Songs like I Ain't Gonna Play No Second Fiddle by Marin Mazzie
Based on a tempo of (+/- 10%) and a similar genre
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Marin Mazzie
I Ain't Gonna Play No Second Fiddle
124 bpm • G Maj • 02:34 • -8db
7% Popularity • 54% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 54% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Megan McGinnis
The Oldest Orphan in the John Grier Home
124 bpm • E Maj • 02:56 • -8.59db
21% Popularity • 53% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 53% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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'Come From Away' Company
Blankets And Bedding
124 bpm • E min • 02:51 • -6.8db
45% Popularity • 63% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 63% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Bebe Neuwirth
Where Did We Go Wrong
124 bpm • G# Maj • 02:20 • -10db
35% Popularity • 66% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 66% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 91% Positiveness
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Brynn O'Malley
Anywhere But Here - Honeymoon In Vegas B...
124 bpm • G Maj • 03:48 • -10.53db
20% Popularity • 49% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 49% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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James Moye
That Face
123 bpm • A Maj • 03:11 • -6.65db
26% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Marin Mazzie
Speaking French - Live
123 bpm • C min • 05:27 • -10.03db
0% Popularity • 50% Danceability • 50% Energy • 69% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 50% Danceability • 50% Energy • 69% Liveness
0% Instrumentalness • 50% Positiveness
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Faith Prince
Marry the Man Today
125 bpm • C min • 02:35 • -18db
31% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Brian D'Arcy James
What Is It About Her?
125 bpm • F min • 02:53 • -5.87db
29% Popularity • 51% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 51% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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James Davis
Kansas City
122 bpm • G# Maj • 02:02 • -8.91db
25% Popularity • 70% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 70% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Melanie Moore
Matchmaker
126 bpm • E Maj • 04:33 • -8.1db
29% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Lilli Cooper
There Was John
122 bpm • E Maj • 04:07 • -15db
23% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Micaela Diamond
Do It Alone
122 bpm • B min • 02:18 • -9.34db
26% Popularity • 38% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 38% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Victoria Clark
Fable
126 bpm • C# Maj • 04:23 • -13.73db
18% Popularity • 33% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 33% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Vernon Duke
Let's Be Young
126 bpm • D# min • 04:42 • -10.3db
0% Popularity • 65% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 65% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Marin Mazzie
A Sorta Love Song
122 bpm • G Maj • 03:07 • -12.13db
1% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Sara Bareilles
A Very Nice Prince
126 bpm • C# Maj • 01:09 • -10.73db
36% Popularity • 54% Danceability • 30% Energy • 55% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 54% Danceability • 30% Energy • 55% Liveness
0% Instrumentalness • 58% Positiveness
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Michael Lanning
God's Arms Are Always Open
126 bpm • G Maj • 04:55 • -9.87db
29% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Ragtime Ensemble
Prologue: Ragtime
121 bpm • F Maj • 09:24 • -10db
28% Popularity • 56% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 56% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Urinetown Musicians
Act One Finale
127 bpm • C min • 06:28 • -9.2db
31% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Kate Wetherhead
Dear Professor Thompson (Pt. 1)
121 bpm • G Maj • 02:01 • -13.31db
22% Popularity • 72% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 72% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Bryce Pinkham
Stop! Wait! What?!
127 bpm • G min • 01:48 • -10.89db
25% Popularity • 75% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 75% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Natasha Richardson
Cabaret
121 bpm • A Maj • 04:14 • -9.36db
38% Popularity • 63% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 63% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Julia Murney
Queenie Was a Blonde
127 bpm • C min • 05:58 • -7.07db
22% Popularity • 51% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 51% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Georgia Engel
I Remember Love
127 bpm • G Maj • 02:41 • -11.45db
20% Popularity • 65% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 65% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Marin Mazzie
Make Your Own Kind of Music - Live
121 bpm • D Maj • 02:40 • -10db
5% Popularity • 45% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 44% Positiveness
5% Popularity • 45% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 44% Positiveness
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Brian Stokes Mitchell
His Name Was Coalhouse Walker
127 bpm • A# Maj • 02:38 • -13.65db
21% Popularity • 56% Danceability • 32% Energy • 86% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 56% Danceability • 32% Energy • 86% Liveness
0% Instrumentalness • 38% Positiveness
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Gavin Creel
Grand Knowing You
121 bpm • A min • 02:19 • -10.04db
28% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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'Come From Away' Company
38 Planes
128 bpm • D min • 01:09 • -9.02db
45% Popularity • 58% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 58% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Mary Faber
Been A Long Day
128 bpm • D# Maj • 03:15 • -11.89db
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Patina Miller
Bless Our Show
120 bpm • A min • 03:04 • -8.03db
29% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Nicholas Belton
The Private and Intimate Life of the Hou...
120 bpm • G# Maj • 05:38 • -9.97db
36% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Anneliese Van Der Pol
Cute Boys with Short Haircuts
128 bpm • E Maj • 04:20 • -10db
18% Popularity • 41% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 41% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Jane Krakowski
I Resolve
128 bpm • A# Maj • 02:16 • -8.01db
26% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Marin Mazzie
That's All - Live
120 bpm • F Maj • 02:39 • -9.34db
0% Popularity • 55% Danceability • 58% Energy • 73% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 55% Danceability • 58% Energy • 73% Liveness
0% Instrumentalness • 68% Positiveness
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Laura Bell Bundy
Cooties
120 bpm • D Maj • 01:31 • -6.23db
31% Popularity • 86% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 86% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Megan Hilty, Marc Kudisch and Ensemble
Cowgirl's Revenge
128 bpm • C# Maj • 02:03 • -7.72db
27% Popularity • 68% Danceability • 59% Energy • 79% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 68% Danceability • 59% Energy • 79% Liveness
0% Instrumentalness • 86% Positiveness
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Orfeh
Ireland - Reprise
128 bpm • D Maj • 00:55 • -8.72db
41% Popularity • 51% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 51% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Jim Corti
Harry Houdini, Master Escapist
120 bpm • D min • 00:58 • -15.03db
18% Popularity • 46% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 46% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Bring It On: The Musical - Original Broadway Cast
It Ain't No Thing
120 bpm • F Maj • 03:42 • -4.01db
36% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Carmen Cusack
Unsuspecting Hearts
120 bpm • C# Maj • 03:11 • -5.9db
28% Popularity • 45% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 45% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Keala Settle
I Didn't Plan It
120 bpm • F# Maj • 02:39 • -3.94db
47% Popularity • 62% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
47% Popularity • 62% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Aaron Tveit
Aftershocks
120 bpm • F# min • 01:47 • -19db
33% Popularity • 58% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 58% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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John Cullum
Mr. Cladwell
119 bpm • C# Maj • 02:43 • -10.67db
32% Popularity • 58% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 58% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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'Something Rotten' Company
Finale
129 bpm • C Maj • 02:31 • -6.17db
34% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Bebe Neuwirth
Just Around The Corner
129 bpm • F# Maj • 03:58 • -10db
39% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thataway!
119 bpm • C# min • 06:56 • -11db
24% Popularity • 58% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 58% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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'Anything Goes' New Broadway Cast Ensemble
There's No Cure Like Travel / Bon Voyage
129 bpm • G Maj • 01:54 • -7.8db
31% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Marin Mazzie
Come On-A My House - Live
119 bpm • C Maj • 03:45 • -13.16db
1% Popularity • 55% Danceability • 40% Energy • 96% Liveness
0% Instrumentalness • 46% Positiveness
1% Popularity • 55% Danceability • 40% Energy • 96% Liveness
0% Instrumentalness • 46% Positiveness
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Urinetown Musicians
I See a River
129 bpm • A Maj • 04:47 • -14.48db
26% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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A Gentleman's Guide To Love And Murder Original Broadway Cast
The Last One You'd Expect
119 bpm • A Maj • 06:21 • -9.62db
21% Popularity • 58% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 58% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Josie de Guzman
Follow the Fold
119 bpm • C Maj • 01:16 • -16.46db
28% Popularity • 76% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 76% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Rebecca Naomi Jones
Many A New Day
130 bpm • C Maj • 03:09 • -9.56db
26% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Beth Leavel
As We Stumble Along
118 bpm • A# Maj • 03:25 • -8.2db
31% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Gavin Creel
Hello, Little Girl
130 bpm • A# min • 02:41 • -13db
35% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Tim Curry
Come With Me - Broadway/Original Cast/20...
130 bpm • G Maj • 01:41 • -9.04db
32% Popularity • 30% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 30% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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A Gentleman's Guide To Love And Murder Original Broadway Cast
Finale
119 bpm • A# Maj • 02:22 • -8.72db
18% Popularity • 64% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 64% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Taylor Swift
I Can Do It With a Broken Heart
130 bpm • C Maj • 03:38 • -8.29db
83% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
83% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Bebe Neuwirth
When Velma Takes the Stand
118 bpm • C Maj • 02:13 • -11.97db
29% Popularity • 70% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 70% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Eddie Korbich
George's Triumph
118 bpm • G# Maj • 02:00 • -9db
22% Popularity • 69% Danceability • 49% Energy • 69% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 69% Danceability • 49% Energy • 69% Liveness
0% Instrumentalness • 53% Positiveness
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Brian D'Arcy James
Make Me Happy
118 bpm • G Maj • 04:14 • -6db
27% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Lauren Worsham
I've Decided to Marry You
118 bpm • E Maj • 04:03 • -9.02db
35% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Patina Miller
Glory
118 bpm • G# Maj • 05:54 • -8db
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Tommy Hollis
Look What You've Done
131 bpm • F# min • 06:01 • -11.6db
17% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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'The Drowsy Chaperone' Original Broadway Cast
Fancy Dress
131 bpm • C# Maj • 04:55 • -8db
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
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Julia Lester
I Know Things Now
131 bpm • C Maj • 01:55 • -10.42db
34% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
34% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Mindi Dickstein
Five Forever
131 bpm • E Maj • 02:38 • -8.05db
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
I'm Not That Smart
117 bpm • A Maj • 02:39 • -10db
33% Popularity • 66% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 66% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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Jenn Colella
28 Hours / Wherever We Are
131 bpm • E min • 07:33 • -8.57db
43% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
43% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Christy Altomare
We'll Go from There
117 bpm • G Maj • 02:52 • -8.5db
43% Popularity • 63% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 63% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Marin Mazzie
Evergreen - Live
117 bpm • A Maj • 03:55 • -17.72db
1% Popularity • 43% Danceability • 20% Energy • 75% Liveness
0% Instrumentalness • 46% Positiveness
1% Popularity • 43% Danceability • 20% Energy • 75% Liveness
0% Instrumentalness • 46% Positiveness
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Heidi Blickenstaff
What Kind of Girl Is She?
131 bpm • B Maj • 01:50 • -15.16db
20% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Pandemonium / My Favorite Moment of the ...
117 bpm • D Maj • 01:48 • -7.43db
30% Popularity • 57% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 57% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Gwen Verdon
I Know a Girl
132 bpm • C Maj • 02:04 • -19.33db
22% Popularity • 68% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 68% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Carmen Cusack
Unsuspecting Hearts - Reprise
116 bpm • D min • 01:52 • -10.54db
22% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Brian D'Arcy James
Your Fault
116 bpm • C# Maj • 01:41 • -8.89db
42% Popularity • 84% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 89% Positiveness
42% Popularity • 84% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 89% Positiveness
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Marin Mazzie
So in Love - Live
116 bpm • G min • 04:42 • -11.95db
1% Popularity • 47% Danceability • 39% Energy • 69% Liveness
0% Instrumentalness • 42% Positiveness
1% Popularity • 47% Danceability • 39% Energy • 69% Liveness
0% Instrumentalness • 42% Positiveness
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Rose
Some People
132 bpm • C Maj • 03:12 • -5db
25% Popularity • 59% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 59% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Bob Martin
As We Stumble Along - Reprise
116 bpm • F Maj • 02:35 • -10db
26% Popularity • 65% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 65% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Lewis Cleale
In a Little While
116 bpm • C# Maj • 03:12 • -14.8db
21% Popularity • 50% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 50% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Faith Prince
Sue Me
116 bpm • C min • 02:50 • -19db
31% Popularity • 61% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 61% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
39% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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2021 London Cast of Cabaret
If You Could See Her
116 bpm • F# Maj • 04:36 • -12.75db
30% Popularity • 53% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 53% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Vernon Duke
Just Like a Man
116 bpm • F Maj • 03:48 • -11.98db
0% Popularity • 50% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 50% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Karen Mason
Off with Their Heads
116 bpm • F# Maj • 03:00 • -14db
24% Popularity • 55% Danceability • 29% Energy • 44% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 55% Danceability • 29% Energy • 44% Liveness
0% Instrumentalness • 67% Positiveness
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Marin Mazzie
I Think I Love You - Live
115 bpm • G Maj • 02:22 • -9.2db
1% Popularity • 70% Danceability • 61% Energy • 71% Liveness
0% Instrumentalness • 42% Positiveness
1% Popularity • 70% Danceability • 61% Energy • 71% Liveness
0% Instrumentalness • 42% Positiveness
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A Gentleman's Guide To Love And Murder Original Broadway Cast
Overture / Prologue: A Warning to the Au...
115 bpm • A Maj • 01:20 • -8db
23% Popularity • 72% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 72% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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‘Into The Woods’ 2022 Broadway Cast
First Midnight
133 bpm • A# min • 01:11 • -7.32db
35% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Jeremy Jordan
When I Drive
115 bpm • B Maj • 02:14 • -8db
38% Popularity • 70% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 70% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Vernon Duke
No Talent at All
133 bpm • A min • 02:25 • -11db
0% Popularity • 47% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 47% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Stephen Schwartz
March Of The Witch Hunters
115 bpm • G# Maj • 01:31 • -8db
36% Popularity • 56% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 56% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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The Original Broadway Cast Of 'Curtains'
Show People
115 bpm • G Maj • 05:56 • -14.37db
27% Popularity • 66% Danceability • 29% Energy • 60% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 66% Danceability • 29% Energy • 60% Liveness
0% Instrumentalness • 65% Positiveness
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Marin Mazzie
Atlantic City
134 bpm • C Maj • 05:35 • -11.55db
18% Popularity • 46% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 46% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Sarah Jessica Parker
Happily Ever After
134 bpm • F Maj • 04:10 • -15db
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Denée Benton
Natasha & Bolkonskys
115 bpm • B min • 03:28 • -11.2db
36% Popularity • 79% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 79% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
