Songs like Hurricane Coming (feat. Ash Grunwald & Scott Owen) by Pete Murray
Based on a tempo of (+/- 10%) and a similar genre
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Pete Murray
Hurricane Coming
116 bpm • D min • 03:59 • -6.4db
27% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Miracle
Better Dayz
116 bpm • C# Maj • 03:07 • -4.23db
23% Popularity • 71% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 71% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Ben Lee
Catch My Disease
116 bpm • B Maj • 04:14 • -6.27db
45% Popularity • 77% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 77% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Kingswood
Looking For Love
116 bpm • G# Maj • 03:03 • -9.45db
16% Popularity • 67% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 67% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Boom Crash Opera
Dancing In The Storm
116 bpm • G Maj • 04:12 • -5db
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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The Cruel Sea
Black Stick
116 bpm • F min • 04:58 • -10db
39% Popularity • 74% Danceability • 56% Energy • 54% Liveness
52% Instrumentalness • 82% Positiveness
39% Popularity • 74% Danceability • 56% Energy • 54% Liveness
52% Instrumentalness • 82% Positiveness
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Crowded House
It's Only Natural
116 bpm • A# Maj • 03:32 • -11.92db
52% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
52% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Bondi Cigars
Don't Bite The Hand That Feeds You
116 bpm • C Maj • 04:49 • -7.17db
17% Popularity • 55% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 55% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Australian Crawl
Daughters Of The Northern Coast - Remast...
115 bpm • D Maj • 04:40 • -6db
42% Popularity • 62% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 62% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Missy Higgins
Hearts a Mess - triple j Like A Version
115 bpm • F min • 04:43 • -8.56db
35% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Cat Empire
So Many Nights
117 bpm • G Maj • 03:33 • -3.85db
38% Popularity • 57% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
38% Popularity • 57% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Sonia Dada
(Lover) You Don't Treat Me No Good (Live...
115 bpm • E Maj • 04:05 • -12.3db
33% Popularity • 77% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 77% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 94% Positiveness
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The Mutton Birds
Nature
117 bpm • D Maj • 03:42 • -14.67db
28% Popularity • 57% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
28% Popularity • 57% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Lior
This Old Love
117 bpm • C# Maj • 03:03 • -15db
43% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Australian Crawl
Louie Louie - Remastered
117 bpm • G Maj • 05:47 • -5.21db
40% Popularity • 47% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 47% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
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Ben Lee
Cigarettes Will Kill You
115 bpm • G# Maj • 03:50 • -7.65db
45% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Paul Dempsey
Addicted
115 bpm • C# Maj • 04:09 • -11.91db
23% Popularity • 55% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 55% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Pete Murray
Take Me Down
117 bpm • C Maj • 03:46 • -6db
28% Popularity • 69% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 69% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Sparkadia
Mary
114 bpm • A min • 04:04 • -5.18db
22% Popularity • 54% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 54% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Mondo Rock
Come Said The Boy - Digitally Remastered
118 bpm • A min • 05:15 • -6.15db
51% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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The Checks
What You Heard
115 bpm • D Maj • 02:50 • -3.96db
15% Popularity • 50% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 50% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Bob Evans
Someone So Much
118 bpm • D Maj • 03:34 • -7.05db
6% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
6% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Angus & Julia Stone
Big Jet Plane
118 bpm • B Maj • 04:15 • -16.47db
23% Popularity • 69% Danceability • 38% Energy • 76% Liveness
2% Instrumentalness • 37% Positiveness
23% Popularity • 69% Danceability • 38% Energy • 76% Liveness
2% Instrumentalness • 37% Positiveness
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Pete Murray
Hurricane Coming
118 bpm • A min • 04:25 • -6db
14% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Skunkhour
Sunstone
114 bpm • C Maj • 04:28 • -8.26db
16% Popularity • 76% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 76% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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The Black Sorrows
Better Times
114 bpm • A# Maj • 04:54 • -8db
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Faker
Sleepwalking
118 bpm • A min • 05:01 • -4.85db
25% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Bob Evans
Born Yesterday
118 bpm • A# Maj • 04:33 • -5.03db
12% Popularity • 47% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 47% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Taxiride
Can You Feel
114 bpm • G# Maj • 03:17 • -7db
24% Popularity • 61% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 61% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Marshall & the Fro
Thongs
114 bpm • G# Maj • 02:42 • -3.61db
25% Popularity • 62% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 62% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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The Panics
Feeling Is Gone
114 bpm • E Maj • 03:23 • -6.61db
22% Popularity • 52% Danceability • 68% Energy • 38% Liveness
10% Instrumentalness • 39% Positiveness
22% Popularity • 52% Danceability • 68% Energy • 38% Liveness
10% Instrumentalness • 39% Positiveness
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Augie March
One Crowded Hour
113 bpm • A Maj • 04:50 • -8.45db
49% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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The Badloves
I Wanna Hide
114 bpm • D Maj • 04:37 • -7.21db
8% Popularity • 65% Danceability • 63% Energy • 8% Liveness
20% Instrumentalness • 61% Positiveness
8% Popularity • 65% Danceability • 63% Energy • 8% Liveness
20% Instrumentalness • 61% Positiveness
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Australian Crawl
Oh No Not You Again - Remastered
119 bpm • D Maj • 05:08 • -6.99db
55% Popularity • 67% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 67% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Bob Evans
Rocks In My Head
119 bpm • G Maj • 04:14 • -6.08db
8% Popularity • 55% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 55% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Greg Johnson
Don't Be The One
119 bpm • D Maj • 04:47 • -9.38db
9% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Pete Murray
Long Ride
119 bpm • B Maj • 04:38 • -7db
23% Popularity • 72% Danceability • 74% Energy • 9% Liveness
4% Instrumentalness • 82% Positiveness
23% Popularity • 72% Danceability • 74% Energy • 9% Liveness
4% Instrumentalness • 82% Positiveness
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Lior
Autumn Flow
119 bpm • A# Maj • 04:12 • -8.82db
31% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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19-Twenty
2 & 4
119 bpm • D Maj • 03:19 • -6.62db
26% Popularity • 77% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 77% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Badloves
Memphis
113 bpm • A Maj • 05:09 • -18db
25% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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The Exponents
Who Loves Who The Most
112 bpm • D Maj • 04:15 • -5.53db
36% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Evermore
Morning Star
120 bpm • C Maj • 03:15 • -12.21db
13% Popularity • 49% Danceability • 24% Energy • 9% Liveness
60% Instrumentalness • 9% Positiveness
13% Popularity • 49% Danceability • 24% Energy • 9% Liveness
60% Instrumentalness • 9% Positiveness
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Pete Murray
Found My Place
119 bpm • E min • 03:22 • -8db
21% Popularity • 58% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 58% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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David Gray
Babylon - US Radio Mix
112 bpm • D# Maj • 03:39 • -6.63db
42% Popularity • 64% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 64% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Bob Evans
Friend
120 bpm • E Maj • 03:29 • -6.56db
13% Popularity • 53% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 53% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
34% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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The Exponents
Erotic
120 bpm • G Maj • 04:59 • -7.77db
19% Popularity • 68% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 68% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Evermore
Hey My Love
120 bpm • C Maj • 03:42 • -3.67db
16% Popularity • 50% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 50% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Missy Higgins
Steer
120 bpm • E Maj • 03:51 • -7db
46% Popularity • 57% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 57% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Michael Hutchence
Spill The Wine - Edit
120 bpm • F# Maj • 03:50 • -6db
28% Popularity • 83% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 83% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 77% Positiveness
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Opshop
Saturated
112 bpm • C min • 03:53 • -5.41db
20% Popularity • 61% Danceability • 89% Energy • 18% Liveness
70% Instrumentalness • 84% Positiveness
20% Popularity • 61% Danceability • 89% Energy • 18% Liveness
70% Instrumentalness • 84% Positiveness
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The Badloves
Barefoot Bride
120 bpm • A min • 04:13 • -9.36db
23% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Bob Evans
Sadness & Whiskey
120 bpm • C Maj • 03:12 • -7.44db
15% Popularity • 59% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 59% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Hunters & Collectors
Where Do You Go?
121 bpm • G Maj • 03:58 • -3.52db
40% Popularity • 66% Danceability • 88% Energy • 9% Liveness
4% Instrumentalness • 68% Positiveness
40% Popularity • 66% Danceability • 88% Energy • 9% Liveness
4% Instrumentalness • 68% Positiveness
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Crowded House
Distant Sun
111 bpm • D# Maj • 03:49 • -7.97db
54% Popularity • 41% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 41% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Michael Franti & Spearhead
Everyone Deserves Music
111 bpm • D Maj • 04:36 • -4.66db
33% Popularity • 69% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 69% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Lior
Stuck in a War
111 bpm • C Maj • 03:17 • -8db
12% Popularity • 71% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 71% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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The Badloves
Sugar Daddy
112 bpm • B min • 06:15 • -13.09db
14% Popularity • 51% Danceability • 38% Energy • 8% Liveness
15% Instrumentalness • 69% Positiveness
14% Popularity • 51% Danceability • 38% Energy • 8% Liveness
15% Instrumentalness • 69% Positiveness
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Bob Evans
Hand Me Downs
121 bpm • G Maj • 03:32 • -6db
4% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
4% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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19-Twenty
Hips
121 bpm • G# Maj • 02:37 • -7.69db
23% Popularity • 67% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 67% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Crowded House
When You Come
121 bpm • A Maj • 04:45 • -12db
39% Popularity • 42% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 42% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Evermore
Never Let You Go
111 bpm • D# Maj • 04:16 • -6.08db
33% Popularity • 24% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 24% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Dragon
April Sun in Cuba
121 bpm • D Maj • 03:27 • -13.89db
58% Popularity • 79% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
58% Popularity • 79% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
41% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Angus & Julia Stone
A Heartbreak
122 bpm • G min • 04:50 • -12.55db
16% Popularity • 64% Danceability • 66% Energy • 86% Liveness
44% Instrumentalness • 25% Positiveness
16% Popularity • 64% Danceability • 66% Energy • 86% Liveness
44% Instrumentalness • 25% Positiveness
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Matt Corby
Souls A'Fire
111 bpm • F Maj • 04:16 • -3.77db
33% Popularity • 32% Danceability • 81% Energy • 11% Liveness
22% Instrumentalness • 34% Positiveness
33% Popularity • 32% Danceability • 81% Energy • 11% Liveness
22% Instrumentalness • 34% Positiveness
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Astronomy Class
All I Want
122 bpm • D Maj • 04:15 • -7.75db
8% Popularity • 97% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 97% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Australian Crawl
Lakeside - Remastered
122 bpm • C Maj • 04:48 • -8db
37% Popularity • 78% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 78% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Oh Mercy
I Feel Possessed
110 bpm • G min • 03:15 • -11db
26% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Bob Evans
Nowhere Without You
123 bpm • A min • 04:19 • -7db
26% Popularity • 82% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 82% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Dragon
Are You Old Enough
123 bpm • D Maj • 04:08 • -14.39db
50% Popularity • 69% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 69% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The Panics
Live Without
123 bpm • G Maj • 04:15 • -6.33db
13% Popularity • 54% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 54% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Blue Shaddy
Howling Dog
123 bpm • F Maj • 05:02 • -5.04db
15% Popularity • 54% Danceability • 73% Energy • 12% Liveness
16% Instrumentalness • 18% Positiveness
15% Popularity • 54% Danceability • 73% Energy • 12% Liveness
16% Instrumentalness • 18% Positiveness
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Youth Group
Forever Young - Live Acoustic Version
109 bpm • F# min • 03:49 • -7.09db
15% Popularity • 43% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 43% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Bondi Cigars
Howling At The Moon
123 bpm • E min • 03:31 • -6.51db
26% Popularity • 80% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 80% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Goanna
Razor's Edge - Remastered Version
123 bpm • D Maj • 05:11 • -8db
45% Popularity • 69% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 69% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Alan Pigram
Nothing Really Matters - with Alex Lloyd
124 bpm • C Maj • 04:40 • -8.78db
24% Popularity • 87% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 87% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Skunkhour
Kick In The Door
124 bpm • G Maj • 03:04 • -5.03db
27% Popularity • 78% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 78% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Paul Dempsey
Edge Of Town - triple j Like A Version
109 bpm • G# Maj • 03:37 • -6.9db
34% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Lior
Gypsy Girl
124 bpm • C Maj • 03:09 • -8.06db
28% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Blue Shaddy
West Australian Sun
124 bpm • G Maj • 04:06 • -6.98db
11% Popularity • 78% Danceability • 67% Energy • 78% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 78% Danceability • 67% Energy • 78% Liveness
0% Instrumentalness • 84% Positiveness
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Tim Finn
Couldn't Be Done
108 bpm • B Maj • 02:50 • -8.85db
20% Popularity • 70% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 70% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Client Liaison
Medley: Party / ! (The Song Formerly Kno...
108 bpm • F min • 04:16 • -7.34db
26% Popularity • 75% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 75% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Evermore
For One Day
108 bpm • F# min • 04:10 • -6.72db
27% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Paul Dempsey
Nobody’s Trying To Tell Me Something
108 bpm • C Maj • 03:29 • -5.84db
11% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Marshall & the Fro
Get up (Raise Your Head)
125 bpm • C# Maj • 03:48 • -4.37db
24% Popularity • 57% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 57% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Lior
Grey Ocean
124 bpm • G min • 03:35 • -14.24db
29% Popularity • 62% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
29% Popularity • 62% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
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Juzzie Smith
Rise and Shine
125 bpm • C Maj • 02:51 • -9.89db
24% Popularity • 86% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 86% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Gyroscope
Fifty500
125 bpm • A min • 03:32 • -3.71db
18% Popularity • 56% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 56% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Bob Evans
Don't Wanna Grow Up Anymore
125 bpm • G Maj • 04:26 • -4.56db
14% Popularity • 60% Danceability • 91% Energy • 42% Liveness
78% Instrumentalness • 96% Positiveness
14% Popularity • 60% Danceability • 91% Energy • 42% Liveness
78% Instrumentalness • 96% Positiveness
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The Panics
Majesty
125 bpm • C# Maj • 04:03 • -8db
20% Popularity • 69% Danceability • 57% Energy • 10% Liveness
50% Instrumentalness • 15% Positiveness
20% Popularity • 69% Danceability • 57% Energy • 10% Liveness
50% Instrumentalness • 15% Positiveness
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Luger Boa
New Hot Nights
125 bpm • D Maj • 03:50 • -4.15db
12% Popularity • 60% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 60% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Lior
Burst Your Bubble
125 bpm • A# Maj • 03:22 • -7.67db
23% Popularity • 70% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 70% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Pete Murray
Hold It All For Love
108 bpm • E Maj • 04:44 • -7.25db
19% Popularity • 70% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 70% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Peter Garrett
Great White Shark
125 bpm • D Maj • 03:46 • -4.65db
19% Popularity • 66% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 66% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Daddy Cool
Eagle Rock - 2011 Remaster
126 bpm • D Maj • 04:10 • -5.16db
58% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
58% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Missy Higgins
Don't Ever
126 bpm • D Maj • 02:53 • -9.62db
38% Popularity • 64% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 64% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Cruel Sea
I Know, You Know, I Know
126 bpm • G Maj • 04:30 • -7.43db
19% Popularity • 75% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 69% Positiveness
19% Popularity • 75% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 69% Positiveness
