Songs like I Ain't Ever Loved No One - Acoustic by Donovan Woods
Based on a tempo of (+/- 10%) and a similar genre
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Donovan Woods
God Forbid
160 bpm • D Maj • 03:48 • -8.43db
11% Popularity • 56% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 91% Positiveness
11% Popularity • 56% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 91% Positiveness
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Liz Rose
Swimming Alone
160 bpm • D Maj • 03:40 • -6.86db
41% Popularity • 57% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 57% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Lizzy LeBleu
Digressions
160 bpm • A Maj • 03:34 • -10.79db
29% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Craig Cardiff
Dirty Old Town
160 bpm • C Maj • 04:06 • -13db
54% Popularity • 56% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 56% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Andrew Belle
If I Knew How to Hold You
159 bpm • G# Maj • 04:10 • -9db
34% Popularity • 37% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
34% Popularity • 37% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Tenille Townes
Where You Are - Acoustic
161 bpm • D Maj • 04:03 • -14.77db
50% Popularity • 39% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 39% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Donovan Woods
Our Friend Bobby - Acoustic
160 bpm • F# Maj • 04:05 • -11.94db
14% Popularity • 57% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 57% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jordyn Shellhart
Search My Name
158 bpm • B Maj • 02:55 • -7.46db
39% Popularity • 54% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 54% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Ira Wolf
Great Divide
162 bpm • F Maj • 04:01 • -9.03db
43% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Ocie Elliott
Eyes Fall
157 bpm • B Maj • 03:20 • -12.34db
47% Popularity • 49% Danceability • 30% Energy • 12% Liveness
7% Instrumentalness • 31% Positiveness
47% Popularity • 49% Danceability • 30% Energy • 12% Liveness
7% Instrumentalness • 31% Positiveness
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Cam
Forgetting You
164 bpm • G# Maj • 03:04 • -8.17db
40% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Tenille Townes
Hallelujah
158 bpm • E min • 03:49 • -9.73db
43% Popularity • 35% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 35% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Donovan Woods
Here in Chicago
162 bpm • C# Maj • 03:20 • -10.08db
22% Popularity • 55% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 55% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Sean McConnell
Beautiful Rose
164 bpm • B Maj • 03:46 • -11.24db
28% Popularity • 51% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 51% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jake Scott
Tuesdays
164 bpm • E Maj • 03:36 • -10.74db
51% Popularity • 47% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 47% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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LULLANAS
I Have Met My Love Today
164 bpm • B Maj • 01:53 • -10.07db
37% Popularity • 45% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 45% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
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Bre Kennedy
Note to Self
164 bpm • D Maj • 03:15 • -14.97db
31% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Peter Bradley Adams
I Cannot Settle Down
156 bpm • C Maj • 03:53 • -12.42db
34% Popularity • 54% Danceability • 35% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
34% Popularity • 54% Danceability • 35% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
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Donovan Woods
I Ain't Ever Loved No One
160 bpm • D# Maj • 03:14 • -21db
27% Popularity • 54% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 54% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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SAILR
The Well
156 bpm • D Maj • 02:58 • -14.92db
42% Popularity • 51% Danceability • 30% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
42% Popularity • 51% Danceability • 30% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
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Ingrid Andress
Feeling Things
156 bpm • C# Maj • 03:10 • -10db
34% Popularity • 38% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 38% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Oshima Brothers
Lost at Sea
156 bpm • F Maj • 03:18 • -11.34db
29% Popularity • 45% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 45% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 23% Positiveness
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Austin Basham
All Is Well
156 bpm • B Maj • 04:16 • -12db
54% Popularity • 32% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
54% Popularity • 32% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Walker Burroughs
Made to Be
166 bpm • D Maj • 04:42 • -15.17db
27% Popularity • 27% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 27% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Donovan Woods
I Ain't Ever Loved No One - Acoustic
160 bpm • A# min • 03:19 • -14.92db
47% Popularity • 32% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 32% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Roo Panes
I Just Love You
165 bpm • D Maj • 03:12 • -10.15db
55% Popularity • 54% Danceability • 62% Energy • 8% Liveness
67% Instrumentalness • 48% Positiveness
55% Popularity • 54% Danceability • 62% Energy • 8% Liveness
67% Instrumentalness • 48% Positiveness
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Beta Radio
Tongue Tied - Acoustic
154 bpm • G Maj • 03:05 • -15db
54% Popularity • 43% Danceability • 28% Energy • 13% Liveness
37% Instrumentalness • 38% Positiveness
54% Popularity • 43% Danceability • 28% Energy • 13% Liveness
37% Instrumentalness • 38% Positiveness
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Phillip LaRue
Marigold
166 bpm • F# Maj • 02:52 • -12.62db
43% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Green River Ordinance
Endlessly
154 bpm • D Maj • 03:57 • -6.58db
28% Popularity • 51% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 51% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Ken Yates
Grey County Blues
166 bpm • A Maj • 03:50 • -17.91db
34% Popularity • 44% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
34% Popularity • 44% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Donovan Woods
The Worst Way
158 bpm • F# Maj • 03:19 • -16.84db
22% Popularity • 43% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 43% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Madi Diaz
Resentment
166 bpm • B Maj • 02:53 • -12.69db
48% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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LULLANAS
Memphis
154 bpm • A# Maj • 03:35 • -7.62db
18% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Davis John Patton
Stay
153 bpm • F# Maj • 03:30 • -11db
37% Popularity • 57% Danceability • 44% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
37% Popularity • 57% Danceability • 44% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
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Chapman Whitted
Lookout Mtn. Love
153 bpm • D Maj • 03:29 • -14db
25% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ken Yates
Two Wrongs
154 bpm • G Maj • 04:00 • -15.09db
29% Popularity • 48% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 48% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Donovan Woods
Last Time I Saw You
167 bpm • F Maj • 02:28 • -16.21db
25% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Adam Melchor
Light Year
168 bpm • D# Maj • 03:08 • -9.09db
48% Popularity • 40% Danceability • 50% Energy • 12% Liveness
4% Instrumentalness • 52% Positiveness
48% Popularity • 40% Danceability • 50% Energy • 12% Liveness
4% Instrumentalness • 52% Positiveness
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Sierra Eagleson
Darcy's Song
152 bpm • A min • 02:38 • -20.23db
31% Popularity • 44% Danceability • 32% Energy • 12% Liveness
4% Instrumentalness • 63% Positiveness
31% Popularity • 44% Danceability • 32% Energy • 12% Liveness
4% Instrumentalness • 63% Positiveness
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Adam French
Slow Dancing - Acoustic
168 bpm • C min • 03:38 • -11.71db
30% Popularity • 43% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 43% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Thunderstorm Artis
Sedona - The Voice Performance
152 bpm • F# Maj • 03:25 • -9.82db
35% Popularity • 52% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 52% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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The Lone Bellow
Count On Me
152 bpm • D Maj • 02:40 • -5db
47% Popularity • 37% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 37% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
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Donovan Woods
Leaving Nashville
158 bpm • D# Maj • 03:25 • -15.26db
24% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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LULLANAS
Pennsylvania Skies
152 bpm • B Maj • 03:39 • -8.16db
38% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Henry Jamison
Real Peach
152 bpm • C# Maj • 03:53 • -7db
49% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
49% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Corey Kilgannon
Postcard from Rome
152 bpm • C# Maj • 03:50 • -17db
26% Popularity • 39% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 39% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Jeffrey East
Brightest Stars (Coffeehouse Mix)
152 bpm • A Maj • 03:19 • -7.59db
26% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Matt Hartke
Hey Babe
169 bpm • E Maj • 02:55 • -7.41db
34% Popularity • 62% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 62% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Donovan Woods
While All The While
156 bpm • G Maj • 02:49 • -11.94db
22% Popularity • 56% Danceability • 41% Energy • 12% Liveness
6% Instrumentalness • 41% Positiveness
22% Popularity • 56% Danceability • 41% Energy • 12% Liveness
6% Instrumentalness • 41% Positiveness
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Molly Parden
Landslide
151 bpm • D Maj • 04:05 • -13db
51% Popularity • 37% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 37% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Ocie Elliott
Hold My Name
170 bpm • C Maj • 03:34 • -14.24db
48% Popularity • 32% Danceability • 23% Energy • 11% Liveness
14% Instrumentalness • 21% Positiveness
48% Popularity • 32% Danceability • 23% Energy • 11% Liveness
14% Instrumentalness • 21% Positiveness
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Allman Brown
Darling, It'll Be Alright
151 bpm • A Maj • 03:54 • -8.37db
26% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Megan Davies
Landslide / Everywhere (Acoustic Mashup)
170 bpm • C Maj • 03:18 • -12.71db
40% Popularity • 47% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 47% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Ed Patrick
Shoulder
151 bpm • G# Maj • 03:01 • -12.37db
52% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Donovan Woods
Burn That Bridge - Acoustic
166 bpm • G# Maj • 03:28 • -11.08db
21% Popularity • 51% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 51% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Henry Jamison
Real Peach - Recorded at Spotify Studios...
170 bpm • A Maj • 03:15 • -12.64db
35% Popularity • 38% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 38% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Ken Yates
Huntsville
170 bpm • G Maj • 03:14 • -11.21db
21% Popularity • 42% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 42% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Allman Brown
Don't Let Me Go
170 bpm • C Maj • 03:27 • -9.22db
34% Popularity • 52% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 52% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Ray LaMontagne
Hold You in My Arms
170 bpm • G Maj • 05:06 • -13.81db
60% Popularity • 50% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
60% Popularity • 50% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Corey Harper
I Started A Joke
150 bpm • F# Maj • 03:06 • -7db
26% Popularity • 47% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 47% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Donovan Woods
Man Made Lake
168 bpm • D Maj • 03:08 • -15.17db
26% Popularity • 55% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 55% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Michael Shynes
A House Made of You
150 bpm • D# Maj • 03:24 • -12db
43% Popularity • 62% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 62% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Hollow Coves
When We Were Young
150 bpm • C# Maj • 04:18 • -11db
29% Popularity • 40% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 40% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
48% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
48% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Molly Parden
Feel Alive Again
149 bpm • D Maj • 04:14 • -13.82db
40% Popularity • 47% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
40% Popularity • 47% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Ziggy Alberts
THE SUN & THE SEA
172 bpm • D Maj • 03:00 • -13.75db
44% Popularity • 58% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 58% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Donovan Woods
High Season
152 bpm • C# min • 03:18 • -10.57db
12% Popularity • 50% Danceability • 44% Energy • 9% Liveness
12% Instrumentalness • 34% Positiveness
12% Popularity • 50% Danceability • 44% Energy • 9% Liveness
12% Instrumentalness • 34% Positiveness
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Jake Wesley Rogers
Evergreen
172 bpm • D Maj • 04:05 • -5.65db
34% Popularity • 38% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 38% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Hollow Coves
Beauty in the Light - Acoustic
172 bpm • C Maj • 04:05 • -10.27db
26% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Wilder Adkins
Dancing In The Dark
148 bpm • G Maj • 04:12 • -13db
28% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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NEEDTOBREATHE
LET'S STAY HOME TONIGHT
148 bpm • F Maj • 03:20 • -9.27db
51% Popularity • 55% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 55% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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The Light The Heat
Brighter Days
173 bpm • D# Maj • 03:56 • -12db
28% Popularity • 38% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 38% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Chord Overstreet
Love You To Death
148 bpm • E Maj • 03:19 • -9db
44% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
44% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Elina
Paper Planes
148 bpm • C# Maj • 03:19 • -12.48db
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Ben Abraham
If I Didn’t Love You
147 bpm • A# Maj • 04:06 • -11.62db
44% Popularity • 57% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 57% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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PJ Harding
Dear August
147 bpm • C Maj • 03:20 • -7.82db
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Wesley Schultz
My City of Ruins
148 bpm • C Maj • 04:16 • -15db
37% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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The Brother Brothers
Red And Gold
174 bpm • A# Maj • 02:19 • -17db
40% Popularity • 35% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 35% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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![Jersey on the Wall - I'm Just Asking [Story Behind the Song] cover art](https://i.scdn.co/image/ab67616d00001e02ca325ce5791eb211bb87b9a5)
Tenille Townes
Jersey on the Wall - I'm Just Asking [St...
147 bpm • C Maj • 01:28 • -24.31db
2% Popularity • 65% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 65% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Donovan Woods
Grew Apart - Piano
146 bpm • G Maj • 03:10 • -7.99db
17% Popularity • 38% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 38% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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LULLANAS
Highway Honey
146 bpm • C# Maj • 03:13 • -8db
32% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Natalie Taylor
Hang On To Me
145 bpm • G Maj • 03:22 • -9.13db
38% Popularity • 56% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 56% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Peter Bradley Adams
Come Tomorrow
145 bpm • B min • 04:16 • -16.43db
38% Popularity • 66% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 24% Positiveness
38% Popularity • 66% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 24% Positiveness
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Lori McKenna
The Time I've Wasted
145 bpm • F Maj • 03:33 • -11.26db
51% Popularity • 47% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 47% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Wilder Woods
Mary, You're Wrong
146 bpm • C# Maj • 03:36 • -7.94db
41% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Bre Kennedy
Whirlwind
145 bpm • D Maj • 03:08 • -16db
34% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Lennon Stella
Every Time You Go Away
144 bpm • G Maj • 04:25 • -14.2db
55% Popularity • 32% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
55% Popularity • 32% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Jill Andrews
Could’ve Been
178 bpm • B min • 03:25 • -9.89db
29% Popularity • 30% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 30% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Peter Bradley Adams
Under My Skin
145 bpm • D# Maj • 03:33 • -13.3db
31% Popularity • 55% Danceability • 33% Energy • 11% Liveness
5% Instrumentalness • 28% Positiveness
31% Popularity • 55% Danceability • 33% Energy • 11% Liveness
5% Instrumentalness • 28% Positiveness
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Jordy Searcy
Fire
144 bpm • A Maj • 03:09 • -9.39db
48% Popularity • 66% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
48% Popularity • 66% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Donovan Woods
Whatever Keeps You Going
144 bpm • F# Maj • 03:26 • -8.09db
20% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Jeffrey East
Time Is Cold (Coffee House Version)
144 bpm • A# Maj • 03:08 • -11.69db
26% Popularity • 60% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 60% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Belle Mt.
Hollow - Acoustic
178 bpm • B Maj • 03:56 • -9.67db
51% Popularity • 42% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 42% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Corey Kilgannon
Whale Song
179 bpm • F Maj • 02:38 • -11.5db
38% Popularity • 35% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 35% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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AHI
Full Circle
179 bpm • F# Maj • 03:54 • -9.44db
43% Popularity • 30% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
43% Popularity • 30% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Matt the Electrician
The Bear (Trio)
143 bpm • E Maj • 04:24 • -12.46db
35% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Donovan Woods
May 21, 2012
144 bpm • D Maj • 03:29 • -11.01db
16% Popularity • 50% Danceability • 36% Energy • 10% Liveness
40% Instrumentalness • 44% Positiveness
16% Popularity • 50% Danceability • 36% Energy • 10% Liveness
40% Instrumentalness • 44% Positiveness
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Emily James
Brooklyn - Stripped
180 bpm • A# Maj • 02:51 • -12.43db
36% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
