Songs like Hurt Me So Good - Chris Rosa Extended Dub Mix by Ashlee Keating
Based on a tempo of (+/- 10%) and a similar genre
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Izza
Going Rogue
120 bpm • C Maj • 02:34 • -5.73db
22% Popularity • 74% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 74% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Millena Cancella
Supposed To Be
120 bpm • F# min • 04:11 • -9.19db
20% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Lavai
Dreamcrusher
120 bpm • F min • 02:32 • -6.11db
16% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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MACY
Forget Me Not Blue (Radio Edit Version)
120 bpm • B Maj • 02:43 • -5.83db
13% Popularity • 79% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 79% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Jessy Lipton
Sleep Alone
120 bpm • G# min • 03:14 • -8.25db
9% Popularity • 72% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 72% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Ashlee Keating
Hurt Me So Good - Chris Rosa Extended Mi...
120 bpm • F# min • 05:08 • -5.61db
0% Popularity • 60% Danceability • 91% Energy • 11% Liveness
34% Instrumentalness • 38% Positiveness
0% Popularity • 60% Danceability • 91% Energy • 11% Liveness
34% Instrumentalness • 38% Positiveness
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Jeannette
Shots
120 bpm • B min • 02:16 • -11.97db
15% Popularity • 83% Danceability • 53% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
15% Popularity • 83% Danceability • 53% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
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Elle Lexxa
Circus
120 bpm • F# min • 02:55 • -4.78db
17% Popularity • 87% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 87% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Eloise Viola
Listen
120 bpm • C# Maj • 02:45 • -4.99db
27% Popularity • 82% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 82% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Micah McLaurin
MOONS - Leland Remix
120 bpm • C min • 02:52 • -7.93db
37% Popularity • 79% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 79% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Angel Lane
Patience
120 bpm • A min • 02:25 • -7.73db
25% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ashlee Keating
Red Eye
120 bpm • G Maj • 03:33 • -6.95db
0% Popularity • 57% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
0% Popularity • 57% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
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Anja Kotar
Everywhere
120 bpm • F# Maj • 02:50 • -6.35db
15% Popularity • 73% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 73% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Darby
NEED
120 bpm • B min • 02:16 • -7.36db
10% Popularity • 85% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 85% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Vanillas
Charlie's Angels, LLC
120 bpm • G# min • 02:44 • -9.65db
14% Popularity • 83% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 83% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Arti;
Attitude Adjustment
120 bpm • A min • 02:44 • -5.51db
13% Popularity • 87% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 87% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Barren Ash
Momento
120 bpm • B min • 03:08 • -7.84db
22% Popularity • 84% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 84% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Heather Cole
Whiplash
120 bpm • A min • 03:03 • -5.17db
12% Popularity • 67% Danceability • 62% Energy • 48% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 67% Danceability • 62% Energy • 48% Liveness
0% Instrumentalness • 35% Positiveness
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Ashlee Keating
Red Eye
120 bpm • G Maj • 03:34 • -13.11db
0% Popularity • 50% Danceability • 60% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
0% Popularity • 50% Danceability • 60% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
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Clarissa Diokno
Any Other Way
120 bpm • B Maj • 03:03 • -4.83db
8% Popularity • 81% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 81% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Alexa Jaye
CONFESSION/OBSESSION
120 bpm • E min • 02:32 • -7.31db
17% Popularity • 74% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 74% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Aaron Kellim
Something About This Place
120 bpm • C Maj • 02:40 • -7.78db
8% Popularity • 84% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 84% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Elia Berthoud
You're Not Alive
120 bpm • B min • 03:44 • -9.69db
20% Popularity • 77% Danceability • 39% Energy • 6% Liveness
8% Instrumentalness • 17% Positiveness
20% Popularity • 77% Danceability • 39% Energy • 6% Liveness
8% Instrumentalness • 17% Positiveness
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Tiffany Stringer
Tease
120 bpm • E Maj • 02:34 • -8.57db
23% Popularity • 91% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 91% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Ashlee Keating
YASSS
120 bpm • D Maj • 03:06 • -4db
5% Popularity • 81% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
5% Popularity • 81% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Rootnics
Want You To Stay
120 bpm • E Maj • 02:28 • -6.38db
45% Popularity • 63% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 63% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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MACY
Forget Me Not Blue
120 bpm • B Maj • 02:51 • -6.14db
14% Popularity • 78% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 78% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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1More2Me
It Ain't You
120 bpm • A Maj • 02:30 • -6.09db
17% Popularity • 73% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 73% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Vicky Rai
Bad Decision
120 bpm • E min • 03:04 • -5.11db
25% Popularity • 83% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 83% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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LAU
PITIFUL BITCH
120 bpm • A min • 02:11 • -8.51db
10% Popularity • 78% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 78% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Bella Rose
Felt Like
120 bpm • G min • 03:24 • -4.8db
8% Popularity • 72% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 72% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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CUREPLANET
Stronger Now
120 bpm • C# min • 02:34 • -6.12db
35% Popularity • 63% Danceability • 74% Energy • 5% Liveness
34% Instrumentalness • 48% Positiveness
35% Popularity • 63% Danceability • 74% Energy • 5% Liveness
34% Instrumentalness • 48% Positiveness
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The Future X
Asylum
120 bpm • E Maj • 02:36 • -3.58db
14% Popularity • 72% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 72% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Mauve
Where It All Began
120 bpm • B min • 03:08 • -9.59db
18% Popularity • 68% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 68% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Jordan Powers
One Last Chance
120 bpm • A# min • 02:41 • -6.94db
25% Popularity • 66% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 66% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Emma White
Beige Flag
120 bpm • F# min • 02:52 • -7.57db
17% Popularity • 75% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 75% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Emma Holzer
Mr. Tough Guy
120 bpm • A Maj • 02:32 • -7.07db
14% Popularity • 74% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 74% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Theresa
Full Moon Fever
121 bpm • A min • 02:53 • -5.77db
25% Popularity • 71% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 71% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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gabrielle
it's kinda...
121 bpm • A# min • 03:10 • -9.4db
11% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Mark Mendy
Starstruck
119 bpm • B Maj • 02:42 • -4.64db
51% Popularity • 74% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
51% Popularity • 74% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Natasha Bianca
BOYS CLUB
119 bpm • A# min • 02:19 • -8.74db
16% Popularity • 92% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 92% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Loren Gray
Takes 2
121 bpm • F# min • 03:05 • -3.93db
17% Popularity • 74% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 74% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Lily B
Living Free
119 bpm • F min • 02:45 • -7.74db
10% Popularity • 74% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 74% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Brooke Daye
Psycho
118 bpm • B min • 02:12 • -4.07db
36% Popularity • 78% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 78% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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HARLOW
FAME
118 bpm • E min • 02:37 • -5.37db
20% Popularity • 44% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 44% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Catt McCreary
Temporary Vibe
122 bpm • D# min • 02:11 • -7.59db
9% Popularity • 89% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 89% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Ghita
Garden
122 bpm • F# Maj • 02:48 • -6.46db
23% Popularity • 91% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 91% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Tyla Jane
LEMONADE
118 bpm • B min • 02:49 • -5.4db
31% Popularity • 87% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 87% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Ashlee Keating
In the Air
122 bpm • C Maj • 02:41 • -3.82db
13% Popularity • 68% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 68% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Brooke Daye
Kill The Party
122 bpm • G# Maj • 02:31 • -5.24db
32% Popularity • 80% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 80% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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LAU
Dancing in the Dark
118 bpm • A min • 02:48 • -6.99db
13% Popularity • 78% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 78% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Estella Dawn
Steal Your Girl - Remix
122 bpm • G Maj • 02:32 • -5.82db
35% Popularity • 85% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 85% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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DréKadu
Lifetime
118 bpm • F# Maj • 03:10 • -4.67db
30% Popularity • 72% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 72% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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John Duff
Touch My Body
118 bpm • F# Maj • 02:22 • -6.14db
18% Popularity • 70% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 70% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Tash Blake
So Bad Together
118 bpm • E min • 02:56 • -3.94db
35% Popularity • 77% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 77% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Natisa Gogol
Aesthetics
118 bpm • G# min • 03:27 • -8.38db
8% Popularity • 70% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 70% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Sarah C
NUMBER ONE
118 bpm • D# min • 02:34 • -7.44db
19% Popularity • 71% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 71% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Harper
Lost an Angel
118 bpm • A# min • 03:50 • -5.57db
27% Popularity • 72% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
27% Popularity • 72% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
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Rachelle Rhienne
Orange Tree
118 bpm • F min • 03:18 • -5.99db
30% Popularity • 75% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 75% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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C.U.T.
Sisters Are Doin' It For Themselves
118 bpm • A# min • 03:19 • -8.69db
14% Popularity • 61% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 61% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Bratpack
Shine
118 bpm • C min • 02:52 • -3.54db
14% Popularity • 80% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 80% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Maria Krauss
All I Need
118 bpm • G Maj • 02:29 • -5.66db
19% Popularity • 79% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 79% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Tash Blake
Inject Me
123 bpm • E min • 02:27 • -6.14db
16% Popularity • 67% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 67% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Elli Moore
Sex On The Beach
117 bpm • A Maj • 03:41 • -6.43db
14% Popularity • 75% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 75% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Chloe Jane
They Don't Like You
123 bpm • B min • 03:26 • -4.36db
10% Popularity • 76% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 76% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Joe Daccache
Relapse
123 bpm • B min • 02:59 • -4.3db
10% Popularity • 72% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 72% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Lynnea M
Replace You
123 bpm • E min • 03:20 • -4.4db
23% Popularity • 85% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 85% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Kaleen
Too Good To Not
117 bpm • F Maj • 02:50 • -5.64db
17% Popularity • 74% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 74% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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MBGlazba
Let's Learn and Play1
123 bpm • B Maj • 01:01 • -5.49db
19% Popularity • 82% Danceability • 81% Energy • 42% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 82% Danceability • 81% Energy • 42% Liveness
0% Instrumentalness • 94% Positiveness
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AJA
NOT LIKE YOU
117 bpm • G Maj • 02:18 • -8.8db
17% Popularity • 83% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 83% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Emma White
Better Than Her
117 bpm • A# min • 02:40 • -6.54db
15% Popularity • 79% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 79% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Ashlee Keating
Hurt Me so Good - Dark Intensity Remix
123 bpm • C# min • 05:22 • -4.88db
0% Popularity • 77% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 77% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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PARADISE LTD
Do It For Fun
123 bpm • A min • 02:49 • -5.25db
17% Popularity • 88% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 88% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Stefania
Oh My Goddess
123 bpm • B min • 03:03 • -4.21db
15% Popularity • 85% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
15% Popularity • 85% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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CERANDA
COME AND GET IT
123 bpm • E min • 03:02 • -6.91db
11% Popularity • 79% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 79% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Kpz
GIN & TOXIC
123 bpm • C# Maj • 03:43 • -6.99db
13% Popularity • 81% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 81% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Skye Houston
Company
117 bpm • A min • 02:27 • -3.41db
14% Popularity • 74% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 74% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Ashlee Keating
Hurt Me so Good - Dark Intensity Radio E...
123 bpm • C# min • 03:36 • -4.38db
1% Popularity • 71% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 58% Positiveness
1% Popularity • 71% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 58% Positiveness
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Emmi Drennan
When I Feel Alive
117 bpm • A min • 03:12 • -9.01db
19% Popularity • 72% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 72% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Seibold
I.L.M.L.
124 bpm • G# Maj • 02:37 • -5.02db
22% Popularity • 44% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 44% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Sumner Stroh
Love to Hate
124 bpm • G Maj • 03:15 • -7.6db
13% Popularity • 75% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 75% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 53% Positiveness
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Jessie Chambers
Smoke and Mirrors
124 bpm • C Maj • 03:01 • -4.59db
12% Popularity • 74% Danceability • 78% Energy • 6% Liveness
1% Instrumentalness • 64% Positiveness
12% Popularity • 74% Danceability • 78% Energy • 6% Liveness
1% Instrumentalness • 64% Positiveness
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Capri Everitt
Bedroom Cardio
124 bpm • G Maj • 02:25 • -5.83db
29% Popularity • 70% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 70% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Ashlee Keating
Hurt Me so Good - Country Club Martini C...
124 bpm • F# Maj • 04:09 • -3.21db
0% Popularity • 82% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 82% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Eva Grace
either way
124 bpm • D# min • 02:17 • -7.41db
19% Popularity • 84% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 84% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Ceara Cavalieri
Bad Thing
124 bpm • D Maj • 02:43 • -3.92db
32% Popularity • 67% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 67% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Rosalind Dandridge
Love Ain't Blind
124 bpm • C# min • 02:51 • -4.64db
27% Popularity • 82% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 82% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Ryan.Song
Danger Zone
124 bpm • B min • 03:30 • -8.46db
24% Popularity • 86% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 86% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Capri Everitt
Arcade
124 bpm • A Maj • 02:16 • -5.8db
22% Popularity • 72% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 72% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Sonnet Simmons
SET THE WORLD ON FIRE
116 bpm • A min • 03:46 • -6.41db
26% Popularity • 77% Danceability • 64% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
26% Popularity • 77% Danceability • 64% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
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Ashlee Keating
Hurt Me so Good - Country Club Martini C...
124 bpm • C# min • 03:07 • -2.92db
0% Popularity • 79% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 79% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Loren Gray
Predictable
124 bpm • C Maj • 02:19 • -5.72db
17% Popularity • 73% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 73% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Halston Dare
Congratulations on Your Breakup
116 bpm • D min • 02:28 • -3.55db
28% Popularity • 72% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 72% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Blair
C.U.N.T
116 bpm • D min • 02:45 • -6.09db
31% Popularity • 71% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 71% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Bava
$EX SELLS
116 bpm • A# min • 03:07 • -6.24db
13% Popularity • 68% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 68% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Mae Muller
Bitch With A Broken Heart
116 bpm • C Maj • 02:51 • -4.91db
29% Popularity • 84% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 84% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Alessandra Boldrini
What You Wanted
116 bpm • B min • 02:33 • -8.12db
14% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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AaPee Entee
Lonely Girl (Remix)
116 bpm • G# min • 03:04 • -6.86db
11% Popularity • 83% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 83% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
