Songs like I Am Jesus by Infant Sorrow
Based on a tempo of (+/- 10%) and a similar genre
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Elliot Minor
Time After Time
130 bpm • F Maj • 03:55 • -3.97db
21% Popularity • 51% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 51% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Weezer
Represent
130 bpm • C Maj • 04:14 • -3.2db
23% Popularity • 42% Danceability • 98% Energy • 40% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 42% Danceability • 98% Energy • 40% Liveness
0% Instrumentalness • 13% Positiveness
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Reel Big Fish
She Has A Girlfriend Now - Best OF
130 bpm • D# Maj • 03:08 • -2.46db
16% Popularity • 75% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 98% Positiveness
16% Popularity • 75% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 98% Positiveness
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Infant Sorrow
I Am Jesus
130 bpm • G Maj • 02:39 • -4.48db
24% Popularity • 48% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 48% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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The Axis of Awesome
In the Club Tonight
130 bpm • A min • 03:27 • -6.54db
13% Popularity • 72% Danceability • 75% Energy • 91% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 72% Danceability • 75% Energy • 91% Liveness
0% Instrumentalness • 60% Positiveness
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Mark Aaron James
Aquaman's Lament
130 bpm • G Maj • 03:46 • -8db
18% Popularity • 70% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 70% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Taking Back Sunday
Capital M-E
130 bpm • C# Maj • 02:48 • -4.62db
29% Popularity • 51% Danceability • 96% Energy • 9% Liveness
4% Instrumentalness • 64% Positiveness
29% Popularity • 51% Danceability • 96% Energy • 9% Liveness
4% Instrumentalness • 64% Positiveness
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Andrew W.K.
Got To Do It
130 bpm • A Maj • 03:55 • -2.57db
27% Popularity • 60% Danceability • 99% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 60% Danceability • 99% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Hot Hot Heat
Give Up?
131 bpm • D min • 03:33 • -2.92db
22% Popularity • 40% Danceability • 99% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 40% Danceability • 99% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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The F-Ups
No No No
131 bpm • D# Maj • 02:48 • -2.75db
11% Popularity • 45% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 45% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Jimmy Eat World
Action Needs An Audience
131 bpm • D min • 02:40 • -3.83db
31% Popularity • 52% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 52% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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The Offspring
A Lot Like Me
129 bpm • A Maj • 04:28 • -4db
42% Popularity • 45% Danceability • 91% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
42% Popularity • 45% Danceability • 91% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Flight of the Conchords
A Kiss Is Not A Contract
129 bpm • G Maj • 01:54 • -10.79db
33% Popularity • 74% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
33% Popularity • 74% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
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MC Lars
Hipster Girl
128 bpm • G Maj • 03:42 • -5.73db
17% Popularity • 77% Danceability • 91% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 77% Danceability • 91% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
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Infant Sorrow
Just Say Yes
128 bpm • D Maj • 02:18 • -2.39db
23% Popularity • 48% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 48% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Andrew W.K.
I Love Music
128 bpm • C# Maj • 04:19 • -4.13db
15% Popularity • 26% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 26% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Kill Hannah
Boys & Girls
132 bpm • A Maj • 03:13 • -3.52db
22% Popularity • 54% Danceability • 92% Energy • 7% Liveness
2% Instrumentalness • 46% Positiveness
22% Popularity • 54% Danceability • 92% Energy • 7% Liveness
2% Instrumentalness • 46% Positiveness
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The Matches
Audio Blood
128 bpm • A Maj • 03:20 • -3.37db
36% Popularity • 49% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 49% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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AM Radio
Taken For A Ride
132 bpm • G# Maj • 02:59 • -3.44db
20% Popularity • 58% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 58% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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The Working Title
Beloved
132 bpm • D Maj • 04:27 • -4.75db
19% Popularity • 61% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 61% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Foxy Shazam
Unstoppable
128 bpm • D Maj • 03:33 • -3.34db
33% Popularity • 58% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 58% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Patent Pending
Douchebag
132 bpm • A Maj • 03:23 • -3.65db
26% Popularity • 61% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 61% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Communiqué
Perfect Weapon
132 bpm • G Maj • 03:16 • -3.5db
12% Popularity • 45% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 45% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Living Things
Let It Rain
133 bpm • C min • 03:51 • -4.17db
9% Popularity • 59% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 59% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Salads
Get Loose
128 bpm • D Maj • 02:24 • -7db
33% Popularity • 60% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 60% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Adam Sandler
The Lonesome Kicker
127 bpm • E Maj • 05:56 • -7.54db
20% Popularity • 62% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 62% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Phantom Planet
Do The Panic
133 bpm • C# min • 03:33 • -5db
40% Popularity • 63% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 63% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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The Beards
You Should Consider Having Sex with a Be...
127 bpm • B min • 03:42 • -4.67db
33% Popularity • 68% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 68% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Alien Ant Farm
Smooth Criminal
127 bpm • C Maj • 03:30 • -4.7db
47% Popularity • 63% Danceability • 95% Energy • 7% Liveness
91% Instrumentalness • 83% Positiveness
47% Popularity • 63% Danceability • 95% Energy • 7% Liveness
91% Instrumentalness • 83% Positiveness
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Double O Zero
The HiHi's
127 bpm • F# min • 03:20 • -4.08db
6% Popularity • 59% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
6% Popularity • 59% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Kill the Alarm
Sit Up
127 bpm • D Maj • 03:56 • -4.01db
7% Popularity • 59% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 59% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Billy Talent
Stand up and Run
127 bpm • D Maj • 03:20 • -4.26db
36% Popularity • 57% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 57% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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OK Go
The Fix Is In
133 bpm • C# min • 03:53 • -6.85db
23% Popularity • 59% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 59% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Handsome Devil
Makin' Money
134 bpm • C Maj • 03:30 • -4.69db
17% Popularity • 57% Danceability • 92% Energy • 44% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 57% Danceability • 92% Energy • 44% Liveness
0% Instrumentalness • 70% Positiveness
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American Hi-Fi
Vertigo - Demo
127 bpm • D# Maj • 02:12 • -5db
39% Popularity • 34% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 34% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Over It
Gunslinger (Runnin' Out of Time)
134 bpm • A# Maj • 03:55 • -4.44db
9% Popularity • 55% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 58% Positiveness
9% Popularity • 55% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 58% Positiveness
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Flobots
Defend Atlantis
134 bpm • A min • 05:02 • -5.04db
26% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The Lonely Island
The Creep
134 bpm • C# Maj • 02:39 • -4db
44% Popularity • 76% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 76% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Jackie Q
Ring 'Round
126 bpm • C# min • 02:29 • -5.79db
25% Popularity • 72% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 72% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
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Tenacious D
Friendship
126 bpm • E Maj • 01:59 • -4.68db
37% Popularity • 61% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 61% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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The Offspring
Vultures
126 bpm • C Maj • 03:34 • -5.14db
42% Popularity • 57% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 57% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Left Front Tire
Bring You Down
134 bpm • G Maj • 02:29 • -5.27db
37% Popularity • 29% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 29% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Audiovent
The Energy
135 bpm • D Maj • 04:13 • -7db
38% Popularity • 43% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 43% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Rise Against
Long Forgotten Sons
135 bpm • C# min • 04:01 • -3.26db
47% Popularity • 47% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 47% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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MC Lars
Download This Song
135 bpm • C Maj • 03:44 • -5db
29% Popularity • 68% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 68% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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War Stories
Take My Everything
125 bpm • B min • 03:39 • -3.73db
11% Popularity • 53% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 53% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Reel Big Fish
Good Thing
125 bpm • C Maj • 03:38 • -3.84db
27% Popularity • 61% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 61% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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OK Go
Do What You Want
135 bpm • E Maj • 03:06 • -2db
43% Popularity • 51% Danceability • 88% Energy • 19% Liveness
1% Instrumentalness • 76% Positiveness
43% Popularity • 51% Danceability • 88% Energy • 19% Liveness
1% Instrumentalness • 76% Positiveness
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The Beards
I'm in the Mood… for Beards
125 bpm • A Maj • 04:43 • -4.95db
19% Popularity • 67% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 67% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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The Wolfmen
Jackie Says
125 bpm • A Maj • 03:20 • -3.34db
10% Popularity • 46% Danceability • 94% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
10% Popularity • 46% Danceability • 94% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
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Smash Mouth
Your Man
135 bpm • B Maj • 03:36 • -5.54db
21% Popularity • 59% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 59% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Jon Lajoie
The Birthday Song
125 bpm • D Maj • 02:11 • -5db
32% Popularity • 82% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 82% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Reel Big Fish
I Dare You To Break My Heart
135 bpm • C Maj • 05:15 • -2.42db
33% Popularity • 74% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 74% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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The Lonely Island
Ras Trent
135 bpm • D Maj • 02:05 • -3.34db
30% Popularity • 68% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 68% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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American Hi-Fi
Hi-Fi Killer
136 bpm • C Maj • 03:05 • -3.34db
21% Popularity • 48% Danceability • 97% Energy • 42% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 48% Danceability • 97% Energy • 42% Liveness
0% Instrumentalness • 22% Positiveness
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Billy Talent
The Navy Song
136 bpm • G Maj • 04:31 • -4.16db
43% Popularity • 35% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 35% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Smash Mouth
Holiday In My Head
124 bpm • C Maj • 02:40 • -2.87db
30% Popularity • 64% Danceability • 98% Energy • 69% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 64% Danceability • 98% Energy • 69% Liveness
0% Instrumentalness • 97% Positiveness
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Jon Lajoie
Radio Friendly Song
135 bpm • C Maj • 03:45 • -4.7db
20% Popularity • 40% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 40% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Reel Big Fish
The Set Up (You Need This)
124 bpm • E Maj • 04:22 • -4.6db
27% Popularity • 42% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 42% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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The Lonely Island
Equal Rights
136 bpm • E min • 02:24 • -6.17db
44% Popularity • 74% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 74% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Rock Kills Kid
Midnight
124 bpm • A# min • 03:34 • -3.57db
10% Popularity • 64% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 64% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmy Eat World
Coffee And Cigarettes
137 bpm • A# Maj • 03:45 • -4db
36% Popularity • 44% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 44% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Student Rick
Monday Morning
137 bpm • E Maj • 02:42 • -4.87db
20% Popularity • 29% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 29% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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American Hi-Fi
The Geeks Get the Girls
137 bpm • A Maj • 02:50 • -4.45db
46% Popularity • 57% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 57% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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The Automatic
Responsible Citizen
137 bpm • F# Maj • 03:34 • -2.53db
10% Popularity • 43% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 43% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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OK Go
A Good Idea At The Time
123 bpm • A min • 03:14 • -2.38db
28% Popularity • 52% Danceability • 83% Energy • 2% Liveness
1% Instrumentalness • 71% Positiveness
28% Popularity • 52% Danceability • 83% Energy • 2% Liveness
1% Instrumentalness • 71% Positiveness
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The Axis of Awesome
How To No.3
123 bpm • A# Maj • 01:16 • -8.31db
20% Popularity • 77% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 77% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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CKY
Afterworld
123 bpm • D Maj • 04:38 • -5.86db
27% Popularity • 45% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 45% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Flight of the Conchords
Friends
123 bpm • D Maj • 02:03 • -11db
38% Popularity • 85% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 85% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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American Hi-Fi
Surround
123 bpm • F# Maj • 03:11 • -3.46db
23% Popularity • 50% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 50% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Smash Mouth
She Turns Me On
123 bpm • D Maj • 03:12 • -3.21db
19% Popularity • 66% Danceability • 97% Energy • 50% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 66% Danceability • 97% Energy • 50% Liveness
0% Instrumentalness • 97% Positiveness
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Home Town Hero
Questions
138 bpm • F# Maj • 02:12 • -2.6db
16% Popularity • 46% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 46% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Death! Death! Die!
U Can Go Fuck Urself
138 bpm • E Maj • 04:01 • -4.74db
9% Popularity • 43% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 43% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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The Automatic
Steve McQueen
138 bpm • B Maj • 03:42 • -2.02db
32% Popularity • 38% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 38% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Andrew W.K.
Girls Own Love
138 bpm • C Maj • 03:13 • -3.65db
32% Popularity • 50% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 50% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Sugar Ray
Sorry Now
122 bpm • G# Maj • 03:17 • -6.39db
30% Popularity • 49% Danceability • 86% Energy • 34% Liveness
2% Instrumentalness • 55% Positiveness
30% Popularity • 49% Danceability • 86% Energy • 34% Liveness
2% Instrumentalness • 55% Positiveness
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Smash Mouth
Hang On
138 bpm • C Maj • 02:53 • -4.41db
30% Popularity • 66% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 66% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Nice Peter
Hard To Stay
122 bpm • G Maj • 02:33 • -7.01db
10% Popularity • 88% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 88% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Jim's Big Ego
The Ballad of Barry Allen
122 bpm • F Maj • 04:14 • -8.02db
31% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Dan Band
Milkshake - Live
122 bpm • C Maj • 01:11 • -3.6db
17% Popularity • 72% Danceability • 96% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 72% Danceability • 96% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
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Rock n Roll Soldiers
Funny Little Feeling
139 bpm • A Maj • 02:49 • -6db
37% Popularity • 55% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 55% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Ima Robot
Disconnect
139 bpm • D Maj • 03:30 • -2.95db
10% Popularity • 58% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 58% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
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The Offspring
Turning Into You
139 bpm • C min • 03:41 • -2db
42% Popularity • 51% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 51% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Ash
Vampire Love (2022 Remaster)
121 bpm • G Maj • 03:46 • -5.32db
23% Popularity • 49% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 49% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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NOFX
Dinosaurs Will Die
121 bpm • G Maj • 02:51 • -4.41db
36% Popularity • 34% Danceability • 88% Energy • 19% Liveness
3% Instrumentalness • 35% Positiveness
36% Popularity • 34% Danceability • 88% Energy • 19% Liveness
3% Instrumentalness • 35% Positiveness
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Rise Against
Ballad Of Hollis Brown
121 bpm • F# Maj • 05:11 • -5.38db
30% Popularity • 44% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 44% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Jon Lajoie
High as F%#K
140 bpm • E Maj • 02:54 • -11.05db
37% Popularity • 52% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 52% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Flobots
Infatuation
140 bpm • D min • 04:26 • -5.79db
17% Popularity • 54% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 54% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
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I Fight Dragons
Save World Get Girl
140 bpm • C# Maj • 02:46 • -4.28db
26% Popularity • 59% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 59% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Flight of the Conchords
Too Many Dicks (On The Dance Floor)
140 bpm • F# Maj • 02:28 • -7db
39% Popularity • 89% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 89% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Alien Ant Farm
Good (For A Woman)
140 bpm • A Maj • 02:28 • -3.79db
34% Popularity • 54% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 54% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Grand Theft Audio
We Luv U
140 bpm • B Maj • 03:24 • -5.68db
26% Popularity • 40% Danceability • 99% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 40% Danceability • 99% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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Jon Lajoie
Chatroulette Song
140 bpm • D Maj • 01:36 • -10.6db
18% Popularity • 62% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 62% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Head Automatica
Graduation Day
140 bpm • G Maj • 03:42 • -4db
27% Popularity • 42% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 42% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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The Beards
Why Having a Beard is Better than Having...
120 bpm • D Maj • 02:58 • -5.12db
19% Popularity • 69% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 69% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Talent
Sympathy
120 bpm • G min • 03:18 • -3db
45% Popularity • 69% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 69% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Elliot Minor
Still Figuring Out
120 bpm • D Maj • 03:29 • -4.82db
24% Popularity • 50% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 50% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Andrew W.K.
Fun Night
120 bpm • D Maj • 03:23 • -3.51db
30% Popularity • 58% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 58% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness