestra
Lulu Suite, symphonische Stücke für Or...
80 bpm • G# min • 02:34 • -16.17db
0% Popularity • 30% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 30% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Léo Delibes
Coppelia Ballet Suite: Notturno
80 bpm • G Maj • 02:04 • -34.96db
24% Popularity • 34% Danceability • 0% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
24% Popularity • 34% Danceability • 0% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
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Tasmanian Symphony Orchestra
Holberg Suite, Op. 40: III. Gavotte
80 bpm • G Maj • 03:20 • -18.4db
8% Popularity • 33% Danceability • 5% Energy • 25% Liveness
86% Instrumentalness • 36% Positiveness
8% Popularity • 33% Danceability • 5% Energy • 25% Liveness
86% Instrumentalness • 36% Positiveness
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Franz Berwald
Symphony No. 4 in E-Flat Major, "Sinfoni...
80 bpm • D Maj • 07:52 • -22.71db
3% Popularity • 9% Danceability • 3% Energy • 19% Liveness
27% Instrumentalness • 5% Positiveness
3% Popularity • 9% Danceability • 3% Energy • 19% Liveness
27% Instrumentalness • 5% Positiveness
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Franz Schubert
Piano Quintet in A Major, D. 667, Op. 11...
82 bpm • A Maj • 06:18 • -20.02db
17% Popularity • 52% Danceability • 8% Energy • 7% Liveness
88% Instrumentalness • 33% Positiveness
17% Popularity • 52% Danceability • 8% Energy • 7% Liveness
88% Instrumentalness • 33% Positiveness
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Johannes Brahms
Walzer Adur, Op. 39, No. 15
82 bpm • G# Maj • 01:22 • -30.42db
19% Popularity • 44% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
19% Popularity • 44% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Pastorale
80 bpm • A Maj • 06:16 • -22db
24% Popularity • 16% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Medea (Medee) (Sung in Italian): Act II:...
80 bpm • F Maj • 02:00 • -21.3db
17% Popularity • 28% Danceability • 14% Energy • 18% Liveness
88% Instrumentalness • 18% Positiveness
17% Popularity • 28% Danceability • 14% Energy • 18% Liveness
88% Instrumentalness • 18% Positiveness
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Edvard Grieg
Fra Holbergs tid , Op. 40 (version for o...
82 bpm • G Maj • 03:11 • -16.89db
10% Popularity • 33% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
10% Popularity • 33% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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Giacomo Meyerbeer
Der Fischer und das Milchmädchen: Overt...
83 bpm • A Maj • 03:39 • -20.36db
10% Popularity • 31% Danceability • 5% Energy • 10% Liveness
72% Instrumentalness • 18% Positiveness
10% Popularity • 31% Danceability • 5% Energy • 10% Liveness
72% Instrumentalness • 18% Positiveness
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Franz Schubert
Symphony No. 1 in D, D.82: 2. Andante
83 bpm • G Maj • 06:24 • -25.73db
3% Popularity • 22% Danceability • 4% Energy • 41% Liveness
87% Instrumentalness • 7% Positiveness
3% Popularity • 22% Danceability • 4% Energy • 41% Liveness
87% Instrumentalness • 7% Positiveness
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Franz von Suppé
Suppé: Ein Morgen, ein Mittag, ein Aben...
79 bpm • F Maj • 08:24 • -19.58db
4% Popularity • 24% Danceability • 23% Energy • 46% Liveness
59% Instrumentalness • 16% Positiveness
4% Popularity • 24% Danceability • 23% Energy • 46% Liveness
59% Instrumentalness • 16% Positiveness
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The Royal Festival Orchestra
Symphony No. 8 In F, Op. 93 Allegretto S...
79 bpm • A# Maj • 04:17 • -14.05db
7% Popularity • 40% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 27% Positiveness
7% Popularity • 40% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 27% Positiveness
► Preview
Wolfgang Amadeus Mozart
Concerto for Flute, Harp, and Orchestra ...
83 bpm • C Maj • 10:03 • -22db
2% Popularity • 38% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 29% Positiveness
2% Popularity • 38% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 29% Positiveness
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Nicolaus Esterhazy Sinfonia
Symphony No. 6 in F major, Op. 68, "Past...
79 bpm • C Maj • 03:54 • -20.34db
13% Popularity • 23% Danceability • 14% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
13% Popularity • 23% Danceability • 14% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
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Slovak Philharmonic
Serenade for Strings in C Major, Op. 48:...
79 bpm • D Maj • 06:38 • -8db
15% Popularity • 14% Danceability • 41% Energy • 80% Liveness
44% Instrumentalness • 9% Positiveness
15% Popularity • 14% Danceability • 41% Energy • 80% Liveness
44% Instrumentalness • 9% Positiveness
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Philharmonic Festival Orchestra
Symphony, " Reformation " , No. 5 in D-M...
83 bpm • D Maj • 08:36 • -16.91db
1% Popularity • 29% Danceability • 15% Energy • 8% Liveness
87% Instrumentalness • 17% Positiveness
1% Popularity • 29% Danceability • 15% Energy • 8% Liveness
87% Instrumentalness • 17% Positiveness
► Preview
Frédéric Chopin
Les Sylphides: 7. Valse
79 bpm • C# min • 04:21 • -23.87db
22% Popularity • 19% Danceability • 10% Energy • 27% Liveness
64% Instrumentalness • 9% Positiveness
22% Popularity • 19% Danceability • 10% Energy • 27% Liveness
64% Instrumentalness • 9% Positiveness
► Preview
Ernest Guiraud
L'Arlésienne Suite No. 2 (Arr. E. Guira...
79 bpm • D Maj • 03:33 • -16db
8% Popularity • 52% Danceability • 39% Energy • 6% Liveness
92% Instrumentalness • 46% Positiveness
8% Popularity • 52% Danceability • 39% Energy • 6% Liveness
92% Instrumentalness • 46% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 20 in D Minor, K. 466...
83 bpm • A# Maj • 09:01 • -27.76db
4% Popularity • 18% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 13% Positiveness
4% Popularity • 18% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 13% Positiveness
► Preview
Antonio Salieri
Armida: Armida: Sinfonia in Pantomima
83 bpm • G Maj • 05:39 • -20.17db
21% Popularity • 29% Danceability • 5% Energy • 7% Liveness
50% Instrumentalness • 7% Positiveness
21% Popularity • 29% Danceability • 5% Energy • 7% Liveness
50% Instrumentalness • 7% Positiveness
► Preview
Mikhail Glinka
Ruslan and Lyudmila: Overture
83 bpm • D Maj • 04:56 • -17.01db
12% Popularity • 32% Danceability • 31% Energy • 16% Liveness
90% Instrumentalness • 35% Positiveness
12% Popularity • 32% Danceability • 31% Energy • 16% Liveness
90% Instrumentalness • 35% Positiveness
► Preview
Nuremberg Symphony Orchestra
Suite für Orchester, Op. 87: I. Idylle....
79 bpm • D Maj • 05:54 • -18.38db
0% Popularity • 30% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
0% Popularity • 30% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
38% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
38% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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Robert Schumann
Symphony No. 3 in E flat, Op. 97 - "Rhen...
83 bpm • G# Maj • 05:29 • -31db
7% Popularity • 15% Danceability • 3% Energy • 12% Liveness
50% Instrumentalness • 6% Positiveness
7% Popularity • 15% Danceability • 3% Energy • 12% Liveness
50% Instrumentalness • 6% Positiveness
► Preview
Peter Warlock
Capriol Suite: IV. Bransles
84 bpm • G min • 01:53 • -15.61db
13% Popularity • 33% Danceability • 41% Energy • 12% Liveness
90% Instrumentalness • 60% Positiveness
13% Popularity • 33% Danceability • 41% Energy • 12% Liveness
90% Instrumentalness • 60% Positiveness
► Preview
Gustav Mahler
Symphony No. 5 in F Major: IV. Adagietto
84 bpm • F Maj • 08:25 • -23.06db
5% Popularity • 16% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
5% Popularity • 16% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
Valse triste, Op. 44
78 bpm • D Maj • 04:56 • -29.59db
6% Popularity • 10% Danceability • 1% Energy • 25% Liveness
89% Instrumentalness • 7% Positiveness
6% Popularity • 10% Danceability • 1% Energy • 25% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Nuremberg Symphony Orchestra
Cello Concerto in B Minor, Op.104: II. A...
84 bpm • G Maj • 10:38 • -18.82db
0% Popularity • 10% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
78 bpm • E Maj • 04:42 • -21.85db
9% Popularity • 21% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
9% Popularity • 21% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
► Preview
Orquesta Sinfónica De Radio Hamburgo
Fausto-Allegrato
78 bpm • G Maj • 01:53 • -31db
7% Popularity • 38% Danceability • 5% Energy • 22% Liveness
83% Instrumentalness • 41% Positiveness
7% Popularity • 38% Danceability • 5% Energy • 22% Liveness
83% Instrumentalness • 41% Positiveness
► Preview
Friedrich Seitz
Seitz: Student Concerto No. 2 in G Major...
84 bpm • B min • 02:12 • -20.66db
7% Popularity • 19% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
7% Popularity • 19% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
► Preview
Hector Berlioz
Harold en Italie, Op. 16: III. Allegro A...
84 bpm • C Maj • 06:50 • -34.59db
7% Popularity • 12% Danceability • 1% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 1% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
► Preview
Alexander Glazunov
Scènes de ballet, Op. 52: VI. Danse Ori...
78 bpm • G# Maj • 02:40 • -29.43db
11% Popularity • 11% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
11% Popularity • 11% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
► Preview
Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan, Act III: The Fl...
84 bpm • D Maj • 01:32 • -29.77db
7% Popularity • 34% Danceability • 7% Energy • 21% Liveness
94% Instrumentalness • 22% Positiveness
7% Popularity • 34% Danceability • 7% Energy • 21% Liveness
94% Instrumentalness • 22% Positiveness
► Preview
AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 1. Od...
78 bpm • F# min • 04:13 • -11db
18% Popularity • 22% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 30% Positiveness
18% Popularity • 22% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 30% Positiveness
► Preview
Robert Bonnevie
Concertstück in F Major, Op. 86: II. Ro...
84 bpm • A# Maj • 05:11 • -31.36db
15% Popularity • 14% Danceability • 1% Energy • 54% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 1% Energy • 54% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Natuils
Balanced
78 bpm • G# Maj • 03:27 • -16.24db
11% Popularity • 23% Danceability • 24% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
11% Popularity • 23% Danceability • 24% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Felix Mendelssohn
Mendelssohn: Symphony No. 4 in A Major, ...
84 bpm • A min • 06:15 • -18.74db
1% Popularity • 32% Danceability • 16% Energy • 16% Liveness
90% Instrumentalness • 22% Positiveness
1% Popularity • 32% Danceability • 16% Energy • 16% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
Gabriel Fauré
Shylock, Op. 57: V. Nocturne
84 bpm • G Maj • 02:50 • -36db
22% Popularity • 9% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
78 bpm • A# Maj • 05:58 • -17.95db
16% Popularity • 23% Danceability • 17% Energy • 72% Liveness
83% Instrumentalness • 33% Positiveness
16% Popularity • 23% Danceability • 17% Energy • 72% Liveness
83% Instrumentalness • 33% Positiveness
► Preview
Johannes Brahms
Brahms: Symphony No. 3 in F Major, Op. 9...
85 bpm • C min • 06:12 • -28.82db
1% Popularity • 9% Danceability • 2% Energy • 10% Liveness
82% Instrumentalness • 5% Positiveness
1% Popularity • 9% Danceability • 2% Energy • 10% Liveness
82% Instrumentalness • 5% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: I. Von fremden Lä...
77 bpm • G Maj • 01:25 • -35.45db
23% Popularity • 40% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 30% Positiveness
23% Popularity • 40% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 30% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 8 in G Major, Op. 88, B. 16...
77 bpm • G Maj • 05:56 • -27.32db
8% Popularity • 16% Danceability • 7% Energy • 34% Liveness
80% Instrumentalness • 28% Positiveness
8% Popularity • 16% Danceability • 7% Energy • 34% Liveness
80% Instrumentalness • 28% Positiveness
► Preview
Franz von Suppé
Dichter und Bauer: Overture
85 bpm • D Maj • 09:56 • -19.92db
7% Popularity • 20% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
7% Popularity • 20% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Souvenir de Florence, Op. 70 TH 118: I. ...
77 bpm • A Maj • 10:22 • -16.65db
9% Popularity • 21% Danceability • 21% Energy • 17% Liveness
87% Instrumentalness • 23% Positiveness
9% Popularity • 21% Danceability • 21% Energy • 17% Liveness
87% Instrumentalness • 23% Positiveness
► Preview
Trio Adagio
Rhapsody On A Theme
77 bpm • C# Maj • 03:29 • -20.83db
2% Popularity • 28% Danceability • 7% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
2% Popularity • 28% Danceability • 7% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
► Preview
Franz Schubert
Rosamunde, D. 797: Ballet Music No. 2
85 bpm • G Maj • 07:43 • -26db
10% Popularity • 49% Danceability • 2% Energy • 13% Liveness
19% Instrumentalness • 14% Positiveness
10% Popularity • 49% Danceability • 2% Energy • 13% Liveness
19% Instrumentalness • 14% Positiveness
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Frédéric Chopin
Waltz No. 1 in D-Flat Major, Op. 64
77 bpm • C# Maj • 01:55 • -24.04db
13% Popularity • 30% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 23% Positiveness
13% Popularity • 30% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 23% Positiveness
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New Philharmonia Orchestra London
The Sleeping Beauty, Ballet Suite, op. 6...
77 bpm • D# Maj • 05:23 • -20.61db
11% Popularity • 10% Danceability • 14% Energy • 22% Liveness
86% Instrumentalness • 7% Positiveness
11% Popularity • 10% Danceability • 14% Energy • 22% Liveness
86% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Symphony No. 5 in D Minor, Op. 107, MWV ...
85 bpm • A# Maj • 05:46 • -24.77db
17% Popularity • 25% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
17% Popularity • 25% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
Concerto for Harpsichord and Orchestra i...
77 bpm • G min • 07:13 • -20.13db
0% Popularity • 14% Danceability • 14% Energy • 43% Liveness
17% Instrumentalness • 5% Positiveness
0% Popularity • 14% Danceability • 14% Energy • 43% Liveness
17% Instrumentalness • 5% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
77 bpm • F Maj • 02:19 • -28.37db
35% Popularity • 41% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 16% Positiveness
35% Popularity • 41% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 16% Positiveness
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Henryk Wieniawski
Legende, Op. 17
77 bpm • G min • 08:25 • -24.81db
12% Popularity • 13% Danceability • 6% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 6% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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Giacomo Meyerbeer
Der Fischer und das Milchmädchen: VII. ...
85 bpm • C Maj • 01:12 • -25db
24% Popularity • 50% Danceability • 3% Energy • 5% Liveness
22% Instrumentalness • 42% Positiveness
24% Popularity • 50% Danceability • 3% Energy • 5% Liveness
22% Instrumentalness • 42% Positiveness
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Camille Saint-Saëns
Étienne Marcel, R. 209, Act III, The Ni...
77 bpm • A# Maj • 02:08 • -26.38db
11% Popularity • 17% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
11% Popularity • 17% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
77 bpm • D min • 05:38 • -30.64db
10% Popularity • 21% Danceability • 2% Energy • 13% Liveness
16% Instrumentalness • 14% Positiveness
10% Popularity • 21% Danceability • 2% Energy • 13% Liveness
16% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Concerto for Harpsichord and Orchestra i...
86 bpm • D min • 09:00 • -15.17db
0% Popularity • 48% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 48% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Theme by Tchaikovsky, Op...
86 bpm • E min • 01:36 • -19db
20% Popularity • 33% Danceability • 13% Energy • 17% Liveness
96% Instrumentalness • 31% Positiveness
20% Popularity • 33% Danceability • 13% Energy • 17% Liveness
96% Instrumentalness • 31% Positiveness
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Franz Krommer
Clarinet Concerto in E-Flat Major, Op. 3...
86 bpm • C min • 05:07 • -21db
8% Popularity • 13% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Bonn Classical Philharmonic
Shimmering Fancy
76 bpm • D min • 02:19 • -35.65db
1% Popularity • 32% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
1% Popularity • 32% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
86 bpm • D# Maj • 09:04 • -25.82db
2% Popularity • 10% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
2% Popularity • 10% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Suite in A Major, Op. 98b, B. 190 "Ameri...
76 bpm • D Maj • 03:01 • -17.69db
8% Popularity • 19% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
8% Popularity • 19% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 5 in F ...
76 bpm • C Maj • 05:56 • -14.35db
19% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
19% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: II. ...
87 bpm • A# Maj • 09:04 • -18.77db
8% Popularity • 10% Danceability • 17% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 17% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: II. Canzonetta
87 bpm • C Maj • 03:19 • -24db
13% Popularity • 10% Danceability • 6% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 6% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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Jörg-Peter Weigle, Berlin Radio Music Orchestra
I. Prelude
75 bpm • G Maj • 02:41 • -18db
7% Popularity • 26% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
7% Popularity • 26% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
33% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
33% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
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Bonn Classical Philharmonic
Garden Environment
75 bpm • D min • 02:47 • -32.8db
0% Popularity • 28% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
0% Popularity • 28% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: IV. Tor...
87 bpm • A# Maj • 01:38 • -29.83db
14% Popularity • 27% Danceability • 7% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
14% Popularity • 27% Danceability • 7% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
II. Adagio - Presto
87 bpm • G min • 01:53 • -30.98db
31% Popularity • 24% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Schubert
Schubert: Rosamunde, Op. 26, D. 797: Bal...
75 bpm • G Maj • 07:39 • -23.66db
18% Popularity • 41% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 41% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
