Songs like Hur svårt kan det va - New by Linda Bengtzing
Based on a tempo of (+/- 10%) and a similar genre
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Linda Bengtzing
Värmlandsschlagern
132 bpm • D# min • 03:35 • -7.06db
20% Popularity • 59% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 59% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Magnus Carlsson
Möt mig i Gamla Stan
132 bpm • F# min • 03:03 • -3db
41% Popularity • 65% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 65% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Friends
Vad pojkar gör om natten
132 bpm • F min • 03:13 • -3.8db
15% Popularity • 65% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 65% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Sarek
Dina Ögon
132 bpm • A min • 03:50 • -4.78db
16% Popularity • 58% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 58% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Fame
Give Me Your Love
132 bpm • D Maj • 03:02 • -4.84db
40% Popularity • 57% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 57% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Shirley Clamp
Lever mina drömmar
132 bpm • C# min • 03:18 • -4.51db
21% Popularity • 54% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 54% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Linda Bengtzing
Hur svårt kan det va - SoundFactory lä...
132 bpm • D Maj • 03:36 • -11.3db
2% Popularity • 71% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
2% Popularity • 71% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Kikki Bettan Lotta
Vem e' de' du vill ha
132 bpm • G# Maj • 03:05 • -3.92db
25% Popularity • 61% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 61% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmy Jansson
Som sommaren
132 bpm • A min • 02:57 • -4db
23% Popularity • 60% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 60% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Jill Johnson
Crazy in Love
132 bpm • F Maj • 03:02 • -4.43db
42% Popularity • 68% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 68% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Chips
Dag efter dag
132 bpm • C# Maj • 02:54 • -2.88db
40% Popularity • 51% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 51% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Janne Lucas
Växeln hallå
132 bpm • A# Maj • 02:54 • -5.96db
44% Popularity • 69% Danceability • 89% Energy • 46% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 69% Danceability • 89% Energy • 46% Liveness
0% Instrumentalness • 87% Positiveness
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Linda Bengtzing
Hur svårt kan det va - SoundFactory sv�...
132 bpm • F# min • 06:18 • -11.76db
1% Popularity • 74% Danceability • 44% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 74% Danceability • 44% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
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Kikki Bettan Lotta
Vem e' de' du vill ha
132 bpm • G# Maj • 02:52 • -6.97db
33% Popularity • 61% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 61% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Jimmy Jansson
Vi kan gunga
132 bpm • C Maj • 03:02 • -3.43db
35% Popularity • 65% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 65% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Tomas Ledin
Vi är på gång - Bonus Track
132 bpm • C Maj • 03:47 • -13.49db
44% Popularity • 73% Danceability • 79% Energy • 70% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 73% Danceability • 79% Energy • 70% Liveness
0% Instrumentalness • 93% Positiveness
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Gyllene Tider
Det är över nu
132 bpm • B min • 03:47 • -5.77db
40% Popularity • 45% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 45% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Arvingarna
Eloise
133 bpm • G Maj • 03:08 • -3.5db
55% Popularity • 69% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
55% Popularity • 69% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Linda Bengtzing
Inga pojkar i världen
132 bpm • G# Maj • 03:21 • -4.14db
10% Popularity • 67% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 67% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Pernilla Wahlgren
Picadilly Circus
131 bpm • E Maj • 02:59 • -6.02db
36% Popularity • 78% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 78% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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The Pinks
12 23 05
133 bpm • C# min • 03:21 • -6db
21% Popularity • 62% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 62% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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Tomas Ledin
Vi är på gång
132 bpm • C Maj • 02:40 • -4db
32% Popularity • 76% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 76% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Lena Philipsson
Han jobbar i affär
133 bpm • D Maj • 03:49 • -4.55db
36% Popularity • 64% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 64% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Sarek
Vinterland
133 bpm • C min • 03:33 • -4.39db
22% Popularity • 62% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 62% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Linda Bengtzing
Hur svårt kan det va - Instrumental
132 bpm • D Maj • 02:58 • -5.62db
0% Popularity • 54% Danceability • 82% Energy • 33% Liveness
86% Instrumentalness • 70% Positiveness
0% Popularity • 54% Danceability • 82% Energy • 33% Liveness
86% Instrumentalness • 70% Positiveness
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Emil Assergård
All In
131 bpm • B Maj • 03:12 • -6db
50% Popularity • 72% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 72% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Carson, Hansson & Malmqvist
C'est La Vie
133 bpm • C# Maj • 03:10 • -4db
29% Popularity • 64% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 64% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Herreys
Diggiloo Diggiley
131 bpm • F Maj • 03:07 • -4.1db
44% Popularity • 68% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 68% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Björn Rosenström
En gång är ingen gång
131 bpm • F min • 03:02 • -5db
49% Popularity • 78% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
49% Popularity • 78% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Tomas Ledin
Sensuella Isabella
131 bpm • D Maj • 03:30 • -5db
42% Popularity • 58% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 58% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Linda Bengtzing
Hur svårt kan det va
132 bpm • D Maj • 02:56 • -4db
33% Popularity • 53% Danceability • 93% Energy • 65% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 53% Danceability • 93% Energy • 65% Liveness
0% Instrumentalness • 51% Positiveness
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Shirley Clamp
Att älska dig
131 bpm • G Maj • 03:03 • -5db
34% Popularity • 61% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 61% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Gyllene Tider
Flickan i en Cole Porter-sång
130 bpm • D Maj • 03:51 • -7.66db
47% Popularity • 65% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 65% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Lasse Holm
Canelloni Macaroni
134 bpm • D# Maj • 04:27 • -6db
46% Popularity • 58% Danceability • 92% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 58% Danceability • 92% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
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The Pinks
Superman
134 bpm • F Maj • 03:10 • -6db
34% Popularity • 70% Danceability • 94% Energy • 4% Liveness
2% Instrumentalness • 96% Positiveness
34% Popularity • 70% Danceability • 94% Energy • 4% Liveness
2% Instrumentalness • 96% Positiveness
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Tomas Ledin
Du kan lita på mej
133 bpm • E Maj • 02:54 • -5db
42% Popularity • 78% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
42% Popularity • 78% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Linda Bengtzing
Hur svårt kan det va' (Version #2)
133 bpm • E Maj • 03:03 • -3.65db
22% Popularity • 66% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 66% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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September
Mikrofonkåt
130 bpm • F Maj • 02:46 • -5.15db
51% Popularity • 67% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 67% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Gyllene Tider
Ska vi älska, så ska vi älska till Bu...
134 bpm • A min • 03:50 • -6.09db
39% Popularity • 58% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 58% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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250 kg kärlek
Naken
134 bpm • G min • 02:48 • -9.01db
40% Popularity • 72% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 72% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Pinks
Spelar ingen roll
130 bpm • D Maj • 03:54 • -7db
29% Popularity • 58% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 58% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Hanna Hedlund
Anropar försvunnen
134 bpm • C# Maj • 02:53 • -8db
31% Popularity • 76% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 76% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Barbados
Kom hem
134 bpm • A Maj • 03:34 • -6db
44% Popularity • 69% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 69% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Nekken
Warmland Wonderland
130 bpm • G# min • 04:43 • -8.25db
4% Popularity • 62% Danceability • 87% Energy • 10% Liveness
66% Instrumentalness • 23% Positiveness
4% Popularity • 62% Danceability • 87% Energy • 10% Liveness
66% Instrumentalness • 23% Positiveness
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Elisa Lindström
Leva
134 bpm • E Maj • 03:24 • -3.36db
20% Popularity • 64% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 64% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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De Vet Du
Road Trip
130 bpm • B Maj • 03:10 • -6.33db
37% Popularity • 76% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 76% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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The Ark
The Worrying Kind
134 bpm • C# min • 02:55 • -3.84db
42% Popularity • 64% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 64% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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BWO
Lay Your Love On Me
130 bpm • C min • 02:56 • -2.4db
40% Popularity • 60% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 60% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Behrang Miri
Jalla dansa sawa
130 bpm • B min • 03:01 • -3db
37% Popularity • 77% Danceability • 91% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 77% Danceability • 91% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
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Nekken
Äntligen
134 bpm • D# Maj • 04:24 • -8.28db
4% Popularity • 53% Danceability • 90% Energy • 13% Liveness
3% Instrumentalness • 20% Positiveness
4% Popularity • 53% Danceability • 90% Energy • 13% Liveness
3% Instrumentalness • 20% Positiveness
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Linda Bengtzing
Varför gör du som du gör
130 bpm • B Maj • 03:54 • -4.84db
12% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Måns Zelmerlöw
Hope and Glory
130 bpm • F# Maj • 03:02 • -3.01db
33% Popularity • 62% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 62% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Norlie & KKV
Där jag hänger min hatt
130 bpm • G# Maj • 03:32 • -6.43db
37% Popularity • 44% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 44% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Eric Saade
Manboy
130 bpm • G# Maj • 03:00 • -4db
48% Popularity • 63% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
48% Popularity • 63% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Fame
Vindarna vänder oss
130 bpm • G# Maj • 03:05 • -3db
29% Popularity • 53% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 53% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Sarek
Tyst I Gläntan
134 bpm • G min • 03:44 • -4.72db
16% Popularity • 58% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 58% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Stiftelsen
Rotlös
130 bpm • D Maj • 04:54 • -6.16db
42% Popularity • 75% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 75% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Linda Bengtzing
Steg för steg
130 bpm • C min • 03:16 • -6.24db
8% Popularity • 62% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 62% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Samir & Viktor
Bada nakna
130 bpm • C# Maj • 03:11 • -4.65db
43% Popularity • 70% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 70% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Babsan
Ge mig en spanjor
130 bpm • A min • 03:03 • -3.68db
21% Popularity • 68% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 68% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Emil Assergård
Klä av mig
130 bpm • G Maj • 02:35 • -4.63db
43% Popularity • 82% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 82% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Amy Diamond
Thank you
130 bpm • F# Maj • 02:58 • -6db
35% Popularity • 68% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 68% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Sanna Nielsen
Vågar du, vågar jag
130 bpm • E Maj • 03:04 • -3.81db
31% Popularity • 53% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 53% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Cecilia Vennersten
Det Vackraste
130 bpm • G# Maj • 03:22 • -14.78db
53% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
53% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Gyllene Tider
Sommartider
130 bpm • A Maj • 03:22 • -6.96db
55% Popularity • 84% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 84% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Kobojsarna
Jag vet du vill ha mig
135 bpm • C min • 03:23 • -5db
44% Popularity • 70% Danceability • 99% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 70% Danceability • 99% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Anton Ewald
Begging
129 bpm • C Maj • 03:02 • -6.36db
45% Popularity • 64% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 64% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Amy Diamond
Shooting Star
135 bpm • F min • 03:40 • -6db
12% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Linda Bengtzing
Alla mina sorger
135 bpm • C# Maj • 02:56 • -5.56db
29% Popularity • 68% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 68% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Sanna Nielsen
Empty Room
134 bpm • F Maj • 03:03 • -3.72db
39% Popularity • 48% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 48% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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After Dark
(Åh) När ni tar saken i egna händer
129 bpm • E Maj • 02:59 • -2.77db
35% Popularity • 71% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 71% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Arvingarna
I Do
135 bpm • C Maj • 03:05 • -3db
47% Popularity • 53% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 53% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Brandsta City Släckers
Kom och ta mig
135 bpm • G Maj • 02:57 • -5db
44% Popularity • 64% Danceability • 78% Energy • 48% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 64% Danceability • 78% Energy • 48% Liveness
0% Instrumentalness • 80% Positiveness
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Streaplers
Vad har du under blusen Rut
135 bpm • A Maj • 02:18 • -3db
35% Popularity • 71% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
35% Popularity • 71% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Linda Bengtzing
Sommar PÃ¥ GÃ¥ng
136 bpm • D Maj • 03:19 • -13.95db
6% Popularity • 69% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
6% Popularity • 69% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Anna Bergendahl
Ashes To Ashes
136 bpm • C Maj • 03:00 • -6db
42% Popularity • 55% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 55% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Freestyle
Nära dig
128 bpm • C# Maj • 03:06 • -6db
30% Popularity • 61% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 61% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Sarah Dawn Finer
Moving On
136 bpm • G min • 03:05 • -5db
42% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Patrik Isaksson
Hos dig är jag underbar
136 bpm • C# min • 04:09 • -5.54db
41% Popularity • 51% Danceability • 70% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
41% Popularity • 51% Danceability • 70% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
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Eriksson Glenmark
Upp över mina öron
136 bpm • C Maj • 02:57 • -5.51db
29% Popularity • 73% Danceability • 91% Energy • 69% Liveness
0% Instrumentalness • 98% Positiveness
29% Popularity • 73% Danceability • 91% Energy • 69% Liveness
0% Instrumentalness • 98% Positiveness
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Linda Bengtzing
Jag Vill Spela Och Sjunga
128 bpm • D# Maj • 03:27 • -15.42db
5% Popularity • 71% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
5% Popularity • 71% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Samir & Viktor
Shuffla
128 bpm • D min • 03:04 • -4.65db
40% Popularity • 70% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 70% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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After Dark
La Dolce Vita
136 bpm • A min • 03:00 • -3.51db
42% Popularity • 64% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 64% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Ronny & Ragge
Se på mig
128 bpm • C Maj • 03:49 • -7db
32% Popularity • 75% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 75% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Ted Gärdestad
Eiffeltornet
128 bpm • C Maj • 03:06 • -6db
45% Popularity • 69% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 69% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Måns Zelmerlöw
Cara mia
128 bpm • A min • 03:04 • -3.41db
47% Popularity • 62% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 62% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Linda Bengtzing
Himlen är du
136 bpm • G Maj • 04:29 • -6db
19% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Charlotte Perrelli
The Girl
128 bpm • G# Maj • 02:59 • -3.15db
24% Popularity • 64% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 64% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Sean Banan
Sean den förste Banan
128 bpm • C# min • 03:03 • -4.03db
46% Popularity • 69% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
46% Popularity • 69% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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David Lindgren
Shout It Out
128 bpm • D min • 03:03 • -3db
33% Popularity • 66% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 66% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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BWO
Temple of Love - Radio Edit
128 bpm • C# Maj • 03:24 • -3.48db
37% Popularity • 67% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 67% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Jessica Andersson
Party Voice
128 bpm • D min • 03:04 • -6db
35% Popularity • 57% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 57% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Linda Bengtzing
Kärlekens barn
136 bpm • D Maj • 04:07 • -6.93db
23% Popularity • 57% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 57% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Star Pilots
Higher
128 bpm • G# Maj • 03:00 • -6.29db
33% Popularity • 56% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 56% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
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Alcazar
Not A Sinner Nor A Saint
128 bpm • B min • 03:01 • -4.13db
40% Popularity • 72% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 72% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Amy Diamond
It's My Life
128 bpm • E min • 03:05 • -4.92db
27% Popularity • 63% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 63% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Samir & Viktor
Groupie
128 bpm • A# Maj • 03:01 • -5.01db
31% Popularity • 67% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 67% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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The Pinks
Hur gör du (How Do You Do It)
137 bpm • D Maj • 02:07 • -6db
28% Popularity • 61% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 61% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
