Songs like Hurts So Bad - with Josh Teskey by WILSN
Based on a tempo of (+/- 10%) and a similar genre
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Gretta Ziller
5,4,3,2,1.
150 bpm • D# Maj • 04:13 • -6.3db
10% Popularity • 42% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 42% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Jesse Roper
Does Anybody Know
150 bpm • C# Maj • 03:28 • -6db
49% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
49% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Noa Lauryn
Bubble
152 bpm • D# Maj • 03:15 • -11.25db
34% Popularity • 61% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 61% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Kubla
Running Loose
152 bpm • A min • 04:20 • -7.4db
33% Popularity • 66% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 66% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
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Ali McGuirk
All Back
151 bpm • G Maj • 03:28 • -10.96db
19% Popularity • 61% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 61% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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JAZZPARTY
Stone Gaze
146 bpm • D min • 05:01 • -11.36db
33% Popularity • 50% Danceability • 26% Energy • 17% Liveness
3% Instrumentalness • 36% Positiveness
33% Popularity • 50% Danceability • 26% Energy • 17% Liveness
3% Instrumentalness • 36% Positiveness
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Meghan Linsey
Over the Moon
146 bpm • A# Maj • 03:16 • -5.65db
27% Popularity • 74% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 74% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Devon Gilfillian
Love You Anyway - Stripped
146 bpm • C Maj • 04:05 • -11.22db
14% Popularity • 38% Danceability • 19% Energy • 10% Liveness
25% Instrumentalness • 14% Positiveness
14% Popularity • 38% Danceability • 19% Energy • 10% Liveness
25% Instrumentalness • 14% Positiveness
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Shanice Green
Last Forever
145 bpm • A min • 03:46 • -9.4db
40% Popularity • 72% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 72% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Flo Naegeli
Take Me Down To The River
145 bpm • C min • 02:43 • -9.84db
43% Popularity • 70% Danceability • 75% Energy • 14% Liveness
2% Instrumentalness • 90% Positiveness
43% Popularity • 70% Danceability • 75% Energy • 14% Liveness
2% Instrumentalness • 90% Positiveness
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Louis Baker
Brighter Day
156 bpm • C Maj • 03:42 • -7.94db
25% Popularity • 62% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 62% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Danielle Ponder
Some Of Us Are Brave
156 bpm • A min • 03:53 • -9.47db
46% Popularity • 50% Danceability • 44% Energy • 6% Liveness
2% Instrumentalness • 24% Positiveness
46% Popularity • 50% Danceability • 44% Energy • 6% Liveness
2% Instrumentalness • 24% Positiveness
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Sabrina Starke
Magic
144 bpm • G Maj • 04:42 • -11.47db
30% Popularity • 57% Danceability • 29% Energy • 11% Liveness
22% Instrumentalness • 19% Positiveness
30% Popularity • 57% Danceability • 29% Energy • 11% Liveness
22% Instrumentalness • 19% Positiveness
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Jordan Mackampa
I'VE FOUND MY HOME IN YOU
144 bpm • F Maj • 04:17 • -4.41db
36% Popularity • 65% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 65% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Rainee Blake
Alone
144 bpm • D Maj • 03:40 • -7.92db
17% Popularity • 62% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 62% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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LIKEMINDS
Motorway
144 bpm • F min • 03:35 • -6.59db
25% Popularity • 81% Danceability • 90% Energy • 7% Liveness
82% Instrumentalness • 88% Positiveness
25% Popularity • 81% Danceability • 90% Energy • 7% Liveness
82% Instrumentalness • 88% Positiveness
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Izo FitzRoy
Give Me the High
144 bpm • A Maj • 03:57 • -5.51db
28% Popularity • 56% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 56% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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MT Jones
I Won't Ever Say Goodbye
158 bpm • D Maj • 04:01 • -8.06db
18% Popularity • 61% Danceability • 39% Energy • 14% Liveness
24% Instrumentalness • 39% Positiveness
18% Popularity • 61% Danceability • 39% Energy • 14% Liveness
24% Instrumentalness • 39% Positiveness
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SÍOMHA
Right From The Start
142 bpm • F Maj • 04:28 • -10.82db
30% Popularity • 69% Danceability • 35% Energy • 15% Liveness
13% Instrumentalness • 23% Positiveness
30% Popularity • 69% Danceability • 35% Energy • 15% Liveness
13% Instrumentalness • 23% Positiveness
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Lyle Divinsky
Falling by the Wayside
144 bpm • G Maj • 04:18 • -8.16db
19% Popularity • 59% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 59% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
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HeavyDrunk
Love & Devotion
142 bpm • B Maj • 03:30 • -10.2db
35% Popularity • 77% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 77% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Matt Corby
Carry On
142 bpm • D Maj • 03:52 • -7.71db
31% Popularity • 56% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 56% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Izo FitzRoy
Whisper in a Hurricane
158 bpm • D Maj • 03:30 • -10db
39% Popularity • 64% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 64% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Kat Eaton
Out Of The Rain
142 bpm • E min • 02:43 • -5.53db
31% Popularity • 56% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 56% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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MT Jones
Made Up Your Mind
142 bpm • F Maj • 03:19 • -8.29db
32% Popularity • 51% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 51% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Vintage Trouble
Shinin'
160 bpm • C Maj • 02:57 • -6.74db
18% Popularity • 68% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 68% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Abraham Alexander
Tears Run Dry (Electric Deluxe Session)
160 bpm • D# Maj • 04:06 • -9.52db
13% Popularity • 54% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 54% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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The Meltdown
An Open Heart
140 bpm • A# Maj • 03:37 • -7.93db
31% Popularity • 61% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 61% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Izo FitzRoy
Somewhere Beyond the Wreckage
159 bpm • C# Maj • 04:09 • -9.47db
18% Popularity • 51% Danceability • 62% Energy • 9% Liveness
3% Instrumentalness • 43% Positiveness
18% Popularity • 51% Danceability • 62% Energy • 9% Liveness
3% Instrumentalness • 43% Positiveness
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King Josephine
Shitty Wine
140 bpm • C Maj • 04:16 • -8.36db
22% Popularity • 74% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 74% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Mica Millar
No Money, Nor Faith (Freedom)
161 bpm • G# min • 03:13 • -10.01db
23% Popularity • 59% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 59% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Rainee Blake
Closer
140 bpm • E min • 03:49 • -8.45db
28% Popularity • 72% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 72% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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GeeJay
Staring in the Mirror
140 bpm • B min • 02:59 • -8.31db
33% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Velvet Bloom
Glimmer
161 bpm • D# Maj • 03:11 • -8.58db
33% Popularity • 58% Danceability • 48% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 58% Danceability • 48% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
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Izo FitzRoy
Keep Your Light on Me
140 bpm • C# Maj • 04:07 • -5.9db
27% Popularity • 66% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 66% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Sabrina Starke
Sooner Or Later
140 bpm • E min • 05:20 • -10db
22% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Bumpy
Leave It All Behind
139 bpm • A Maj • 03:55 • -9.41db
26% Popularity • 56% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 56% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Paul Caldwell
Written All over My Heart
139 bpm • D Maj • 03:12 • -6.4db
25% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Ali McGuirk
The Work
138 bpm • F# min • 02:28 • -13.66db
28% Popularity • 54% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 54% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Ali Angel
Extra Wild
163 bpm • C# Maj • 03:17 • -6.45db
19% Popularity • 56% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 56% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Big Stuff
Bloom
138 bpm • E Maj • 03:16 • -7.1db
14% Popularity • 69% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 69% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Aiyana-Lee
Make You Love Me
138 bpm • A# min • 03:10 • -3.16db
43% Popularity • 66% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 66% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Immy
If You Love The Moon
164 bpm • D Maj • 02:54 • -7.12db
32% Popularity • 59% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 59% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Cara Rose
Romanticising
138 bpm • A Maj • 03:30 • -7.1db
36% Popularity • 55% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 55% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Eric Zayne
Only Want You
137 bpm • F Maj • 03:50 • -9.4db
43% Popularity • 72% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 72% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Danielle Ponder
The Only Way Out
164 bpm • A min • 03:19 • -6.2db
31% Popularity • 52% Danceability • 73% Energy • 55% Liveness
37% Instrumentalness • 43% Positiveness
31% Popularity • 52% Danceability • 73% Energy • 55% Liveness
37% Instrumentalness • 43% Positiveness
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Aaron Frazer
Bring You A Ring
137 bpm • D min • 03:06 • -6.45db
40% Popularity • 71% Danceability • 66% Energy • 13% Liveness
11% Instrumentalness • 52% Positiveness
40% Popularity • 71% Danceability • 66% Energy • 13% Liveness
11% Instrumentalness • 52% Positiveness
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Dallas Tamaira
Leaning
136 bpm • C Maj • 04:16 • -10.98db
24% Popularity • 66% Danceability • 36% Energy • 23% Liveness
8% Instrumentalness • 43% Positiveness
24% Popularity • 66% Danceability • 36% Energy • 23% Liveness
8% Instrumentalness • 43% Positiveness
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Vintage Trouble
The Love That Once Lingered
166 bpm • C# min • 03:54 • -7.22db
23% Popularity • 52% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 52% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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The Tibbs
Ain't It Funny
136 bpm • F min • 03:19 • -4.77db
30% Popularity • 61% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 61% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Bobby Bazini
Lavender
136 bpm • C# min • 03:13 • -8.41db
18% Popularity • 47% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 47% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 18% Positiveness
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Johnny Burgos
Love Bird
166 bpm • E min • 03:09 • -5.42db
35% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Dip
Eye to Eye
135 bpm • E Maj • 03:22 • -11.44db
44% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Wesley Bright
Oh, Think About It
135 bpm • F min • 02:59 • -3.74db
27% Popularity • 68% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 82% Positiveness
27% Popularity • 68% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 82% Positiveness
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LOU'ANA
Wolves
135 bpm • B Maj • 04:15 • -8.49db
20% Popularity • 63% Danceability • 61% Energy • 10% Liveness
3% Instrumentalness • 92% Positiveness
20% Popularity • 63% Danceability • 61% Energy • 10% Liveness
3% Instrumentalness • 92% Positiveness
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Danielle Ponder
Poor Man's Pain
135 bpm • D Maj • 03:29 • -8.29db
23% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Mica Millar
Fools Fate
135 bpm • A min • 04:10 • -6.32db
35% Popularity • 53% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 53% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Matt Corby
Lonely Boy - triple j Like A Version
134 bpm • B min • 03:24 • -12.88db
31% Popularity • 53% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 53% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Acantha Lang
It's Gonna Be Alright
168 bpm • F min • 04:37 • -8.36db
26% Popularity • 46% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 46% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
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The Meltdown
River
134 bpm • G min • 04:30 • -6.22db
43% Popularity • 53% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 53% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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GoldFord
Dreams Of Summertime
134 bpm • D min • 03:20 • -5.47db
31% Popularity • 84% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 84% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Ruben Hein
The Shape You're In
168 bpm • A# Maj • 03:47 • -9.01db
19% Popularity • 48% Danceability • 56% Energy • 15% Liveness
70% Instrumentalness • 41% Positiveness
19% Popularity • 48% Danceability • 56% Energy • 15% Liveness
70% Instrumentalness • 41% Positiveness
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Marc Broussard
Mood
168 bpm • C# min • 03:29 • -8.45db
28% Popularity • 66% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 66% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Jade Macrae
Rose Coloured Glasses
168 bpm • F Maj • 04:13 • -2.98db
11% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Acantha Lang
Ride This Train - Single Version
168 bpm • F min • 04:07 • -9.32db
16% Popularity • 71% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 71% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Hollie Smith
Heaven
134 bpm • A min • 03:28 • -7.44db
20% Popularity • 59% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 59% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Mi-kaisha
Seen
133 bpm • D# min • 03:13 • -8.46db
17% Popularity • 36% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 36% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Dojo Cuts
In the Bag
134 bpm • F# min • 02:31 • -10.55db
32% Popularity • 91% Danceability • 58% Energy • 11% Liveness
7% Instrumentalness • 97% Positiveness
32% Popularity • 91% Danceability • 58% Energy • 11% Liveness
7% Instrumentalness • 97% Positiveness
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The Tibbs
Give Me a Reason
133 bpm • B min • 02:58 • -4.25db
27% Popularity • 57% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 57% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Kenny Sharp
Hold On
169 bpm • F# min • 03:28 • -6.72db
37% Popularity • 47% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 47% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Acantha Lang
Come Back Home
168 bpm • E Maj • 04:17 • -5.65db
30% Popularity • 62% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 62% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Kee'ahn
Better Things
170 bpm • E Maj • 03:42 • -11.35db
38% Popularity • 60% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 60% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Tessa King
Why Do You Do It?
170 bpm • G min • 02:59 • -8.68db
38% Popularity • 58% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 58% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Kat Eaton
Barricade
132 bpm • B min • 03:19 • -7.19db
39% Popularity • 72% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 72% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Erez Zobary
Cancel (No I Won't)
170 bpm • B Maj • 03:46 • -6.12db
25% Popularity • 47% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 47% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Mychelle
Self Sabotage - Acoustic
170 bpm • F Maj • 02:52 • -11.53db
38% Popularity • 49% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 49% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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BADASSMUTHA
Token
170 bpm • B Maj • 03:42 • -10.58db
32% Popularity • 61% Danceability • 55% Energy • 44% Liveness
1% Instrumentalness • 71% Positiveness
32% Popularity • 61% Danceability • 55% Energy • 44% Liveness
1% Instrumentalness • 71% Positiveness
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Dallas Tamaira
Levels
170 bpm • F# min • 04:23 • -9.53db
24% Popularity • 38% Danceability • 53% Energy • 11% Liveness
68% Instrumentalness • 33% Positiveness
24% Popularity • 38% Danceability • 53% Energy • 11% Liveness
68% Instrumentalness • 33% Positiveness
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Johnny Burgos
Hit Me Like
170 bpm • D Maj • 03:20 • -7.49db
34% Popularity • 63% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 63% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Kat Wright
By My Side
170 bpm • C# Maj • 03:51 • -5.97db
40% Popularity • 60% Danceability • 59% Energy • 17% Liveness
1% Instrumentalness • 80% Positiveness
40% Popularity • 60% Danceability • 59% Energy • 17% Liveness
1% Instrumentalness • 80% Positiveness
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The Meltdown
Side By Side
170 bpm • E Maj • 04:16 • -7.68db
55% Popularity • 70% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
55% Popularity • 70% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
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Devon Gilfillian
Righteous
170 bpm • C# Maj • 02:54 • -7.58db
18% Popularity • 52% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 52% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Big Words
You're So Wonderful
170 bpm • A Maj • 04:03 • -10.39db
31% Popularity • 59% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 59% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Kee'ahn
Summer Love
132 bpm • F Maj • 03:06 • -4.54db
7% Popularity • 56% Danceability • 70% Energy • 80% Liveness
0% Instrumentalness • 61% Positiveness
7% Popularity • 56% Danceability • 70% Energy • 80% Liveness
0% Instrumentalness • 61% Positiveness
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Budjerah
My Name
170 bpm • D Maj • 03:26 • -4.23db
23% Popularity • 55% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 55% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
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Matt Corby
For Real
132 bpm • E min • 04:02 • -11.59db
36% Popularity • 37% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 37% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Anett
Forgiving / Forgetting
132 bpm • A min • 01:12 • -8.37db
32% Popularity • 44% Danceability • 52% Energy • 82% Liveness
1% Instrumentalness • 88% Positiveness
32% Popularity • 44% Danceability • 52% Energy • 82% Liveness
1% Instrumentalness • 88% Positiveness
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EJ Worland
Many Rivers To Cross
132 bpm • D Maj • 03:22 • -4.23db
41% Popularity • 56% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 56% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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JACOTÉNE
I Need Therapy 2.4 (alt_demo)
132 bpm • B min • 02:06 • -5.31db
38% Popularity • 74% Danceability • 80% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 74% Danceability • 80% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
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LOU'ANA
Eye To Eye
132 bpm • D# min • 03:41 • -6.07db
14% Popularity • 70% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 70% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Dojo Cuts
Berries - First Mix
132 bpm • E min • 03:52 • -16.44db
34% Popularity • 80% Danceability • 23% Energy • 10% Liveness
4% Instrumentalness • 76% Positiveness
34% Popularity • 80% Danceability • 23% Energy • 10% Liveness
4% Instrumentalness • 76% Positiveness
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Rita Ray
Please Wait for Me
131 bpm • C Maj • 02:57 • -11.12db
18% Popularity • 39% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 39% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Nectar Woode
Good Vibrations
172 bpm • A Maj • 03:49 • -11.81db
52% Popularity • 72% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 72% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Danielle Ponder
Only The Lonely
172 bpm • E min • 03:52 • -12.87db
38% Popularity • 38% Danceability • 26% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
38% Popularity • 38% Danceability • 26% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
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Allison Russell
Stay Right Here - Spotify Singles
131 bpm • B min • 03:33 • -5.75db
24% Popularity • 65% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 65% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Jake Isaac
I'M A MAN - MIDNIGHT VERSION
172 bpm • A Maj • 02:50 • -12.52db
47% Popularity • 83% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
47% Popularity • 83% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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Dojo Cuts
Crazy Good
172 bpm • F# min • 03:51 • -11.13db
35% Popularity • 67% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 67% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Wonder 45
Wonderland
130 bpm • G# Maj • 05:40 • -9.06db
29% Popularity • 37% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
29% Popularity • 37% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
